England - Paintings

Still Life of Flowers French Impressionist, circa 1900's oil on canvas, unframed canvas: 20 x 25.5 inches Provenance: private collection, Paris Condition: very good condition For m...

VERY RARE Oil PAINTING Antique 19th Century By Listed artist British old master OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century Gold Frame Description Late 19th century “Good...

Elaborate Floral Arrangement French artist, 18th Century oil on canvas, framed Framed: 27 x 34 inches Canvas: 22 x 29 inches Provenance: private collection, England Condition: very...

George Dannatt (1915-2009) Shoreline No 2 - White, Grey, Pink 1975 Oil on paper Image: 7.60 x 22.5 cm Frame: 31.7 x 36.2 cm Provenance: The George and Ann Dannatt Estate, Th...

Title: Impressionist Horse Racing Scene with Jockeys and Spectators under Violet Sky By Fanch Lel Signed: Yes Size: 15 x 18.25 inches (height x width) Oil painting on cardboard, unfr...

Jane Skingley b. 1963 Hokusai Ocean Blue I, 2024 mixed media on vintage book pages laid onto canvas 50 x 50 cm 19 3/4 x 19 3/4 in signed verso Jane Skingley paints seascapes and lan...

Cattle Watering in the Highland Loch, Dusk British School, 19th century circa 1860's oil on board, framed framed: 16 x 20 inches board: 12 x 16 inches provenance: private collection,...

French mid 20th century Wood and plaster frame Internal measurement (to house painting or mirror): 39.75 x 19.75 inches Overal outer measurements: 48 x 28 inches Provenance: from a c...

Tall ships in a rocky bay, with figures in Eastern costume in boats and on the shoreline 19th Century School oil on canvas, framed framed: 39.5 x 3...

Jean - Luc Mauger (1952) French School, 20th century signed oil on board, framed framed: 18.5 x 14.5 inches board: 15 x 12 inches Provenance: private collection, Paris Condition: v...

The Dalmatian Dog by Adrienne Lester, British 1870-1955 signed & dated 1896 oil on canvas, framed framed: 27 x 32.5 inches canvas: 25 x 30 inches provenance: private collection condi...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

Artist/ School: Scottish School, 20th century, after Joseph Farquharson (1846-1935) Title: Sheep in Snowy Winter Landscape Medium: oil on canvas, fra...

Konstantin Razumov (Born 1974) Russian Elegant Lady in her Dressing Room, wearing Lingerie and Red Shoes Oil on canvas: 10 x 13 inches. Frame: 18x21 inches. Konstantin Razumov's ...

This evocative interior scene captures the warmth and character of a rustic colonial-era kitchen, with sunlight streaming through leaded windows to illuminate an array of period furn...

Isaac Van Duynen (Dordrecht 1628-1679 The Hague) Freshwater fish, an eel and a frog, on a table Oil on canvas Canvas size 37 x 51 in Framed size 44 x 58 in Provenance with Simon Dic...

French Countryside Landscape by Edmond Quinton (French 1892-1969) *see notes below signed lower front corner oil painting on board/ panel, unframed size: 9.5 x 13 inches condition: o...

Title: Mid Century French Original Pastel Painting of Vibrant Sun-Drenched Orchard Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 18.25 (height)...

The Departing Day by Frank Hider (1861-1933) signed oil on canvas, framed framed: 20 x 24 inches canvas: 14 x 18 inches provenance: private collection, UK...

Signed and dated impressionist oil on panel landscape by French painter Camille Roche. This beautifully coloured piece depicts a view of the River Seine in Paris, France on a bright ...

Artist/ School: Marie Louise Eber (French mid 20th century), signed lower front, dated 1958 verso. Title: "La Serenite", a beautiful Post-Impressionist m...

Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...

Regal Style French Abstract, Picasso Style, Original Oil Painting, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Oil painting on canvas, unframed Canvas size: 25.5 x 21.5 inches Sensational abstract oil painting by a French female artist named Beatrice Werlie. The abstract style painting shows a medley of coloured flecks, based on a ochre background, with a soft range of reds and greens. There is a faint outline of a face with what we believe to be a crown, lost amongst the cubist paint...

Henry Woolway, To Where The Journey Began, 2022 Acrylic on Indian Rag Paper 86 x 66 cm (33.8 x 25.9 in) Artwork is set in a stained red wood frame Hand-signed by the artist Henr...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Country Lane with Trees & Birds in English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Modernist Still Life by Andree de Fremont (French, contemporary) signed painting on canvas, unframed canvas: 39.5 x 39.5 inches Provenance: from a collection in France Condition: ver...

