Florida - Still-life Paintings

Standout vintage Haitian acrylic painting on canvas of a still life with fruit, executed with a spirited naive flair by noted artist Gabriel Alix. Pres...

Oil painting and collage on burlap having a still life composition of two Chinese vases and a deconstructed interior with a warm silent ambiance. Signed Jacques Lamy in the lower right.

Midcentury flower painting executed with acrylic on canvas in a bold vibrant style, titled Buttercup. Signed McFeatters and presented in th...

Oil painting on burlap with a striking composition of a Chinese porcelain bowl. Executed in an ancient fresco style, combining modern simplicity with age old rustic texture and techn...

Trompe-l'oeil style still life oil painting on burlap with a pleasing monotone palette and a classical mediterranean composition. Featuring a contrived weathered background and gold ...

Midcentury still life oil painting on canvas with a modern perspective depicting three vessels against an abstract background. Signed A. Weber 1968 in the lower right and presented i...

SAMUEL ROTHBORT (Russian-American, 1882-1971), still life with wild flowers, oil on canvas board, signed lower left. Framed 25.5 X 30, board 18.5 X 23 Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught, naive, outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's artwork and helped further his career. Rothbort received much recognition for his naive folk art paintings...

CLAUDE GAVEAU (1906 - 1970) A beautiful and large signed oil on canvas by the important french painter Claude Gaveau. The work is signed upper right and unlined and unrestored on its original canvas. Title: “Still Life” Signature: Signed upper right Medium: Oil on original canvas Provenance: Private french collection Size: c. 24 x 29 inches unframed Claude Gaveau (1906 - 1970) is a French painter born in Neuilly-sur-Marne in 1940. The painter was born near Paris and studied there as well as in Belgium. He comes from a family of artists, his grandfather was the creator of the Jardin des Plantes in Paris. He is passionate since very young about painting and entered the Ecole des Arts Appliqués in Paris in 1955 where he studied mural art for five years, stained glass, tapestry, mosaic and fresco. In 1960, he studied at the Ecole Supérieure des Beaux-Arts in Paris, becoming equally accomplished in oil painting, watercolor, drawing and lithography, pastel and gouache. Influenced by great Post Impressionist painters such as Paul Cézanne, George Braque and Raoul Dufy, Gaveau gets inspired as well by music and lyricism. His talent was quickly recognized, in 1963 he won his first prize and obtained a scholarship from the Academy of Antwerp, Belgium which allowed him to study Flemish painting in Brussels. In 1965, with only 25 years, he made his first solo exhibition at the Angle Aigu Gallery in Paris. His career took a real turn in 1968 when he was nominated for the "la Critique Parrainé" Award by the Saint Placide Gallery in Paris. A recurrent traveler, the landscapes he observes all around the world allow him to broaden his artistic palette. Other exhibitions of his work followed during the 1960’s and 1970’s in France with the Galerie Vauban in Dijon in 1967, 1968 and 1970; with the Galerie Saint Placide in Paris in 1968; with the Galerie Marc Hudier in Belfort in 1970; and three one-man shows with the Galerie La Belle Gabrielle in Paris in 1972, 1975 and 1978. In 1980 Claude Gaveau had his first one-man exhibition with Wally Findlay Galleries...

Marti Somers Rice Bowl (an Asian inspired image with chopsticks and a bowl of rice) with fish. hand written poem verso. 24 X 24 inches A California artist, Somers received her BFA at the University of Hawaii. She returned to California and worked as a graphic designer at Stanford University and was a principal at Artefact Design in Palo Alto. But ultimately turned to painting. She opened Studio Believe in San Carlos and co-founded Somersault Studios, a non-profit publishing venture to benefit the arts of Northern California. Somers’ sensibility is both poetic and suggestive. Her scrapbook-like merger of natural images (both painted and collage) and writing, rendered in tactile, fragrant wax-based encaustic paint, is seductive and convincing. Rich compilations of vintage images, words, colors, and textures. Flowers, trees, and leaves share the space in each picture with animals, fragments of patterned paper, layers of thin oil paint over thick, glazes that partially obscure one layer and provide a new layer to work with. Stylized flowers, butterflies and birds appear prominently within Somers’ heavily textured, ‘antiqued’ bands of color and pattern. Robert Rauschenberg meets Odilon Redon in her assemblage juxtapositions of dreamy words and images. She has exhibited her work at Caldwell Snyder...

