Europe - Paintings

Vintage painting, still life of flowers in a vase, oil on canvas, framed in a cream and gold pine frame, signed Scheers Theo at the bottom right, circa mid-20th century. Nice and co...

Hans Osswald (1919-1983), Swedish artist. Oil on board. Modernist composition, mid-20th century. Visible dimensions: 35 x 26 cm. Signed. In very good c...

Stunning oil painting framed in an exquisite gilt double wooden frame. Title: “"Autumn Landscape"” Medium: Oil on canvas. Year: Middle of the 20th century. Origin: Norway, Europe A...

Midcentury decorative painting with a bouquet of flowers painted in oil on wood Framed with wood and resin frame. Flowers ,english country, victorian style, roses, English countrys...

A naturalistic oil painting depicting joseph, maria and the holy child in the barn of bethlehem. Oil painting on canvas with vigorous pastell colors. Framed with antique decorative g...

19th Century portrait of a woman painted in oil on canvas with the frame dated in 1940 Measurements with frame: 69 x 69 x 3 cm.

An original painting on silk by Winifred Jagger. Upon spending time in Burma, Jagger was inspired by the techniques and vivid colours of local artists which she has developed into her own unique style. Peacock is painted with ink on silk...

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

Delightful painting of the Holy Family from the late 1800. Let's not forget that there were two world wars in europe, therefore we can acce...

This is a vintage lion portrait. An English, oil painting on reclaimed Victorian pine, dating to the late 20th century, circa 1970. Eye-catching and charming, ideal for collectors of anthropomorphism Displays a desirable aged patina throughout Handpainted onto a reclaimed Victorian pine panel Of generous size, ideal for display in the home or a retail space Striking rendition of a proud lion in military dress uniform...

Claudio Verna pastel on paper signed and dated 1980 registered and certified by the Claudio Verna Archive.  This artwork, never before on the market, comes from a private collection ...

Gorgeous Etching, with aquatint and color matrix by the South Korean artist Deok Sung Kang, made around 1990. The works of this artist, although they tend towards abstraction, are really inspired by nature. They illustrate a very personal vision of everyday objects and phenomena. The creative brilliance of this artist is widely recognized. In this case, the work is divided into two areas, the first of which is dominated by a red color, which represents a pair of red roses using a rather realistic technique. However, in contrast, a larger area of ​​intense blue inspired by natural motifs and splashed with a red spot. About the artist Deok Sung Kang is a painter and printmaker of South Korean origin. He studied Fine Arts in his native country, although he later attended the École de Beaux Arts in Paris and, later, in 1989, he settled in Madrid, where he continued his studies at the Complutense University of Madrid. The highlight of his facet as a painter are his prints, often using rice paper as a support. Most of his works have been exhibited at fairs and exhibitions in Spain, but he has also done some in his country, such as at the Art Museum in Seoul. About the technique The origin of prints in Asian art has its foundations in the knowledge of printing texts on woodblocks, around the 8th century. Over time, it evolved and this new art became accessible to the majority of the public, opening the doors to the enjoyment of art and collecting, which until then was limited only to merchants, rich warriors... Gprgeous Etching is a type of engraving, which is made using a metal plate (iron, zinc or copper) as a base, which is covered with a light layer of a protective varnish or acid-resistant wax. The engraver draws with a stylus on the layer of varnish, reaching just up to the metal plate. Later, the plate is dipped in etching, hence its name, a solution based on water and nitric acid, which corrodes the copper in the areas where it was not protected by the varnish. The immersion time is what determines the depth of the line. Metal plates engraved with this technique can be printed with the desired ink colour, prepared by combining various pigments and binders. Beautiful work of art by the contemporary Korean artist Duck Sung Kang...

Beautiful work of art, gouache on paper, by the Belgian female artist Jo Verbestel. It is a portrait of a mythical figure / fantasy figure, in a somewhat psychedelic style. The paint...

A great angelic oil painting depicting an angel sheltering a sleeping child from a snake. Oil painting on canvas with vigorous pastel colors. Framed wit...

Superb impressionist folding screen with 4 panels in painted canvas. The painting depicts the shores of a canal. We see a fisherman on the right bank, accompanied by his little white dog quietly sitting in the grass. The man observes the 2 boats (a sailing boat and a barque) which sail on the water. Woods appear in the background. The painting is of very good quality, well done and bright. Signature lower left: "CH Frechon 1894" for Charles Frechon...

