Items Similar to Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Francis E. JamiesonLoch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signedc.1930's
c.1930's
About the Item
Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed
by F. E. Jamieson (British 1895-1950)
signed, lower corner left hand corner
oil painting on canvas, framed
Framed: 14.5 x 22.5 inches
Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson in one of his pseudo names on the lower right corner.
The painting captures this idyllic sunset view of the famous and beautiful Loch Lomond from the view of the dreamlike jetty.
F. E. Jamieson (1895-1950)
We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989.
Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work.
Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings.
In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door to door travelling by bicycle. By the end of his career, he was selling door to door in his Bentley motor car.
In order to increase his output, Jamieson would often paint the same scene and subject many times over. His favourite area of Scotland was Loch Lomond and the Trossochs National Park, where he painted literally thousands of highland scenes, some of which numerous times over again. It was quite rare for him to include the human figure or cattle, though they do appear in more select works. Jamiesons favourite canvas size was 16 x 24 inches; sometimes going to 20 x 30 inches and rarely 12 x 20 inches and 20 x 24 inches. He often titled his works in pencil to the wooden stretcher bars, which have often been covered by framers but can often be found by removing the framers masking tape.
- Creator:Francis E. Jamieson (1890 - 1950, British)
- Creation Year:c.1930's
- Dimensions:Height: 14.5 in (36.83 cm)Width: 22.5 in (57.15 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU50934370661
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1989
1stDibs seller since 2016
3,450 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Cirencester, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Large British Hunting Scene Signed Oil Painting Huntsman, Horses Hounds & FoxLocated in Cirencester, GloucestershireArtist/ School: John Munnings (1916-1987), signed lower front and labelled verso. John Munnings (1916-1987) was the nephew of the famous equestrian artist Sir Alfred J. Munnings. He was born at Mendham Mill, Suffolk, and wrote a book full of fascinating reminiscences about his childhood at the mill. Munnings fought in the Second World War and was held a prisoner of war. After the war he married and became manager of an agricultural firm. He was a keen artist, giving exhibitions at the Assembly Rooms, Norwich and combined this with his interest in watermills to produce the many sketches of mills, now in the archives in museums and private collections. Title: 'The One That Got Away...Category
Mid-20th Century Victorian Landscape Paintings
MaterialsOil
- Antique British Hunting Scene Oil Painting - Huntsman on Horseback in LandscapeLocated in Cirencester, GloucestershireArtist/ School: E. S. England (British, active c. 1890-1910), signed lower corner. Title: The Huntsman and his horse. Medium: signed oil painting on canvas, unframed. canvas: ...Category
Late 19th Century Victorian Landscape Paintings
MaterialsOil
- Scottish Oil Painting Black Grouse in a Tree within a Highland LandscapeLocated in Cirencester, GloucestershireArtist/ School: Early 20th Century Scottish School Title: A black grouse in a tree Medium: oil painting on board, framed, signed Painting: 18 x 14 i...Category
20th Century Victorian Animal Paintings
MaterialsOil
- Huge Scottish Signed Painting Sheep in Winter Snowy Sunset LandscapeLocated in Cirencester, GloucestershireArtist/ School: Scottish School, 20th century, after Joseph Farquharson (1846-1935) Title: Sheep in Snowy Winter Landscape Medium: oil on canvas, fra...Category
20th Century Victorian Landscape Paintings
MaterialsOil
- Very Large Antique English Oil Tranquil Rural Landscape Cattle Watering RiverLocated in Cirencester, GloucestershireTranquil Pastures English School, 19th century oil painting on canvas, unframed canvas: 30 x 40 inches provenance: private collection, England condition: overall very good - small ...Category
Late 19th Century Victorian Landscape Paintings
MaterialsOil
- British Sporting Art Huntsman and Hounds in Landscape, signed oil paintingLocated in Cirencester, GloucestershireArtist/ School: Reginald Llewellyn Harvey (1888-1973), signed Title: Setting out for a hunt, mounted huntsman with hounds in a landscape. Medium: signed oil painting on canvas, fr...Category
Early 20th Century Victorian Landscape Paintings
MaterialsOil
You May Also Like
- 19th Century exhibition size landscape oil painting of Sheep on a cliffBy Charles Jones (b.1836)Located in Moreton-In-Marsh, GloucestershireCharles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century Highland landscape oil painting of sheep near Loch AweLocated in Moreton-In-Marsh, GloucestershireWilliam Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- Pair of landscape hunting scenes with wild boarLocated in Moreton-In-Marsh, Gloucestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17 INCHES X 20 INCHES** Godfrey Douglas Giles British, (1857-1941) Wild Boar & her Young in an Indian Landscape & Pursuit o...Category
Early 20th Century Victorian Animal Paintings
MaterialsOil, Panel
- 19th Century Scottish landscape oil painting of a figure with Highland CattleBy Henry GarlandLocated in Moreton-In-Marsh, GloucestershireHenry Garland British, (1834-1913) Driving the Cattle ‘Hame’ Oil on canvas, signed & further inscribed & dated 1895 verso Image size: 32.25 inches x 27.25 inches Size including fram...Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
- 19th Century Scottish landscape oil painting of Highland cattle at Glen GoilBy William WatsonLocated in Moreton-In-Marsh, GloucestershireWilliam Watson Jnr British, (1847-1921) Up Glen Goil, West Highlands Oil on canvas, signed & dated 1892, further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 36.25 inches x 48.25 inches This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
- 19th Century landscape animal oil painting of Highland Cattle on a moorBy Louis Bosworth HurtLocated in Moreton-In-Marsh, GloucestershireLouis Bosworth Hurt British, (1856-1929) Crossing the Moorland Oil on canvas, signed & inscribed with title in pencil on the stretcher Image size: 23.5 inches x 39.25 inches Size in...Category
19th Century Victorian Animal Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Furniture Shop Used
Antique Furniture Shop
Antique Furniture Shops
Antique Furniture Shopping
Antique Door Painting
Bar Scene Painting
Antique British Oil Painting
Man Painting Antique
Scottish Man
Sold Antique Store
Antique Bentleys
Antique Bentley
Oil Painting Landscape Antique Large
Large Landscape Scotland
Large Scottish Landscape
12x15 Oil
S Francis Paintings
Mr E