What are your thoughts on this spice rack? One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

Trompe-l'œil (French for "deceive the eye",) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. Though the phrase, originates in the Baroque period, when it refers to perspectival illusionism, trompe-l'œil dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l'œil mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft-told ancient Greek story concerns a contest between two renowned painters. Zeuxis (born around 464 BC) produced a still life painting so convincing that birds flew down to peck at the painted grapes. A rival, Parrhasius, asked Zeuxis to judge one of his paintings that was behind a pair of tattered curtains in his study. Parrhasius asked Zeuxis to pull back the curtains, but when Zeuxis tried, he could not, as the curtains were included in Parrhasius's painting—making Parrhasius the winner. With widespread fascination with perspective drawing in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna (1431–1506) and Melozzo da Forlì (1438–1494), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening to create the impression of greater space for the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as di sotto in sù, meaning "from below, upward" in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the Camera degli Sposi in Mantua and Antonio da Correggio's (1489–1534) Assumption of the Virgin in the Duomo of Parma. Similarly, Vittorio Carpaccio (1460–1525) and Jacopo de' Barbari (c. 1440 – before 1516) added small trompe-l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a fly might appear to be sitting on the painting's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether—all in reference to the contest of Zeuxis and Parrhasius. In a 1964 seminar, the psychoanalyst and theorist Jacques Lacan...

Wade Hoefer was born in 1948 in Long Beach, CA. In 1972 he earned an M.F.A. at California College of Art and Craft in Oakland, CA. SELECTED GROUP EXHIBITIONS 1997 "Trio of Landscape Artists: Katherine Bowling, April Gornik, Wade Hoefer," David Floria Gallery, Aspen, CO 1996 "American Landscape Painting in the 90's." Harn Museum, Gainesville, FL 1995 Monique Knowlton Gallery, NY, NY California Center for the Arts Museum, Escondido Beach, CA Anne Reed Gallery, Ketchum, ID Los Angeles Municipal Art Gallery, Los Angeles, CA 1994 Olga Dollar Gallery, San Francisco, CA Thomas Babeor & Co., La Jolla, CA 1994 Aurobora Press, San Francisco, CA 1993 Edith Caldwell Gallery, San Francisco, CA Miller/Block Gallery, Boston, MA 1992 Elizabeth Leach Gallery, Portland, OR Miller/Block Gallery, Boston, MA 1991 Patricia Faure Gallery, Los Angeles, CA 1990 Gibbs Museum of Art, Charleston, SC Little Rock Museum of Contemporary Art, Little Rock, AK 1989 Cheney Cowles Museum of Art, Spokane, WA University of New Mexico, Las Cruces, NM Palm Springs Museum of Art, Palm Springs, CA 1987 Janet Steinberg Gallery, San Francisco, CA Patricia Faure Gallery, Los Angeles, CA San Francisco Art Institute, San Francisco, CA 1986 Richmond Art Center, Richmond, CA 1985 Gabriella Cardazza, Venice, Italy 1981 Tom Luttrell Gallery, San Francisco, CA 1978 Oakland Museum, Oakland, CA 1975 National Gallery of Art, Washington, D.C. 1973 Richmond Art Center, Richmond, CA SELECTED COLLECTIONS The Estee Lauder Companies, Inc. Microsoft Corporation, Los Angeles, CA Bank of America, World Headquarters, San Francisco, CA Frederick R. Weisman Foundation, Los Angeles, CA J.P. Morgan, Los Angeles, CA Twigg-Smith Foundation, Honolulu, HI Thurston Twigg-Smith, Honolulu, HI Oakland Museum, Oakland, CA University Art Museum Berkeley, CA San Diego Museum of Art, San Diego, CA San Francisco Arts Commission, S.F. International Airport, CA Philip Morris Companies, Inc., New York, NY General Electric Company, New York, NY General Electric Company, Fairfield, CT University Art Museum at Berkeley, CA Fidelity Investors, Boston, MA Samuel P. Harn Museum of Art, Gainesville, FL Mason Phelps, La Jolla, CA Frederick Weisman, Los Angeles, CA Edgar Bronfman Sr., Sun Valley, ID Budd Bishop, Director, Samuel P. Harn Museum of Art, Gainesville, FL Stephanie French and Amory Houghton III, New York, NY Jim Hedges, H.H.L. Global Investments, Naples, FL Goldie Hawn, Los Angeles, CA Nicolas Cage...

