Cleveland - Figurative Paintings

André Vignoles (French, 1920-2017) Pears and Peppers, 1957 Oil on canvas Signed and dated lower left 48 in. h. x 28 in. w., as framed 39 in. h. x 19 in. w., canvas André Vignoles wa...

Abel Warshawsky (American, 1883-1962) The Luxembourg Gardens, Paris, 1909 Oil on panel Signed and dated lower right, titled verso 8.5 x 10.5 inches 13.75 x 16 inches, framed Impressionist painter A.G. Warshawsky was active in Cleveland, Paris and Monterey, California. Although Warshawsky is known as a classic Impressionist, he is also known for using a realistic style in his portraiture. Warshawsky was born in 1883 in Sharon, Pennsylvania to Ezekial and Ida Warshawsky, Jewish immigrants from Poland. The family then moved to Cleveland, Ohio. His brother Alexander (Xander) also became an accomplished painter in his own right. Warshawsky graduated from the Cleveland School of Art in 1900, taught by Louis Rorimer...

Paul Riba (American, 1912-1977) Rhino Oil on paper Signed lower right 22.5 x 29 inches 27.5 x 34.25 inches, framed Paul Riba was a painter of Magic Realism. He explored the unreal ...

William Eastman (American, 1881-1950) Finsevand Norwegian Glaciers, 1922 Oil on canvas 21 x 18 inches Exhibited: 1923 Cleveland Museum of Art May Show Born in Cleveland in 1881, Wil...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life with Pheasant and Owl Oil and pastel on canvas Signed...

Richard Andres American, 1927-2013 Summer Idyl, c. 1985 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 44.75 x 62.75 inches Richard Andres wa...

Clarence Holbrook Carter (American, 1904-2000) Quadratic, 1979 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches 31.5 x 23.5 inches, framed A surreal...

Henry George Keller (American, 1869–1949) Shepherdess with Sheep and Dog, Munich, 1891 Oil on canvas Signed and dated lower left 19 x 24 inches 25 x 30 inches, framed Keller, a lead...

Clarence Holbrook Carter (American, 1904-2000) Cicada, c. 1960s Watercolor on scintilla 30 x 20 inches Clarence Holbrook Carter achieved a level of national artistic success that wa...

Chimeras, 1974 Acrylic and pastel on textured paper Mid-century figural abstract blue acrylic painting Clarence Holbrook Carter achieved a level of national artistic success that w...

Richard Andres American, 1927-2013 The King of Diamonds Accepts Challenges, 1982 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 47.5 x 47.5 in...

Richard Andres American, 1927-2013 Untitled, c. 1984 acrylic and ink on paper mounted on canvas signed lower right 19 x 16 inches Richard Andres was born in Buffalo, New York in 192...

Frank Nelson Wilcox (American, 1887-1964) The Entertainment, c. 1955 Watercolor on paper Signed lower right 20 x 30 inches Exhibited: 1955 May Show, Cleveland Museum of Art "The first district schools were log houses...

Richard Andres American, 1927-2013 oil on canvas signed and titled verso 19.5 x 24 inches 20 x 25 inches, framed Richard Andres was born in Buff...

Venetian Canal, c. 1910-11 Tempera on board Signed lower right 24 x 30 inches 30 x 36 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, ...

Henry George Keller (American, 1868-1949) Cattle Series Study, 1901 Oil on canvas Signed verso 22 x 26 inches 28.5 x 33 inches, framed Keller, a leading painter in Cleveland, was born at sea, off Nova Scotia on April 3, 1869. His earliest training was in Karlsruhe, Germany under Hermann Baisch (1846-1894), then at the Cleveland School of Art...

Clarence Holbrook Carter (American, 1904-2000) King Tut No. 2, 1968 Gouache on paper Signed and dated upper right 11.25 x 8.25 inches 25.5 x 20.5 inches A surrealist mid-century fig...

Jonas Lie (American, 1880-1940) Boat at the End of a Jetty OIl on canvas board Signed lower right 12.75 x 10.5 inches 18.75 x 16.75 inches, framed Jonas Lie was a prolific painter, ...

Clarence Holbrook Carter (American, 1904-2000) Seeing Egg No. 2, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches 34 x 29 inches, framed A surrealis...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Clarence Holbrook Carter (American, 1904-2000) Night Garden, 1972 Acrylic on scintilla Signed and dated lower right 21.5 x 21.5 inches 24.25 x 24.25 inches, framed Clarence Holbroo...

