Florida - Still-life Paintings

Mystery Italian Expressionist still life. This magnificent oil on board came from the estate of a retired Italian diplomat that had a place in Miami. He had wonderful art and antiques including 2 Giorgio Morandi paintings...

Striking, modern floral oil painting on canvas that is both fiery hot and sensual, while pulling you into the painting. Painted by Dennis Teakle i...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

A contemporary mixed media painting on cloth, plaster and board created by listed Texas artist Jacques Lamy (French/American, 1946 – 2016). The piece uses a combination of woven and printed cloth, plaster, burlap, textured board and paint to depict a rural farm landscape under blue skies. The work is signed by hand to the lower right. Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

This piece is done in a sort of sgraffito technique with the flowers sort of etched in the paint. Born in Tokyo, Japan, Nobu Fukui Came to New York where he became a US citizen. From 1964 - 65, he studied at the Art Students League in New York City. His work has been widely exhibited in New York and California. He had his first one-man show in this country in 1965 at the Daniels Gallery in New York. That same year his works were included in the Japanese Artists in Europe and America Exhibition at the National Museum of Modern Art in Tokyo. This was followed by numerous exhibits and one-man shows in various cities in the United States and Japan - New York, Indianapolis, Ann Arbor, Pittsburgh and Yokohama, for example. Fukui's works are formal, dynamic and abstract. Form functions minimally as a symmetrical structure so as to focus on his real interest in color interaction. Fukui's work is represented in the collections of The Museum of Modern Art, New York City; Larry Aldrich Museum, Conn; Dartmouth College, NH; New York State University, Potsdam NY; Roosevelt College, Chicago IL; Westinghouse Corp, The National Museum of Modern Art, Tokyo, Japan; The New Britain Museum of American Art, New Britain, CT; The Indianapolis Museum of Art, Indianapolis, IN and The Eli and Edythe Broad Art Museum, East Lansing, MI, Indianapolis Museum of Art; National Museum of Modern Art, Tokyo and National Museum of Modern Art, Kyoto, Japan; amongst others. and other private collections. He has exhibited widely, including solo shows at Daniels Gallery, Max Hutchinson Gallery, Marisa Del Re Gallery, and Steven Haller...

trumpets and carnations original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent o...

trumpet and daisies original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of h...

Regina Mundlak was born in a village near Lomza (NE Poland), into a poor Jewish family. In 1901 she went to Berlin to find work, together with her mother and sister, a highly talented violinist. Her extraordinary talent rapidly brought her to the attention of the Jewish artistic milieu. Her work so impressed Max Liebermann (1847–1935) that he decided to finance her education. However, even with his help, she had difficulty in making a living. Efraim Moses Lilien (1874–1925), who did not conceal his fascination with her talent, tried to help by publishing an open letter in Ost und West in 1902, appealing for support for her, but because of financial problems she finally had to give up her studies and return to her homeland. At the age of fifteen she was already very skilled in drawing. At first she primarily created realistic portrait studies. The works she published in 1902 showed her rare power of observation. Her pen-and-ink drawings were also greatly admired. As her subjects she most often chose characteristic Jewish types from Eastern Europe. She exhibited her works in Warsaw at the (Society for Promotion of Fine Arts) in 1902 and in 1903 and at the Aleksander Krywult Salon in 1903. In 1906, once again in Berlin, she exhibited her works at the Cassirer Salon. A review of this exhibition by Hermann Struck appeared in Ost und West. Like Lilien before him, he too wrote about her “phenomenal talent.” On the occasion of her exhibition, some of her drawings were reproduced in Ost und West. The development of her creative abilities in the years between Lilien’s letter and Struck’s review is noticeable. Drawings published in 1901 were portraits; compared to later works they evidence a skilful but still somewhat uncertain hand. The works created a few years later were characterized by a stronger and surer line. These works are also more developed: while the subject of her works remained the same, she now extended her interest in portraiture to the shape of the entire human body, presenting the figures in more elaborate environments. Looking at the reproductions, one might conclude that she was interested in nothing but Jewish life in the Diaspora. There is a propensity to show the faces of older people...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

