Florida - Portrait Paintings

Highly textured portrait of an elderly rabbinic sage. Moshe Katz was born March 2, 1937 in Bucharest, Romania. With his parents, he fled the Nazis and with much difficulty successfully made it safely to Israel. His paintings have been displayed by Arts International in galleries across the globe since the fall of 1965. He received second prize in the Israeli Group Artist Show in Halfa in 1959. Exhibits featuring his paintings of the young artist in the United States have taken place in Philadelphia, Los Angles...

In this painting, Nussbaum depicts a Rabbi as his subject; a recurrent figure in his body of work. The artist uses gestural marks and vibrant blue colors in this composition. Nussba...

Gewitter, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20.8 in H x 15.7 in W Unframed The “visible” spectrum, probabl...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Felt, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 21 in H x 16 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Laßt Blumen sprechen, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20.8 in H x 15.7 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Artist: Jack Graves III (American, 1988-) Title: "Native American Indian Icon III" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 20...

Artist: Jack Graves III (American, 1988-) Title: "Cate Blanchett Icon III" Series: Icon *Signed by Graves lower right. It is also signed, titled, and d...

This brilliantly rendered female portrait by a major American post-war illustrator known for his stunningly glamorous women. Notice how all the elements of the composition work tog...

Dreaming Dali #2270 by Natasha Zupan Mixed-media on paper Measures: 13 in. H x 13 in. W One of a kind Signed lower right on recto by the artist Numbered on verso 2018 Natasha Zupan'...

Spur, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20.8 in H x 15.7 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Noiseless, 2022 by & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20.8 in H x 15.7 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Directive Forces, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20 in H x 15.5 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Stuttgen, 2022 by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 21.6 in H x 16.5 in W Unframed The “visible” spectrum, probabl...

Sled, 2022, by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 20 in H x 15.5 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Artist: Jack Graves III (American, 1988-) Title: "Audrey Hepburn Icon XII" Series: Icon *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium...

Artist: Jack Graves III (American, 1988-) Title: "Margot Robbie Icon II (Barbie)" Series: Icon *Signed by Graves lower right. It is also signed, titled,...

In this painting, Nussbaum portrays a Rabbi, or Rebbe outside the synagogue The vibrant colors used in this painting seem to overlay each other without being previous mixed. Ervin B...

Canvas measures 25" X 19" inches without the frame. Born in Nagykaroly, Hungary in 1911 (Transylvania, in 1919 it became Carei, Romania). His parents came from the gentry and trade...

Artist: Jack Graves III (American, 1988-) Title: "Steve McQueen Icon III" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2022 Medium:...

Artist: Jack Graves III (American, 1988-) Title: "Rosie Huntington-Whiteley Icon IV" Series: Icon *Signed by Graves lower right. It is also signed, da...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by Charles Levier. Stretched canvas size 30 x 40 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Charles Levier (French, 1920–2003) aka Maurice Verrier, was born in 1920 of a French Father and an American Mother in Corsica. He held a fascination with color and form that led him, at age seventeen, to the Ecole Nationale Superieure des Arts Decoratifs for private studies. World War II broke out and Levier served in the French army in North Africa, later becoming Liaison Officer with the U.S. Office of Strategic Services. Coming to America...

Artist: Jack Graves III (American, 1988-) Title: "Mick Jagger Icon II" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: O...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon IX (Claire)" Series: Icon *Signed by Graves lower left. It is also signed, dated, and t...

Original painting on foam board with custom painted frame. Hand signed lower front by Fernando Fernandez. Size including frame approx 29 x 25 inches. Artwork is in excellent condit...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

"Bruno Mars" by Hunter & Gatti Acrylic paint on top of archival pigment print Measures: 20" H x 15" W x 1.5 D 2017 Framed This piece is part of the H&G ser...

