England - Paintings

A six panelled screen of the late Baroque period Oil on canvas, depicting a panoramic view of a Capriccio north European landscape, perhaps Schlesweig-Holstein, with distant views of the sea, the ruined castles, peasants, and a lady of quality mounted, within a running arched canopy...

Outstanding period Victorian oil painting of an English landscape We date this important work to circa 1860 Beautiful pastoral work a nod back to classic Arcadia In the foreground ch...

Oil on canvas signed B H Stone. Depicting a Canadian winter landscape encased in a carved frame. Dimensions Height 25 inches Width 29.5 inches Depth ...

An impressive early 20th century large-scale oil on canvas by Ukrainian artist Marc Sterling (1895-1976). The still-life composition draws the viewer in with its depiction of assorted fruits, a delicate vase embellished with blooming flowers, and an intricate charger, offering a feast for the eyes with its rich textures and soft colors. The painting is presented in its original Italian Cassetta...

striking oil painting from the 40s of a forest scene in strong impasto strokes and bold colour tones. Simply framed of the period by well known Swedish artist Gunnar John, who studi...

An exceptional early Cuzco School painting, naive depiction of the Holy Family, presented in a contemporary wooden frame. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, following the Spanish conquest and subsequent attempts by the Spanish invaders and missionaries to implement the Catholic faith and associated customs upon the Peruvian people. The school was established in the ancient city of Cusco which had previously been the capital of the Incan empire. Bernardo Bitti arrived in Peru in 1583, and with his arrival the acceleration of Cuzqueno Art flourished. During his two stays in Cusco, Bitti was commissioned to make the main altarpiece of the church of his Order, replaced by another after the earthquake, and painted some masterpieces, such as The Coronation of the Virgin, currently in the museum of the church of La Merced, and the Virgen del pajarito, in the cathedral. Cuzco School paintings are marked by their baroque influenced imagery and the subjects of the paintings shown with light focused upon them. Cuzco art...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original circa 1860-1880 Italian Grand Tour Oil on Board painting of Roman Temple Ruins with a...

Montague Dawson: A Moonlight Scrap. This dramatic watercolour on paper shows a WWI R-class destroyer escorting a battleship through a night-time encounter in choppy seas. The moon ha...

Peter Sedgley is a British *Op and *Kinetic artist, born in London. After no formal training he He began to paint in 1963, influenced by Bridget Riley, with whom in 1968 he set up S....

Oil on panel titled Welcome Refreshment' byBelgian artist Gerard Portielje 1856-1929. Born in Antwerp, the son of a painter Jan Portielje. He has pro...

A loose wash of curves sweep across this expansive work by contemporary French artist Vincent Gassin-Gradstein. Layered, expressive, and reduced of figuration, a single square holds ...

Charming and quirky still life oil painting on panel of a tea pot and smoked herring. Dated 1952 and painted by Larsson a swedish painter who was well known in Denmark for his still ...

Orientalist painting of a holy man blessing a young child, whilst women and men look on, awaiting their turn, some women are bearing gifts of food and a man, probably the Imams valet...

A set of 6 original works on paper by Marinette Lefillâtre 'La Magie du Papier' France, 2011

Unframed and unsigned oil on canvas.

A 1930s futurist watercolor painting of a motorbike race by Italian futurist artist Aris Bacci. Mounted in original geometric cream mottled frame, with stun...

Arthur Maria Rener (1912-1991) Immerse yourself in the captivating world of Arthur Maria Rener, a distinguished artist whose work transcends the ordinary, inviting viewers into a rea...

18th Century English School, Portrait of a Boy, framed in an ornate, oval-shaped gold and dark-coloured frame. The child is dressed in period clothing, featuring a white ruffled coll...

Rare and large classical Trompe-l'oeil meissen porcelain plaque. German, 19th century. Measures: frame: height 60 cm, width 55 cm, depth 5 cm. plaque: height 45 cm, width 40 cm. ...

This beautiful antique porcelain plaque exhibits the fine quality of craftsmanship and artistry that the prestigious Berlin porcelain manufactory, KPM, is renowned for. The plaque is delicately painted with the full-length portrait of Duchess Louise of Mecklenburg-Strelitz (1776-1810), Queen of Prussia and wife of King William III (1770-1840). Louise was a popular Queen and was respected for her successful negotiations with Napoleon, before he became Emperor of France. In this plaque, she is depicted descending the steps of the Charlottenburg Palace, Berlin, which was the seat of the Prussian monarchy. She wears a simple robe a l'anglaise, which was fashionable at the time, and looks directly at the viewer in a symbol of power and majesty. The plaque is signed to the lower right by the artist 'Emile Eckhart', who worked for KPM. It is painted after a famous work by celebrated German artist Gustav Karl Ludwig Richter...

