Florida - Photography

Eternal Recurrence #48 by Natasha Zupan Photo collage with intervention by the artist Image size: 14 in. H x 11.5 in. W Framed 2015 All Prices are quoted as "initial price". Please...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Untitled X, Untitled XXIX, and Untitled XXXIX, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 1...

Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

JoAnn Callis (1940- American, Contemporary) Baby Color photograph, hand signed in pencil en verso, dated 2000, and numbered 4/200 Upon magnification, it appears to be some kind of ...

Untitled XII, XXXVII, and Untitled XXVI, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm ...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers. It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso. Naomi Siegler Savage (1927 – 2005) was an American woman photographer. A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years. During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died. Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication. Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface. Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment. Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication. Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints. Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution. She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama, and Alma Woodsey Thomas...

Mirages. The idea of the monumental, utopian and modern city is constantly debated due to its own fragility. The idealization of the city is weak and vulnerable, threatened by the ru...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Photographer Michael James O'Brien documented with beautiful and unique images the final part of Matthew Barney's lyric opera cycle about a tragic love story set in romantic Budapest...

Untitled XXXVIII, XXXIX and Untitled XXXII, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 ...

Untitled XVI, (nc-15-S4-0011). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Image size: 100 H cm x 100 W cm. Frame size: 127 ...

Untitled 2, 2023 by Ricky Cohete From The series Horse and Dancer Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and White Photography ________...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer recreated the images inspired by paintings and images from these eras, also finding inspiration from artists such as Leonardo DA Vinci, Albrecht Dürer, and others. Each image by photographer Dora Franco...

Untitled XIII, XIV, and XV, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm W Individua...

The artistic duo was inspired by Jean-Michel Basquiat's neo-expressionist paintings. Their idea was to create a series of original hybrids that explore the limits of popular culture....

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

After a 55-year career creating originally powerful images, Photographer Mitchell Funk outdoes himself. Flock of Birds on Wire was shot in the Windwood section of Miami. End-of-the-d...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Hombre en Red by Ricky Cohete Archival pigment print Image size: 30 in H x 20 in W. Edition of 13 Unframed _________________________ Ricky Cohete was born in a coastal city in Ecua...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Schuyler U. Bunnell. Dormitory & Cottages, Olivelands Ranch, Santa Paula California, 1913. Period, antique photo. Paper measures 41.5 x 8 inches; 43.5 x 9....

Juan Carlos Alom (Cuba, 1964) 'Estudio anatotécnico para abandonar una isla', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ...

The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and origin...

Untitled XXVI. (s-5-S3-0008). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 100 H cm x 100 W cm. Image size: 90 H...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Untitled I, (nc-30-S1-0003). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 100 H cm x 100 W cm. Image size: 90 H ...

Falla 1, 2021 Archival pigment print on Hahnemuhle smooth canvas. From the series All the faults of the world 37 x 20 inches. Edition of 4 Unframed In recent years -through the use...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Untitled XVI, XVII, and XVIII, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm W Indivi...

The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and origin...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso Picasso Après la Corrida, Arles, 1962. Hand signed by the artist and numbered 4/30 (edition of 30) to lower left in ink. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 10 1/2" height x 7 1/2" width to sight. Measures approx. 16" height x 13 1/4" width Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 11 3/4" height x 9" width to sight. Framed measures approx. 17 1/4" height x 14 3/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His vintage photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape paintings rendered in non-naturalistic violet and green tones. What some call his Modernist period (1899–1900) followed. His exposure to the work of Rossetti, Steinlen, Toulouse-Lautrec and Edvard Munch, combined with his admiration for favourite old masters such as El Greco, led Picasso to a personal version of modernism in his works of this period. Picasso made his first trip to Paris, then the art capital of Europe, in 1900. There, he met his first Parisian friend, journalist and poet Max Jacob, who helped Picasso learn the language and its literature. Soon they shared an apartment; Max slept at night while Picasso slept during the day and worked at night. These were times of severe poverty, cold, and desperation. Much of his work was burned to keep the small room warm. In 1907, Picasso joined an art gallery that had recently been opened in Paris by Daniel-Henry Kahnweiler, a German art historian and art collector who became one of the premier French art dealers of the 20th century. He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed. Kahnweiler promoted burgeoning artists such as André Derain, Kees van Dongen, Fernand Léger, Juan Gris, Maurice de Vlaminck and several others who had come from all over the globe to live and work in Montparnasse at the time. Towards the end of World War I, Picasso became involved with Serge Diaghilev's Ballets Russes. Among his friends during this period were Jean Cocteau, Jean Hugo, Juan Gris, and others. In the summer of 1918, Picasso married Olga Khokhlova, a ballerina with Sergei Diaghilev's troupe, for whom Picasso was designing a ballet, Erik Satie's Parade, in Rome; they spent their honeymoon near Biarritz in the villa of glamorous Chilean art...

David Jay's work gives a unique and intimate perspective on how we define beauty. A confrontation between the perception of beauty and the transitory nature of existence, Jay’s subje...

Untitled III, (c-3-S1-0003). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 100 H cm x 100 W cm. Image size: 90 H ...

Galaxy Brain by Leobardo Huerta Mounted Mixed-media Vintage photograph drawn on with pen and acrylic paint Image size: 13.75 in. H x 10.75 in. W Shee...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Archival pigment print on Hahnemuhle smooth canvas. Edition of 4 Unframed _____ In recent years -through the use, production, and appropriation of content hosted on the net- The art...

28° 14' 34.127’’N, 114° 6' 44.679’’W-14, 2022 From the Mareas series. Cyanotype on 300 gr cotton paper Image size: 40 H x 76 W cm Frame size: 53 H x 88.9 W x 2.2 D cm. Unique The ti...

Maria and the Callas, #2268 by Natasha Zupan Collage on paper Dimensions: 13 in. H x 13 in. W One of a kind Signed lower right on recto by the artist Numbered on verso 2018 _________...

Though each love is experienced as unique and though the subject rejects the notion of repeating it elsewhere later on, he sometimes discovers in himself a kind of diffusion of amoro...

This project is with Louis Vuitton and the stylist Carine Roitfeld and Madame Figaro, starring the Belgian singer Lous and the Yakuza. All the looks Lous is wearing are designed by N...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Fabulous American landscape photography of a rural school house. from small hand signed edition of 20 Large Chromogenic print on Kodak Professional Paper The sheets are approximatel...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...