Florida - Paintings

Wishful / She

The agressive

Larry Price (1940-1989). Plaza del Toros, ca. 1961. 33 x 37.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request. Larry Price, A...

This is an Aubusson style flat weave hand woven wool tapestry. This is from the George Goldstein Atelier in Jerusalem. (Originally known as Nazareth Tapestries) They produced genuine handmade Gobelin tapestries in Israel). This does not bear a label and is not signed, (it might be one of a kind) It might have been a study for a larger piece. It is based on a painting of a fisherman. In 1964 the first French style weaving studio was inaugurated in Israel, in the new city of Nazareth Ilit. With the encouragement of master Jean Lurcat, woven upon several contemporary masters’ original sketches, such as Jean Lurcat, Hans Hartung, Adolph Gottlieb, Karel Appel, Yaacov Agam, Mordecai Ardon, Reuven Rubin, Danny Caravan, and more. Some of these tapestries encountered their moments of glory during the international exhibitions, such as in the Museum of Modern Art (NY), “Expo Montreal” (Canada), Biennale of Lausanne (Switzerland), and others. In 1967, after the Six-Day War, Nazareth’s workshop closed its doors and returned to Jerusalem, where I opened a new studio with a young team made up of eighteen artisans, dedicating their work more specifically towards Israeli artists. The tapestries are woven upon the original sketches of Yohanan Simon, Naftali Bezem. They can be seen on the walls of the Israeli President’s residence, the Yeshiva University of New York, the University of Haifa, New York Bank Discount, as 60-square meter tapestries for the Shaare Zedek Medical Center, Jerusalem, and in ceremonial art. Tapestries for Parochet and Torah mantles are seen in Washington, Bet-El Springfield, Babson College, Boston, Bet-El Univ. Andover, Bet-El Highland Park and the Strasbourg Great Synagogue in France. Along with Itche Mambush in EIn Hod these were the fine, Gobelin style modern art tapestry...

Artwork by the Spanish artist Juan Manuel PAJARES. street art in pure state. PAJARES, Juan Manuel (Lleida 1957 ) Pajares was introduced to the impact of large-scale canvas painting using...

My painting Supreme, 2021 is built upon the covenants of Kazimir Malevich's Suprematist art movement which he invented in 1917. His art focused on basic geometric forms, such as circ...

An abstract of Yun, a 7 year old Korean boy who lost his parents in tragic circumstances 6 months apart. I am currently going through the process of adoption. Acrylic on Ply wood

Washout

Artist: Jack Graves III (American, 1988-) Title: "Anniversary" Series: Americana *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2023 Medium: Original Acrylic Painting on Canvas Canvas size: 36" x 30" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...

Rug

Serenity

Bush Walk 1

Vulnerability

Self Love

Bush Walk 2

Coral Sunset

"Lost within"

Farewell Gift

Swimming at Smith Cove

Pandemia

Ocean inspired painting, painted in several layers with tinted resin, tridimensional effects, absolutelly unique and impossible to recreate. ...

Soft folds

Plates

The Gift of Speech

Bush Walk 1 2012

Humanity

Trust

This painting is done using acrylic paint, with a very thin layer applied. The technique used for the painting is chiaroscuro, using strong contrasts of light to depict the image and...

Portrait of Jenny Dotzler, a local from Miami, being surrounded by graffiti and Bayside being exposed in the background. This painting is done using...

