Continental Europe - Dining Room Sets

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

Attributed to GAUTHIER-POINSIGNON & Cie, Dining room furniture in walnut and elm burl veneer decorated with fruits and plane tree leaves (Platanus orientalis) and bronze ornamentatio...

Splendid Set of Four Leggera Chairs and Round Table by Gio Ponti for Cassina. This set in Oakwood is a very early edition each chair carries the red metal tag Figli di Amedeo Cassina...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

High cabinetry dining room set, consisting of: 2 sideboards, a mirror, table and 6 chairs. The sideboards are moved, with finely carved feet in an elong...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Set of Antique Rajasthan Courtyard Door Dining Table with 6 Spanish Oak and Leather Chairs This is a large antique Indian dining table from the 19th...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Lovely dining set designed by Guillerme & Chambron for Votre Maison Guillerme et Chambron for Votre Maison, extendable round dining table, stained oak, France, 1960s This dining ta...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

Vintage 1980s Spanish handcrafted bronze and glass 10-seater round table signed "González".  

They can be sold separately 1930s Art Deco majestic room furniture sets in burl walnut attributed Atelier Gaetano Borsani, Varedo, polished to wax. Two tulip-shaped sideboards with b...

Dawn on the Battlefield The battle has been going on for more than the first hour. This is an important battle. A battle between you and your enemy. You have expended much energy. Th...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

1969 Dining table / desk produced by Mi and designed by J. Batenburg. Mi is little known, but every find is a treasure. Their furniture shows craftsmanship and quality. This dining t...

1970s Bamboo Dining set Product Details Glossy-finish pressed bamboo table + 4 chairs and 2 armchairs, complete with cushions. Chair dimensions: 50 W x 101 H × 50 D cm Table dimensio...

Structure: Solid American walnut with metal bars and end caps in brass available in different finish. Top : Available in a wide choice of exclusive marbles , or in solid American...

THE FOUR CARDINAL POINTS Rosenthal Kunstmöbelreihe This noteworthy design is the work of Bjørn Wiinblad. The furniture pieces were produced in a limited edition of 300 in 1976. E...

Dining room in Louis XVI style. Late 19th century. It includes a sideboard, a sideboard, a table and eight chairs. All made of American walnut wood. In good condition except for a ch...

Curved chocolate lacquered classe bar by MOWEE Dimensions: D100 x W100 x H115 cm Material: Polyethylene and stainless steel. Weight: 31 kg Also available in different colors, whe...

Designed by Gilbert Marklund for Furusnickarn AB, Sweden 1970s. Unique and durable, solid pine wood dining table in original condition. Exceptionally sturdy, showcasing impressive Sc...

Beautiful, minimalist chic dining table and credenza set. The top of the table and credenza end in pagoda-style beveled edges. Tapered legs. Lovely warm c...

There are many details that make this Venetian style dining table very luxurious. From solid wood, soft ivory color, to cabriole legs with intricately handcrafted wood carvings on th...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X-stretchers, Classic Italian gil...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

Wonderful Scandinavian Cabinetmaker Rustic Set of Table and Benches in Solid Pine, 1940s. The characteristic artisan farmhouse set is from Scandinavia, 1940s. It is a round table an...

OOMA is not just a dining table. It’s an invitation, a multifaceted experience. First, it captivates the eye with its color. Matte or glossy, lacquer is omnipresent. Its line is rema...

A spectacular dining table, modernist, constructivist, free-form, bamboo structure with dynamic lines, large wooden top inlaid with wicker checkerboards, by Audoux-Minnet, France 197...

Rare cross legged wengé dining table with 6 solid wengé rush seat diningchairs by Martin Visser for 't Spectrum the Netherlands, 1960's. Avant-gardist, minimalist & art collector Ma...

“Big Iron/Running Gun” Dining Room Set, Iron, JAMES VINCENT MILANO, Italy, 2023 “Running Gun” Dining Table, Iron, JAMES VINCENT MILANO, Italy, 2023 Irregular hexagonal top. Tripod...

