Florida - Paintings

Palma Mallorca Bay original impressionist acrylic painting. SOLÁ PUIG paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent o...

Constellation- Original abstract acrylic on paper painting . framed Original on paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of...

Artist: Jack Graves III (American, 1988-) Title: "Midnight Icon" Series: Icon *Signed by Graves lower left. It is is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

My paintings are fueled by my love of abstraction. The practice of making them involves experimenting with many schools of art and diverse art movements from the early 1900s to the p...

An image of a horned devil with pointy claws and bat-like wings emerges from a Voodoo drum. He has with arms stretched out like a Christ figure. The drum grows out of a yellow plant-...

Architectural Floral Wallpaper Fragment 19th Century Italian hand painted floral design wallpaper lined with linen, in gold leaf framed.

Red Cloak Two Semi Nude Women Painting Artist signed. Peter Nixon was born in Lytham St. Annes Lancashire in 1956, England. Peter Nixon's direction in a ca...

Post Dogmatist Painting on Canvas, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poe...

"Iron Women" Oil painting 31" x 20" inch by Alina Shimova 2021 Alina Shimova is a young and ambitious artist from Moscow, Russia. Her creative journey began at an early age. Alina...

"Moon" from the famous Series "People", ceramic and acrylic on wood panel, D: 36 inches "Moon" is comprised of 10,000 handmade pigs. The work has many different topographical feature...

Philippe Mercier (also spelled Philip Mercier; 1689 – 18 July 1760) born in Berlin, was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia (later Kingd...

Watercolor and gouache on paper laid on board Magazine Illustration defined by bold graphic composition and limited color palate yielding a powerful image that jumps off the page. u...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Hot Flame II, Abstract vinyl watercolor on French Arches rag paper 60x40 artist signed. Frank Monaco American artist born in 1944. Studied and worked with Marilyn Stiles of The Art...

View From The Balcony Signed lower right canvas 24x36 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Ar...

Up For Sale is an Original Oil Painting On board, depicting an urban scene, capturing the everyday life of a town or city's older quarter. The artist has chosen a loose, expressive s...

John Edmund Califano, an American artist born in the late 19th century, was known for his remarkable skills in capturing the beauty of everyday life through his paintings. Califano'...

Summer Bouquet 2022 Still Life oil on canvas, artist signed lower right framed. Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. Kopania sty...

Gondoliers Group, signed, dated and titled on verso, framed. Igor Medvedev Russian Artist: b. 1931-2015. Igor Medvedev was born in Novopskov city in the...

Patrick Terenchin (b.1970). Face Pic 29 (Daisy Deadpetals), 2025 Oil, acrylic, color pencil on wood panel. Image measuring 12 x 12 inches; measuring 13 x 13 inches framed. Sign...

Cactus Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Commemorate, Original Contemporary Red, White, and Blue Abstract Painting, 2022 30" x 48" x 1.5" (HxWxD) Acrylic and Ink on Canvas A vibrant color palette of blues, reds, and greens flows across the canvas in abstracted forms that imply the movement of water. It looks as though you are looking up at a distorted image through the movement of the ocean overhead. The red, white, and blue color scheme invokes a patriotic feel, as if you are spending the 4th of July on a lake. Artist Commentary: 30 x 48 x 1.5” gallery wrapped with painted edges. Acrylic and Ink on canvas. This is one in my series of emotionally charged coastal abstract artworks. I used saturated vibrant colors and powerful brush strokes, as I do in all my paintings, in order to create a lasting visual impression. Materials: Professional acrylic paints and canvas. Finished with a glaze of UV varnish to protect against sunlight and dust damage. My art pieces are held in private and commercial collections around the world, including the UK, Germany, Austria, Netherlands, Asia, France, Canada, Australia and USA. Margaret Juul...

Oil painting on board of African elephants in tropical settings. Presented in a bronze frame with embossed designs. Tagged Maitland-Smith on the backs. Please contact us to complet...

Painting: Oil on Canvas

Douglas Martenson (b.1960). Sleeping Man, 1982. Pencil on paper. Sheet measuring 11 x 15 inches. Framed measurement: 12 x 16 inches. Mahogany custom frame. Signed with artist i...

Original spray paint and hand cut stencil painting on canvas. Hand signed and dated on verso by Seen. Painting is stretched. Artwork is in excellent condition. Additional images ar...

This painting is an Abstract in tones of yellow, clay, navy, black and turquoise. It has texture and movement offset by gentle colors. It can be hung vertically (which I prefer) or h...

Here we have a serious painting that flaunts classical architecture in an efficient disciplined technique, but the whimsical nature of the figures atop the building add a humorous el...