Marti Somers Surrealist dream imagery with fish 24 X 24 inches A California artist, Somers received her BFA at the University of Hawaii. She returned to California and worked as a graphic designer at Stanford University and was a principal at Artefact Design in Palo Alto. But ultimately turned to painting. She opened Studio Believe in San Carlos and co-founded Somersault Studios, a non-profit publishing venture to benefit the arts of Northern California. Somers’ sensibility is both poetic and suggestive. Her scrapbook-like merger of natural images (both painted and collage) and writing, rendered in tactile, fragrant wax-based encaustic paint, is seductive and convincing. Rich compilations of vintage images, words, colors, and textures. Flowers, trees, and leaves share the space in each picture with animals, fragments of patterned paper, layers of thin oil paint over thick, glazes that partially obscure one layer and provide a new layer to work with. Stylized flowers, butterflies and birds appear prominently within Somers’ heavily textured, ‘antiqued’ bands of color and pattern. Robert Rauschenberg meets Odilon Redon in her assemblage juxtapositions of dreamy words and images. She has exhibited her work at Caldwell Snyder...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, who...

The Light 23, 2021 by Jose Ricardo Contreras González From The Light series Oil on canvas Image size: 30 H cm. x 40 W cm. Mounted on a stretcher. Signed on verso THE LIGHT (2018 - 2...

The Light 13, 2021 by Jose Ricardo Contreras González From the series The Light Oil on canvas Image size: 30 H cm. x 40 W cm. Mounted on a stretcher. Signed on verso THE LIGHT (2018...

The Light 9, 2021 by Jose Ricardo Contreras González From the series The Light Oil on canvas Image size: 30 H cm. x 40 W cm. Mounted on a stretcher. Signed on verso THE LIGHT (2018 ...

Plastic ADN V and IV, 2022, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Overall size: Paintwork mounted on a stretcher: 116.8 H cm...

Framed 29.5 X 37.25 sight 28.5 X 36.25 Hedva Yardeni was born in 1969 in Jerusalem to a traditional jewish family. She grew up in Jerusalem, Israel. During 2004 yardeni settled in los angeles, on this time Yardeni's work was based on images, landscapes and jewish symbols taken from her childhood in Jerusalem. The dominant motif in her work is the pomegranate. In the jewish – Israeli tradition, a myriad of symbolic meanings has been ascribed to the pomegranate. This humble fruit signifies the land of israel and the revival of the jewish people. It is the symbol of the land's wealth and prosperity. Yardeni returned to Israel in 2005, settling in the galilee. She rediscovered the exquisite beauty of her home land and let the full expression of her deep love to Jerusalem from her soul and onto the canvas.Her recent work is full of light and joy reflect an inner spirit that is always reaching towards the Almighty. They are more abstract, pure and radiant with light. Her work has a naive, whimsical, folk art quality to it. Yardeni grew up in Jerusalem and completed her BA in art at Kay academy Beer Sheva, and my MA at Schechter Institute of jewish Studies...

