Florida - Still-life Paintings

Andres Segovia: 1929-1996. Well listed Spanish and Argentinian painter. He has had auction results as high as $35,000. This fabulous modern still life is an oil on board. It measures...

still life. book, brushes and fruit Original impressionist oil canvas painting.. Framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old ...

William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth, Ivan Olinsky (a student of John Singer Sargent) and Robert Brackman. Winner of many awards for oil and pastel works. Was a noted portrait artist. He was a founding Director of the American Impressionist Society and an award winning member of the Pastel Society Of America. He studied under notable National Academicians Robert Brachman, Ivan Olinsky and Jerry Farnsworth. Schultz opened his own art studio and school in Lenox, Massachusetts and taught impressionist painting to hundreds of students, some of whom are now nationally recognized themselves. After 25 years at that location Schultz and his wife moved to Vero Beach, Florida where he continued to teach, as well as provide lectures and exhibitions around the country. Illustrated articles about Schultz and his work have appeared in "American Artist", "Southwest Profiles", "Artists Of Florida" and other periodicals. For a short time he studied alongside Norman Rockwell at a studio in Stockbridge, Massachusetts where Rockwell had established the base for his illustration work. Schultz was the proud possessor of an autographed sketch of himself that Norman Rockwell had created and was signed by Rockwell. Schultz's art has been exhibited in museums and galleries in Boston, New York City, Sante Fe, and numerous Florida locations...

OPAC, the Organization of Photorealist Artists and Collectors, presents Cesar Santander Crayon Composition Number One Original Oil Painting 16" x 16" original painting on board. T...

Number 93 and 4, Diptych. From the Black series Acrylic on Canvas Overall image size: 59 H x 118 W in Individual size: 59 H x 59 W in Unframed Signed by artist Paintings- Mix media...

Ruth Todd (1909-2006, American Woman Artist) one of Colorado’s most prominent avant-garde artists and played a significant role in Colorado’s art history. Known for painting and collage. Still life with lemon and banana on kitchen table. Ruth Thomas Todd was born in 1909 in Sanford, North Carolina. She arrived in New York City in the 1930s where she began her career as a fashion model supporting herself as she attended classes at the Art Students League. For reasons of health she moved to Colorado Springs to treat her condition. During her recuperation she started to draw and studied under famous American abstract painter Robert Motherwell, who was teaching at the Colorado Springs Fine Arts Center at the time. By the 1950s, her career as an abstract expressionist painter was blooming. She was one of Colorado’s most visible and avant-garde artists. Ruth married Littleton Todd, a poet and a woodworker. In 1953, Todd traveled to Europe (Paris, France) to study art and to paint. Littleton Todd opened a design studio in Denver where he manufactured and sold modern furniture. She would incorporate sawdust and other found materials from the workshop imbued with oil paint into her abstract work to create unique topographies and patterns. She showed at numerous Gilpin County Art Exhibitions, the Denver Art Museum, the Colorado Springs Fine Arts Center, Colorado Women’s College, the University of Colorado, Boulder, the Colorado State Fair, and the Jewish Community Center. Among the Colorado Modernists that she exhibited with were Vance Kirkland, Frank Vavra, Martha Epp, Ardis Sturdy...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

Pierre Henry (1924 - 2015) Hand signed and dated '66 lower right. Dimensions: (Frame) H 29.25" x W 13.25" ; (Painting) H 23.75" x W 8" Intentionally crackled paint finish. Pierre-Henry sociétaire des grands Salons à Paris et vice-président de la Société Nationale des Beaux-Arts. PIerre Henry studied painting, the art of fresco and of etching in the Ecole Nationale Supérieure des Beaux Arts, in Paris. Since 1950, his first exhibition, his talent led him to become one of the leaders of the French figurative expressionist school. He was of the period of Jean jansem and Pierre Serrier andBernard Buffet "I believe that the artists, painters, poets, and musicians, are our society’s prophets, its preachers. They bear witness to their anguish face to face with humanity in total confusion, which feels and knows it is threatened. At first smooth, the painting slowly acquires reliefs. The lacquer color is dazzling and the backgrounds alone make up genuine paintings. That especially sumptuous texture emphasizes their graphic precision. Smooth paint, flattened out, provides a lacquered effect, and brings to mind the great Flemish masters’ works. Of the generation of great post war French artists he has shown with Jean Pierre Alaux, Lucien Philippe Moretti, Edouard Pignon, Henri Michaux, Guy Cambier, Jean Fusaro, Mara Tran Long, Claude Mourier...

