Cleveland - Paintings

George Gustav Adomeit (American, 1879-1967) Seaside Cliff Oil on board Signed lower right 9 x 11 inches 12.25 x 14.5 inches, framed A major painter of American scene subjects, Georg...

Glen Tracy (American, 1883-1956) Summer Landscape, c. 1920 Oil on board Signed lower right, titled verso 12 x 9 inches 17.25 x 14.5 inches, framed Since he studied and taught commer...

Julien Dupre (French, 1857–1910) Pastoral Scene Oil on canvas Signed lower left 20 x 25.5 inches 33.5 x 39.25 inches, framed Julien Dupré was a French painter, born in Paris on Ma...

August Frederick Biehle American, 1885–1979 Landscape in West Virginia, 1922 Gouache, litho crayon and graphite on paper Signed lower right 19 x 17.5 inches 29.5 x 23.5 inches, frame...

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 55.25 x 44 inches Miguel Condé is a Mexican figurative painter, draughtsman, and print m...

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

Abel Warshawsky (American, 1883-1962) Au Garche, France, 1910 Oil on board Signed lower right (signed, dated and titled verso) 8.5 x 10.5 inches 13.5 x 15.5 inches, framed Impressio...

Joseph O'Sickey (American, 1918-2013) Garden Scene Oil on canvas Signed lower right 18 x 22 inches 24 x 28 inches, framed Joseph O'Sickey, born in Detroit in 1918, has been a painte...

Glen Tracy (American, 1883-1956) The Tulip Poplar on Salem Pike , 1920 Oil on board Signed lower left, dated and titled verso 12 x 9 inches 17.25 x 14.5 inches framed Since he studi...

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life with Pheasant and Owl Oil and pastel on canvas Signed...

Sandor Vago (Hungarian/American 1887-1946) The Chinese Girl, 1925 Oil on canvas Signed lower right 34 x 30 inches 38 x 34 inches, framed Exhibited: Clevela...

Frank Luis Jirouch (American, 1878-1970) Return to the Stables, Gates Mills, Ohio, c. 1925-30 Oil on canvas board Signed lower right 14 in. h. x 16 in. w....

Paul Riba (American, 1912-1977) Untitled Oil on panel Signed lower right 30 x 18 inches 39.25 x 27.25 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

Mary Spain (American, 1934-1983) The Happy Couple Oil on canvas Signed middle right, signed and titled verso 22 x 26 inches Set in a realm of fantasy, Mary Spain’s work exhibits oddly distorted figures in a child-like manner with an underlying sense of absurdity. Through her toylike and primitive style, Spain created surrealistic dramas that puzzle and entrance the viewer. Born in Raleigh, North Carolina, Mary Spain studied art at Syracuse University and moved to Ohio in the 1960s to teach art at Chagrin Falls...

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 59.5 x 49.5 inches Paint loss throughout - please reach out for a thorough condition rep...

Václav Radimský (Czech, 1867-1946) Water Lilies, c. 1910 Oil on board Signed lower left 28 x 39 inches Václav Jan Emanuel Radimský was a Czech impressionist painter who resided in F...

Richard Gosminski (American, 1925-1995) Abstracted Buildings, 1956 Watercolor on paper Signed and dated lower right 18 in. h. x 24 in. w., image 27.25 in. h. x 32.25 in. w., as frame...

Carl Frederick Gaertner (American, 1898-1952) Rocky Cove, 1947 Oil on canvas Signed lower left 24 x 30 inches 31 x 37 inches, framed Carl Gaer...

George Gustav Adomeit (American, 1879-1967) Ocean Rocks with Perched Bird Oil on board Signed lower right 9 x 11 inches 12.25 x 14.5 inches, framed A major painter of American scene...

Paul Riba (American, 1912-1977) Tree and House Oil on board Signed lower right 30 x 26 inches 38 x 34 inches, framed Paul Riba was a painter of Magic Realism. He explored the unrea...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life Oil and graphite on paper Signed lower left 12.25 x 1...

Luigi Morgari (Italian, 1857–1935) The Nun Oil on canvas mounted on board Signed lower right 14 x 12 inches 21.5 x 19.5 inches, framed There is a minor chip to the bottom right corn...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 24 inches "My paintings are about space, form and energy. I generally start ...

Eric Kunde (American b. 1969) Shoes, 1993 Oil on panel Signed and dated upper right 12 in. h. x 16 in. w. 17 in. h. x 21 in. w., as framed Eric Kunde, born in 1969, has established...

Richard Andres (American, 1927–2013) Untitled, 1968 acrylic on canvas signed lower right, signed and titled verso 88.5 x 50.5 inches Has an indent and a tear in the canvas. See phot...

Kenneth Marcus Hugh (American, 1916-2011) Self Portrait Oil on canvas Signed lower right and dated ’36 33 x 27 inches 39 x 33 inches, framed Kenne...

Erik Ortvad (Danish, 1917 - 2008) Abstract Landscape, 1946 Oil on canvas Signed and dated lower right 32 X 37.5 inches 35 x 40.5 inches, framed Born in 1917 in Copenhagen, Erik Ortvad was a surrealist painter and a founding member of the COBRA art...

Sally Lachina (American, 20th Century) White Stone, 1994 Acrylic on canvas Signed and dated lower right, signed, dated and titled verso 42 x 42 inches Sally Lachina is an American a...

May Lydia Ames (American, 1863-1943) European Landscape, 1908 Oil on canvas Signed and dated lower right 24.25 x 36.25 inches 27.75 x 39.75 inches, framed May Ames was born in Cleve...

