Continental US - Interior Paintings

We are pleased to offer for sale this sweet small oil on Canvas signed painting by guitar master and artist Kim Simmonds. This is one of only a few signed paintings that are still av...

This piece titled "Nine Lives III" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5" ...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

Original illustration for an article entitled "While the Mother Works: A Look at the Day Nurseries of New York" by Lillie Hamilton French, published in The Century Magazine...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Untitled" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

Painted on an arch shaped canvas signed on lower left and on reverse. ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provo...

Artist: Jozza Title: "The Flinstones" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on t...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

"Kollabs is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In our work, we create compositions juxtaposing undomesticated animals within domestic and u...

Whimsical depiction of the artist's kitchen by Jon Joaquin (American, b. 1944). Titled, initialed, and dated on verso. New; acquired directly from the artist. No frame, but the edges...

Artist: Jozza Title: "Siri - Catwoman" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on ...

RAGINEL FERRET, André. Painter and draftsman born in Lyon (France) in 1936. He was a disciple of the Lyonnais painter Commarmon, and later worked for eight years as a drawing teacher...

Artist Statement "I’m a Canadian painter living on an island off the northwest coast of Canada. My current paintings revolve around floral still lives. The flowers are the original...

English artist Jonjo Elliot's artworks are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to immerse themselves in. He’s interested in the crossover point between abstract and representational art and is constantly exploring where painting can take him and the viewer as a means of expression. This 20-inch square original painting is created with acrylic paint on canvas. It is stretched, wired, and ready to hang. The artwork is signed on the back. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. A certificate of authenticity issued by the art gallery is included. Jonjo Elliott is a mixed-media artist working in a range of mediums, from paper and paint to skate ramps, ceramics, and chairs. Working from his studio in the UK, his vibrant works are inspired by the spaces surrounding him and his large-scale still lives are intended to bring color and delight into the homes of his collectors. A graduate of De Montfort University, he now manages a studio in Leicester. Jonjo's immersive and lively artworks are collected extensively in the UK, the US, and throughout the world. His works have been represented by Artplex Gallery since his Los Angeles solo show in 2019. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 'Fragmented Fluorescence', Artplex Gallery, Los Angeles, CA 2022 'Slice of life', Artplex Gallery, Los Angeles, CA 'Instalive', 19 Karen gallery, Brisbane, Australia Affordable Art Fair New York City 2021 Artplex Gallery, Los Angeles 2019 Solo Show, Artplex Gallery Affordable Art Fair, New York 2018 Solo Show, LCB Depot Affordable Art Fair, London “Love Art,” Curve Theatre Roys People Art Fair, Oxo, London “Love Art,” New Walk Museum 2017 “Daily Grind,” Solo Show, LCB Depot “Permanent Fixture,” Gujiko Gallery “Steep Learning,” Curve Theatre “Staircase,” De Montefort University “Joe Orton’s What the Butler Saw...

Still Life with with Bottle, Paintbrushes, and Book in Oil on Paper Bright still life by Louise L. Apthorp (American, 1878-1963). A wine bottle, vase full of brushes, pear, and large book sit on a table. The book is "Verve. The Ultimate Review of Art and Literature (1937-1960)". The tablecloth is bright, with a multicolor checker pattern, affixed to the wall to create a backdrop. The squares of color and folds in the cloth create the impression of cubism, even though the subject is not cubist. Signed "Apthorp" in the lower left corner. Shipped in a plastic frame for protection. Louise L. Apthorp (American, 1878-1963) was born in 1878 in New Jersey and lived in Massachusetts. In the mid-1940s, she moved to Monterey, CA. She was listed in “Who Was Who in American Art” (1985, 1999), “Dictionary of Woman Artists” (1985), and “Mallet’s Index of Artists” (1935). Memberships: Copley Society...

Artist: Jozza Title: "Goddess - Siri" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on t...

Artist Statement "I’m a Canadian painter living on an island off the northwest coast of Canada. My current paintings revolve around floral still lives. The flowers are the original...

Delton Demarest's "Mystery Japanese Frame," completed in 2024, is an oil on panel artwork measuring 4 x 6 x 0.25 inches. This original painting featur...

An intimate interior scene of a woman reclining in her living room with a bouquet of flowers on a sunny afternoon. We are charmed by the rich choice of color and intimate details thr...

Christopher Clark's "Toulouse Canal de Brienne Bridge" is an original, handmade oil & acrylic painting that depicts an abstracted landscape with a small bridge going over a river sur...

Artist: Jozza Title: "Siri, Cat mistress" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered ...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Artist Statement "I’m a Canadian painter living on an island off the northwest coast of Canada. My current paintings revolve around floral still lives. The flowers are the original...