Almazan Realistic Still Life Acrylic Painting virtual frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic an...

La Luz 19, 2021 by Jose Ricardo Contreras González From the series La Luz Oil on canvas Image size: 30 H cm. x 40 W cm. Mounted on a stretcher. Signed on verso ...

La Luz 10, 2021 by Jose Ricardo Contreras González From the series La Luz Oil on canvas Image size: 30 H cm. x 40 W cm. Mounted on a stretcher. Signed on verso ...

Beautiful floral still life by American artist, Jo Spiller. Watercolor on wove paper, sheet measures 23 x 30 inches; 35 x 44 inches framed. Signed lower lef...

Séptico II and II (Diptych), 2022 by Alec Franco Acrylic, pastel, oil on canvas Overall size: 90 cm H X 140 cm W Individual size: Image size: 90 cm H X 70 cm W Unframed Signed by ...

Edward Shahda was born in Hama, lives and works in Damascus. His subjects are inspired by folk tales, myths, and local icons with a focus on the female b...

Experience the epitome of sun-kissed serenity with "Girl From Ipanema," a captivating fine art figurative watercolor painting that transports you to the sandy shores of Brazil's icon...

Beautiful still life arrangement by unknown artist. Circle of Peale Family, ca. 1870. Oil on canvas, 18.5 x 25.5 inches. Unframed. Paint loss along entirety of lower edge, below tabl...

Roses in the window 2021. Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. Kopania style of paintings characterized by very high realism, so...

Eternal recurrence #21 by Natasha Zupan Measures: 9 in. H x 12 in. W Mixed-media photo collage One of a kind    Natasha Zupan’s work juxtaposes emotion, reflection, shadows, light, ...

Rare one of a kind Pop Art portrait painting of 80s and 90s pop icon Fabio done in silkscreen enamel oil on canvas. this is not numbered and is believed to be unique. Steven Alan Kaufman Or Steve Kaufman, 1960–2010 American pop artist, filmmaker, photographer and humanitarian.In 1975, Kaufman participated in a group graffiti Street Art show at the prestigious Whitney Museum of American Art.Kaufman participated with nine other New York City students in a cultural art exchange with students in Japan, resulting in his attaining a scholarship to the Parsons School of Design. As a teenager Kaufman was going to Studio 54 and associating with people from the 1970s New York City art community. Kaufman attended Manhattan's School of Visual Arts (SVA), where he met contemporary artists such as Jean-Michel Basquiat. In 1981 Kaufman met Andy Warhol, who became a significant influence on the 19-year-old Kaufman, who worked as Warhohl's assistant at his studio, The Factory, producing original paintings and silkscreens. Kaufman designed theme parties for various nightclubs, sold his paintings to Calvin Klein and Steve Rubell, and participated in a group art show with pop artist Keith Haring, whom he had met at the SVA. Kaufman created the graphics for NBC's Saturday Night Live. Kaufman graduated from SVA with a Bachelor of Fine Arts degree and held art shows in London. Leaving Warhol's Factory, Kaufman established his own SAK Studio, hiring homeless New Yorkers to assist him. He painted portraits of three homeless persons for Transportation Display, Inc. that where later shown in 46 cities on bus billboards, helping to raise $4.72 million to benefit the homeless. Kaufman crated the first “Racial Harmony” mural in Harlem to raise attention of inner-city problems. He showed at the White Gallery as a tribute to those who died from AIDS. The “Say Without Art” tribute was based on this show. Kaufman also exhibited his works at the Loft Gallery in Tokyo, Japan.In 1993, Kaufman moved his studio to Los Angeles and began painting in a new style he called 'comic book pop art'. He used images of Superman, Batman, Spider-Man and others from both DC comics and Marvel comics. To assist him in his studio, Kaufman hired more than 100 ex-gang members released from prison.In 1995 Kaufman published works for Martin Lawrence Limited Editions, hand-embellishing works including limited editions of Beethoven and Marilyn Monroe. He painted portraits of Muhammad Aliand John Travolta, "who autographed their editions." Becoming the first artist create a bridge between Marvel Comics (Spiderman) and DC Comics (Superman), Kaufman worked with comic book artist and creator Stan Lee. Kaufman."As Warhol's assistant, I learned to silkscreen with oils that will last forever. Since his death, Steve Kaufman’s artwork has appeared in several television programs, art hotels...