Rare dining set with table, bench and 2 chairs. Dinning room set By Ilmari Tapio vaara, designed in the 1950ties. This set is in good vintage condition. Dimensions: Table : 12...

Midcentury Modern Italian Dining set Midcentury modern dining set made of six iron and faux leather chairs and a big wood and iron table...

White Porcelain Dining Table Set with Matching Benches – Custom Handmade Furniture for Modern Interiors A contemporary statement in form and function, this white porcelain dining table set with benches is a minimalist composition designed for modern living. Featuring a stone-look porcelain tabletop and a sculptural solid wood base, it’s the ideal union of elegance, durability, and craftsmanship. The table’s top is crafted from high-performance white porcelain with soft veining, evoking the luxury of natural marble while offering exceptional resistance to heat, scratches, and stains. Its surface is both tactile and refined—perfect for daily meals or formal gatherings. The sleek edges and soft matte finish reflect a modern aesthetic rooted in timeless materials. Paired with matching handcrafted benches, this dining set offers a cohesive and architectural look. The bench seats are made from the same solid American walnut as the table’s base, ensuring a harmonious material palette. Their understated design allows the porcelain surface to take center stage, while still providing generous and comfortable seating. Ideal for design-forward homes, open-plan layouts, or dining rooms where every detail matters, this porcelain and wood dining set adds warmth, sophistication, and functionality in equal measure. Key features: – White porcelain top dining table...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Dining set table and chairs by Carlo Ratti. Lulli table and chairs model by Carlo Ratti for ILC Lissone. Made in the 1960s this dining set is ideal for those who love vintage style...

This rare table, accompanied by six matching stools, hails from the 1970s and stands as a notable creation by the Dutch Benedictine monk and architect Dom Hans van der Laan, alongsid...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X stretchers, Classic Italian gil...

Stylish Louis table with 6 chairs from the late 19th century. Antique furniture with a more beautiful form will add elegance to any interior. A table with chairs beautifully decora...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Extendable dinning table by Maurice Pré, designed in France in the 1950s.

Elegant painted dining room table and four chairs of unusual design. The rectangular table has a white marble top with a wood surround and is raised on tapering legs carved with a...

Hello, We would like to offer you this fine walnut Biedermeier set of five chairs and the large round table. The set was made in Vienna circa 1825. Viennese Biedermeier is distingui...

TableTable by Dada est. manufactured in Barcelona, 2021. Material: Oak Dimensions: 72.5 cm D x 140 cm W x 72.5 cm H Dada Est. Makes a handmade furniture production with the best m...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Traver...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Rare French mid century wooden cabin dining set of dark stained oak in a rustic style by a French anonymous designer produced in the 1950s. The sofa has some storage under neath the ...

Set of 2 Evermore extensions walnut 160 by Warm Nordic Dimensions: D46 x W5 x H85 cm Material: Oiled solid walnut and veneer Weight: 11.5 kg Also available in different colors an...

Set of 2 Evermore extensions walnut 190 by Warm Nordic Dimensions: D46 x W5 x H95 cm Material: Oiled solid walnut and veneer Weight: 11.5 kg Also available in different colours a...

Wonderful and unique wood dining set of unusual design, comprised of a table and four chairs. The chairs have curved cockfighting-style backs with an interesting geometric pattern...

A modern Italian years 2000s table in wood and chromed steel by Piero Lissoni, Brera-Milano with four chairs in chromed steel and two-colored technopolymer seat by Calligaris. Meas...

A beautifully restored and rare drop-leaf dining table, model 3601, designed by Arne Jacobsen for Fritz Hansen in the 1950s. This elegant Danish Modern piece features a teak tabletop...

This functionalist furniture was produced by Robert Slezák company, a renowned Czech furniture manufacturer between 1940 and 1949. The design reflects the Bauhaus style, characterize...

Elegant italian mid century dining set consisting of an extendable wooden dining table and 6 black ebonized wooden dining chairs with vinyl up...

Modus dining set designed in 1961 by Kristian Vedel for Søren Willadsen, Denmark. Hardwood with stunning wood grain and original black leather upholstery. The set consists of a recta...