This painting "Dancing with the Tide" is a 48x48 oil painting on canvas by artist Joyce Norwood. Depicted is two little girls dressed in flowing white dresses dancing in the seafoam waves crashing against the beach. Seagulls fly against the soft blue background and cloudy sky. Norwood's impressionistic brushstrokes and style give this piece a fun and playful feeling. About the Artist: A native of North Carolina and one of ten girls, Joyce always loved to draw especially from the human figure. Her education began at the New York Art Student’s League, studying under Robert Brackman and William Draper...

This painting "Arrangement for Spring" is a 24x20 oil painting on canvas by artist Joyce Norwood. Featured is a lovely springy bouquet still life of two vases full of Daisies and a plate of two apples. Set against a bright yellow-orange background gives this piece has a lovely energy to it. Thick impressionistic brush strokes and color gives the overall painting a liveliness. About the Artist: A native of North Carolina and one of ten girls, Joyce always loved to draw especially from the human figure. Her education began at the New York Art Student’s League, studying under Robert Brackman and William Draper...

trumpet. Mimosas and book Original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, s...

Original Oil Painting on Cotton Canvas by Carlos Bruscianelli. Varnished work (glossy varnish). Black Gallery Frame :: Painting :: Realism :: This piece comes with an official certi...

approximate image size 13 3/4'' x 10 1/2'', frame size 22'' x 19''. Pierre Jerome French 1905-1982 During his 50+ year career as an artist, he won several major awards, including a...

signed Hartigan. 13 X 16.25 (without frame) Probably from the 40s or 50s. wonderful strong Modernist piece.

Still Life with ham, oil on canvas signed a wonderful example of the artist's work, from the Collection of Bass Museum Of Art. Canvas size 16 3/4 x 22 1/5 framed 23 x 29. Edmund Pick...

Basket Full Of Pink Chrysanthemums 2021 RAFAEL SALDARRIAGA was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. After livin...

Lowell Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings (the largest was more than 30 feet long), but it also bragged an indoor swimming pool, a four-story atrium, and a rooftop area for entertaining. “The Old Stable,” as Nesbitt came to call it, soon became a popular hangout for celebrities, dignitaries, and other art world heavy hitters. Andy Warhol, Roy Lichtenstein, Robert Indiana, Jasper Johns, Robert Motherwell, Larry Rivers, and James Rosenquist were all known to have frequented The Old Stable or to have at least paid a visit. Throughout his long career, Nesbitt was known as an artist who could successfully capture an array of diverse subject matter using a variety of techniques. Creating beyond his signature Photorealistic flowers and botanicals, Nesbitt produced paintings, drawings, and prints of everything from landscapes to reptiles to electronic components. He is even credited as the first artist to use computer parts as artistic subject matter. In 1980, the United States Postal Service honored his contributions to the art world with a series of four stamps based on his trademark floral paintings. Another unique honor arrived when Nesbitt became the official artist for NASA’s Apollo 9 and Apollo 13...

approximate image size 13'' x 7 1/2'', frame size 20 1/2'' x 15''. Pierre Jerome French 1905-1982 During his 50+ year career as an artist, he won several major awards, including aw...

Maria Modok was born in 1896 in the town of Rackeve, Hungary. She attended the Academy of Fine Arts and also studied at the Independent School of Nagybanya. Though not much is recorded of her early life, she began her artistic career in the 1920’s, producing mainly plein air pieces. Her early style is exhibited in works like Streambank and Szentendre. In the 1930’s she frequently traveled to Paris where she continued her training at various private schools and further contributed to the Post Impressionism movement. During this period, she worked primarily in oils, creating landscapes such as The Bank of the Seine and Paris Sailboats. Modok was always evolving as an artist and constantly redefining her work. She experimented with various media and movements, and created pieces of diverse subject matter. By 1935, Maria had moved well beyond the plein air and landscapes of her early career. That year, she held a one woman show which showcased paintings of mothers and children...