Fern Samuels received her Bachelor of Fine Arts degree from Loyola University in Chicago, Illinois, and her Master of Fine Arts from the School of the Art institute of Chicago. She r...

PROVENANCE Alfred J. Fisher Detroit Institute of Arts (bequeathed by the above and sold: Sotheby's, New York, November 3, 1999, lot 17) Private collection (acquired at the above sale...

A magical, idealized moment is captured as a bare-breasted maiden strolls out in the rain. Inscribed with title and signature on reverse Roughton Galleries; Dallas, Texas The work ...

Artist: Jack Graves III (American, 1988-) Title: "Tiger III" Series: Icon *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Original Acr...

This is a one-of-a-kind original textured acrylic and mixed media painting on canvas by contemporary artist Serg Graff, titled "Mysterious Patterns" (2021). Rich in texture and bold...

"Reclining Lady" signed painting of a female nude by artist Joy Laville. Framed with a linen-wrapped mat. Image size: 17 1/2 x 21 inches.

Frame: 15 3/8 x 35 3/8 in. Signed upper right Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was whil...

Blue White Outline Bunnies with Blue Diamond Dust

CITY LIGHTS. NEW YORK. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Sign...

This is most likely a self-portrait. We see the artist in a reflection holding a small 1950s camera while his wife in the foreground holds a large bran...

Barbara Shermund (1899-1978). Society Satirical Cartoon, ca. 1940s. Gouache on heavy illustration paper, image measures 17 x 14 inches; 23 x 20 inches in matting. Signed lower left. Very good condition but matting panel should be replaced. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral...

Mirtha Moreno Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to th...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting. Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel...

ROBERT KENNETH WHITE – "CABIN IN THE PINES" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display TWILIGHT FOREST RETREAT WITH WARM INTERIOR GLOW Set deep in the quiet of a moo...

This work continues my experiments in Contemporary Geometric Minimalism. Trying something new in this work by using french curves of grays, blue and yellow and not bringing the image...

"Tzadik" A Surrealist oil painting of old mystical Jerusalem with Hebrew calligraphy Sight 13.25" x 19.5" ; frame: 21" x 27.25" David Rakia (1928-2012) was born in Vienna, Austria...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Artist: Jack Graves III (American, 1988-) Title: "Mickey Mouse Icon V" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 40" x 32" Condition: The stretched canvas was custom built by the artist himself. In mint condition Notes: Mickey Mouse is a funny animal cartoon...

Wang Ming "Enter the World of Infinity" Acrylic paint on Japon paper mounted on canvas Dimensions: H: 39 inches: W: 25 inches WANG MING WANG Artist Ming Wang, born November 4, 1921, died peacefully on Sunday, June 26, 2016 in Bethesda. Ming Wang was born in Tianjin, China and was a pilot in Chinese Nationalist Air Force during WWII. Artist Wang Ming's journey began in the 1940s. As he worked as an air traffic controller in Taiwan, he became interested in the beauty of the sky. He was a young man then, having fled from Japanese-occupied China in 1939 at age 18. He came to the US for further military training where he met his first wife, the late Suen Chin. In 1949, Wang went Taiwan to escape the Communist takeover of China. He rejoined his wife and young son in Washington DC in 1951. To support a growing family, Wang founded the National Art and Frame shop in Washington DC. He studied art independently and developed his unique artistic style melding modern art with traditional Chinese calligraphy. His paintings, done with a mixture of inks and acrylics on fine paper, are a happy marriage of traditional Chinese disciplines with Western art as it has been handled by Joan Miro and Paul Klee. His works are minimalist and abstract, marked with good design and extremely sensitive use of color. The influence of 1950s American art and abstract expressionism is also clear in his work, and he exhibited with such Washington Color School luminaries as Kenneth Noland and Gene Davis in the 1960s. He later taught calligraphy at George Washington University. Years before the Hubble Telescope began broadcasting images of rainbow clouds and blood red stars, Ming used art to convey what he imagined space to be. His work captured the attention of James Dean, the National Air and Space Museum's first art collector, who purchased two of his pieces. In the 1960's and 1970's, Wang was represented by the Franz Bader Gallery in Washington DC. 1980: Brooklyn Museum, Brooklyn, New York American Drawing in Black & White: 1970-1980, by curator Gene Baro. “The visitors are invited to enjoy the rich variety of marks and means used in attacking subjects that range from meticulous representational rendering to extemporaneous gesture.” Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. 1982: The Washington Post, by Jo Ann Lewis “His show at the Marvin Center at George Washington University, where he teaches calligraphy, should help clarify the unique nature of his art . ... ‘Independent Reality,’ in which dramatic curves dance across an opened scroll, taking on a life of their own-in any language. The show is filled with the artist’s very special of visual poetry.” He was included in the exhibition American Drawing in Black & White: 1970-1980, by curator Gene Baro at the Brooklyn Museum, Brooklyn, New York. Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. Wang Ming was also included in the show Asian Traditions/Modern Expressions Asian American Artists and Abstraction, 1945 – 1970 at the Jane Voorhees Zimmerli Art Museum Rutgers, The State University of New Jersey New Brunswick. The senior curator Jeffrey Wechsler reviewed each artist for this traveling group exhibition, including C. C. Wang, Chen chi...

Label verso from Wally Findlay Galleries. unframed 57.25X44.25 with frame 60.75X48 Michel-Henry was born in Langres in 1928 and has shown strong passion for drawing since his chil...

A lush bouquet of pastel-hued flowers bursts from its vase, cascading gracefully over the edges in a stunning display of natural beauty. Delicate petals in soft pinks, blues, and cre...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

68.-Framed Woman 100 x 83 cm original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production compa...

Full Bloom 24" x 24" x 1.5" Acrylic palette knife painting on canvas This original, modern abstract impressionistic palette knife painting is stretched on a 1.5" deep gallery wr...

Woman Laying On The Beach. Artist signed lower left corner. Claude Grosperrin is a French painter and lithographer born on November 26, 1936, at Charenton-le-Pont ( Val-de-Marne ) and died on July 16, 1977, in Paris. Claude Grosperrin is in 1956 the student of Maurice Brianchon at the National School of Fine Arts in Paris, then attended the School of Applied Arts Duperré. The price of the Casa de Velázquez that he won in 1961 earned him a trip to Madrid from 1961 to 1962. Exhibitions: Galerie Saluden, Brest , 1962. Galerie André Weil, Paris, June 1970. Gemäldegalerie-Abels, Cologne, 1970. Claude Grosperrin - Paintings, Van der Straeten Gallery, New York, November-December 1970. Claude Grosperrin - Normandy paddocks, equestrian scenes, landscapes and seascapes, Eric Galleries, 57th Street, New York, October 1974. Updated Exhibitions: Charpentier Gallery, Durand-Ruel Gallery, Berthe Weill Gallery. Maurice Faustino-Lafetat , Jef Friboulet , Claude Grosperrin, Frederic Menguy , Théâtre du Tertre , Paris, April 1957. Biennial of Paris, 1959, 1961 ( The Dahlias, 1961, oil on canvas, 130 × 195 cm). The horse in art , Wildenstein Gallery , London , 1960. Ten years of acquisitions of the Museum of Modern and Contemporary Art , former customs of Strasbourg , March-April 1970. Fall Salon, 1960. Undated entries: Salon of the National Society of Fine Arts, Salon des Independants (Paris), Salon Jeu de Paume ( Versailles ). Contemporary French Impressionist Painters (Claude Grosperrin, Bernardino Toppi...

Wonderful 60's chic is on full display in this beach scene. It's masterfully designed. The beautiful model horizontally fills the center space while supporting players fill background spaces. The style is very flat with lots of gray muting the colors and defining the artist's palette. Fuch's was a giant talent who is overlooked by today's art world participants. His style could be described as a post-post impressionist. This particular work is so deftly designed and exhibits the most intriguing positive and negative spaces. The model is rendered with loose, quick and authoritative brush strokes which give an air of chic confidence. Most of all, it's her dreamy blue eyes that truly captivate the viewer. All parts of the eye ( Iris, Pupil, Sclera ) are composed of a soft robin's egg blue which is in counterpoint the pink day-glow color on her lips. She looks at you. You look back and the process is repeated and repeated. Fuch's not just a great painter, designer, academic artist but a brilliant and innovative colorist as well. To demonstrate how great this simple work is, out of a world population of 7.2 billion people, as a betting man, I would say there may be no other artist who could render a scene this good. An artist such as Peter Doig, who does nice and beautiful work, may come close to the talent of Fuchs. Bernard Fuchs American, 1932 - 2009 Girl at the Beach...

Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum,...

50th Anniversary Serie Artwork is currently in exhibit at the Museo de Arte Querétaro and is available after January 2025, requires a 50% deposit.

Raoul Raymond was born in Bucharest, Romania in 1948 and he immigrated to Israel two years later. In Israel, Mr. Raymond grew fond of the artist's palette, and at an early age, was guided by Israeli artist Ton Bernhard. Mr. Raymond studied at the Lyceum og Graphis in Tel Aviv, and in 1965 continued his studies at the Academie des Beaux Arts in Paris. He returned to Israel in 1967 and entered the military service, taking part in the Six Day War...

Acrylic on Linen by Cuban Artist Rene Bou