English artist Jonjo Elliot's artworks are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to i...

Contemporary Large-Scale Cubist Figurative Abstract Lavender Interior Scene Bursting with bright colors and whimsical energy, this contemporary figurative abstract painting by San ...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 20 Frame Size: 17.5 x 21.5 Medium: Oil "Still Life Fruit" Biography Michael Frary (1918 - ...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

An oil painting of a washroom, soaked in pale yellow hues. A horizontal mirror hangs on the wall above the tub, abstractly reflecting the artist and the back of her easel. Framed i...

Richard Andres (American, 1927-2013) Garden, 1972 acrylic on canvas signed, dated and titled verso 59.5 x 50 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Mia Bergeron's (US based) "Afterglow" is an oil painting that depicts a lone white bowl filled with pomegranate seeds sitting with a halved pomegranate on a white surface. Mia Berg...

RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930).. original expressionist acrylic painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. ...

Signed on recto and signed verso, titled, and inscribed Montmartre by the artist. This is a large colorful expressionist painting of a girl doll with long blonde or ginger redhead pigtails. It is titled Poupee 1925 and depicts an Art Deco era flapper girl in a beret. Roger Crusat (French Expressionist artist, poet and lithographer) is known for ballet troupe set design and theatre backdrop painting and architectural motifs. Roger Crusat was born in 1917 in Roussillon, Provence, France. Crusat's early works depict the colorful countryside of Provence in the South of France, As a young man Crusat performed many jobs in the troupe, designing costumes, and even dancing. But, most important, he painted the scenery for the troupe's performances. It was while working in this capacity that he learned the essentials of scenery painting that remain evident in his mature work. Crusat was a student of Andre Fons-Godail at Beaux-Arts in Perpignan when he was called to serve in World War II. After being wounded in 1940, he returned to study under Rene Jaudon at Beaux-Arts in Paris. Crusat was known by his contemporaries as "the Catalan painter of Montmartre" where he lived with his wife until his death in 1994. Cracked and peeling walls framed by rusting water pipes are a common sight in Montmartre. What others considered unnecessary, Crusat included. Water pipes were his cherished motif. Supposed by some to be a symbol of decay and monotony, Crusat's Impressionist water pipes like arteries in the body, convey life. Crusat won the prestigious Prix Populiste for his "Descente d'Eau" (Water Pipes) in 1956. Crusat's mature work retains the essentials of good scenery painting. Intricate detail will not be found, but broad, solid abstract shapes abound. His subtle colors, dense in texture, are meant to compliment his subjects, not distract from them. The critics considered him a lyric expressionist and a "painter of Man" in his portrayal of the anguish of daily life and the regrets of the past. Crusat exhibited at many of the same Salons as the post-impressionists and expressionists. Salon des Independants was co-founded by Georges Seurat. Degas had only one exhibition during his lifetime, and it was at the Galerie Durand Ruel in Paris. Gauguin had also exhibited his Tahitian paintings. Crusat's works were exhibited there in 1955. SELECT AWARDS 1954 Le Prix de la Jeune Peintre 1955 Prix des Amateurs d'Art & des Collectionneurs, Galerie Gazette des Beaux Arts, 140 rue Faubourg St. Honore, Paris Les Jardins des Abbesses purchased by the Republic of France, Prix de la Ville de Marseilles, Prix Othon Friesz 1956 Prix Populiste, Prix de Amedeo Modigliani 1957 Grand Prix International de Vichy, Prix de la Fondation Greenshields 1959 IVeme Grand Prix de Peinture du Festival de Vichy 1967 Le Prix des Amis de Brantôme, Perigord, France 1970 Prix de la Critique Academy de Vernet a Vichy,"La Nuit, Premiere Etude" Roger Crusat, Half-closed shutters , poems enriched with four original lithographs (175 numbered copies) drawn on Henri Deprest's presses on February 13, 1975 , Éditions Matignon 34, 1975. Personal exhibitions Durand-Ruel Gallery, Paris, 1955 [ 1 ] . Galerie Rivière, Paris, november 1958 [ 4 ] . Le Roux and Mathias, auctioneers in Paris, Sale of the Roger Crusat workshop , Hôtel Drouot , Paris, Thursday October 27, 1994 [ 5 ] . Jack's American Bistro, Glens Falls , September- october 2004 [ 6 ] . Collective exhibitions Galerie Roger, Lyon , October 1946 [ 7 ] . Salon des Indépendants , Paris, from 1952 [ 8 ] . Exhibition Discover , Galerie Charpentier , Paris, 1955. Populist Salon, Paris, 1956. Salon des Amis de Brantôme, 1957. Hundred painters and oil - Exhibition on the occasion of the centenary of the first oil drilling , Musée Galliera , october 1958 [ 9 ] . “An artist from Roussillon whose invoice calls for a flattering comparison with that of a Soutine or a Rebeyrolle . Indeed, following their example, he focuses on familiar scenes: Girls on the balcony or in the basket , Laundresses weighing heavily on the iron, draft horses or plucked turkeys, who stand next to a magnificent portrait of a man in a red dressing gown . Hasn't the Prix Populiste already crowned its merits? " - Jean Jacquinot SELECT EXHIBITIONS Galerie La Gentilhommiere, Paris La Salle Arago, Perpignan, Salon des Indépendants, Salon d'Automne Biennale de Menton, Menton Galerie des Jacobins, Lyon Galerie Durand-Ruel, Paris Salon de la Nationale Galerie Bassano, Paris Salon Populiste Salon de Romans Galerie Motte, Geneva, Switzerland Exposition à Quiberville sur Mer - Normandie Galerie Charpentier Salon Confrontation: Bernard Buffet, Roger Crusat, Jean Jansem, Franck Innocent...