French School of 1659 17th century "Portrait with Coat of arms of Margueritte Pierre de Boutteville" around 1659 Oil on canvas with coat of arms and dated top right Provenance: Bel...

Monumental Ceramic Wall Panel After Gustav Klimt’s The Kiss, with 24k Gold Detailing – Signed by P. Coquignet Stunning ceramic wall composition ...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

“Stop of the travelers” is a charming scene depicting several characters, horses and dogs with a backdrop of woods and a small house. The composition used here is a typical character...

Letourneux Yvonne – Storm in Provence. Measures: 22cm x 33cm - unframed 34cm x 45cm - with frame. Oil on canvas - 1930s. The stormy sea, the leaden color of the water, the ...

Rolf Nygren, Swedish painter. Oil on board. Modernist landscape. 1960's. The board measures: 29.5 x 22 cm. The frame measures: 1.5 cm. In very good condition. Signed.

16th century, by Raffaello Sanzio (Urbino, 1483 - Rome, 1520) Madonna of the Carnations Measures: Oil on canvas 38 x 30 - with frame 59 x 52.5 cm The Madonna dei Garofani made b...

Christian Sell (August 14, 1831, Altona, Germany - April 21, 1883, Düsseldorf, Germany) Military scene, fine quality Unrestored Oil painting on panel 18 x 24.2 cm

1930s painting by the famous Italian artist Tito Corbella Original gilted frame Corbella worked on illustrations not only in the field of advertising; he worked for the Officine Ric...

An oil on canvas portrait of a young French courtier, circa 1690. This evocative antique French-school picture has been attributed to the portrait painter Jean-François de Troy (1679-1752). De Troy was famous as a portrait painter of fashionable society women. This is a very attractive late-17th century painting surviving in its original frame and stretcher. The canvas appears to be untouched. References: 'Jean François de Troy, The Alarm, or the Gouvernante Fidèle', at the Victoria and Albert Museum, London. 'Jean François de Troy, Paris 1679 - Rome 1752', at the Thyssen-Bornemisza Museum. Laurie G. Winters, Troy, de, Grove Art Online, Oxford Art Online, Oxford University Press, 6 May 2016. Everett Fahy & Jayne Wrightsman...

Refined oil painting on canvas, framed in an elegant carved and gilded wooden frame. The painting features in the center the scene of the presentation of Jesus by Mary to Saint Franc...

A somber realism permeates this late 18th-century still-life oil painting, reminiscent of Heinrich Lihl's precise style from around 1780. Two deceased birds, their feathers meticulou...

"Saint Sebastian" by Carlo Saraceni 19th Century Italian School with Video Oil painting on canvas, Italian school, 19th century, depicting Saint Sebastian in the style of Carlo Sara...

Oil on canvas, portrait of a young woman with a romantic air, in a light dress and wearing a hat held back by a veil, seated next to a jug Gilt wood frame (some lacks in the beading...

The young shepherd oil on wood panel signed Antoine Richard, 1822-1891. A painting representing a young shepherd daydreaming, leaning on his stick. ...

Enrico Giussani (Italian, Gorgonzola 1938 ) "Colori di Luino" 1972 This painting is from an important Swiss Collection of Raimondo Rezzonico former President of the Locarno Film ...

19th Century Spanish Orientalist Framed Oil on Canvas Painting Measurements with frame: 61.5x72.5x4cm.

Large historical painting 18th century, Italian school "Darius' mother pleading before Alexander after the battle of Issus." Oil on canvas 210 x 290 cm Painted with great strength...

A delightful oil on canvas, “At the Fountain”, by the Provençal artist Bernard Langrune (1889 – 1961). Known for his paintings of regional scenes, from pastoral views to city snapshots, Langrune has beautifully captured this atmospheric moment in a quiet and shadowy corner of a French town. You can almost hear the splashing...

