California - Floor Lamps

19th century Middle Eastern Islamic Moorish pierced brass and copper floor lamp. Beautiful Middle Eastern Islamic Syrian, Persian style brass floor lamp is handcrafted with Moorish calligraphy Arabian designs. Extremely fine antique Islamic floor brass lamp with Kufic Mamluk revival pierced foliate openwork’s chased and chiselled with Arabic calligraphy and figures. The Moorish brass shade is intricately hand-pierced with Islamic Tuluth writing and designs. Great exquisite Middle Eastern Asian Museum quality piece, beautiful desirable patina. Same floor lamp could be found at the Doris Duke Islamic Art Museum. Hand-hammered decorative collector Islamic brass Moorish folk art Antique 19th century Middle Eastern floor lamp...

The kite: that was the name Pierre Guariche himself coined for this striking floor lamp. Its white lacquered perforated steel shade immediately catches the eye, clearly suggesting th...

Style: French Condition: Newly Rewired, New Shades Dimensions: 27.50”H x 7”W x 6.50”D Shade: 10"H x 15"W x 15"D

Isamu Noguchi Akari 10A floor lamp. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Highly c...

The De-Lux series has remained only an idea of Gio Ponti, who in 1955 quickly but precisely sketched it on a notebook. In 2017, together with Gio Ponti Archives, TATO did a philologi...

Pascal floor lamp by Vico Magistretti for Oluce. Originally designed in Italy, 1983. Oluce's newest offering of this model comes ...

19th century antique Japanese Meiji bronze floor lamp. This finely cast, well composed, pedestal lamp depicts mythical creatures on the base, cranes in high relief on the stem are...

Rare sculptural floor lamp. floor lamp designed in style of Italian designer Tommaso Barbi during the 70s. It has been left in original vintage condition with patina and spots on t...

198's Multidirectional floor Lamp by Kovacs the lamp splits in 2 for easy shipping the shade rotates and the arm moves up and down , side to side .

Nun 'Drape' Alabaster Floor Lamp in the Manner of Pierre Chareau The Nun 'Drape' floor lamp is the double sided carved wood base version of the Nun floor collection. Handcrafted in Los Angeles in the workshop of noted French designer and antiques dealer Denis de le Mesiere, who meticulously pays homage to the work of Pierre Chareau with scrupulous attention to detail and materials. Executed in the highest quality solid European alabaster mounted with black oxidized steel brackets onto a dark walnut base with satin finish. Also available in other wood finishes. This ultra-refined design adds a sculptural element and focal point of incomparable beauty. Price is per item. Available to order in unlimited quantities as well as in table and desk lamp versions, please see our separate listings. This listing is for the 'Nun Drape' floor lamp with black hardware and walnut wood. Accommodates one standard medium base US bulb and is compatible for US electrical. TCP Dimmable 2700K G-16 Globe...

🌟 Stunning 1980's Hollywood Regency Floor Lamp for Sale! 🌟 Elevate your space with this exquisite Hollywood Regency style floor lamp, reminiscent of vintage glamour and sophistica...

Spectacular Brutalist concrete and glass mosaic floor lamp. Likely originating from a German church, this statement piece has shards and chunks of red-orange and neutral stained glas...

This is a striking tripod base wrought iron lamp. The oil reservoir, the vintage style cord and the tripod that rests on scrolled feet make it a standout. This is a vintage Colonial ...

'Corona' Floor Lamp V.L. Porcelli and C. Basile for Porcelli Associates. Designed and manufactured in the US around the 1980s. A heavily weighted base cylinder and two paralleled st...

Isamu Noguchi Model 14A Akari Light Sculpture. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stam...

Alexey's functional sculpture and table lamp draws inspiration from the intriguing world of mushrooms and fungi. The unique shapes of these organisms, connected by an underground roo...

The sculptural 'Cubyx' lamp is made of a jointed translucent onyx panel cube placed on a tripod base. The bulb is changed by lifting the top portion (3 jointed panels) of the cube. P...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

Akari model 7AD light sculpture by Isamu Noguchii. The shade is made from handmade washi paper, wood and bamboo ribs with authentic Noguchi Akari manufacturer's stamp. Akari light sculptures by Isamu...

Elevate your space with this stunning Vintage Swedish Mid Century Modern Teak Floor Lamp, designed by the renowned George Kovacs and dating back to the sophisticated 1960s era. Craft...

Isamu Noguchi Akari 10A floor lamp. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Highly collectible, Akari light sculptures b...

Attractive pair of Italian neoclassical style parcel-gilt and patinated bronze opposing figures of artistic maidens surmounted by moulded glass shades made into lamps, all standing o...

Italian 1950s floor lamp -dry bar. Dry bar have 2 lights bulbs and when the door closes, the switch automatically turns off. Switch for the floor lamp is...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

At 4.29 p.m. on 9th February, 1927 Eduard-Wilfrid Buquet feild his patent for parts of this table lamp, particularly the flexible joints, at the Ministère du Commerce et l'Industrie ...

The El Monte lamp is made from turned solid American walnut or white oak with a brass knuckle. The drum shade is linen and includes a diffuser. The Lawson-Fenning Collection is desi...

French 1950s Brass Floor Lamp by Maison Lunel This exquisite floor lamp, standing at 74" tall with a base that measures 20.5" W x 9" ...