Trompe-l'œil (French for "deceive the eye",) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. Though the phrase, originates in the Baroque period, when it refers to perspectival illusionism, trompe-l'œil dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l'œil mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft-told ancient Greek story concerns a contest between two renowned painters. Zeuxis (born around 464 BC) produced a still life painting so convincing that birds flew down to peck at the painted grapes. A rival, Parrhasius, asked Zeuxis to judge one of his paintings that was behind a pair of tattered curtains in his study. Parrhasius asked Zeuxis to pull back the curtains, but when Zeuxis tried, he could not, as the curtains were included in Parrhasius's painting—making Parrhasius the winner. With widespread fascination with perspective drawing in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna (1431–1506) and Melozzo da Forlì (1438–1494), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening to create the impression of greater space for the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as di sotto in sù, meaning "from below, upward" in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the Camera degli Sposi in Mantua and Antonio da Correggio's (1489–1534) Assumption of the Virgin in the Duomo of Parma. Similarly, Vittorio Carpaccio (1460–1525) and Jacopo de' Barbari (c. 1440 – before 1516) added small trompe-l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a fly might appear to be sitting on the painting's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether—all in reference to the contest of Zeuxis and Parrhasius. In a 1964 seminar, the psychoanalyst and theorist Jacques Lacan...

“PB&J Stack” 2018 Oil on 2” deep Panel 18 in x 18 in In the genre of Contemporary realism, this original oil painting of peanut butter and jelly sandwiches con...

Milia Laufer, born Romania. From 1951 lived and worked in Safed. Together with her husband opened one of the earliest galleries in Israel, in Tiberias. Worked in watercolors and oils...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

Abella. still lafe cubist original acrylic canvas painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are well present. In 1956 we find him in Pont d'Inca (Mallorca), studying baccalaureate and magisterium, at the same time that he graduates in artistic drawing and publicity with outstanding. In the correction of the first works, the teachers add this annotation: "You have in your hands a treasure that you can not neglect, you have achieved in only a few lessons what Fine Arts students have achieved for years. Plaster quality ". In 1970 he moved to Barcelona. He studied at the Universidad Central, graduating with outstanding study of the provisional architecture: "The Tomb of Charles V in Valladolid", which would later be published by the Higher Council of Scientific Research. He completed his training with Fine Arts at the Superior School of Fine Arts in Barcelona. He has held exhibitions in Florida, Amsterdam, Barcelona, ​​Madrid, Mallorca and Plasencia. His paintings can be seen in the Hispanic American...

porcelain original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environm...

" FLOWER VASE"- Original- realist oil canvas--still life painting

Oil painting on linen, in the fresco manner that has the feeling of a collage or assemblage but is a clever painted interpretation. Having classical and Asian modern influence that c...

Yitzchak Roman, Israeli Folk Artist Painting and sculpture, born in Safed, 1913, known for his naive depictions of Jewish life and biblical scenes...

Windows With Flowers Still Life Painting Artist signed lower left, 16" x 18" with frame 26"h x 28"w Calman Shemi was born in Argentina in 1939. He studied sculpture and ceramics at t...

Classic still life composition of bread, tomatoes, radishes and beans on kitchen counter. signed illegibly.

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spai...

Artist/Designer; Manufacturer: Meili Zhang (Chinese, b. 1945) Marking(s); notes: signed in English and Chinese (China/Fujian Province/Zhang) Materials: watercolor on paper Dimension...

"Music" original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Ba...

OPAC, the Organization of Photorealist Artists and Collectors, presents Eat In & Take Out by Mark Schiff This beautiful painting by famed photorealist Mark Schiff cannot be appreciated on a computer screen. In real life it is amazing. We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one-bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart...

Here for your consideration is an oil on board painting of purple asters by Russian Federation artist, Gennady Malyshev. Signed lower right and dated 1981. Condition is good. Over...

Waxing Poetic is an expression of lyrical Earthly beauty and serenity. Its title has the double meaning of both growing aesthetically and a nod to the painting medium used to create it, encaustic. This landscape draws on deep emotions in an imaginative and beautiful way, pleasing both the senses and the mind. It has a deeply felt beauty, and a calm oasis of serenities. Bands of gold tether the gentle blue heavens to the fertile soil of mother earth. The high notes and the low notes of color whisper to the senses, just as nature skillfully and poetically stirs the imagination and weaves tranquility together with a vibrant yet bold intimacy. Sylvia Torres, was born in California, one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually, the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, in Thousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live, and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

Oil on canvas still life painting of a wine bottle along with a lobster. Signed lower left. Circa 1880. The painting is housed in its original monumental wood gesso and gilt Victoria...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

BOOKNOTE 7, 2023 by Luigi Christopher Veggetti From the Beaches series Oil and acrylic on paper Size: 24 H x 89 W cm The beaches of Luigi Christopher Veggetti Kanku represent a pict...