Louis Bosa (Italian-American, 1905–1981) Island of the Monks, c. 1930 Oil on masonite Signed lower right 14 x 24 inches 23 x 33 inches, framed Born in Codroipo, a small village only...

Louis Bosa (American, 1905-1981) Cathedral in Venice Oil on canvas Signed lower left 60.25 x 40.25 inches 66.5 x 46.5 inches, framed Born in Codroipo, a small village only a few mi...

Ferdinand Burgdorff (American, 1881-1975) Pantheum Moonlight, 1916 Oil on canvas Signed and dated lower right 16 x 24 inches 21.5 x 29.5 inches, framed Born in Cleveland, Ohio, Ferd...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Untitled, c. 1950 Oil on paper Signed lower right 12.5 x 19 inc...

Abel Warshawsky (American 1883-1962) Spring Fantasy, 1948 Oil on artist's board Signed lower right and verso 16 x 13 inches 20 x 17 inches, framed Impressionist painter A.G. Warshaw...

Gretchen Oldfather Troibner (American, b. 1953) Strange Woods Casein on paper Signed with monogram lower right 16.5 x 12.75 inches 27.5 x 22.5 inches Gretchen Troibner is an America...

Clarence Holbrook Carter (American, 1904-2000) Chromatic, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches A surrealist mid-century figural abstrac...

Clarence Holbrook Carter (American, 1904-2000) Up the Avenue, 1979 Acrylic and collage on paper Signed and dated lower right 15 x 11 inches A surrealist mid-century figural abstract...

Clarence Holbrook Carter (American, 1904-2000) The Way Out, 1992 Acrylic on paper Signed and dated upper right 24 x 30 inches Figural abstract vibrant orange geometric painting. C...

Riders Through the Canyon, c. 1941 Oil on board Signed lower right 24 x 32.25 inches "Also, on this second trip the significant colors of the Southwest became apparent - the prep...

Clarence Holbrook Carter (American, 1904-2000) Icon Mandala, 1967 Acrylic on paper Signed and dated lower right 30 x 22 inches Clarence Holbrook Carter achieved a level of national ...

Clarence Holbrook Carter (American, 1904-2000) Reverberations, 1970 Acrylic on illustration board Signed lower left 20 x 30 inches Mid-century abstract surrealist black acrylic painting...

George Gustav Adomeit (American, 1879-1967) Cape Ann Coast, 1922 Oil on canvas Signed lower left 20 x 24 inches 20.5 x 24.5 inches, framed A major painter of American scene subjects...

Viktor Schreckengost (American, 1906-2008) Cityscape Watercolor Signed lower right 22 x 30 inches 25.25 x 33.5 inches, framed The son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now the Cleveland Institute of Art, or CIA) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist. A year later, at the age of 25, he became the youngest faculty member at the CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were shown at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere. By the mid-1930s, Schreckengost had begun to pursue his interest in industrial design. For American Limoges...

May Lydia Ames (American, 1863-1943) Landscape with Covered Bridge Oil on canvas Signed lower left 9.75 x 8 inches 14.5 x 13 inches, framed May Ames was born in Cleveland in 1863 an...

Joseph Glasco (American, 1925-1996) Standing Man, 1955 India ink and gouache on textured paper 10 x 8 inches 16.75 x 13.5 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

American School, Mid-19th Century The Clipper Mary Lee in High Seas Oil on canvas Unsigned 25 x 35 inches

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

John Teyral (American, 1912-1999) Fishing Village, Sicily, c. 1965 Oil on canvas Signed upper right 37.5 x 44.5 inches, framed John Teyral was one of Cleveland's most acclaimed arti...

Louis Bosa (American, 1905-1981) Nuns in My Studio Oil on canvas Signed lower right 10 x 14 inches 15.5 x 19.5 inches, framed Born in Codroipo, a small village only a few miles from...

Clarence Van Duzer (American, 1920-2009) The Sea, c. 1950 Asphaltum, encaustic and silver leaf on masonite Signed upper left 48.5 x 48 inches In the annals of Cleveland art history,...

Joseph B. O'Sickey (American, 1918-2013) Evening Still Life Oil on canvas Signed lower right 32 x 24.5 inches 34.25 x 27.25 inches, framed Joseph O'Sickey, born in Detroit in 1918, ...

