Florida - Paintings

Original mixed media on paper. Hand signed on front by Purvis Young. Artwork size 11.25 x 8.25 inches. Frame size approx 17 x 14 inches. Artwork is in excellent condition. Certif...

Antonio Caputo (Italian, 1933-2021) Architectural oil paintings on canvas boards titled Testaccio. The composition captures a distinct stark Italian cityscape, blending classical a...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 13 x 15 inches. Unsigned. Minor paint loss along right edge.

Gourds by Mark Schiff This beautiful painting by famed photorealist Mark Schiff cannot be appreciated on a computer screen. In real life it is amazing. We guarantee that you will lov...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by Charles Levier. Stretched canvas size 39.5 x 29.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Charles Levier (French, 1920–2003) aka Maurice Verrier...

Dennis Ainsley: 1880-1952. He was born in Illinois but spent a lot of time painting in France. This fabulous oil on canvas measures 36 inches wide by 24 inches high.. The beautiful f...

A fantastic scene where the characters leave the canvas empty.

BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught in the art world, Balaguer d...

John Zinsser (American, b. 1961) Iron City, 1997 oil on canvas signed John Zinsser, titled and dated (verso) 72 x 60 inches Done in bright vibrant shades of red. American artist John Zinsser was born in New York City in 1961 and studied art, art history and literature at Yale University (where he did his senior thesis on Andy Warhol). He co-founded Journal of Contemporary Art in 1987 and lectures at The New School. He has had over 40 solo shows in the U.S. and Europe, and is known in Europe for his association with monochrome painters of a previous generation. Zinsser has been a devotee of postwar Abstract Expressionism and Minimalism for decades. A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary...

" agua fuego y sol” original abstract mixed media painting RAVENTÓS I TORRAS, Maria Assumpció (Sant Sadurní d'Anoia, Barcelona, 1930). Trained at the Higher School of Fine Arts of Sa...

111. mujer en azul acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las P...

Adam S. Umbach Biography American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern...

Original painting on canvas.. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity incl...

Magic World is a abstract painting made by Evelyne Ballestra, a French contemporary painter. This colorful expressionist painting is the reflection of the way the artist see the worl...

Tony Agostini (French, 1916 - 1990) Large oil painting on canvas depicting a still life scene with flowers on a canvas and easel titled "L'Atelier". Hand signed to lower right and ...

Professionally known as Vignoli, was a Brazilian painter and sculptor. He began his career in 1982 creating canvases in oil on canvas, where he appli...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

Large abstract painting that explores the relationship between warm and cool colors in an exhilarating and decidedly feminine way. Signed on the edge of the canvas and titled Torn an...

PROVENANCE Alfred J. Fisher Detroit Institute of Arts (bequeathed by the above and sold: Sotheby's, New York, November 3, 1999, lot 17) Private collection (acquired at the above sale...

Frank Kleinholz (Brooklyn, 1901 - 1987) Original oil on panel painting titled "Fire Escape", a preliminary study for a mural commissioned for Marquette University. The composition de...

Original mixed media painting on cloth type material. Unsigned. Artwork size 10.25 x 19.25 inches. Frame size approx 16 x 25 inches. Artwork is in excellent condition. Certifica...

Ellis Jacobson (San Diego, 1925 - Palma de Mallorca, August 23, 2013) was an American cartoonist and painter who lived most of his life in Palma de Mallorca (Spain), where he develop...

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

Sunny River 2022 Staszek Kotowski studied at Warsaw’s Academy of Fine Arts from 1979 to 1985. After he had been awarded a Master’s degree in Fine Art, he taught there as an assistan...

Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Coney Island in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai S (Nicola) Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...

The attraction of employing elements of nature ie. the trees; or a cocoon into my work, is an extension off of the belief of being universally connected: humans and nature. The symbolism of the tree itself is indicative of strength, will and determination. As for the cocoon, the dire need of growth. But I also believe in where a person often times finds themselves; rejuvenates their spirit, is within spending time outdoors. Bringing this sense of an outdoor element...

White Lily Naranjas And Oranges 2021 RAFAEL SALDARRIAGA was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. After living in New Mexico and Hawaii establishe...