Our Lady of Valvanera, oil on copper. Spain, 17th century. Height: 20 cm - Width: 14.4 cm. Certificate of Govaert, 1986. Our Lady of Valvanera The Virgin of Valvanera is a Marian devotion from the Sierra de la Demanda, in La Rioja (Spain), a community of which she is the patron saint and one of the patron saints of the autonomous communities of Spain. The current image is a carving considered to be early Romanesque, from the end of the 11th century AD or beginning of the 12th century AD. The Catholic Church commemorates the feast of the devotion on September 8. The appearance of the image is recounted in the Historia Latina, written in 1419 by Rodrigo de...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

[Authentic work] ◆ Komuro Suiun ◆ Persimmon bird ◆ Japanese painting ◆ Gunma Prefecture ◆ Hand-painted ◆ Paperback ◆ Hanging scroll Suiun Komuro Meiji 7 (1874) ~ 1945 Born in Tateb...

Monumental oil on canvas from 1927 by french artist Georges Conrad in its wooden frame with gold leaf. Georges Conrad (24 February 1874, Aubervilliers - 7 December 1936, Rouen) was ...

Swedish artist, oil on canvas. Abstract composition. Colouristic palette. In excellent condition with minimal wear. Indistinctly signed and dated '55. Visible dimensions: 67.5 cm x 5...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri ...

The Overturned Vase: large framed oil on canvas representing a little girl caught in the act of stupidity; she overturned a vase of flowers, water flows onto the table Painting in b...

A Small Charming oil on Panel of a British Winter Snowy Landscape by George William Bissill (1896-1973), mid-20th century. Signed, and Inscribed on labels on the reverse (auction lot...

raffigurazione napoletana di pescatori olio su tela inizio ventesimo secolo ottime condizioni generali dimensioni altezza 88 cm larghezza 127 cm.

A 19th-century oil painting on canvas adhered to a wooden panel, depicting Saint Paul in a classic religious representation. The artwork is framed in its original period wooden frame...

Oil Painting on canvas by Julij Anatolevic VEDERNIKOV. Signed and dated (1987). Rich depiction of a wintry village scenery in Russia. Market hustle and bustle, women collecting fire...

This must be one of Hans Osswald best works. We have several in our collection. The artwork is painted on a wood panel. Lots of texture, relief and movements. Some traces of time on the art work. Still very nice. Signed on bottom. Hans Osswald 1919-1983 Hans August Osswald (originally Andersson) was born on 29th August 1919 in Örebro. He was a Swedish painter and book illustrator. Osswald first exhibited at Louis...

A beautiful oil painting, lions in an African savannah landscape. Nice composition with a special atmosphere and beautiful use of colors. The painting is framed in a beautiful wooden...

Photolithographic reproduction of Henry Moore's work for Bolaffiarte Made in England, circa 1971. Copy 279 of 5000 limited copies. Framed and signe...

Charming oil on canvas representing a countryside landscape crossed by a stream, at the edge of which a tree has grown and is reflected in it. In the background, to the right of the ...

Pair of 18th Century painted architectural fragment panels with putties, one of the panels has Louis Seize decorations The panels were ...

Frame with dimensions 126 cm. x 95 early 20th century, Austria - Vienna. The frame structure is made of fir wood, a material chosen for its lightness and workability, while the surfa...

Bathing beauties oil on canvas, original by Arkadi Ostromuchov "Beware this is not an exercise" Arkadiji Ostromuchov wurde in Russland geboren, und absolvierte seine Ausbildung ...

Beautifully painted gouache on paper, Balinese. Nice quality piece. 1940/1950 Additional information: Material: Paper Region of Origin: India/Indonesia Period: 19th century Dimensio...

Antique Italian painting from late 19th century. Oil painting on masonite depicting landscape, view of mountain village in impressionist style. Signed painting on the lower left G. M...

Rare abstract oil on canvas painting by the Swedish artist Bertil Berntsson made in 1964. In good vintage condition with small signs of use. Framed in a pine frame. 129 x 120 x 2 cm.

Interno di Chiesa, opera italiana dell'artista lombardo Achille Cattaneo, Dipinto ad olio su tela dei primi decenni del 1900, firmato in basso a sinistra, A.Cattaneo da Achille Catt...

Oil painting on canvas in Orientalist style, relined and framed in wood, made in France in the early 20th century. Measurements: 130 cm x H 114 cm x D 3 cm. Price INCLUDES the cost...

Presenting an enigmatic oil on canvas painting created by an unknown Danish artist made in 1956. This captivating artwork showcases a woman bathing her feet in a bathroom, and it is ...