Continental US - Landscape Drawings and Watercolors

Serene depiction of a Whaling shack circa 1900 near Davenport, California attributed to Lillian Josephine (Dake) Heath (19th century). Monogram on Verso "J. H. 1900". Dated and initialed on verso "J. H. Feb. 1900" Presented in a new white mat with foam core backing. Mat size: 14"H x 18"W Paper size: 9.25"H x 13.25"W Lillian Heath was one of the Jolly Daubers at the turn of the 19th-century and as a young student, married the senior artist and instructor, Frank Heath...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Island Forest - Line Drawing Landscape in Ink on Paper Delicate landscape line drawing by listed Maine artist, Laurence Sisson (American, 1928-...

This drawing titled "Roaring Fork Shelter, North Carolina, [ 35.805, -82.94978 ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trailing...

This artwork "California Coast" 2003 Is a watercolor on paper by Filipino artist Ephraim Samson, b.1947. It is signed and dated at the lower right corne...

Important Russian-French Impressionist Gouache & Watercolor painting by Pyotr Alexandrovich Nilus (Пётр Александрович Нилус in French Pierre Nilouss (1869–1943), signed & dated 1928....

Jean Carzou traveled to Havana as an artist to explore the world and he captured a ship from a earlier era.

Robert Andrew Parker, American (1927 -2024) - Goodrich Castle Ruins, Year: circa 1959, Medium: Gouache on paper, signed and dated lower left, Size: 23 x 30 in. (58.42 x 76.2 cm), ...

"Where the River Runs" (2024) by Mo Myra is a watercolor painting on paper that depicts a dead tree next to a creek on a stormy day. Mo Myra, born in 1990, is a Connecticut-based ar...

Here for your consideration is a very well executed original watercolor by the American artist, Erhard Ericson. Signed lower left by the artist. Condition is excellent. The waterc...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horses in Landscape Watercolor and graphite on paper Signed lowe...

Historical antique watercolor of noted steam yacht Akela built in 1899 in US, converted for WWI service in 1917 and returned to owner in 1919. Signed Bond in the lower right and fram...

Very well executed original gouache on archival paper of a group of figures on an overlook viewing the Bay of Naples by the Italian artist, Maria Ada Gianni...

Frank Nelson Wilcox (American, 1887-1964) Stevedores, Ohio River, c. 1920 Watercolor on paper Signed lower right 21.5 x 29. 5 inches "The trip Otto Ege and I made from Pittsburgh to Marietta by riverboat and then by train to Mammoth Cave, was the next high spot in my artistic explorations. We saw something of the Old Southern river life on the way - the roustabouts, the showboat and river town life at Point Pleasant, and then to the sombre tonal mysteries of the Cave. These sights added much to my pictorial vocabulary..." - Frank Wilcox Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

Emile Rampelberg, French (1911 - 2001) - Farmhouse, Year: circa 1970, Medium: Watercolor on paper, signed lower right, Size: 19.5 x 27 in. (49.53 x...

Nathaniel Dirk, 'Cape Ann Harbor View', vintage watercolor on watercolor paper, 1948. A fine, spontaneous rendering, with fresh, undiminished colors, in very good condition; the arti...

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

Two Mid Century Rural Landscapes in Watercolor on Paper Two lovely watercolors by Beverly Lyons (American, 20th Century). In the top watercolor, an expansive sky sits above a strip ...

Figurative ink and wash drawing of beagles and a terrier leading the hunter to the quarry by an unknown artist (American, 20th Century). Unsigned. Displayed in a rustic black and bro...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

"Boonton Falls" Forest Landscape in Watercolor on Paper Serene landscape by Hedy Pfreundschuh (American, b. 1937). A river is flowing towards the viewer, with a waterfall in the mid...

This artwork "The Old Red Barn" c.1965 is a watercolor on paper by noted American artist Frederick Cole. It is signed at the lower right corner by the a...

Signed lower left: H. Gasser / Demonstration / 1951 Provenance Private collection Painter, lecturer, teacher, illustrator and author, Henry Gasser was born in Newark, New Jersey on...