Lyrical abstraction Gestural Abstraction

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Tug with Club Street Violence rendered in high contrast dayglow like red and inky black black. Untitled, 2018 Acrylic on canvas 36 x 24-1/4 inches (91.4 x 61.6 cm) Signed and dated ...

M with Stocking by Efren Isaza Image printed onto a canvas, intervened with paint, ink, and intentionally scratched by the artist Measures: 66 in. H x 55 in. W Signed, titled, dated,...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

Wonderful 60's chic is on full display in this beach scene. It's masterfully designed. The beautiful model horizontally fills the center space while supporting players fill background spaces. The style is very flat with lots of gray muting the colors and defining the artist's palette. Fuch's was a giant talent who is overlooked by today's art world participants. His style could be described as a post-post impressionist. This particular work is so deftly designed and exhibits the most intriguing positive and negative spaces. The model is rendered with loose, quick and authoritative brush strokes which give an air of chic confidence. Most of all, it's her dreamy blue eyes that truly captivate the viewer. All parts of the eye ( Iris, Pupil, Sclera ) are composed of a soft robin's egg blue which is in counterpoint the pink day-glow color on her lips. She looks at you. You look back and the process is repeated and repeated. Fuch's not just a great painter, designer, academic artist but a brilliant and innovative colorist as well. To demonstrate how great this simple work is, out of a world population of 7.2 billion people, as a betting man, I would say there may be no other artist who could render a scene this good. An artist such as Peter Doig, who does nice and beautiful work, may come close to the talent of Fuchs. Bernard Fuchs American, 1932 - 2009 Girl at the Beach...

Petals 25 Diptych Greys 40 X 60 oil on canvas Contemporary artist Deborah Bigeleisen is celebrated for her exceptional ability to toggle between abstraction and representation creat...

Claus Hoie (1911-2007). Monmouth Hunt Race Meet 2, 1967. Watercolor on paper. Measuring 15 x 19 inches; 24 x 28 inched framed. Signed and titled lower left. Original label on verso. Hoie was born in Stavanger, Norway, November 3, 1911. He lived for a few years in Oslo before emigrating to the United States at the age of thirteen, when he settled in Brooklyn, NY. He spent time at sea (two years), a heritage from his grandfather and father who were both ship’s captains. During World War II, Hoie served four years in the Army as a Sergeant in a special Norwegian-American battalion of the mountain infantry (99th Infantry Battalion), whose mission was to assist in the liberation of Norway. His Battalion also landed on Normandy Beach five days after D-Day. ​ After the war, he studied art at the Ecole des Beaux Arts in Paris. Claus also attended Pratt Institute, and at the Art Students League in New York. Hoie worked as an independent artist creating primarily watercolor works and graphics However, also was a commercial artist. In the 1950s he met the young artist and fashion designer, Helen Hunt Bencker and in 1957 they wed. Helen Hoie...

Untitled III Abstract Composition She graduated from the University of Fine Arts Nicolaus Copernicus in Torun, Poland. Graduated with honors in paintings and visual arts 2014. She is a young emerging artist exhibiting in Europe. Her work is visually captivating with great details and movement. Artist Statment: On the surface, these images do not represent anything. They’re compilations of color patches and lines. However, the forms that these two basic components take, create new entities and a variety of paths for interpretation. A patch is the pure color of the background. It’s a vibrating color, living its own, intense life. It’s also a background for the line drawing. In my painting, I decided to treat these two elements as one. The lines are as intense in color as the patches. The line is no longer just a drawing; it’s an equal component of the painting, it creates the painting with its color. While painting, I always kept the same order of applying the paint, so that the line evenly covers the patch, and, observed from a sufficient distance, becomes a patch itself. This creates a kind of optical illusion. Our site has to adapt to drizzle, to a peculiar noise caused by the equivalent of all the elements of the painting whose planes permeate. This mutual permeation enlivens the elements of the painting which seem to vibrate, become liquid and lively. And it was this effect of liquidity that inspired me. I was wondering how to convey the movement of not only water but of everything that lives and grows, of everything that is natural. I decided that multiplication, repeatability of the theme, and the equal character of these features will be the common features that to a great extent will present my interests. The „Noise” series is strictly inspired by nature. One could say that the series represents nature, but it’s a representation so deeply reduced that the true forms of real things disperse and blur, revealing their true meaning.” Exhibition: "Interference", WMiI Nicolaus Copernicus University, Torun 2016 "Image Open", Gallery Brda, Bydgoszcz 2015 "Noise", Gallery of the Vistula River, Torun 2014 "Balc" Black Hole Gallery, Toruń 2010 Exhibition of paintings, Mount Blanc...