Rare one of a kind Pop Art portrait painting of 80s and 90s pop icon Fabio done in silkscreen enamel oil on canvas. this is not numbered and is believed to be unique. Steven Alan Kaufman Or Steve Kaufman, 1960–2010 American pop artist, filmmaker, photographer and humanitarian.In 1975, Kaufman participated in a group graffiti Street Art show at the prestigious Whitney Museum of American Art.Kaufman participated with nine other New York City students in a cultural art exchange with students in Japan, resulting in his attaining a scholarship to the Parsons School of Design. As a teenager Kaufman was going to Studio 54 and associating with people from the 1970s New York City art community. Kaufman attended Manhattan's School of Visual Arts (SVA), where he met contemporary artists such as Jean-Michel Basquiat. In 1981 Kaufman met Andy Warhol, who became a significant influence on the 19-year-old Kaufman, who worked as Warhohl's assistant at his studio, The Factory, producing original paintings and silkscreens. Kaufman designed theme parties for various nightclubs, sold his paintings to Calvin Klein and Steve Rubell, and participated in a group art show with pop artist Keith Haring, whom he had met at the SVA. Kaufman created the graphics for NBC's Saturday Night Live. Kaufman graduated from SVA with a Bachelor of Fine Arts degree and held art shows in London. Leaving Warhol's Factory, Kaufman established his own SAK Studio, hiring homeless New Yorkers to assist him. He painted portraits of three homeless persons for Transportation Display, Inc. that where later shown in 46 cities on bus billboards, helping to raise $4.72 million to benefit the homeless. Kaufman crated the first “Racial Harmony” mural in Harlem to raise attention of inner-city problems. He showed at the White Gallery as a tribute to those who died from AIDS. The “Say Without Art” tribute was based on this show. Kaufman also exhibited his works at the Loft Gallery in Tokyo, Japan.In 1993, Kaufman moved his studio to Los Angeles and began painting in a new style he called 'comic book pop art'. He used images of Superman, Batman, Spider-Man and others from both DC comics and Marvel comics. To assist him in his studio, Kaufman hired more than 100 ex-gang members released from prison.In 1995 Kaufman published works for Martin Lawrence Limited Editions, hand-embellishing works including limited editions of Beethoven and Marilyn Monroe. He painted portraits of Muhammad Aliand John Travolta, "who autographed their editions." Becoming the first artist create a bridge between Marvel Comics (Spiderman) and DC Comics (Superman), Kaufman worked with comic book artist and creator Stan Lee. Kaufman."As Warhol's assistant, I learned to silkscreen with oils that will last forever. Since his death, Steve Kaufman’s artwork has appeared in several television programs, art hotels...

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

Noel Coward's Eye, #2257 by Natasha Zupan Collage on Paper Measures: 11.41 in. H x 8.26 in. W One of a kind Signed lower right on recto by the artist Numbered on verso 2018 Natasha ...

Artist: Jack Graves III (American, 1988-) Title: "Brigitte Bardot Icon IV" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Mediu...

Framed 32 x 26 image 22 x 16 Charles Levier (1920-2004) He was born in 1920 of a French father and American mother in Corsica. He held a fascination with color and form that led him...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...

Alternate cover for Fortune Magazine February, 1940. Gouache on board. 350x285 mm; 13 3/4x11 1/4. Signed "A. Petrucelli" in lower left image. Tipped t...

Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 95. Canvas size 36 x 24 inches. Custom framed as pictured. Artwork is in excellent condition. Certi...

Manuel Pardo (1952-2012). Portrait of a Buddha, 1985. Oil on canvas, 16 x 24 inches. Unframed. Signed and dated upper left. Excellent condition. Manuel P...

Carlo Pittore Oil on canvas, 1984, Self Portrait, initialed and dated lower left, slat framed, 21"sqr (frame) 20 X 20 canvas. Provenance: The Private Collection of Wolf Kahn & Emily Mason Carlo Pittore (1943 – 2005) born Charles J. Stanley was an American painter, educator, art activist, and publisher, whose primary study, teaching and body of work was figurative art and portrait painting. He was a pioneer in the Mail Art movement, he corresponded with such mail art luminaries as Buster Cleveland and Ray Johnson. Pittore is noted for opening the first independent art gallery in the East Village, Manhattan. In 1987, Pittore founded "The Academy of Carlo Pittore" in Bowdoinham, Maine. Pittore (née Charles Stanley) was born to Stanford and Estelle Stanley in Queens, New York. He grew up on Long Island, in Port Washington, New York with his sister Marion and brother Elliott. Pittore graduated from Port Washington High School (1961), where he was active in the political and debating scenes. He then went on to graduate from the School of the Museum of Fine Arts at Tufts (1966), and post graduate from the Brooklyn Museum Art School (1978). Pittore changed his name in the 1970s while studying abroad in Rome, Italy. The children nicknamed him "Carlo Pittore", (”Charles the Painter"). From there he went on to study at the Chelsea College of Arts in London. In 1978, Pittore received the Max Beckmann Scholarship in Advanced Painting. It allowed him to begin studying with American feminist painter Joan Semmel at the Brooklyn Museum Art School. He also studied with visual portrait artist Alice Neel. After which, he taught art at the New York Cultural Foundation. In the 1970s, Pittore and his close friend Bern Porter...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

"Figure de Notier" oil on canvas painting of a human figure by Max Papart. Signed Max Papart on front. Signed and titled "Max Papart Figure de Notier" on back. Additional markings o...