Theresa Bernstein, 1890 - 2002 Abstract Still Life Oil and Pen on Paper Painting (1994) by Theresa Bernstein Frame: 26" X 22", Image: 18.5" X 14.75" A Polish born American modernist figurative artist in the traditions of the Ashcan and New York Realism Schools, wife of William Meyerowitz. The artwork represents a still life with two flower vases. Signed by the artist and dated 1994 in the lower left. Theresa Ferber Bernstein-Meyerowitz (1890 – 2002) was an American artist, writer, and supercentenarian born in Kraków, in what is now Poland, and raised in Philadelphia. She received her art training in Philadelphia and New York City. Over the course of nearly a century, she produced hundreds of paintings and other artwork, plus several books and journals. Bernstein and her husband William Meyerowitz (a WPA, New deal artist), who was also an artist, lived and worked in Manhattan and Gloucester, Massachusetts. She painted portraits and scenes of daily life, plus reflections of the major issues of her time, in a modern style that evolved from realism to expressionism. She was active in several art associations and promoted her husband's work as well as her own. Her artworks are found in dozens of museums and private collections in the United States and abroad. She remained active all her life and was honored with a solo exhibition of 110 art works to celebrate her 110th birthday. Bernstein also authored several books, including a biography of her husband and a journal about their many trips to Israel. She died in 2002, just a couple of weeks short of her 112th birthday. Theresa Ferber Bernstein was born in Cracow, Poland, on March 1, 1890. She was the only child of Isidore Bernstein, a Jewish textile...

"Candy Stash" 18"x24" Original Oil Painting by Contemporary realist Megan Eisenberg. Made with high quality Gamblin oil paints on a 1” deep hardwood panel and framed in a birchwood ...

"Moroccan Sink" is an original oil painting made using high quality oil paints on 3/4" cradled hardwood panel and framed in a birchwood floater frame. T...

Andre (Gittelson) Gisson (American, 1921-2003), Still life with a vase of red flowers,

Floral painting. Flowers in a vase. Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan...

Abella original still life cubist acrylic painting - Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the o...

His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked in...

Still Life with ham, oil on canvas signed a wonderful example of the artist's work, from the Collection of Bass Museum Of Art. Canvas size 16 3/4 x 22 1/5 framed 23 x 29. Edmund Pick...

OPAC, the Organization of Photorealist Artists and Collectors, presents Cesar Santander Space Traffic Original Oil Painting 18" x 24" original painting on board. This is a unique,...

This is hand signed and dated in English and appears to have Chinese (or Taiwanese) calligraphic characters above it. This depicts an Asian porcelain or pottery vase in a vibrant blue green color with a dragon motif filled with colorful flowers. This is a bold color painting...

Josep Cruañas Fages (Mayá de Moncal, Girona, 1942) is a Spanish painter. His work can be classified as an impressionist movement with abstract overtones. His painting conveys a speci...

OPAC, the Organization of Photorealist Artists and Collectors, presents Cesar Santander Goldfish With Matisse Detail Original Oil Painting 16" x 16" original painting on board. Th...

Housewives Choice, A-Z a cute Folk Art Alphabet of kitchen utensils and cooking implements rendered in a whimsical naive style. CHRISTINE McARTHUR was born in Kirkintilloch, near Glasgow, in 1953 and studied at Glasgow School of Art between 1971 and 1976. She taught and produced book illustrations before turning to paint full time. she was elected a member of the Royal Glasgow Institute and in 1995 a member of the Royal Scottish Society of Painters in Watercolour. McArthur has been the recipient of a number of awards including The Scottish Arts Council Award and the Glasgow Society of Women Artist Trust Fund Award. She has exhibited widely in the UK, particularly in London and Scotland, as well as in Russia, Hong Kong, Her early work was primarily in oil and she became well known for her large scale still life paintings on canvas. In the late 1980s she began to work in oil pastel and watercolour but more recently she has reverted to oil, as well as acrylic and collage. She has exhibited widely with solo exhibitions in the Roger Billcliffe Gallery, Glasgow, Lemon Street Gallery, Truro, and Ainscough Gallery, London, among others. AWARDS S.E.D. travelling scholarship 1975, and 1976, Arts Council Award 1979, and 2004. Glasgow Society of Women Artist’s Trust Fund Award, Lauder Award; R.G.I., N.S. Macfarlane Award; Alexander Graham Munro prize, RSW. Christine McArthur was awarded Scottish Education Department travelling scholarships in 1975 and 1976 and was elected a member of the Royal Glasgow Institute of the Fine Arts in 1990. In 1995 she was elected a member of the Royal Scottish Society of Painters in Watercolour. In 1997 John Lewis commissioned four large murals – each 6ft x 15ft - for the Glasgow store in 1999. In 2002 she received a commission from John Lewis for murals for the extension to their Peter Jones store, Sloane Square, London. Solo Exhibitions from 1984 - present include: Peter Potter Gallery, Haddington; Sue Rankin Gallery, London; Fine Art Society, Glasgow; Portland Gallery, London; Roger Billcliffe Gallery, Glasgow; Ancrum Gallery, Roxburgh; Open Eye Gallery, Edinburgh; Courtyard Gallery, Crail; John Martin Gallery, London; Gertsey Gallery, Moscow; Gertsey Gallery, Atlanta, USA; Lemon Street Gallery, Cornwall; Ainscough Gallery, Devon; Thackeray Gallery, London Private and Corporate Collections include: Lord Irvine of Lairg; Scottish Arts Council; Glasgow Caledonian University; Arthur Anderson; Scottish Nuclear PLC; University of Strathclyde...