This extraordinary watercolor by Frank Merrill is finely detailed with every brush stroke. One of the finest watercolors in our collection. The realism comes through in every detail....

My paintings accentuate colour and pattern. Lately, I have introduced representation by means of flowers in vases, most recently including them within interior spaces. I am intereste...

Julian Stanczak (American, 1928-2017) Double Focus II, 1963 acrylic on canvas signed and dated verso 33 x 40 inches Julian Stanczak (American, b. November 5, 1928) was an American ...

This 30" x 24" acrylic on panel painting from 2013 by John Wolfe depicts a rural church in Davidson, Oklahoma. Wolfe's depiction focuses on the profile of the stark white church against a stark blue sky. The side angle of the one story view features three windows underneath a gabled roof. Above the church is an an expansive cloudless cobalt blue sky. John Wolfe was born in Vernon, Texas, in 1947. He attended public school in Davidson, Oklahoma, and graduated from Southwestern Oklahoma State...

Carol Stewart Bobbers oil on paper on panel 12h x 12w in 30.48h x 30.48w cm CST020 Through her ethereal and often dreamlike paintings Carol Stewart invites the viewer into her worl...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

Lodewijk Bruckman(1903-1995), was a professional artist along with his twin brother Karel. They lived and worked in the Hague in Holland. Lodewijk was a student at the Royal Academy of Art, The Hague, Holland. Exhibited at Raymond Agler Fine Arts Gallery, Gloucester, Cooley Gallery; T. Scott & Fowles Gal, NYC (1948, Boston Arts Festival, (1953, 1957, both prize winners), Cape Cod Museum of Art, Provincetown Art...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Ross Tamlin's unique photorealistic compositions merge traditional painting methods with modern industrial techniques to create captivating works of art. Using layers of oil and enamel paint, Tamlin creates an illusion of corrugation that adds depth and texture to his pieces. His use of industrial imagery and found objects is a nod to contemporary art, while his bold color palette and incorporation of text is a nod to the Pop Art movement. Tamlin created this one-of-a-kind, vibrant, and colorful painting measuring 54-inches high by 44-inches wide and 1.25 inches deep with oil and enamel paint on canvas. The sides of the canvas are painted in a continuation of the front, eliminating the need for framing. In addition to being signed by the artist on the front, the artwork also comes with a certificate of authenticity issued by the art gallery. The certificate guarantees the authenticity and provenance of the artwork. Free local Los Angeles are delivery. Affordable U.S. and worldwide shipping available. In this artwork, Tamlin reworks the traditional idea of landscape painting by incorporating text and familiar places' names, such as Metropolitan cities, painted in large letters over the colorful photorealistic painted corrugated metal. This photorealistic painting by Ross...

In her work, Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersle...

Italian School, "The Antiquarian", Oil on Canvas, late 19th century, depicting a gentleman standing at a table covered with a carpet, books, his dog and a small mouse underfoot, unsi...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Item is in excellent condition and has only been displayed in a gallery setting. Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studies at La Escuela De ...

This piece titled "Nine Lives VII" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5" ...

Elegant 1940's still-life of pussy willows in a white vase with a rich royal blue drape by an unknown artist (American, 20th Century). Unsigned and unfram...

'Still Life of Tulips' by Albert Naur, 1919. Paris, Academie de la Palette, Benezit, Cubist ---- Signed with monogram, lower left, 'AN' for Albert Naur (Danish, 1889-1973) and dated...

Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa Modern textural still-life by California artist Anthony Rappa (America...

Genre: Impressionist Subject: People Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army...