Framed Pegsdon by Tim Woodcock-Jones [2019] Signed by the artist Oil on canvas Image size: H:91 cm x W:122 cm x D:2cm Frame Size: H:99 cm x W:130 cm x D:4cm Please note that insitu i...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Original oil painting by Sophie Harden. Next Lot is an atmospheric filled piece of a horse being led to be saddled up for the next lot on the gallops. Set on a vivid dark blue backgr...

Artist/ School: Louis del Bianco (French b.1925) Title: Provence Olive Groves Medium: oil painting on canvas, unframed Size: painting: 21.5 x 18 ...

Flowing Through Blue is a real statement piece from Bleakley. It has all the hallmarks of intricacy for which she is known allied with beautiful colourways. Susan paints in her cliff...

Artist/ School: British School, early 1800's, circle of George Morland (1763-1804). Title: The Stable Interior Medium: oil painting on canvas, unframed. Canvas: 25.25 x 30 inch...

FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OLD MASTER OIL PAINTING MAN O WAR IN HARBOUR Description Good Condition canvas but very old with some browning in places (see picture). C...

This large superb British Old Master horse portrait oil painting is by noted artist John Boultbee. Painted circa 1790, the composition is a beautif...

Title: Mid Century French Original Pastel Painting of Sunlit Orchard Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height) x 13.75 (widt...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed inscribed verso dated 68' canvas size: 35 x 46 inches condition: ov...

Pocket Peas In A Pod is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

Portrait of a Gentleman in Formal Attire French School, 19th century oil on board, framed framed: 17 x 14 inches board : 13 x 10.5 inches Provenance: private collection, Paris, Franc...

Title: French Impressionist Horse Racing Scene at Marville Saint Malo by Fanch Lel By Fanch Les Signed: Yes Size: 13 x 16.25 inches (height x width) Oil painting on cardboard, unfram...

Signed and dated oil on board figure in landscape by Austrian post impressionist painter Stefan Simony. The work depicts a woman in a field full of wildflowers with a view of the mou...

Title: French Village with White Chapel and Spire under Stormy Sky by Fanch Lel By Fanch Lel Size: 7.5 x 9.75 inches (height x width) Oil painting on cardboard, unframed Condition: G...

Mountain Valley with Blooming Trees Josine Vignon (French 1922-2022) ...

Times Square New York City Reflections after the Rain by British Urban Landscape Artist, Angela Wakefield. Entitled “November Rain”, this unique origi...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

A quaint rural scene in oil showing two figures out for a stroll on a summer's day, one sitting side saddle on a handsome white horse. The artist has signed to the lower left. On can...

The Close of Day Italian School, 17th century circle of Salvator Rosa (1615 - 1873) (ascribed to this artist on a frame plaque) oil on canvas, framed Framed: 20.5 x 25.5 inches Canva...

A charming breakfast table scene featuring an assortment of everyday objects arranged on a polka-dot tablecloth. The composition skilfully balances a variety of shapes and textures, ...

Sunset Nude Painting by Annie Faure (French 1940-2021) signed lower corner oil painting on board, framed framed: 7.5 x 7.5 inches board size: 6 x 6 inches condition: overall very goo...

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

Philip Eustace Sretton (1884-1919) Waiting for Master Oil on canvas Canvas Size - 30 x 25 in Framed Size - 37 x 32 in Provenance The Leverhulme Collection; Sotheby's, Thornton Mano...

A recent sojourn to India has provided a very productive creative period for Francesca Owen. Her palette reflects the warmth, spice and amazing colours of the subcontinent. These myr...

This superb, large British Victorian oil painting is by noted Newlyn and Menton artist Arthur Alfred Burrington. It was painted circa 1890 when Burrington was most likely in Newlyn, ...

Winter Landscape English School, 19th century oil on canvas , framed framed: 23.5 x 32 inches canvas : 16 x 24 inches Provenance: private collection, the Cotswolds, England Condition...

The Italian Mountainside Italian School, early 20th century Indistinctly signed oil on canvas, framed framed: 18 x 21 inches canvas: 14 x 17 inches Provenance: private collection C...

Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner left hand corner oil painting on canvas, fram...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Pocket Chiaroscuro Pomegranate Tableau is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod...

Signed figures in riverscape oil on canvas by French Barbizon painter Leon Augustin Lhermitte. The piece depicts a rural landscape with washerwomen in traditional Breton clothing was...

Title: Acrylic Still Life Painting of Sunflowers in Vase by Sunlit Window by Minty Ramsey Signed: Verso Medium: Acrylic on Paper Size: 11.5 inches (height) x 8.25 inches (width) Cond...