Eternal Recurrence #44 Archival Pigment Print of Photographic Paper Image size: 14 in. H x 12 in W. 2015 Natasha Zupan’s work juxtaposes emotion, reflection, shadows, light, time...

Burning Woman, #2250 by Natasha Zupan Collage on paper Measures: 12.13 in. H x 9.9 in. W One of a kind Signed lower right on recto by the artist 2018 Na...

Summer Bouquet 2022 Still Life oil on canvas, artist signed lower right framed. Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. Kopania sty...

Framed 40 X 28 sight 32 X 20.5 inches. Bears his address verso Via Innocenzo n.57 Roma. (Rome, Italy Titled: L'Ultimo "Clown" Hand signed lower left and bears artists name verso. Alberto Trevisan (1919-1978), a listed Italian artist who specialized in Venetian watercolor...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

El Bosque De Los Mitos, 2019 by Daniel Casique Oil and acrylic on canvas Dimensions: 29.5 in. H x 23,62 in. W Framed Daniel Casique's paintings reflect a point-of-view that possesse...

Colorful expressionist still-life painting on canvas.

Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

Surrealist ad where a gloved human hand rises in pictorial height to the size of a chemical plant. Tension is created as Drafsman's Pencil is about to t...

This colorful painting by Eleanor Parke Custis is in the spirit of Louis Valtat and the Fauves. The subject of flowers in the foreground is repeated in the backdrop. It straddles the line between abstraction and representation. Signed lower right - Work is framed. Eleanor Parke Custis studied in Corcoran School of the Arts and Design under Edmund C. Tarbell and Pennsylvania Academy of the Fine Arts with Henry B. Snell. Initially, she began her art career as a painter, creating watercolors. Custis created illustrations for Scribner's Magazine, Harper's, Doubleday, Harcourt. She started to take photographs in her youth, using a Brownie camera...

Guy Johnson: 1927-2019. Well listed American post war surrealist artist. He has had auction results over $10,800. This incredible piece is the finest and m...

Almazan Realistic Still Life Acrylic Painting MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and translates ...

Spanish painter SIRIA BRAU oil on canvas Siria Brau,nació en Sabadell en 1951. De 1971 a 1977 cursó estudios en la Escola Massana, y de 1978 a 1984 continuó sus estudios en la “LLotj...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! PLEASE SEE VIDEO IN LISTING A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

Have you ever heard of the Kennebunkport street signs? If the answer to that is no, then you might as well move on to the next painting. But if you are a Maine lover, you might lov...

Very nicely executed original still life oil painting on fiberboard of strawberries by an unknown artist. Signed lower right, Charles Burch. I believe this painting is quite possibly the work of Edward Pritchard...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

Very nicely executed original still life oil painting on fiberboard by the Wales born artist, Edward Pritchard. Signed lower left. Circa 1915. Conditi...

Blue Note, Sigo tu voz and Solo (Triptych), 2006 by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Overall image size: 18 H x 75 W inches Individual size: Imag...

