Continental US - Vitrines

Dutch Rococo style burled walnut cabinet from the 19th century with nice carving and patina. This display cabinet with glass doors and sides res...

This Renaissance style vitrine cabinet is a stunningly beautiful masterpiece in white oak with superb carvings and detail. Note the fourteen carved figures, lion's heads and other su...

Louis XV Style, Curio Cabinet, Mahogany, Bronze, Glass, France, 1910s A stunning bow front curio case with curved glass sides, reminiscent of times past, ...

Very nice Mid-Century Modern shelf wall unit.

Crafted in the 18th century, this antique Austrian two door cabinet is painted with a well-detailed floral motif and adorned with hand-carved and gold leafed decorations. Exquisitely...

Two piece mahogany breakfront and buffet designed by Tommi Parzinger for Charak Modern circa 1952. Signed Charak Modern. Retains three original solid brass sculptural keys and all working locks. The base cabinet has three doors with distinctive diamond pattern inlay in satinwood. Each door has a custom Parzinger solid brass pull. Behind the bottom left and right doors is an open white cabinet with three original number-stamped shelves which are adjustable and removable. Behind the center door are five pull-out drawers. The upper cabinet has three doors with astonishingly beautiful glass panels which have been deeply wheel cut repeating the diamond pattern as below. The interior of the upper cabinet is painted white, backed by mirror and holds nine adjustable thick glass shelves each with plate grooves. Top left and right have signature Parzinger 'wings' a design element frequently repeated in his career. Beautifully restored by our expert refinisher. See our separate listings for the companion Parzinger dining table, dining chairs and leather front cabinet...

7' Tall Bubble Glass Double Doors Adjustable Shelves Bookcase Display Cabinet MINT!

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

Louis XVI style marble and ormolu bronze mounted mahogany vitrine display table with mirrored interior , supported by four tapering legs . The vitrine is in great condition . Minor w...

A petite Venetian 18th century period Rococo painted wood vitrine with carved crest and glass door. Created in Italy during the Rococo period, this It...

This is a gorgeous, simple and yet sophisticated French-made Louis XVI or Directoire style cabinet. It features clean lines, and a gorgeous brass gallery and a white marble top. The ...

19th Century Country French Regence Vitrine ~ Curio Cabinet is an interesting blend of styles not uncommon in those produced in the provinces, and in this case a blending of Louis XV...

With a Christies, New York auction sticker on the back. The cabinet with carved cornice and openwork frieze. Carved sinuous floral vine supports flank the glass door with mullions in a light brown stain. The interior in pale green paint with three shelves. The lower cabinet with metal mounts (broken...

An arched cornice culminates in a beautifully pierced, foliated design incorporating flowers, ruffles, and scrolled leaves atop this oak vitrine. The arched, double doors with glass...

French Louis XV-style (19th Century) kingwood 2 door vitrine display cabinet with bronze trim and shaped glass sides

Mid-Century Modern In The Style Of Milo Baughman Chrome & Glass Shelf Etagere. Very good condition, not solid stock but very heavy, all glass is in pristine conditon. Priced Per Boo...

Berkey & Gay Painted Decorated Petit Secretary Display Cabinet with Shelves Burl MINT!

This is a gorgeous cabinet with red velvet interior for the shelving. The cabinet features extraoridinary wood quality with ebonized accents and no major damages, wear or issues beyo...

A spectacular French 19th century Napoleon III Period Ebony, Ormolu and Hardstone cabinet vitrine. This impressive cabinet with Boulle inlays is raised on six bun feet with Ormolu ba...

An elegant Louis XVI style gilt bronze mounted mahogany vitrine attributed to Maison Krieger. The bombé front door opening to two glass shelves, flanked by convex glazed sides and r...

Vintage bookcase with three glass sides and chrome paneling. Top cabinets lights and mirrored bottom. (Please confirm item location - NY or NJ - with...

Vintage Chrome etagere, each shelf has removable glass with brass finials.

19th century French Neoclassical Walnut Display Armoire ~ Bookcase was crafted from blonde French walnut creating a naturally lighter shade of furnishing that is ideal for today's airy, casual decors. Taking a cue from 3,000 years of classical architecture, it features a boldly formed crown flanked by a pair of orb finials, and an intriguing bonnet that combines raised panels with burl walnut faces...

Early 19th century Swedish neoclassical painted vitrine ~ bookcase is a stunning find from the rarefied world of Gustavian-influenced Swedish cabinet works that glorified the revival...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

Fantastic iron etagere with 6 shelves 4 of them plate glass. Painted Black iron with a tapered support at the sides. Narrows as it gets taller. Cross x brace at the backside bottom. ...

Tubular satin finish aluminum tube construction with brass colored aluminum cube corner details. Five plate glass shelves each spaced approximately 14" apart. Glass shows extremely m...