A beautiful, large and impressive antique landscape oil painting, this dates from around the 19th century. It depicts a lovely countryside scene of a water mill. It is very well executed, with lovely details and gorgeous, subtle colour tones. It is in excellent condition for its age, there is no damage to the painting and it is signed : J. Marow. The gilt wood frame looks to be original, it is also antique and of extremely fine quality. There is an old label on the back with German writing...

This colourful painting is of an abstract village scene in the geometric style. The elegant 'tray' frame keeps the focus on the picture itself. Si...

Italianate landscape, Manner of Claude Lorrain Very good Quality oil on relined canvas in the Manner of Claude Lorrain, cargo ships on the banks of the river Po Italy. 📜 Provenance – Italianate Landscape after Claude Lorrain, England or Italy, circa late 18th–early 19th century This finely executed oil on canvas is an accomplished historic copy after Claude Lorrain’s celebrated Italianate river landscapes, specifically related to his Landscape with Merchants (c. 1630s), held at the National Gallery of Art, Washington, D.C. The composition also bears a close resemblance to the 1769 engraving by Boydell and James Mason, after a painting once in the distinguished collection of Robert Trevor, 4th Baron Trevor, later 1st Viscount Hampden. The scene features cargo ships along the tranquil banks of the River Po, enveloped in the soft, atmospheric light for which Claude Lorrain (1600–1682) is universally revered. Executed in the idiom of the Grand Tour period, the painting exemplifies the classical Arcadian themes sought by aristocratic collectors travelling through Italy in the 18th and early 19th centuries. This work is a particularly elegant example of the period's taste for Claudean compositions, balancing architectural elements with expansive vistas and golden, diffused light. The canvas has been professionally relined and restored, housed in a contemporary frame that complements the work’s scale and palette. Minor craquelure and darkening to areas of the blue and green pigments remain consistent with age, enhancing its historic charm. Ideal for integration into neoclassical, traditional, or transitional interiors, this work represents an opportunity to acquire a piece of decorative art with a strong visual lineage and academic relevance — a testament to Lorrain’s enduring influence across centuries of landscape painting. Very similar to the Landscape with Merchants in the National Gallery of Art, Washington, D.C. Our version could be after the engraving by Boydell and James Mason on 1st January 1769. Interestingly, the source painting for the painting was once in the collection of Robert Trevor, 4th Baron Trevor (from 1764), and subsequently (from 1776) 1st Viscount Hampden. 18th-Century Italian Landscape in the Manner of Claude Lorrain This exquisite 18th-century Italian Landscape in the manner of Claude Lorrain captures the essence of Italian Baroque landscape painting, showcasing the serene beauty and harmony of the classical countryside. Drawing inspiration from the Golden Age landscape painting, it reflects the elegance and detail characteristic of Claude Lorrain-style artwork, featuring sweeping vistas, balanced compositions, and an idealised landscape scene that exudes timeless charm. A Classical Italian Countryside Painting...

Vivid and bright Dutch floral still life oil painting Brushwork so detailed and this really has a lot of verve and energy, would definitly lighten up any ...

A delightful pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and dating from the late 18th Century. The paintings delightfully pr...

Seascape painting set in it's original gilt-wood frame., English, 20th century, oil on canvas. Dimensions: H 53 x W 61.5 x D 6.5 cm (framed dimensions)

Thomas Luny (British, 1759-1837) HMS Bellerophon leaving Torbay with the defeated Emperor Napoleon aboard, 26th July 1815, this oil on panel shows the crew manning the yards to bring in the sails, having just dropped anchor in Torbay, with another battleship anchored astern and a further ship under sail in the distance, the foreground with working boats approaching, signed and dated ‘Luny 1827’(lower left). In the original gilt-wood frame. Provenance: Private collection, UK. Footnote: Despite a service career as illustrious as any fighting ship...

Aurelio Arteta Errasti (2 December 1879, Bilbao - 10 November 1940, Mexico City) was a Basque painter who worked in several styles; including Symbolism, Cubism and Social Realism. ...

Set of four Ship lithographs, depicting the ships, Narcissus, Bellerophon, Monarch and Warrior, published by Griffin and Co. Encased in ebonised frames...

A large stunning painting from the legendary Amazonian artist Moacir Andrade "A Lenda Do Pacu" (The legend of the Pacu) Acrylic on canvas depicting a central Pacu which is a lar...

A Pair of "Pompeian" Interior Scenes By Egisto Sarri of Florence Executed in oil on canvas, and housed in matching hand-carved giltwood frames, depicting intimate domestic life of t...