Richard Marshall Merkin (American, 1938-2009) Gladys and Half-Pint Hand signed 'Merkin' (center right), Titled, inscribed, dated, and initialed 'GLADYS BENTLEY AND FRANKIE 'HALF-PINT' JAXON 1997/R.M.' verso. Oil on canvas 37 1/2 x 72 in. (95.3 x 182.9 cm) framed 39 1/4 x 74 x 2 in. Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tailcoat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience. On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones. Frankie "Half-Pint" Jaxon, born Frank Devera Jackson was an African American vaudeville singer, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. He served slightly less than a year in the United States Army in 1918–1919 and rose to the rank of sergeant. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver, Freddie Keppard and others. He performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s, he was often on radio in the Chicago area, and led his own band, titled Frankie "Half Pint" Jaxon and His Quarts of Joy. Jaxon appeared with Duke Ellington in a film short titled Black and Tan (1929), and with Bessie Smith in "St. Louis Blues" (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). Richard Merkin, Sometimes described as Rhode Island’s most famous New York artist, Richard Merkin has led a dual life for nearly 40 years - teaching at RISD while enjoying a celebrated painting career based in New York City. He has exhibited in countless gallery and museum shows in the US and abroad and is represented in the permanent collections of the Smithsonian Institution, The Museum of Modern Art, the Whitney Museum, the RISD museum and many others. In addition to contributing drawings and paintings to The New Yorker (along with, Art Spiegelman, Saul Steinberg, Harper’s, The New York Times Sunday Magazine and several books on Erotica and Baseball, he is a contributing editor for Vanity Fair and a former style columnist for GQ. Merkin’s honors include a Tiffany Foundation Fellowship and the Rosenthal Foundation Award from the American Academy of Arts and Letters. Museums and Selected Collections : The American Federation of Arts, New York, NY Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA First city Bank, Chicago, Ill Fisk University Art Gallery, Nashville, TN Hallmark Collections, Kansas City, MO Massachusetts Institute of Technology, Cambridge, MA Maimi-Dade Junior College, Miami, FL Michigan State University, East Lansing, MI Minnesota Museum of Art, Minneapolis, MN Museum of Modern Art, New York, NY Museum of Art, Rhode Island School of Design, RI McClung Museum, University of Tennessee, Knoxville, TN Pennsylvania Acadamy of the Arts, Philadelphia PA Prudential Insurance Company, Boston, Ma Prudential Insurance Company, Newark, NJ Rose Art Museum, Brandeis University, Waltham, MA Sara Robey Foundation, New York, NY Smithsonian Institution, Washington, DC State University of Brockport, Brockport, NY Whitney Museum of American Art, New York, NY Selected Publications : 1986-Present Contributing Editor, Vanity Fair ..1988-Present, New Yorker... 1988-Present, style column, GQ...1997, Text and Illustration for The Tijuana Bibles, published by Simon & Shuster, 1995, Illustrated book, Leagues Apart: the Men and Times of the Negro Baseball Leagues published by Morrow. 1967 Cover of the Beatles “Sgt. Peppers Lonely Hearts Club Band” Album (Mr. Merkin appears in the back row, right of center) RISD: MFA in Painting, 1963; Professor, Department of Painting special skill: Merging his role as flaneur (connoisseur of city life) with his role as painter and social historian, Merkin retrieves lost cultural artifacts – a Turkish cigarette, a gangster, a bowler and generally “things most people don’t know about” – and reconstitutes their Jazz Age virtues on canvas in cubist, comic-laced landscapes of tropical color. (ala Robert Crumb and Ben Katchor) breaking in: Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick – soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes: William Burroughs, Bobby Short and Krazy Kat...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Paint with me

Ocean inspired painting, painted in several layers with tinted resin, tridimensional effects, absolutely unique and impossible to recreate. ...

VIisceral Dream

A New Dawn

Hegina Rodrigues, a native of Sao Paulo, Brazil is a painter who lives and works in her studio in West Palm Beach, Florida. Rodrigues’s history as an artist has been a primarily self-taught passion. With no exposure to the art world as a child, her work has developed through decades of the desire to follow her painting passion and persistence. Experimenting with all mediums from inks, waxes, pastels and oils, her techniques begins with applying layers and layers of paints to her bare canvasses, wood and textiles. She studied at the New York Artist League and participated in workshops learning from inspiring artists but always held strongly to her own style of creating. Extensively exhibited in the United States and abroad her works are held by many collectors including Led Zeppelin’s guitarist Jimmy Page in the UK. Selected exhibitions: Palm Beach Modern and Contemporary Art Fair The Latin American Women...

Seascape Artist signed, silver wood frame. Joan Segrelles was born in Barcelona, Spain in 1960. He studied at the Bellas Artes School in his home town where he discovered different ...

Beautiful early landscape by American artist, Will Howe Foote (1874-1965). Bermuda Landscape, ca. 1890-95. Oil on on textured cardboard panel, measures 14 x 18 inches. Original attri...

Betsy Podlach (American, born 1964.) Still life with Fruit, a Bowl of Apples Framed 25 X 26 24 X 25 inches Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona si...

Oil on canvas 34 x 44 in Unstretched Rebeca Mendoza plays with simultaneity, superimposition, and ambiguity in her work as she goes through the stages of oil painting. The artist se...

Constellation. original abstract acrylic painting THARRATS VIDAL, Joan Josep (Gerona, 1918 - Barcelona, 2001). After starting his training in Beziers (France) in 1935 Tharrats returns to Barcelona and entered the Massana School. He began his artistic activity after the Civil War, in a style that evolved from some initial impressionism towards a progressive abstraction, through the influence of Mondrian and Kandinsky. Co - founder of Dau al Set, individually debut in 1949, in the galleries Garden in Barcelona. Since 1954 he exposed regularly in the Sala Gaspar in Barcelona and in 1955 in Stockholm and New York, in 1959 at the Biennial of Sao Paulo and Venice Biennales in 1960 and 1964. In 1966 he founded the Association of Contemporary Artists. His mature style is characterized by informality of rich textures, rich color and free graphics, with images that forms fluctuate freely. In 1983 he was awarded the Cross of Sant Jordi...

Color Boundaries #26, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique _______...

“Breath of sanity”

"Center me"

Wishful / He

Abduction

The forgotten Bag

Precarious Situation

Ride to Freedom

Imagination He

"Uncertain"

"The Secret"

Summertime

Red Sea

Flying Seas

Nothing and everything

Midnight Sea