"Shenandoah Valley" - Rural California Landscape in Watercolor on Paper Idyllic country landscape by California artist Alice M. Duke (American, 1921-2012). Two large brown-red barns sit at the edge of a glassy body of water. They are surrounded by towering dark green trees, which are reflected in the water along with the barns. Titled "Shenandoah Valley"; California Shenandoah Valley AVA is an American Viticultural Area that includes portions of Amador County and El Dorado County, California, United States. It is a sub-region of the Sierra Foothills. titled "shenandoah Valley" and monogrammed AC #25 on mat verso verso. (we have two others with signed labels "Alice Duke" and initialed AC #23 & AC #24 by this artist) Presented in a vintage frame with a double mat. Frame size: 16.75"H x 20.75"W Image size: 10"H x 14"W Duke, Alice (American, 1921-2012 was an artist from Jackson, California. She was a student of Dorner Schueler. A member and exhibitor with the Central Coast Art League. Memberships: Founding member, Gallery 10. Central California Art League Member, Northern California Arts. Member, Society of Western Artist Shows and Awards: 1999 - Gallery 10, Sutter Creek, CA 1986 - (1st Place, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1985 - (Hon. Mention, Watercolors) Sonoma Valley Art Center, Sonoma, CA 1982 - Sunshine Art...

A serene Hudson River scene by a student of Louis Comfort Tiffany. Anna May Walling was born in 1881, a native of Goshen, New York. She was a graduate of the Blair Academy, and Prat...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

This artwork titled "The abandoned Farm" c.1960 is a large watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signe...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Clarence Holbrook Carter (American, 1904-2000) Volcano and Arch, Taormina, 1961 Watercolor on scintilla paper Signed and dated upper right 11 x 11 inches "My last year in art schoo...

This piece titled "building up" is original artwork made from pencil, marker, acrylic paint on panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture Collection...

Expressive watercolor landscape of an abstracted crashing surf swirling into a dreamy sky, punctuated by silhouetted birds in flight by Les (Leslie Luverne) Anderson (American, 1928-...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...

Colorful watercolor of boats in the Harbor by California artist Virginia Hughins (Virginia Brubaker DeWolf), (American, 1923-2004). Signed "Virgin...

Gyula Zilzer (American/ Hungarian 1898-1969), "Untitled: The Village Arch", Landscape Pen and Ink Drawing / Watercolor signed on Paper, 6.75 x 5.75, Mid 20th Century Colors: Brown &...

Dan Burt (Born 1930) Rockport / Kerville Artist Image Size: 14.5 x 21.5 Frame Size: 27.25 x 34.25 Medium: Watercolor "Shrimp Boat" Biography Dan Burt (Bor...

Mid-century watercolor painting of coastline by French artist Madeleine Scali (1911-2000), circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fit...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9 x 13 Frame Size: 15 x 18.75 Medium: Ink Drawing Dated 1942 "Roy Matthews Calf Roping"

Small Rocky Mountain landscape by Sacramento, California artist Ruth Scott (American, 1891-1964). A purple sky looms over gigantic mountain p...

Artist: Lee Dubin Title: Grocery Store (1930s) Year: 2013 Medium: Watercolor and graphite on paper Size: 19.5 x 24 inches Condition: Excellent Inscriptio...

Eve Nethercott, American (1925 - 2015) - Autun (P5.29), Year: circa 1950, Medium: Ink and Watercolor on Paper, Size: 11 x 14 in. (27.94 x 35.56 cm), Description: Eve Netherco...

Watercolor painting of French park by artist Madeleine Scali (1911-2000), circa 1980. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-si...

Born in Boston in 1928, painter Laurence P. Sisson lived most of his life in Boothbay Harbor, Maine. Sisson studied at the Worcester Art Museum School, Yale Summer School and was the...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner (American Arts Quarterly.) Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley before earning a 4 year certificate from the Pennsylvania Academy of Fine Arts with awards for excellence in drawing. In 2008, Weary left Texas for a three year sabbatical in Southern California where she began drawing in Torrey Pines State Natural Reserve with red conté...

This piece titled "night stop" is original artwork made from pencil, marker, linoblock and screenprint collage on panel on paper by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture Collection...