Adam Lehr (American, 1853-1924) Still Life with Apples and Green Vase, 1902 Oil on canvas Signed and dated lower right 12 x 18 inches 15 x 21 inches, framed Known primarily as a sti...

Joseph B. O'Sickey (American, 1918-2013) Evening Still Life Oil on canvas Signed lower right 32 x 24.5 inches 34.25 x 27.25 inches, framed Joseph O'Sickey, born in Detroit in 1918, ...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

William Pearce (British, 18th/19th Century) Showing Off the Hack, 1798 Oil on canvas Signed upper middle 20 x 23 inches 24 x 28 inches, framed

August Frederick Biehle American, 1885-1979 Creek in the Forest, c. 1949 Gouache, watercolor and litho crayon on board Signed lower right, dated lower left 18 x 24 inches 23.25 x 29....

May Lydia Ames (American, 1863-1943) Near Carmel, Calif., 1932 Oil on board Signed and dated lower left, signed and titled verso 14 x 20 inches 18.5 x 24.5 inches, framed May Ames w...

William H. Kinnicutt (American, 1865-1934) Soft Shadows Oil on canvas Signed lower right 16 x 20 inches 20.5 x 24.5 inches, framed See condition in photos William H. Kinnicutt was a...

Richard Andres American, 1927-2013 acrylic and ink on paper mounted on canvas 12 x 10 inches Note: Small dent in canvas. See pictures for details. Richard Andres was born in Buffal...

August Frederick Biehle (1885-1979) Farm in Berlin Heights, c. 1930 Oil on masonite Signed lower right 22 x 30 inches 27.75 x 36 inches, framed A versatile painter who worked in a v...

Joseph Glasco (American, 1925-1996) Lanzorate, 1985 Monotype with fabric collage and mixed media on paper Signed and dated lower right, 1/1, titled lower left 31.5 x 48 inches 37 x 5...

Clarence Holbrook Carter (American, 1904–2000) Over and Above: No. 6, 1963 Oil, sand & fish bones on canvas Signed and dated upper left 53 x 31 inches Clarence Holbrook Carter achie...

Andreas Roth (American, 1871-1949) Grand Canyon, 1943 Oil on canvas Signed and dated lower right 24 x 34 inches 29.5 x 39 inches, framed Andreas Roth was a German painter. Son of th...

Charles Fodor (American, 20th Century) Composite #6, 1969 Oil on canvas Signed, dated and titled verso 27.5 x 20 inches 29 x 21.5 inches, framed

Adam Lehr (American, 1853-1924) Haystacks, 1918 Oil on canvas Signed and dated lower right 25 x 32 inches 35 x 42 inches, framed Known primarily as a still-life and landscape painte...

Clarence Holbrook Carter (American, 1904-2000) Woman with FUCHSIA, 1935 Oil on canvas Signed and dated lower right 31.75 x 27 inches 37 x 32.25 inches, framed Untitled Still Life ver...

Paul Riba (American 1912-1977) Dutch Farmyard, Pennsylvania Tempera on board Signed lower right 9.75 x 14 inches 12.75 x 16.75 inches, framed Provenance: The Estate of Mary Clark Roc...

Harvey Gregory Prusheck (Slovenian/American, 1887-1940) Western Landscape Oil on board Monogram lower left 9.5 x 8 inches 11.75 x 10.5 inches, framed Harvey Gregory Prusheck was a S...

18th Century French School Portrait of an Actress Oil on canvas 30 x 23 inches 36 x 30 inches, framed

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

Richard Andres American, 1927-2013 Reflections, 1985 acrylic and ink on paper mounted on canvas signed lower right, signed, dated and titled verso 52.5 x 72.5 inches 53 x 73 inches, ...

George Gustav Adomeit (American, 1879-1967) Summer Landscape Oil on canvas board Signed lower right 13 x 14.25 inches 18.25 x 19.5 inches, framed A major painter of American scene s...

Václav Radimský (Czech, 1867-1946) Winter Scene, Chrudim, 1920 Oil on board Signed lower left 23.5 x 36.25 inches Václav Jan Emanuel Radimský was a Czech impressionist painter who r...

Raphael Gleitsmann (American, 1910-1995) Still Life with Apple, 1934 Gouache on board Signed and dated lower right 20 x 16 inches 24.5 x 20.5 inches, framed Condition: small damage ...

Louis Bosa (American, 1905-1981) Floral Still Life Oil on canvas Signed lower right 32 x 20 inches 43 x 31 inches, framed Born in Codroipo, a small village only a few miles from Ven...

Richard Andres (American, 1927–2013) Sailing, 1973 oil on canvas signed lower right, signed and titled verso 58 x 72 inches Exhibited: Cleveland Museum of Art, May Show 1973 Richard...

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas signed lower right 24 x 20 inches 25 x 21 inches, framed Note: Minor abrasion on lowe...

Ora Coltman (American, 1858-1940) Portrait of De Forest Mellon, 1922 Oil on canvas Unsigned 30 x 25 inches 35.5 x 30.25 inches, framed Ora Coltman was born in 1858 in Shelby, Ohio, ...

August Frederick Biehle (1885-1979) Houses in Zoar, c. 1921 Gouache, litho crayon, colored pencil and graphite on paper Signed lower right 14 x 19 inches 20.25 x 25.25 inches, framed...

Rolf Stoll (American, 1892-1978) Kae Dorn Cass, 1940 Oil on canvas Signed upper right 32 x 25 inches 38 x 31 inches, framed Exhibited: The 27th Annual May Show, Cleveland Museum of Art, Cleveland, OH, 1940 This work won first prize for oil painting- Portrait category Provenance: Collection of Kae Dorn Cass's niece Kae Dorn Cass Rolf Stoll Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside...