Florida - Paintings

Now, where was I? 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unframed ___...

Reality Artist signed lower right corner and back, canvas 43"x95"x1.5 Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first...

This original oil painting on canvas by artist K. Rasset captures a serene and atmospheric harbor scene. Two docked fishing vessels rest against a quiet pier under a soft gray sky, w...

Artist: Okuda San Miguel Title: Face III Medium: Synthetic enamel on wood Size: 27.6 x 27.6 inches (70 x 70 cm) Year: 2020 Notes: Hand Signed. Custom Framed. Original COA Included. ...

Mountain View Vibrant Landscape Painting Canvas 24"x30" framed 30"x36" Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended ...

Tony Agostini (French, 1916 - 1990) Large oil painting on canvas depicting a still life scene with flowers on a canvas and easel titled "L'Atelier". Hand signed to lower right and ...

Laura Greenwood (1897-1951) Portrait of a Young Woman, ca. 1925 Oil on canvas, measuring 16 x 20 inches Signed lower right. Condition: the piece will require some minor conserva...

Margaret Layton. Wellfleet #3, ca. 1950. Watercolor on paper, image measures 5.5 x 16.5 inches in a frame measuring 13 x 24.5 inches. Signed lower left. Beautiful abstract study of...

Beautiful ca. 1955 oil painting by American artist, Eve Peri. Oil on illustration board, panel measures 10 x 15 inches; 15.75 x 20.75 inches framed. Signed lower left. Excellent condition. Vintage...

Still Life with Oranges in the basket at night, framed. RAFAEL SALDARRIAGA was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. After living in New Mexico a...

Image is 48 X 36 inches. Still life of flowers in a vase. In bold red, orange green and yellow color. Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for more than a third of a century. Primarily using the media of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral and culinary images of great depth, intensity, and size. In 2003 and 2005, invited Bukovnik was Visiting Artist at the American Academy in Rome in 2003 and 2005 and was an artist-in-residence at the Michigan Institute of Arts in Kalamazoo in 2010, as well as making a tour of exhibitions and watercolor demonstrations across Japan in 2010. Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St. Helena, CA, Campton Gallery in New York City; the Concept Gallery in Pittsburgh, the A.C.T. Gallery in San Francisco, and the Bonfoey Gallery in Cleveland. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. SELECTED MUSEUM COLLECTIONS Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum SELECTED PUBLIC COLLECTIONS ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell...

Artist: David Alfaro Siqueiros (1896-1974) Mexican Title: Emiliano Zapata Medium: Pyroxylin on Wood Panel, Signed Lower Right Size: Unframed 35” x 49”,...

Beautiful Seaside Garden With Flowers by American Woman Artist Alice Pritchard ALICE PRITCHARD Alice Pritchard studied fine arts and literature at the University of Virginia, earning a B.A. in English with a minor in Studio Art and Art History. She furthered her education, obtaining an MA in English Language and Literature from the University of Maryland. In addition to her university education, Pritchard studied with watercolorists Charles Reid...

blue sea original abstract acrylic canvas painting framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art. His conce...

Ballroom Scene

Playboy Magazine ran this joke cartoon illustration in color on page 43 for the October 1960 edition. Signed lower right. The work is executed on a heavy Whatman Illustration board....

This is an amazing original large vintage oil painting on canvas depicting a nautical scene, with a large sailing ship in a choppy ocean. This is a classic maritime style, one that...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10...

"Four Injections of Light" mixed media painting on canvas in wooden frame by street artist Omar Hassan, who is diabetic. Inspired by the daily insulin injections taken by the artist ...

The brilliant yellow of Solaris is oil paint on aluminum and is 52 X 42 inches. Mimi Bates: "As a child I loved to paint and draw on my bedroom walls. Inspired by the images in the ...

Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer. Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signeed card and some monogrammed pieces.. Signed with monogram and inscribed and signed verso. Showed at New York's Stable Gallery...

This painting is a vibrant explosion of color and texture, presenting an abstract composition that radiates energy and spontaneity. The canvas is densely packed with swirling lines, ...

black, gold, blue, green abstract acrylic canvas painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of ...

With dramatic simplicity, this large oil painting on canvas of a dog or Pit Bull, certainly gathers your attention, executed in a tongue in cheek Victorian pa...

Circa 1890 Signed verso on stretcher bar Original period gold leaf frame Overall size framed 21 x 18 in

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Original work by Spanish artist Rafael RUZ. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the...

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...