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

Trompe-l'œil (French for "deceive the eye",) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. Though the phrase, originates in the Baroque period, when it refers to perspectival illusionism, trompe-l'œil dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe-l'œil mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft-told ancient Greek story concerns a contest between two renowned painters. Zeuxis (born around 464 BC) produced a still life painting so convincing that birds flew down to peck at the painted grapes. A rival, Parrhasius, asked Zeuxis to judge one of his paintings that was behind a pair of tattered curtains in his study. Parrhasius asked Zeuxis to pull back the curtains, but when Zeuxis tried, he could not, as the curtains were included in Parrhasius's painting—making Parrhasius the winner. With widespread fascination with perspective drawing in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna (1431–1506) and Melozzo da Forlì (1438–1494), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening to create the impression of greater space for the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as di sotto in sù, meaning "from below, upward" in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well-known examples are the Camera degli Sposi in Mantua and Antonio da Correggio's (1489–1534) Assumption of the Virgin in the Duomo of Parma. Similarly, Vittorio Carpaccio (1460–1525) and Jacopo de' Barbari (c. 1440 – before 1516) added small trompe-l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a fly might appear to be sitting on the painting's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether—all in reference to the contest of Zeuxis and Parrhasius. In a 1964 seminar, the psychoanalyst and theorist Jacques Lacan...

Genre: Impressionist Subject: Still Life Medium: Oil Surface: Canvas Country: Hungary Dimensions: 20" x 25" Szentiványi Lajos ( Deva , 1909 . July 6 - Budapest , 1973 . September 9 ) Kossuth Prize-winning painter. Landscapes , stills , interior figurative compositions, portraits painted in post-biennial style , at the same time color, light lyric brushes are also related to the Paris School . contents He enrolled in the School of Industrial Design, then studied at the Hungarian Academy of Fine Arts (1930-37), where he went to the department of Ágost Benkhard . Benkhard also work in the Miskolc artist colony leader, so Szentiványi also learned a lot and worked in Miskolc artist colony , while in college Rudnay Gyulával , Csók Istvánnal , Réti Istvánnal and Vaszary Jánossal also corrected his paintings, and even in 1932 the Glatz Oszkár...

Mid century oil painting on canvas with an adept use of bold colors and a joyous spirit. The Classic still life genre re-invented over century is well represented here as a modernist...

still life. book. trumpet. original impressionist oil canvas painting. . framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Master...

OPAC, the Organization of Photorealist Artists and Collectors, presents Cesar Santander's Superhero Original Oil Painting -- Please watch video in listing 16" x 20" original painting...

OPAC, the Organization of Photorealist Artists and Collectors, presents Cesar Santander Dancers and Musicians (Torn Up Picasso) Original Oil Painting Please watch video 12" x 16" o...

MARC JESUS ​​VIVES - Ibiza 1966 Since 1984, he lives and works in Ciudadela de Menorca. (Balearic Islands) Between 1985 and 1988 he studied design in Ciudadela and the Mahon Costume...

Raventos. trumpet. violin .score. red. black Fiddle music sheet" original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos ...

Still Life Bouquet De Fleurs Champs, 1970. Robert Mendoze was a French Post Impressionist painter who was born in 1930- 2014. After graduating from the...

PAUL GORKA – UNTITLED [STUDIES IN FRAGILITY] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A COMPLEX, SYMBOLIC STILL LIFE OF MIDCENTURY AMERICAN INTROSPECTION Untit...

Spanish painter SIRIA BRAU oil on canvas Siria Brau was born in Sabadell in 1951. From 1971 to 1977 she studied at the Escola Massana, and from 1978 to 1984 she continued her studies...

Bodegon #25 Large Still Life Painting Artist signed, titled and dated. Second set of photos are in a natural day light. Chilean painter and g...

Miguel Padura Cuban Artist “Flowers” 2023 Oil on Canvas 30 x 32 in Signed at the lower right corner

Surrealist ad where a gloved human hand rises in pictorial height to the size of a chemical plant. Tension is created as Drafsman's Pencil is about to t...

trumpet. Mimosas and book Original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, s...