Pair of Sciolari brass and glass rods floor lamps for Lightolier. Original light bulbs have been replaced with new LED pipe bulbs that will last a lifetime. Shades not included.

Rare floor lamp by Guillereme et Chambron with tall oak frame and four bright blue signature ceramic sockets. New linen shade sits inside the oak rim Wonderful piece.

Dutch Mid-Century, 1960's floor lamp with height and position adjustment. Light is made from black enameled metal and has an attractive, contrasting chrome stem. In original conditio...

Rare adjustable-height floor lamp by Guillereme et Chambron with original turquoise blue ceramic sockets. Features a built-in table with a drawer and a stunning green tile top. A ...

A fantastic post-modern tubular floor lamp in chrome by Robert Sonneman, circa 1970s. The lamp is in good vintage condition with some minor pitting on the base and measures 26"W x 11...

A pair of striking and unique circa 1920 tall Art Deco wrought iron and metal “Diana the Huntress”-themed floor lamps from the famous and prestigious St. Francis Hotel in downtown Sa...

Pair of floor lamps designed by Philippe Starck for the Clift Royal Sonesta Hotel, San Francisco, CA., circa 2001. Lamps have been professionally rewired with on/off switches. Each f...

Handsome brass and metal floor lamp in the style of French designer Jacques Adnet. Circa 1950s. Circular metal base and stem are one solid piece. Height adjustable curved brass rod. ...

This is a handsome chrome plated floor lamp designed by Charles Hollis Jones. Originally commissioned for Lucille Ball in the 1960s, this sleek chrome plated lamp is weighted at the ...

Moderne Art Deco torchiere by Marbro Lamp Co. This lamp has a ribbed wood column with an aluminum shade and base. The lamp has a three way mogul soc...

Conceived by André Ricard in 1970. Its name is a nod to the artist Lucio Fontana, who challenged the history of art by slashing his neat oil paintings. His was an art for the Space Age that sought to turn pieces into experiments in a new three-dimensionality. Santa & Cole presents Fontana together with a new floor version, both in white painted steel finish. The pendant version, being the first, maintains its futuristic look thanks to the good dimension of its more than half sphere and the unmistakable tear that illuminates peripherally allowing a soft indirect lighting. Its interior now houses an efficient light plate...

Baluster floor lamp Moss/Webb design Cloisonné Handmade Silk shade Limited edition The cloisonné technique is an enameling on metal technique ...

Rare pair of curvaceous brass pharmacy floor lamps made in the art deco taste by Casella Lighting, Sacramento, CA. The lamps feature a gracefully curved arc supporting an arrow forme...

The Petal Lamps by R&Y Augousti are a striking testament to contemporary design infused with timeless elegance. These sculptural table lamps feature an exquisite interplay of materia...

Mariano Fortuny Photographer floor lamp, c.1980s, Italy. The floor lamp is constructed of a black steel tripod frame with a two toned black and white cotton lamp shade. The shade swi...

Mathieu Mategot inspired floor lamp with black enameled metal frame and Greta Grossman grasshopper style tripod base. The lamp features a shaggy grass woven shade and a little perfor...

Wonderful vintage twisted wood floor lamp from France, 1940's. Large twisted wood stem and cross base. Original finish shows wonderful age and patina. Natural cracks in wood add grea...

1970’s Polished chrome floor lamp by Charles Hollis Jones. Newly rewired and new oatmeal linen shade. It takes two 75w Max E26 Bulbs. Measurements: 20” Diameter, 58.5” High. Base ...

This beautifully restored pair of Paul Frankl-Style rattan & Koa wood lamps both feature a sculpted koa wood base with ricmate wrapped along the center of the lamp. Each lamp feature...

Elevate your space with this stunning pair of vintage wrought iron floor lamps, featuring intricately designed bases and gorgeous amber mica lantern shades. Crafted in a Mission or A...

Akari model 9A light sculpture by Isamu Noguchii. The shade is made from handmade washi paper, wood and bamboo ribs with authentic Noguchi Akari manufacturer's stamp. Akari light scu...

Modern Floor Lamp designed and manufactured by Laurel Lamp Co. in the United States circa 1960’s. This sleek, minimalist design features a tall walnut wood body with a travertine sto...

Rare, early floor lamp by Poul Henningsen for Louis Poulsen with two layer opaline glass PH 4/3 shade set, bakelite socket and cover plate. The lamp is wired for US standards with br...

Sculptural Patinated Bronze Square Floor Lamp sitting on a rosewood plinth base by Lawerence & Scott. This iconic design was featured in several of Ma...

Exceptional French 1940s wrought iron candelabra in the style of Gilbert Poillerat. Can be used as is or turned into a chic floor lamp.

With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage designs that can seamlessly be incorpo...

Condition: Newly Rewired, Chrome Shows Patina

Mid Century Brutalist iron table lamp Mid-Century Modern Brutalist iron sculptural lamp in black & rust. 1The sculpture of torch cut steel in a be...

A beautiful, French, handwrought iron floor lamp with Renaissance Revival influences; textural, hammered accents, and leaf details on the stem, circa late 1930s. Measures: 67.75" hei...

This amazing vintage 1970s floor lamp was made by the iconic Casella. Purchased by the original owner, this exact style is retired and no longer available. What makes it special is i...

A minimalist statement in form and proportion, tube top combines a transparent formed acrylic base to support its elegant mesh fabric shade in tension, steering away from conventiona...