The painting is signed Sykes and dated 1960 lower right. It has "Maltby Sykes, 1911- for Leon" written on the stretcher verso It is a Surrealist Folk Art figure of an African woman oil painting...

Nu Bleu III

Garden Of Eden Landscape with Flowers Unsigned, oil on canvas 21"x26 in Gold Leaf Frame Ivan Rabuzin was born in Novi Marof in 1921 as the sixth...

Day (Nude on Armchair 1)/ Part of my "Nudeon Armchair" series. Original painting. size 39x23in / 100x60cm . Shipped stretched, as it is, ready for hanging...

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite C...

Landscape with Blooming Trees Paul-Emile Pissarro 1884-1972 French Paper size 9.5x12.5 under glass framed 12x16x1 signed, very good condition. The backi...

Tom Alan Lieber, (American, born 1949), GTW TL-11 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, N....

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

This is an antique original oil painting on canvas depicting a serene and tranquil scene - the cows gathered around a watering hole with some of them drinking or cooling off in the ...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Alex Charles Chartier, French, 1894-1957 Oil painting on board 1951 Quartier Plaisance, Paris village scene Hand signed and dated '51 lower left. Dimensions: 21" x 25-3/4", frame...

Beautiful seaside boathouse painting by Franklin Shores (1942-2020). Watercolor on rag paper measuring 22 x 29 inches. Signed lower right. Excellent condition. Provenance: Collec...

Vibrant Gouache and watercolor painting by Israeli master JOSSI STERN. on paper mounted to board. Dimensions: 29.5 X 33.5 23 X 27 Jossi (Yossi) Stern, (Hungarian Israeli 1923 - ...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Affection 1989 Artist signed lower right Oil, graphite on linen canvas 38x30, framed 52x44 inches. Jurgen Gorg was born in 1951 in​, Dernbach Germany. His formative years were spen...

A sadistic laughing Devil grinning a big smile is pictured hovering over a Hellfire. He is reveling while witnessing tiny ant-like sinners engage in eternal torture, torment, and co...

The ship itself is detailed with intricate lines and shading, highlighting the structure of the masts, the sails, and the hull. The use of bold colors, particularly the red accents o...

Saint Mark's Basilica Venice Oil Painting Signed, lower left dated, titled verso. Romanesque Bizantine Basilica. canvas 35"x45" framed 46.5 x56.5. Frank LeB...

Framed 41.5 x 29.5 image 35.5 x 23.5 This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are thrusted from the Garden of Eden. This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children. Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world. His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes. In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist. Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times. As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000. Exhibitions One Man Show 1970 - Museum - Ramat - Gan 1973 - Brussels - Gallery L'Angle Aigu 1974 - London - International Gallery 1974 - Paris - Grand Palais Gallery 1975 - Milan - Brera Gallery 1976 - N.Y. Valentino Gallery - N.Y. Hilton 1977 - N.Y. Valentino Gallery - N.Y. Hilton 1978 - Basel - Actual Gallery 1978 - Geneve - Bohren Gallery 1978 - Oslo - Nobel Peace Prize Exhibit 1979 - London - Hamilton Gallery 1979 - N.Y. - Art Israel Kalt - Waldinger Gallery 1979 - N.Y. - Canty Art Gallery 1979 - Amsterdam - Schipper Gallery 1979 - Washington - International Art Fair 1980 - Cleveland -Jewish Museum 1980 - Tel-Aviv - Habima National Art Fair 1981 - Abraham - Goodman House N.Y. 1981 - San Lucas Galley - Bogota 1982 - Pedro Gerson Gallery - Mexico City 1983 - Simon Bolivar...

. Ruz. Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodra...

The Dryads… Ancient beings of old growth forests, with wisdom of ages long forgotten, knowing much of what us busy folk have forgotten. The Forest of Arden is famously featured in S...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Beautiful Abstract expressionist figure signed Kline. Charcoal on paper measuring 10 x 13 inches. Sheet is glued down to foam board backing. Total measurement 13 x 16 inches.

This piece is a chromatography over aluminum and PVC. It comes with an official certificate by the Cruz-Diez Foundation. The Physichromie (1959) is a structure designed to reveal ce...

The new arises from memory and The Promise to Change Diptych, 2022 Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Overall size: 35.03 in. H x 51 in. W Individu...

Escritura y Barcos original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts...

Artist: Jack Graves III (American, 1988-) Title: "Piano Bar" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Original...

Beautiful painting of a reclining nude by unknown artist. Oil on paper measures 11 x 20 inches. signed and dated lower right margin. Measuring 19 x 27 inches in original period mahog...