Original early modernist india ink drawing with brushwork by the well known American artist, Adolf Arthur Dehn. Signed by the artist, titled and dated 1925 lower right. Dehn spent his early career traveling and working in Europe during the three year time period 1922 to 1925 when this drawing was done in France. The Chateau d’Auguebelette build in the fourteen century as a fort sits high on the mountain range to the left. Condition is very good. Light toning of paper consistent with age. Under glass, not examined out of frame. The artwork is housed in a antique style silver leaf contemporary frame 16.25 by 22 inches. Adolf Dehn, painter, printmaker, author, illustrator and teacher, was born Adolph Arthur Dehn in Waterville, Minnesota on November 22, 1895. He was valedictorian of his graduating class at Waterville High School and attended the Minneapolis School of Art between 1914 and 1917. Dehn studied for a year at the Art Students League in New York beginning in 1919. While in New York he met Boardman Robinson who introduced him to the master printer, George Miller. The first exhibition of Dehn's lithographs was held at the Weyhe Gallery in New York City in 1921 and the Weyhe Gallery mounted his first solo exhibition in 1923. Throughout is life Dehn was a frequent visitor to Europe, staying for various periods of time. Upon his return from a three-year stay in Europe in 1925, he changed the spelling of his first name to Adolf. In 1934, Dehn established the Adolf Dehn Print Club and was one of the founder-member artists of Associated American Artists in New York. He was selected by Prints magazine as one of the ten best printmakers in the United States in 1936 and the following year he worked in the graphic arts division of the Federal Art Project. He taught summers at Stephens College in Columbia, Missouri (1938) and the Colorado Springs Fine Arts Center (1940-1942). For his lithographs, Dehn worked with the finest printers including Meister Schulz in Berlin, Edmond Desjobert in Paris, and George Miller, Grant Arnold...

"Wild at Heart" (2023) by Mo Myra is a watercolor painting of a saddled horse in a grassy field. This painting measures 15.5 x 18.5 inches framed and is ready to hang.

French watercolor mingles old world charm with impressionistic street view and colorful shop fronts, circa 1950. Original artwork on paper displayed on a white mat with a gold b...

Artist: Joseph Barber, American (1915 - 1998) Title: Dining Room Interior Year: circa 1945 Medium: Watercolor and Pastel on Paper, signed l.l. Size: 15 x 21 inches (38 x 53.5 cm) Fra...

William Thon, 'Upper Tuscany', a two-sided watercolor, c. 1955. Signed, lower right; titled verso. A fine, expressionist work, with fresh colors, on cream watercolor paper; the image...

Beachcomber - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). A lone figure walks a shoreline carrying a tool towards a line of trees stretching towards the water. This drawing was likely a preparatory sketch for a larger painting. This piece is unsigned, but was acquired from David Sisson, the artist's son. Presented in a new black mat with foam-core backing. Mat size: 10"H x 13"W Image size: 4.25"H x 7.19"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...

Alice Kent Stoddard 1885-1976 Sledders (circa 1950-1960) Black chalk on card Image Dimensions: 19.75 x 16 inches (50.2 x 40.6 cm) Framed Dimensions: 26.5 x 22.3 inches Signed lower right: Alice Kent Stoddard Alice Kent Stoddard was born in Connecticut, but spent much of her career as an artist in Philadelphia and on Monhegan Island in Maine. She studied with Thomas Eakins, William Merritt Chase and Thomas Anshutz at the Pennsylvania Academy of Fine Arts, as well as at the Philadelphia School of Design for Women. While serving with the YMCA in France during World War I, Stoddard executed many drawings and paintings of the battlefield. However, she is most widely recognized for her bold landscapes and marine paintings of Maine...

This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness. Crayon on paper, 10 ½ x 9 inches (image), 14 x 11 inches (sheet), Signed...

This charming landscape features the structure now known as the Worplesdon Place Hotel, near Guildford, Surrey. The house is of notable historical significance, and it is registered ...

The artwork is a 22 x 30 inches, original watercolor painting of a cobblestone passage, adorned by brightly colored, overgrowing flowers. This stunning and charming townscape was painted by Peruvian artist...

Soft watercolor accents add to the beauty of this cyanotype and watercolor of the Venice Canal by Cheryl Trotter (American, 20th century). Cheryl Trotter, a Pacific Grove artist and ...

'Fast Eddies, 1996' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 10 x 15 inches a...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...