Artist: Jack Graves III (American, 1988-) Title: "Princess Diana Icon" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2017 Medium: Original Acrylic Painting on Canvas Framing: Framed in a contemporary gold moulding Framed size: 31.38" x 27.25" Canvas size: 30" x 26" Condition: The stretched canvas was custom built by the artist himself. In excellent condition Notes: This is Graves' first ever "Princess Diana Icon" painting. Diana, Princess of Wales (1961-1997), was a member of the British royal family. She was the first wife of Charles, Prince of Wales—the heir apparent to the British throne...

William (Sunny) Weintraub, Israeli (Born 1926) Oil on masonite William Weintraub (He was also known as Shlomo Weintraub and nicknamed Sonny Weintraub) Genre: Impressionist Subject: Portrait Medium: Oil Surface: Canvas Dimensions: framed 24 X 32.5 canvas 19 X 27 In an ever-changing art world that embraces one movement after the next, the timeless art of portraiture can become lost. Portraiture is often associated with the royal paintings of centuries-old French kings, European nobility, and other wealthy individuals from art history's past. However, styles like Social Realism and Dutch genre painting spotlighted...

Artist: Jack Graves III (American, 1988-) Title: "Sophia Loren x2 Icon" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 35" x 48" Condition: The stretched canvas was custom built by the artist himself. In mint condition Shipping: This painting will be shipped canvas...

Framed 20.5 x 18 image 14.5 x 12 Heinz Hugo Erich Elsas, (German-Brazilian 1925-1994) later known as Harry Elsas. Muralist, writer, designer best known as...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon VIII (Bambi)" Series: Icon *Signed by Graves lower left. It is also signed, dated, and ...

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

Portrait of a Military General Fine 19th C European, Neo -Classical half-length portrait of a Military General, a handsome man wearing military regali...

Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum, the National Academy of Design, the Whitney Museum of American Art, and the Museum of Modern Art in New York. He lives in New York City. Jonah Kinigstein was trained at Cooper Union Art School, The Grande Chaumiere in Paris; and Belle Arte in Rome. He has been a Fulbright Fellow. He has holdings at MOMA, the Ain Herod Museum in Tel Aviv; Smithsonian; the Albright-Knox Gallery and the Nelson Gallery of Art. He lived and worked in Brooklyn New York. Kinigstein was inducted as an Academician into the National Academy of Design in 1997. Exhibits include: Young Americans at the Whitney Museum of American Art; the National Academy of Arts and Letters; ACA Gallery; Rittenhouse Gallery; the Washington Irving Gallery; and the Pindar Gallery. Contemporary American Painting and Sculpture (CAPS) '59, University of Illinois, Arthur Okamura, Fred Farr, Jonah Kinigstein, Lawrence Calcagno, Reuben Tam...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon VII (Alexandra)" Series: Icon *Signed by Graves lower right. It is also signed, dated, ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon VI (Cleopatra)" Series: Icon *Signed by Graves lower left. It is also signed, dated, an...

Artist: Jack Graves III (American, 1988-) Title: "Coco Chanel Icon III" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on...

Portrait of a young woman in a white blouse in the style of William Merritt Chase. ( American Impressionism). This work was most likely painted from life and is wonderfully painted a...

Artist: Jack Graves III (American, 1988-) Title: "Rosie Huntington-Whiteley Icon V" Series: Icon *Signed by Graves lower left. It is also signed, tit...

Three color screen printed figure & varnish on 300 somerset paper. Hand signed and numbered by Kunstrasen. Form the edition of 125. Frame size approx 26 x 26 inches. Artwork is...

MALCAH ZELDIS ''Circus, Fire Eaters'', 1989, gouache on paper Hand signed and dated bottom center, titled in pencil on paper verso Paper 12''h, 9''w. Provenance: Estate of Laura Fisher...

Artist: Jack Graves III (American, 1988-) Title: "Female Face Icon V (Lily)" Series: Icon *Signed by Graves lower left. It is also signed, titled, and da...