Charles Salis Kaelin (American, 1858–1929) Harbor and Town Oil on canvas 25.75 in. h. x 27.75 in. w., as framed 18 in. h. x 20 in. w., canvas Described as an artist whose "love of nature amounted to a passion," Charles Salis Kaelin was one of the earliest American exponents of Divisionism. A respected member of the art colony at Rockport, Massachusetts, Kaelin's colorful renderings of Cape Ann...

Cynthia Bissell (American, 1924-2000) Changing Bear Maiden, 1962 Oil on canvas Signed and dated lower right 20 x 50 inches 26 x 56 inches, framed Cynthia Bissell was an American art...

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

Louis Bosa (American, 1905, 1981) Rockport , 1971 Oil on Masonite Signed lower right, signed, dated and titled verso 10 x 16 inches 17 x 23 inches, framed Born in Codroipo, a small ...

Paul Riba (American, 1912-1977) Wart Hog Oil on paper Signed lower right 18 x 15 inches 24.25 x 21 inches, framed Paul Riba was a painter of Magic Realism. He explored the unreal j...

Charles Mayes Wigg (British, 1889-1969) Sailing the Norfolk Broads Oil on canvas Signed lower left, signed and inscribed verso 12 x 16 inches 16 x 20.5 inches, framed Charles Mayes Wigg was a British landscape artist working mostly in watercolours and as an etcher, with only occasional paintings in oils. The Norfolk coast and scenery of the Broads gave him the subjects for his work, and his etchings were mostly of boats. He exhibited regularly at the Norwich Art Circle between 1909 and 1936, at the Royal Academy in 1915 and also with the British Water-colour Society. Wigg was born in Nottingham, England on 13 January 1889. The eldest son of Mayes Wigg, a bank manager, and Agnes Wigg (formerly Sudbury), he grew up at Watton and Cromer in Norfolk and was educated at Gresham's School. In 1911, he arrived at the Norwich School of Art and later studied with Frank Spenlove-Spenlove at his Yellow Door School of Art in Beckenham, Kent. During the First World War, Wigg served with the British Army and saw active service at Gaza. In 1916, he was invalided out of the army with severe leg injuries, and was left with a disability for the rest of his life. Returning to his career as an artist and illustrator, he subsequently found life afloat easier than life on land and for many years lived and painted in a house-boat on the Norfolk Broads. He also had studios at The Thatched House, Brundall, his parents' home, and at Rose...

Louis Bosa (American, 1905-1981) The Beach, c. 1960 Oil on board Signed lower left 11.75 x 19.5 inches 20 x 28 inches, framed Born in Codroipo, a small village only a few miles fro...

Clarence Holbrook Carter (American, 1904-2000) Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio, 1929 Watercolor on paper Signed and dated lowe...

An amazing, magical realism painting by renowned artist, Herbert Laurence Davidson (1930-2018). This painting depicts a young boy’s innocent discovery on the beach of a sand sculptur...

Thelma Frazier Winter (American, 1905-1977) On the Balcony Pastel on paper Signed lower right 20 x 16 inches Thelma Frazier Winter was an American enamelist, ceramic sculptor, and p...

Abel Warshawsky (American, 1883-1962) Still Life Oil on canvas Signed upper right 32 x 25.5 inches Provenance: From the Alexander Warshawsky Estate Impressionist painter A.G. Wars...

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

Sally Lachina (American, 20th Century) White Stone, 1994 Acrylic on canvas Signed and dated lower right, signed, dated and titled verso 42 x 42 inches Sally Lachina is an American a...

Clarence Holbrook Carter (American, 1904-2000) City Scape, 1978 Acrylic on scintilla Signed and dated lower right 30 x 22 inches A surrealist mid-century figural abstract painting....

George Gustav Adomeit (American, 1879-1967) Summer Landscape Oil on canvas board Signed lower right 13 x 14.25 inches 18.25 x 19.5 inches, framed A major painter of American scene s...

Louis Bosa (American, 1905-1981) Venice Canalscape, c. 1950 Oil on board Signed lower right 11.75 x 21.75 inches 19.75 x 29.75 inches, framed Born in Codroipo, a small village only ...

Paul Riba (American, 1912-1977) Bighorn Sheep Oil on paper Signed lower right 25 x 30.5 inches 30.5 x 36 inches, framed Paul Riba was a painter of Magic Realism. He explored the un...