England - Landscape Paintings

This pastoral landscape painting captures a serene rural scene, with cattle gathered near a wooden gate in the foreground and rolling hills stretching into the misty distance. The ar...

The Old French Street by Henri Maurice Cahours (French 1889-1974) signed oil on board, framed framed: 29 x 22.5 inches board: 22 x 15 inches provenance: private collection, Provence,...

The Italian Landscape English artist, early 19th century circle/ follower of Joseph Mallord William Turner (British 1775-1851) oil on wood panel, framed in a delightful antique walnu...

The French Coastline and Beach by Michel Kritz (French 1925-1994) signed / dated 65' signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France cond...

English Countryside painting with Thatched Cottage, River & Cows Grazing by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This captivating original paint...

ARTIST: Pauline Plummer (1930-2023) British TITLE: "The Swimming Pool" MEDIUM: oil on canvas SIZE: 69cm x 59cm incl frame CONDITION: excellent NOTES: A stunning bright and well exec...

Artist/ School: Alfred Quertant, French circa 1930's, signed lower right Title: The Old Town, Nice Medium: oil on panel, unframed Size: painting: 46...

Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Canal with Houses. by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.75 x 22 inches *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUR...

French School, mid 20th century indistinctly signed and dated lower right corner, inscribed into the paint. oil painting on wood panel, presented within highly ornate carved wood or...

'Start of the Day, Dorking, Surrey' signed by Joel B. Owen (British, signed and dated 1919) oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private co...

Fishing on Loch Maree by Donald Ayres (Briths b. 1936) signed oil on board, framed framed: 22 x 18 inches board: 16 x 22 inches Provenance: private collection, England Condition: ve...

Martin Yeoman b. 1953 Venetian Scene I oil on canvas-board 21 x 30 cm 8 1/4 x 11 3/4 in signed Martin Yeoman was born in 1953, and studied with Peter Greenham at the Royal Academy S...

Title: French Watercolor of "Château de Saumur: Riverside View" by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 20 x 1...

Dawn Seascape Painting with Pink Sky and Waves by 20th Century British Artist, Norman Scott Art measures 16 x 12 inches Frame measures 18 x 14 inches Vintage Original Oil on Boar...

Alpine Mountain Hut - Vintage Landscape Painting by 20th Century German Artist, Fritz Haupt Art measures 11 x 9 inches Frame measures 15 x 13 inches This exquisite painting by F....

H.Jackson. 19th-century English landscape with sheep resting in a field. English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence...

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Edible Fungi Signed and dated (19)91 Watercolour over traces of pencil 26¾ x 14¾ 37 x 24½ with frame ​​ George Large is a painter in watercolour and oil, born in Islington, London in 1936. He studied at Hornsey College of Art (1958-63), teachers including Maurice de Sausmarez, John Titchell and Alfred Daniels. Large spent some time in the display department of Simpson’s, Piccadilly, was part-time at Hornsey College of Art, then head of department at St Julian...

Artist/ School: Signed by Guy Benard (French, contemporary) Title: Jardin en Mai Medium: oil on canvas, unframed Canvas: 25.5 x 32 inches Provenance: private collection, France ...

Artist/ School: French Modernist artist, late 20th century Title: The Old Cafe Medium: oil painting on canvas, framed frame: 30 x 42 inches canvas: 24 x 36 inches Provenance: pr...

"The Days Bag" by ROBERT CLEMINSON (British, 1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private co...

Mountain Lake Oil Painting of a Loch in the Scottish Highlands by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 16 x 12 inches Frame measures ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 19 inch...

A Cottage In The Forest by Harold Storey ( 1888 - 1965) signed & dated 1940 oil on board, unframed board : 6.5 x 9.5 inches Provenance: private collection Condition: sound & good con...

A beautiful large late 19th century French impressionist oil on canvas depicting an extensive landscape with trees in the foreground and an atmosph...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

The Provencal Landscape by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condi...

Artist: Yvette Bossiere (French, b.1926) signed lower corner and verso Title: The Old Bridge Medium: oil painting on canvas, unframed Size: painting...

A busy beach in peak season viewed from above giving real holiday vibes! Acrylic paint on Canvas 100 H x 100 W x 2 D cm (39.37 x 39.37 x 0.79 in) Sold unframed Image size: Height: ...

Title: Impressionist French Floral Still Life Oil of Le Bouquet du Cinquantenaire By Fanch Lel Signed: Yes Size: 18 x 15 inches (height x width) Oil painting on board, unframed Condi...

