Continental Europe - Dining Room Sets

Modus dining set designed in 1961 by Kristian Vedel for Søren Willadsen, Denmark. Hardwood with stunning wood grain and original black leather upholstery. The set consists of a recta...

Outstanding elegant dining set designed by Pier Luigi Colli. Composed by; - Dining table with finely carved and painted legs decorated with acanthus leaves. Dark red glass...

Vintage 1970s garden or patio set with table and four comfortable bamboo chairs. Note the quality of the items; the glass is 1cm thick. Ideal as a vintage garden dining set or also...

OOMA is not just a dining table. It’s an invitation, a multifaceted experience. First, it captivates the eye with its color. Matte or glossy, lacquer is omnipresent. Its line is rema...

Dining table designed by Warren Platner edited by Knoll, composed of a steel structure with welded rods creating curved and circular shapes. Tabletop made of Carrara marble, USA, 197...

Dining table and six chairs designed by Edmondo Palutari for Dassi, the set is in teak and has been restored and the chairs covered with a new hemp fabric, similar to the original, I...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Art Deco dining set, Poland. Very good condition, professionally restored and reupholstered. Wood: walnut Dimensions: Chairs: Height: 84 cm, Seat Height: 48 cm, Width: 44 cm, Dep...

Introducing a captivating oak dining set inspired by the raw beauty of the Brutalist movement. This remarkable ensemble combines rustic craftsmanship and modern design elements, crea...

60s 70s 4x chairs chair & table Dining Chairs Dining Table Design 60s Object: 4x chair & table Manufacturer: Condition: good - vintage Age: around 1960-1970 Dimensions...

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

Table with 6 chairs naval style 1970 - 1980 More information about the conditions Solid mahogany dining table with 6 chairs Table size: H78 x L175 x D85 - Kg80 Chair size: H95 x W51 ...

This complete dining set, designed by British industrial designer Rodney Kinsman for the renowned Italian manufacturer Bieffeplast, embodies the essence of 1980s postmodern minimalis...

We love how this dining set blends an aerodynamic, futuristic base with more traditional, cross back chairs, and finishes them all in an Industrial-gr...

White Porcelain Dining Table Set with Matching Benches – Custom Handmade Furniture for Modern Interiors A contemporary statement in form and function, this white porcelain dining table set with benches is a minimalist composition designed for modern living. Featuring a stone-look porcelain tabletop and a sculptural solid wood base, it’s the ideal union of elegance, durability, and craftsmanship. The table’s top is crafted from high-performance white porcelain with soft veining, evoking the luxury of natural marble while offering exceptional resistance to heat, scratches, and stains. Its surface is both tactile and refined—perfect for daily meals or formal gatherings. The sleek edges and soft matte finish reflect a modern aesthetic rooted in timeless materials. Paired with matching handcrafted benches, this dining set offers a cohesive and architectural look. The bench seats are made from the same solid American walnut as the table’s base, ensuring a harmonious material palette. Their understated design allows the porcelain surface to take center stage, while still providing generous and comfortable seating. Ideal for design-forward homes, open-plan layouts, or dining rooms where every detail matters, this porcelain and wood dining set adds warmth, sophistication, and functionality in equal measure. Key features: – White porcelain top dining table...

Dining chairs made by british manufaktured G-Plan in the 1960s. Designed by Leslie Dandy. Made from solid teak. Wood elements have been cleaned and polished with Danish Oil. The foam...

Elegant and simply described as the bastion of Portuguese luxury, the Cortez Modern dining table exhales the splendor of the uniqueness of the kings and queens’ era. Its timeless originality and imperial design were inspired by the Palace of Ajuda, a neoclassical monument in the civil parish of Ajuda, in Lisbon. This dining tabletop is made of wood finished with high gloss black varnish surrounded by a subtle line of gold leaf coated elements. The structure is supported by two shapely designed geometric feet in lacquered wood and gold leaf coated semi-spheres. This makes the Cortez dining table...

Rare set designed by Christian Durupt, a renowned French cabinetmaker who collaborated with Charlotte Perriand. The dining table and its two grooved benches are entirely made of so...

Service including a tablecloth and 6 napkins Antique Basque cotton linen Vintage Nice quality. This beautiful set consisting of a square tablecloth with its 6 vintage French napkins...

Hansen Sorensen Dining room table with 6 chairs, 1970 Denmark The Hansen Sorensen dining room table with 6 chairs from 1970 is a beautiful additio...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

A set of four chairs with a table from the early 20th century. The furniture is in very good condition, after professional renovation. Dimensions: Table: height 79 cm width 125 cm...

Table with chairs for dining room in Art Deco style, Poland, around 1940. Furniture in very good condition, after professional renovation. Chair seats have been covered with new nat...

Made in Italy, 1950s. It features a maple and beech frame and brass feet caps. This table has a glass top that underneath has its original marble patterned film. It is a vintage pie...

Kaare Klint Additional table in mahogany. Executed by Rud. Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DENMARK.