Pair of Italian painted and gilt vitrines with hinged glass tops, carved intertwined decorative floral vine motif, corner floral medallions, and terminating on bulbous fluted legs su...

PRICE DISCOUNTED FROM $6500 FOR 1STDIBS SATURDAY SALE – ONE WEEK ONLY. NO ADDITIONAL DISCOUNTS, NO HOLDS. ITEM WILL BE RETURNED TO REGULAR PRICING AFTER 7 DAYS.


...

A most impressive and large scaled Italian 19th century Rococo Revival st. Ebonized Fruitwood and giltwood cabinet/vitrine. The four door cabinet is raised by a mottled plinth below ...

Stunning in concept and execution, this large, impressive Moderne-Art Deco cabinet consists of four parts, all centered around an internally-lit porthole vitrine with glass shelves and convex window, all finished in a golden flame mahogany that has a warm, lovely color. The vitrine and storage area below is flanked by two arms with shelves designed in a Greek Key form. At the center of each arm is a drawer fronted by black Vitrolite, an opaque structural glass...

1910s English museum display case or vitrine. Full clear glass on all sides and top with safety film to prevent shattering. Maple parquet floor with wear from use. Brass hardware mar...

Cupboard with wooden lacquered opaque white or vulcan grey structure. Doors in 6 mm thick fused and tempered glass, available in the following finishes: extra light back lacquered wh...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Mahogany Vitrine By François Linke François Linke – Variant to Index no. 1552 The shaped fleur de pecher marble ...

Empire guillotine cabinet. Fine Neoclassical fruitwood and mahogany vitrine small bookcase cabinet with glass panel door àla guillotine above t...

Late 18th century walnut veneer wall vitrine display case, Copenhagen, Denmark The display case has with two small drawers with original brass hardware.   

This is a stunning 1900s era (1890-1920) vitrine or collector's cabinet designed in the manner of Adam Weisweiler one of France's best known cabinetmak...

Impressive French display cabinet. Bronze doré mounts that are exceptional. Center portion having three glass shelves that are moveable Lighted

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

An elegant French 19th century Louis XVI st. patinated wood cabinet vitrine. The four door two drawer Deux Corps vitrine is raised by fine tapered fluted topie shaped feet below the ...

High quality Mid-Century Modern display qurio cabinet. High gloss durable finish, rounded beveled glass panels, brass hardware and base, two display lights, 87" tall.

American Walnut Danish Mid Century Modern Style Dining Table 2 Extension Boards

Opulent pair of large Italian carved altar pedestal vitrine display shelves or pavilion displays made in the grand neoclassical taste. The pedestals feature a stepped base having four column pillars surmounted by a roof. The frieze is reeded with parcel gilt decoration and has a domed top. The top has acanthus carved designs ending with a large finial...

This beautiful Classic is an early 1900s French rosewood vitrine with beautiful bronze ormolu-mounted details. There are two glass shelves in the top portion with a wonderful mirrore...

A late 18th century Louis XV style French Provençal verrio, or wall display cabinet from Nîmes. Made of solid walnut with beautifully carved details including a three dimensional bas...

Exceptional display cabinet with center opening door to fitted interior with three glass shelves that are moveable. It has a mirror back and mirror on the bottom. Two doors open on e...

A fine French 19th century Louis XVI style mahogany and ormolu mounted two-tier vitrine cabinet. The upper section with a single glass front door below a pierced gilt-bronze floral r...

A French elm vitrine cabinet from the 19th century, with chapeau de gendarme top, glass doors, carved décor and three drawers. Created in France du...

Mid-Century Modern Lucite and glass tall narrow shelving unit étagère.

Art Deco tazza/compote Jean E. Puiforcat silver-plated small silver-plated tazza with a red column stem, on stepped base. Stamped "Puiforcat/France" with EP...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A painted white pine buffet a Deux corps. Restored to original color. In two pieces, top and bottom.

American Mid-Century Modern ebonized metal and brass trimmed vitrine cabinets (MASTERCRAFT)

An Industrial Style brushed steel and glass etagere with illuminated interior and four glass shelves all with fine beveled edge. The etagere with cable elements that are looped around the horizontal supports. The crown with a knotted element...

Pair rustic vintage corner wine cabinets ~ Vitrines are perfect for your entertainment room! Situated in adjacent corners, you can take advantage o...

This is a masterpiece of English design and construction. The paint decoration is absolutely fantastic and richly done. The condition of the satinwood case and the the finish are imp...

Asian Chippendale 4 Doors Carved Teak 5 Shelves 2 Bottom Drawers 72" Tall Curio Cabinet Showcase MINT!

Early 1900s lighted curio cabinet with glass doors.

A delicate and light colored Cabinet with decorative Federal elements. The cabinet in fine satinwood with broken bonnet crest and carved cornice. The d...