William Pierce Stubbs’ The Three-Masted Schooner Samuel H. Hawes is a striking maritime portrait that captures the majesty and strength of this g...

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain...

Sea Flower White Contemporary Abstract Artist signed, black-silver frame. Anna Matuszewska is a contemporary emerging Polish artist. She studies computer gr...

Original acrylic on aluminum. Frame size 94 X 46 Inches. Artwork is in overall excellent condition. A few minor stains to lower left side panel. All reasonable offers will be consi...

Zvi Raphaeli (1924-2005 Egyptian Israeli) Very large Judaica Jerusalem Painting Israeli Jewish Rabbi Artist Tzvi Raphaely. This listing is for one of a pair that I am selling. 75 X 3...

Andres Segovia: 1929-1996. Well listed Spanish and Argentinian painter. He has had auction results as high as $35,000. This fabulous modern still life is an oil on board. It measures...

Philip Wilson Steer: 1860-1942. Very well listed British painter with auction results over a million dollars. He was described by other artists and critics of the time as the greates...

Oil on canvas 59 x 27.50 in Unstretched Rebeca Mendoza plays with simultaneity, superimposition, and ambiguity in her work as she goes through the stages of oil painting. The artist...

This is one of Raeburns best works from his best period that is not in a museum or private collection. Three-quarter length portrait, seated in a white dress with a black scarf over...

MALCAH ZELDIS (American-Israeli, b. 1931), ''David and Saul'', 1982, Gouache on paper Hand signed and dated lower right, titled in pencil on paper verso. Provenance: Estate of Laura Fisher...

In a 1971 interview with Ebony Magazine, Alvin Hollinsworth commented on his African Jesus Christ painting, "I have always felt that Christ was a Blac...

Arvid Mauritz Lindstrom (Swedish School, 1849-1923) Lindstrom was born in the parish of Björksta in Västmanland, Sweden, he stud...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Certificate of authenticity included. Stretched. All reasonable of...

This is an important, large tempera painting of the sand dunes that line Michigan's coast. Zolton Sepeshy, who lived and painted in Michigan, also wrote a book on tempera painting. ...

Bold, colorful, still life oil painting of a pear. In lush, vibrant color. SUZANNE WALLACE MEARS During college she focused on painting and clay. Then it became photography and clay...

Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in ...

A. Rio Barcelona .Original gouache paper painting . AGUSTIN RIO ( Barceona 1923 – Barcelona 1997) Formed in Llotja i al Cercle Artístic de Sant Lluc He appeared individually in 195...

Girona. original abstract mixed media acrylic painting Original work by the Spanish artist Antonio AMAT Mixed technique Signed by the artist Antoni Amat Ever since his artistic beg...

Itamar Siani, Yemenite Israeli (Born 1941) Oil on Canvas "Portrait of a Seated Woman" Hand signed lower left Dimensions: 26.25" x 17.75". Frame measures 38.25" x 30" Itamar Sian...

"Black" is a painting created by Enrico Benetta in 2012. The artwork is the first of a series of monochromatic square canvasses created each in one of the primary colors. The paintin...

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and evil. It's reminiscent of the medieval paintings by Hieronymus Bosch, where demons evoke fear and confusion to portray the evil of man. In this painting, a closeup of a young female’s erotic buttock fills the horizontal space. Engulfing the sexy nude body is a dense array of Lilliputian-like figures. The top third of the composition is crammed with floating, sexy, nude female bodies. The bottom part of the painting features a cross-section of people engaged in their diverse jobs. Mounted on the nude cheek, Artist Leo Lopez paints a victorious Red Devil with a trident. He’s holding a wealthy man in a tuxedo upside down. The supernatural powers of the Devil's red forked tail extend beyond its normal length and, like a tentacle from a sea monster, entangles many of the characters that represent society. To the extreme center right Lopez paints a Winged Venus dressed...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...