Royal House Antiques We are delighted to offer for sale this stunning original Zhang Yizhi portrait of the Seated Lady in traditional Chinese dress Please note the shipping fee li...

An early 18th century oil painting from the school of Jan van Neck (1635-1714), Amsterdam, depiction mythological subjects, probably Venus, Cupid and Mars wit...

A small oil on canvas of a street scene by Albert Harold Palmer, 1911-1985. Artist and teacher, born in Northamptonshire, who studied art part-time, then full-time at Grimsby School...

Topmast schooner sailing past a cargo ship Oil on canvas Characterful naive picture in the spirit of Alfred Wallis Board length 28cm., 11", height 2cm.,...

Midcentury Abstract Blue Painting Signed and dated 1972 Midcentury Abstract Blue Painting The Italian abstract art scene of the 1970s was transformativ...

French 19th Century Still life Oil on Canvas. Fruit, Vase, Medal and a spray of Flowers. Indistinct Signature lower R/H. Follower of Henri Fantin-Latour 1836-1904. 80cm x 65cm.

Early 20th Century Dog portrait of a white Poodle. Oil on Canvas and found in the original frame. Restored and recently cleaned. Italy, Circa 1915 Signed Zaparolli 1915.

Wonderful still life oil painting in the Renaissance manner Very bright and vivid display of grapes, fruits and leaves Piece is signed L . Roth in the bottom right corner The artist ...

Copeland porcelain plaque depicting the Casket Scene from The Merchant of Venice English, Late 19th Century Frame: height 47.5cm, width 65.5cm, de...

Set of Four Hunting prints by S. Williams. No's 193,194, 195, 196. Published by S Hildesheimer & Co, London, Manchester, New York. Each picture with its own Title. 'T he Find' 'The R...

A very large giltwood framed K.P.M. porcelain plaque of Jephthah's daughter German, late 19th century Frame: height 97cm, width 84cm, depth 8cm Plaque: height 65cm, width 52cm ...

This lovely reproduction of Eos is after the original painting by Sir Edward Landseer, and is unsigned. The painting is very well executed and the arti...

Oil on board Wooden frame Danish Signed and dated 1953.

A wonderful and very striking large vintage watercolour painting by Bettina – titled: Dolls and Toys – 1973. This is beautifully executed and has a whimsical design, depicting colou...

Montague Dawson: Gliding Along, The Deb, circa 1949 This is a framed oil painting on canvas and shows the first 5.5 metre day boat built by George Nicholson sailing past Newtown Cre...

Attributed To Joseph Highmore (1692-1789) 'Portrait of child - possibly Prince William Duke of Cumberland, son of King George II' Oil on canvas painted...

A fine pair of oil on board farm yard scenes, consisting of sheep, hens, goats and chickens. Surrounded by two lovely gold guilt frames. Signed and painted by the British artist Alb...

Large and beautiful contemporary painting by Cornelia O’Donovan (RCA, MA) 'Woman with Birds'. Signed version 'Cornelia O Donovan', 2023. Cornelia’s art is shown in several galleries ...

Charming and colourful mid C20th framed oilk painting on panel of pink tinged white blossom in a ceramic pot set against a striking blue and orange red background. Signed and dated 1...

Mid Century Framed Oil On Board, Still Life English School, Signed Cyril Knight 1960 In good condition commensurate with age. Remains vibrant in colour. Showing minor expected sign...

This is an antique landscape painting. A British school, original oil on canvas signed G. Dawson, dating to the late Victorian period, circa 1900. Signed G Dawson, this fine landsca...

A pair of carved giltwood Chippendale crossed palm frames, with inset hand-painted chinoiserie portraits of 18th century oriental nobility. We a...

Expressive portrait of women in bright colours acrylic paint on board in original frame, by artist Pieper, Munich, Germany 1960's in bold colours. The painting dimensions; Height 52...

A very nice French still life oil in canvase painting of flowers. Signed bottom right. Mounted in a beautiful 1940s carved wood Montparnasse frame. Please contact us for a worldwide...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Mid 20th Century Genuine Oil Painting of a woman – Cheesecake Style Signed by Artist – Gautier Size 15” x 17.5” x 0.75” The Painting depicts a...

1960 Watercolour H22 x W43 cm (framed dimensions)

Oil on Canvas; “War of the Spanish Succession, 1702-13”, A Mid 18th Century Marine Scene by Peter Monamy “War of the Spanish Succession, 1702-13″, the fleet under Admiral Sir George...

This is a vintage Venetian canal painting. A Continental school, oil on canvas study of Venice, dating to the late 20th century, circa 1980. Appealing canal scene in oils, with grea...