Sigo tu voz, Mao (Diptych), 2006 by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Overall image size: 18 H x 50 W inches Individual size: Image Size: 18 H x 25...

Basket Full Of Pink Chrysanthemums 2021 RAFAEL SALDARRIAGA was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. After livin...

Still Life With Fruit And Flowers Size:29x36 framed 37x45 William Michaut French artist is born in 1947, known for the impressionistic style still ...

Joseph Raskin painted still lifes throughout his career, often using them for formal and technical experimentation. Here, the artist renders a bouquet of a wide variety of flowers in...

size uncludes frame. Lucien Mathelin, born in 1905 in Binche, A province of Hainaut, in Wallonia, Belgium, and died in 1981 in Paris. French painter. His work was influenced by surrealism andtinged with irony. Lucien Mathelin was born in a family of artists and has benefited from artistic training since childhood. He made his first oil on canvas at the age of 15 in 1920. In 1924, he exhibited at the Salon d'Automne which he became a member. He did not study plastic arts, but traveled to Morocco (1925-1926) and Greece (1933-1934), where he enriched his palette. In 1937, Mathelin worked for a while for Raoul Dufy to realize the gigantic painting...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Eternal recurrence #21 by Natasha Zupan Measures: 9 in. H x 12 in. W Mixed-media photo collage One of a kind    Natasha Zupan’s work juxtaposes emotion, reflection, shadows, light, ...

Eternal Recurrence #44 Archival Pigment Print of Photographic Paper Image size: 14 in. H x 12 in W. 2015 Natasha Zupan’s work juxtaposes emotion, reflection, shadows, light, time...

Burning Woman, #2250 by Natasha Zupan Collage on paper Measures: 12.13 in. H x 9.9 in. W One of a kind Signed lower right on recto by the artist 2018 Na...

Set of 5 paintings, 2006 by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Overall image size: 18 H x 125 W inches Individual s...

Blue Note, Sigo tu voz and Solo (Triptych), 2006 by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Overall image size: 18 H x 75 W inches Individual size: Imag...

Untitled. From "La Música Ausente" series. Oil on canvas Image Size: 170 H x 190 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist impri...

Mixed Media collage Assemblage painting and or monoprint or monotype on BFK Rives French art paper. It depicts a wild profusion of bold colored flowers Education 1976 Stanley Hayter Atelier 17 Workshop, Paris, France 1975 Hugh Stoneman Workshop, London, England 1974-85 Bob Blackburn Printmaking Workshop, NYC 1972-74 Certificate of Completion in Fine Arts Graphics, The Art Students League of New York, New York, NY 1971-72 The Art Institute of Boston, Boston, MA 1970-71 Green Mountain College, Poultney, VT it was the League where Martha Bloom...

Sigo tu voz, by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Image Size: 18 H x 25 W inches Signed by artist _______ The paintings of Sergio Bazán have a s...

Untitled, by Sergio Bazan Acrylic on canvas Image Size: 145 H x 145 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist imprint, firm and ...

Andante, by Sergio Bazan Mix Media on canvas Image Size: 30 H x 41 W inches Unframed Signed by artist _______ The paintings of Sergio Bazán have a strong gesture and expressionist ...

Blue Moon, by Sergio Bazan From the Musica Nocturna series. Oil on canvas Image Size: 63 H x 47 W inches Unframed 2007 Signed by artist _______ The paintings of Sergio Bazán have a ...