California - Landscape Photography

This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed in Photo Rag using only archival ink. 40x90 Edi...

On the Road (The Last Picture Show) - 1999 44x75cm including the white frame, image areas: 30x29cm each. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the 2 ori...

Verbier Vacation: Skiiers on holiday take in the sun on a snow-covered mountain top in Verbier, 1964. In one of Slim Aarons most popular and iconic images, bright, colorful notes of red, yellow, blue and green punctuate the clean white snow, with majestic peaks in the background. In the foreground, holiday-goers, including two children, lounge in a perfect vintage moment of casual winter glamour. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Verbier Vacation, 1964 Slim Aarons Estate Edition Photograph Lambda Print Estate Embossed with 2 Certificates of Authenticity Printed Later 4 sizes available Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Verbier is an Alpine village in Switzerland’s Valais Canton. It's the gateway to the 4 Vallées ski area. Trails on Mont Fort Glacier have views of the Matterhorn and Mont Blanc. Mont Gelé is known for its off-piste ski slopes. South, in secluded Haut Val de Bagnes nature reserve, waterfalls cascade into Mauvoisin Lake, site of the arched Mauvoisin Dam. Alpine-inspired art dots the 3D Foundation's Sculpture Park. It is a holiday resort and ski area in the Swiss Alps and is recognised as one of the premier backcountry ski resorts in the world. Some areas are covered with snow all year. Skiers have settled in the Verbier area in order to take advantage of the steep slopes, varied conditions, and resort culture. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage Verbier, Vintage Ski...

Magic Hour (Musica Poetica) - 1999 Edition 3/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Three Girls II (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

A Rainy Day (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

A Rainy Day (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Snow Round The Pool: Bathers having a winter dip in a pool at Vail, Colorado, March 1964. 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 E...

On the Way to Big Sur (The Last Picture Show) - 2000 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory number: 969. ...

A Mirage (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Fall (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inv...

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist Inventory No. 695.03...

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Artist inventory...

Dodger Stadium (The Last Picture Show) - 2000 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory number: 782. Signat...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

This piece has been matted - image of flower is: 16 x 21.5 in. - matted with 8 ply museum archival matt, external dimensions: 22.5 x 28 in.- Edn of 25. 3 sizes, framing available up...

Hand printed by artist Signed in pencil on recto. Taken in Quebec City

'Wonder Wheel' (Strange Love) - 2010 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory No. 6...

Street Spirit (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv...

Hand Printed Photograph by the artist Signed in pencil on recto Edition 30/75 Printed 2008 Comes with a limited edition hard bound slip case cover book 'Fractal Dreams' Signed, titl...

Hard Times (Bombay Beach, CA) - 2022 20x25cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wat...

Hard Sun (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL...

Plane mist - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4663. Not mounted. ...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series Story Lines Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

SOS (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL2022-...

From Here to Eternity (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Ar...

Shell (Stranger than Paradise) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature ...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

Plane anomaly - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4668. Not mounted...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Up up and away - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

Keys View (29 Palms, CA) - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25061....

29 Palms (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist I...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Self Portrait (Paris) - 1995 50x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25087. N...

Into the Sun (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inven...

Vertical Speed (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

Final Approach (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

Untitled (Nr. 3968) Photography 18" x 24" Edition of 20 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmina...

Plane Mirage (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inven...

Airspace (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory...

Untitled (Nr. 0007) Photography 18" x 24" Edition of 20 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmina...

Downwind Leg (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inven...

Absolute altitude (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist ...

Ground Control (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

Horizontal Stabilizer (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Art...

Operating Limitations (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Art...

Magnetic Compass (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist I...

Plane Mirage - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4645. Not mounted...

Street Corner LS (Stranger than Paradise) - 2003 60x80cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. based on t...

Landed - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4671. Not mounted. St...

Train crosses Plain (Wastelands) - 1999 55x72cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. Sign...