Roger Eliot Fry (British, 1866 – 1934) Sous bois oil on canvas 23.1/2 x 28.5/8 in. (59.7 x 72.8 cm.) Provenace: Magdalene Street Gallery, Cambridge The collection of Oliver Carey A ...

Artist/ School: British School, 20th century, signed by the artist, Charles Rodger 89. Title: The Hunt. Medium: oil on canvas, framed Framed: 31 x 43 inches Painting: 14 x 36 inc...

Seascape Moonlight with Crashing Waves Vintage British Oil Painting Signed to lower left Art measures 20 x 16 inches Frame measures 24 x 20 inches This painting depicts a serene an...

"Meditation on Water II" is a mesmerizing original lake water painting by the accomplished Irina Cumberland. This captivating artwork, born from the realm of contemporary realism, be...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is Glen Sannox, Arran in the Scottish Highlands. Glen Sa...

Title: French Mid-Century Ink and Wash Drawing of Parisian Boulevard and Rooftops by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed pap...

A very interesting signed and dated 1914 oil on canvas depicting an East London dock scene. A large steam ship is docked, with London barges in front and a city skyline beyond. Thi...

Floral Vintage Oil Painting of Wild Red Poppies in a Field in the English Countryside, by 20th Century British Artist. Art measures 16 x 12 inches Frame measures 22 x 18 inches ...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Californian Coastline Seascape Landscape Impasto Oil Painting by 20th Century Artist, Constance Lee Art measures 19 x 15 inches Frame measures 21 x 17 ...

Sunrise in the Scottish Highlands by Clarence Roe (1850-1920) signed & dated 1880's oil painting on canvas, framed framed: 28 x 40 inches canvas: 24 x 36 inches condition: very good ...

Shipping scene off the coast of Dover circle of Charles Martin Powell (British, 1775-1824) oil painting on board, framed framed: 12.5 x 11.5 inches board: 9.5 x 8 inches condition: ...

Attributed to Ludolf Backhuysen Dutch Coastal Vessels and a Merchantman Off a Harbour Mouth Oil on canvas Canvas Size 22 1/4 x 30 in Framed Size 29 x...

Artist/ School: R. Leroy (French b. 1932) Title: Abstract/ Cubist Composition Medium: mixed media - material and oil on canvas, unframed Size: painting: 21.25 x 28.75 inches...

Atmospheric Earthy Sunset Seascape Landscape Impasto Oil Painting by 20th Century Artist, Constance Lee Art measures 19 x 15 inches Frame measures 21 x...

Artist/ School: Norwich School, circa 1876 Title: 'Norfolk Clay Lump and Thatched Cottages'. Medium: oil on canvas, framed Framed: 24 x 31 inches Painting: 19 x 26 inches Provenance: private collection, East Anglia...

The Riverbank by Elie Anatole Pavil (Ukraine 1873-1944) signed oil on canvas, unframed 19.75 x 25.5 private collection, France the painting is in overall very good and sound condition

'Waters of Leith' (Scotland) by William B Dealtry (British 1915-2007): signed oil on board, framed framed: 10 x 14 inches board : 8 x 11 inches Inscribed verso with title Provenance:...

"The Loch Keepers Cottage" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 20 x 28 inches Fine quality antiq...

Monte Carlo Casino Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 16.5 x 12.75 inches Provenance: private collection in the South of France, Condition: ...

George William Mote (1832-1909) British oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collection condition: very good and sound co...

This atmospheric painting by Violet Fuller captures a moody, autumnal scene with rolling hills and sparse vegetation. The artist employs a muted colour palette of earthy browns, gree...

Title: French Impressionist Oil Painting of Boats and Lighthouse on a Rocky Shore By Fanch Lel (French b. 1930) Size: 9.5 x 7 inches (height x widt...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, mounted in a card frame size: 25.5 x 21 inches condition: very good and ready to be enjo...

English Farmhouse in Countryside Miniature Oil Painting by 20th Century Artist Art measures 6 x 2.5 inches Frame measures 12 x 8 inches Framed, Mounted, Signed, Unique Original ...

Title: French Impressionist Oil Painting of La Vieille Ferme, Vendée, with Row Boat By Fanch Lel (French b. 1930) Size: 8.5 x 10.5 inches (height x width) Signed: Yes Oil painting on...

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

A beautiful mid 20th century French impressionist oil on canvas board depicting snow covered roofs in winter, by Claude Vallet. Very...