Alice B. Doughten (1880-1969). Still Life with Roses, ca. 1930. Oil on masonite panel, 12 x 16 inches. Measures 18 x 22 inches framed. Signed lower right. Original label affixed on verso with Moorestown NJ identified as artist's address. Born in Camden, New Jersey, Alice Doughten became noted for her still life and landscape paintings with figures, usually watercolors and sometimes abstract in style. She studied art at the Pennsylvania Academy of the Fine Arts with Henry McCarter, Earl Horter, Ralph Pearson...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

This is a bright, colorful oil painting of a table top with fruit. Banana, Pomegranate and glass of water. George Chemeche was born in Israel in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. this painter and printmaker's sensual and romantic yet rationally conceived screen prints featuring plants and flowers are associated with the PATTERN & DECORATION movement of the late 1960s and early 1970s. His style is non-minimalist, sensuous, romantic, rational and decorative. it runs counter to the modernist taboo against a decorative quality in art. Though pattern painting's roots are in modern art, it contradicts some of its basic tenets as it attempts to assimilate aspects of Western and non-Western culture not previously accepted into the realm of high art. In Chemeche´s work, we can see how chosen motifs are repeated in order to cover a surface in a uniform way. The results often have a painterly feel, but remain systematic. The intention is to make a high-art statement within a contemporary context by referring to, and using what to many still remains within the world of non-art. Pattern painting, unlike abstractionism, has structure. It also has content as it refers to patterns in the real world. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. INDIVIDUAL EXHIBITIONS: Goldman Art Gallery, Haifa, Israel Gordon Gallery, Tel Aviv, "Six Artists" Biv Gallery, New York, "Chelsea Artists" Makler Gallery, Philadelphia, Pa. "FJ.A.C.," Petit Palais Paris Galerie Naire, Paris Weintraub Gallery, New York, Print Show Louis K. Meisel Gallery, New York Alexandra Monett Gallery, Brussels Givon Art GaJIery, Tel Aviv South Houston Gallery, New York Ray Landis Gallery, East Brunswick, New Jersey Gala Gallery, Key Biscayne, Florida Art Asia Gallery, Cambridge, Mass. Bertha Urdang Gallery, New York Selected Artists Gallery, New York Mabat Art Gallery, Tel Aviv Goldman Art Gallery, Haifa, Israel OHana Gallery, London "Six Artists", Modern Art Gallery, Old Jaffa Modern Art Gallery, Old Jaffa The Autumn Exhibition, Tel Aviv Museum Dugith Art Gallery, Tel Aviv Hadassa "K" Klachkin Art Gallery, Tel Aviv Rina Art Gallery, Jerusalem The Museum of Modern Art, Haifa Chemerinsky Art Gallery, Tel Aviv Galerie Transposition, Paris Collective Exhibitions "Young Artists", Tel Aviv Museum Salon de La Jeune Peinture, Musee d'art Moderne, Paris A well listed Painter...

Sevilla, watercolor In this fine art figurative watercolor creation, the artist's mastery is laid bare, capturing the essence of Sevilla's charm and imbuing it with a touch of magic. Through the delicate strokes and harmonious palette, the painting transports us to a realm where nature and architecture harmonize, where vibrant colors dance, and where the human spirit finds solace. It is an invitation to embrace the beauty of Sevilla's streets, to explore the stories whispered by its doors, and to revel in the extraordinary richness of life that lies hidden within its vibrant patios. Transcending the green plants, a pair of blue doors...

Set of 5 paintings, 2006 by Sergio Bazan From the Chaleco Quimico series Acrylic paint on paper Overall image size: 18 H x 125 W inches Individual size: Image size: 18 H x 25 W inche...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

Longboard Sessions, 2020 Original Watercolor on Archival cotton paper Longboard Sessions," a captivating fine art figurative watercolor painting that transports you to a world of tropical bliss. This piece features a woman adorned in an orange bikini, gracefully riding a pink longboard...

Barco Rojo, by Sergio Bazan Oil on Canvas Image Size: 75 H x 75 W inches Unframed Signed by artist _______ Paintings- Mix media & works on paper. Sergio Bazan was born in Bue...