Original Oil Painting on Cotton Canvas by Carlos Bruscianelli. 24x36 inches, 2018. Varnished work (glossy varnish). Black Gallery Frame :: Painting :: Realism :: This piece comes w...

Wild Flower Frenzy

Still life with fruit and lobster. Canvas size 24x30 framed 30x36 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract constructionists, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as laid down by the European Cubists. Sobel’s work was selected for the First Exhibit of Modern Art Museum Krakow in 1948-49. Judith Sobel emigrated to the newly found Israel where she lived for five years, becoming very active in Israel’s emerging art world. Her work was collected and exhibited by the major art museums of Israel including the Museum of Modern Art at Haifa, the Association of Artists of Israel (Tel-Aviv), Sheldon Swope Art Gallery in Terre Haute...

Nicolai S. Cikovsky, (American, 1894-1984) Floral Still Life Oil on canvas. Hand signed (lower right). Dimensions: canvas 27 x 22 in. frame 35.5 X 30.75 Nicolai S. (Nicola) Cikovs...

Joel Janowitz (American, born 1945). Monotype art print on paper titled "Still Life 07 C/C," circa 1989 This piece features a still life composition of tableware, including pitche...

Evocative abstract acrylic painting on canvas that explores the relationship between yellow and grey. Painted with acrylic on canvas in 1973 by Bonnie Lewton, titled on the back yell...

Flowers in a white pitcher oil on canvas, signed, circa 1927. canvas 19 3/4 x 15 1/4 framed 25 3/4 x 21 1/4 Second still life painting available as shown on photo. Theresa Ferber Bernstein-Meyerowitz (March 1, 1890 – February 13, 2002) was a Polish-born American artist, painter, and writer. The only child of European immigrants Isidore and Anne (Ferber) Bernstein, Theresa was born in Krakow on March 1, 1890. She graduated from the Philadelphia School of Design for Women...

Natures Gift I

"Earth, Air, Fire, Water" is an Original Oil Painting on cradled panel. Incorporating the four elements of life: The earthy greens of nature, the incense smoke unfurling in the air, ...

Beautiful still life painting with amazing detail on the colors and shapes. Miguel Padura was born in Havana in 1957. “I was four years old when my family moved to Rodas, in the pr...

"APPLE PLUS BLACK" (FRAMED) Painting 85" x 48" inch by Shawn Kolodny Creating art to reflect the times we live in, Kolodny creates art for our short attention spans, a distracted society. He boils the current cultural climate and trends of today down to a word...

Still Life With Fruit And Flowers Size:29x36 framed 37x45 William Michaut French artist is born in 1947, known for the impressionistic style still ...

Josep Cruañas Fages (Mayá de Moncal, Girona, 1942) is a Spanish painter. His work can be classified as an impressionist movement with abstract overtones. His painting conveys a speci...

"Dark Phoenix" Oil painting 59" x 31" inch by Alina Shimova 2020

"She Hulk" Oil painting 59" x 31" inch by Alina Shimova 2020

Maine Floral

Vintage underwater still life of a conch shell in an ocean setting signed S. Martin, presented under glass in a painted wood frame.

We are a 1stdibs Platinum Seller with 100% 5-star reviews. From the Estate of Irving Zucker. Formerly exhibited at the Art Gallery of Hamilton. A beautiful example of Greck's semi...

OPAC, the Organization of Photorealist Artists and Collectors, presents Eat In & Take Out by Mark Schiff This beautiful painting by famed photorealist Mark Schiff cannot be appreciated on a computer screen. In real life it is amazing. We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one-bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart...

Midcentury flower painting executed with acrylic on canvas in a bold vibrant style, titled Trout Lilly. Signed McFeatters and presented in ...

Hand embellished with oil paint on silkscreen canvas. Hand signed on front by Steve Kaufman and numbered on verso. From the edition of 500. Canvas is stretched. Artwork is in exc...