This unique Baroque table was crafted in Southern Germany around 1740, representing the height of 18th-century craftsmanship. The table's top is adorned with an exquisite marquetry of walnut and yew tree, showcasing intricate patterns and exceptional attention to detail, characteristic of the Baroque period. The table is in excellent condition, a rare find for a piece of this age, making it not only a functional item but also a valuable collectible. Its timeless beauty and historical significance make it an ideal centerpiece for any sophisticated interior. Key Features: Origin: Southern Germany Era: Circa 1740 Style: Baroque Materials: Walnut and yew tree marquetry Condition: Excellent Dimensions: 80 x 78 x 107 cm This German Baroque table...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Dining table and set of six chairs is an original design furniture realized by Umberto Mascagni in the 1950s. The set is composed...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

Ethnic dining set consisting of an extendable dining table with a storage compartment and six dining chairs Beautiful set made from exotic wood and bamboo reeded seats and backrests...

Curved burgundy lacquered classe bar by MOWEE Dimensions: D100 x W100 x H115 cm Material: Polyethylene and stainless steel. Weight: 31 kg Also available in different colors, whee...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Typical French kitchen set from the 60s. 1 table with integrated extensions and 4 seats. good general condition, worn seat upholstery Dimensions tabl...

The table is made of magnificent ancient slabs of burl wood. Their texture has been shaped over hundreds of years to look as it does now. When the wood dried, we decided to immortalize it in this form. How many generations has it been watching? How many stories are contained within it. I think no less beautiful than its appearance. The table is great for morning coffee gatherings and admiring its texture and shape. The table is coated with a layer of resin on top for durability. Completely waterproof...

Dining Table Spheres with aluminium and brass structure, brass gold-plated spheres and black lacquered aluminium spheres all joined together. Also available on request in side table...

This German Art Deco Wabi Sabi Naive Prison cell table and bench was made in the 1930s for a Berlin Prison. It is made out of brown oak and the tabletop h...

This rare table, accompanied by six matching stools, hails from the 1970s and stands as a notable creation by the Dutch Benedictine monk and architect Dom Hans van der Laan, alongsid...

The T/5140-180 dining table is part of the new Classic collection by Zanaboni: veneered in citronnier and ebony woods, the direction of the veneer is ...

Elegant dining table designed by Pier Luigi Colli with finely carved and painted legs decorated with acanthus leaves. Dark red glass top. The same set ...

Very rare seating group model Scimitar designed by Preben Fabricius & Jørgen Kastholm. Produced by Ivan Schlecter in Denmark. Dimensions table (W x D ...

- made of solid EWalnut and leather - made by William Pagden furniture maker in Netherland - quality craftsmanship - Dining table signed by author - Chairs: H:102 W:47 D:60 /...

Cherry Sepia Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Cherry Sepi...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

The Flysit chair was designed by Peter Opsvik in 1983, with a focus on product design as a means of solving real-world problems. This chair combines both back support and dynam...

Pierre Chapo Set – 6 S28 Chairs, T01D Table (+ a Pair of Stools in the Style) This timeless and elegant set includes: 6 S28 Chairs: Made of solid elm, these chairs stand out for th...

Curved chocolate lacquered classe bar by MOWEE Dimensions: D100 x W100 x H115 cm Material: Polyethylene and stainless steel. Weight: 31 kg Also available in different colors, whe...

Structure: Solid American walnut with metal bars and end caps in brass available in different finish. Top : Available in a wide choice of exclusive marbles , or in solid American...

Dining table and chairs by Pierre Mazairac & Karel Boonzaaijer for Pastoe, Netherlands 1980s Set of 4 modern vintage dining table chairs...

Garden furniture including a large round table and four chairs, white lacquered wrought iron structure, circa 1950. Measures: Table diameter 39.37 in Table height 29.92 in.

We present Art Deco dining furniture that includes a table and six chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala - (a Czech designer ranked among th...

One of a kind made dining set designed and made by Laurens Bisscheroux which is coming from an interior designed for his aunt in 1956. Its clear to see that Bisscheroux, an architect...

Set of dining room in lacquered thermoformed wood and chromed metal. One table and four chairs. Top of the table in tinted glass (blue-green).  

1 side board with two smoked windows, strap handles and chrome metal support, lacquered black marble top, sides and rear are covered with black felt and a table with sliding tray 87 X 120 X H 73 cm becoming 241cm trademark has Milano and 6 chrome chairs...

Measures: Sideboard - H 95 x 300 x 51 Mirror - H 88 x 240 Bar cabinet - H 91 x 116 x 41 Mirror - H 122 x 78 x p5 Table - H 80 x 197 x 96 Chairs - H 91 x 48 x 50, seat H 47.

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of ash plywood, excellent vintage condition. Reported at “Compasso d’Oro ...

Based on the paradox of being modern without renouncing tradition by evoking the hand-painted art through organic forms and bold colors that resemble actual ceramic tiles. The Templo will exalt life and joy, conveys positive feelings, provide a unique experience of contemplation, and lead us to a world where the imaginary expands without limits. Supported by lacquered wood legs, this artistic dining...

High cabinetry dining room set, consisting of: 2 sideboards, a mirror, table and 6 chairs. The sideboards are moved, with finely carved feet in an elong...

Located in Georgia, Atlanta is the home of more than thirty-nine skyscrapers. Constructed in the '90s, the Bank of America Plaza is the tallest building in the city. Designed by the architectural firm Kevin Roche John Dinkeloo and Associates LLC, it is postmodern-inspired reminiscent of Art Deco. Transpiring emotion through a design recreation, Porus Studio...