Continental US - Interior Paintings

17th century European oil, Christ and is disciples seated around a table. An interesting and very unique painting. Possibly a fragment originally from a piece of furniture. The s...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

Vintage American modernist interior scene oil painting. Oil on canvas. Signed. Framed. Image size, 30L x 24H. Great color and a nice period modern wood frame. Ready to hang.

Born in Cambridge, Massachusetts in 1891, John Gilmore Wolcott graduated from Harvard in 1914 and continued studies in art with Charles Woodbury. He was active in the Boston art scen...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught painting and drawing to high school ...

Gestural impasto painting of flowers in a vase. 23.5" x 17.5" sight size , 22" x 28" framed hand signed lower right. Born in 1899, Belle Golinko is a listed Jewish mid-century New ...

Poetically inspired piece of a small top floor room in Paris filled with paintings, birds and and a lively scarecrow made of clothing, 1950. Signed lower right, artist unknown. Orig...

Delton Demarest's "Sable Poses," completed in 2024, is an oil on panel artwork measuring 3 x 6 x 0.25 inches. This original painting features a restin...

Delton Demarest's "Mystery Japanese Frame," completed in 2024, is an oil on panel artwork measuring 4 x 6 x 0.25 inches. This original painting featur...

Antique American realist still life painting. Gouache on board. Signed Framed. Measuring 17 by 13 overall and 11 by 9 painting alone.

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to Contempora...

NYC Subway Mid 20th Century American Modernism WPA Realism industrial Colorful "New York Subway," 36 x 48 inches. Oil on Masonite (backed with a wood frame), Signed and dated ’47 upper left. The colors of the painting are extraordinarily vibrant. The white gold frame, signed Richard Tobey...

A fine impressionist still life with irises in a glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and drawin...

Yana Beylinson's (US based) "Bodegon" is an oil painting that depicts a still of a kitchen counter stacked with a Pellegrino bottle, a pink spray bottle, a yellow pear, and a white m...

Impressive early American impressionist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 30.5H by 21.5L.

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

Saint Mark's Basilica Venice Oil Painting Signed, lower left dated, titled verso. Romanesque Bizantine Basilica. canvas 35"x45" framed 46.5 x56.5. Frank LeB...

Mid Century Blue Green Modern Painting Hand Embellished Giclee on Canvas ORL-6863 Vibrant Colorful Abstract-0-37 State-of-the-art HAND EMBELLISH...

Wonderful genre painting from 18th Century of pipe smoker. Signed lower right edge with monogram "I I E". Oil paint on copper. Condition: good: minor wear/rubbing from frame's rabbet...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

An unsuspecting woman showers in a small tiled bath somewhere in Venice. This intimate portrait is painted on panel with a black trimmed edges therefore not requiring framing. Please contact the gallery for framing options. Bruno Surdo Venetian Shower, 2023 oil on panel 36h x 24w in 91.44h x 60.96w cm BRS119 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2023 New Work, Gallery VICTOR, Chicago, IL 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...

Mixed media on canvas, framed. EXcondition Exploring the common properties of shaping, firing, and glazing clay along with creating collage works with encaustic medium and acrylic has inspired Beth Field to create a wide range of creative pieces. She draws on her love for color, pattern, and old things of all kinds to craft individual pieces that carry an echo of another time and place. Beth Fields has followed a wandering path before finding her heart home in McKinney, TX. After growing up in the North Dallas suburbs, Beth received a BA from Eugene Lang College in NYC, NY and a MEd from Boston College...

Andre Cottavoz (French, 1922-2012) Untitled, Paris scene with multitude of French flags. Canvas on board, framed. Frame: 20 1/2" x 22" x 1 1/4, Board 13 3/4" x 15"

A charming depiction of an interior scene with a woman playing the piano passionately. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautif...

"Glow Up" is a contemporary realist white flowers & green leaves on black background. Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

This artwork titled "Interior with Bouquet" c.2000, is an oil painting on canvas by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower righ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good Provena...

Impressive Paris school modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 29L and overall 36 by 43 inches.

Wonderful English 1930's Still life of Tulips and other red flowers in a vase. The 1930s was a period of great artistic experimentation, and many artists were exploring new techniq...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

A Vibrant, Expressive Mid-Century Floral Still Life Painting by Rudolph Pen. Artwork size: 15” x 10"; Framed size: 19 1/2” x 14 1/2”. Signed Pen, lower right. Provenance: Esta...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Oil Painting of still life Havdalah scene with braided candle, spice tower box and kiddush cup. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual ...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Enrique Medina (b.1935). La Puerta, 1985. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso. Personal Information...

Nicely painted American impressionist oil painting by Richard W. Baldwin (1920 - 2012). Oil on canvas. Framed. Signed.

"Lilacs in Glass" is a still-life oil painting on linen. It depicts a bouquet of lilacs sitting on a wooden table in a glass vase. Ben Fenske (b. 1978), although a native of Minnes...

Oil on panel signed in the lower right corner and presented in a period frame measuring 21" x 18.5". Provenance: Private Collection Bradbury Art and Antiques, Wiscasset, ME Benj...

Naturalistic still life painting of a collection of fruits, metal jugs, ceramic vases, and various foliage on a draped tablecloth. Signed and dated in the front lower left corner. Cu...

Polly Thayer Starr (1904-2006) Oil Painting Still Life Fruit Bowl Dimensions: Frame: 12.5" X 15.5", Image: 8.5" X 11.5" Polly Thayer (Starr) (1...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good Provena...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

A whimsical oil painting depicting a Venetian Powder Room Scene with Figures getting ready for the masquerade. A truly intimate scene with a ornate mirror, flowers in a vase and whit...

A skilfully rendered oil painting on board by Austrian artist Adolph Reich skifully expresses the careful consideration and focus of a vintner or distiller as they study and are abou...