Florida - Photography

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

Sweet Williams, Flower Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof...

Hatay is a visual artist, photographer, healer and a former Rock and Roll photojournalist. the yellow photocopied poster/info sheet is not included. Born in Scotland of a Hungarian...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

People walking alongside puddle at Woodstock in Bethel NY - 1969 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, it's off-off-Broadway actors, troubadours, politicians, Woodstock, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 19" x 28" Street Art, Urban Jon Naar is a British-American...

Lawrence Lipton May 17 1965 photographer Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmod...

"Wherever You Look You See the Chrysler Building: Tribeca" is captured by Photographer Mitchell and is part of his exhibition, Mitchell Funk Photographs The Chrysler Building for 50 ...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

Set of IV: The Broken Hearts Planet, The Shame Planet, The Surprise Planet, and The Joy Planet, by Zoltan Gerliczki From the series "The Broken Planet" Archival Pigment Print Indivi...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Photo paper mounted to aluminum. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War. In a later series entitled Erased Lynchings (2004-2006), Gonzales-Day explores the history of lynching in the American West by appropriating and digitally altering an archive of 19th and 20th century postcards that depict Mexican and Mexican-American lynchings. In 2012, Gonzales-Day received the Creative Capital Award in the discipline of Visual Arts. In 2014, he created his project titled Run Up which pairs together recreated images of lynchings from the 1920s and images of police brutality from Ferguson and Los Angeles. The title, Run Up, stems from the term for an illegal lynching. Court-ordered executions were called hangings while hate crimes were referred to as "run-ups". Along with his artwork, Gonzales-Day has authored two monographs. His first, Profiled, deals with the works of Malvina Hoffman...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

Jan Herman, journalist, writer and photographer is an old-school journalist who got his start in San Francisco’s counterculture scene in the 1960s. A Brooklyn native and Queens College graduate. While working at City Lights Books as the poet-publisher Lawrence Ferlinghetti's assistant, Jan Herman founded Nova Broadcast Press and the little magazine San Francisco Earthquake (1967-1971), which published Beat, post-Beat and Fluxus writers and artists. Chief among them were William S. Burroughs, Brion Gysin, Allen Ginsberg, Carl Weissner, Wolf Vostell, Norman O. Mustill, Mary Beach, Claude Pélieu, Ferlinghetti, Ed Sanders...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin...

Photograph signed in ink and with photographer stamp verso and hand written title. Richard Milhous Nixon (January 9, 1913 – April 22, 1994) was the 37th president of the United Stat...

Artist/Designer; Manufacturer: Bobby Grossman (American, b. 1954) Marking(s); notes: signed, ed. 3/10; 1978 Materials: Lambda chromogenic print Dimensions (H, W, D): 40.5"h, 43.5"w; ...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant s...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant s...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant s...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant subtleties of the flowers, creating an appealing tension. These compositions invite the viewer to explore themes of balance and contrast, through a delicate but imposing presentation. Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural commentary. O'Brien produced a diverse body of photographic work, from still lifes and portraits to art documentation. He still uses film and works in medium and large formats. His themes are not classical, the artist prefers to portray extraordiary beuty, transgender people and still lifes. The artist's images have a sense of discovery and loss; absence and presence. From the Series Opalina Archival Pigment prints Printed on Hahnemuhle Photo Rag paper Dimension for each print is 22 in. H x 17 in. W (The overall size composition of the entire portfolio is: 66 in. H x 51 in. W) Limited Edition of 20 + 2AP All these photos are digital Still Life Photographs 1. Still life with Two Opalina Vases and Two Tulips, Antwerp, 2013 2. Still life with a Turquoise Opalina Vase and a Tulip Bulb, Antwerp, 2011 3. Still life with a White Tulip and a Green Opalina Vase, Antwerp, 2012 4. Still Life with Tulips and 5 Opalina Vases, Antwerp, 2012 5. Still life with Books...

“So the object brings the subject to life not in its relative presence, but in its irreducible absence.” - Jean Baudrillaud, Integral Reality Michael James O’Brien draws inspiration...

“So the object brings the subject to life not in its relative presence, but in its irreducible absence.” - Jean Baudrillaud, Integral Reality Michael James O’Brien draws inspiration...

Conquest by Kris Kuksi - Signed Hardcover Edition Book Description: Immerse yourself in the captivating world of "Conquest" by Kris Kuksi, a stunning and evocative visual journey that transcends the boundaries of art. This limited signed hardcover edition is a testament to Kuksi's unparalleled talent in creating intricately detailed sculptures and artwork that intricately blend the realms of history, mythology, and the surreal. Bio of Kris Kuksi: Kris Kuksi stands as a visionary artist renowned for his extraordinary ability to craft awe-inspiring sculptures and artworks that enthrall audiences worldwide. With a career spanning decades, Kuksi's creations have been showcased in prestigious galleries, museums, and collections globally. His works seamlessly blend intricate details, historical symbolism, and a profound narrative depth that invites viewers into a world both hauntingly beautiful and thought-provoking. Content Summary: "Conquest" delves into Kuksi's unparalleled artistic vision, showcasing a curated collection of his most exquisite and thought-provoking sculptures and artworks. Each page reveals an intricate tapestry of details, inviting readers to explore the depths of Kuksi's imagination. Through a fusion of historical, mythological, and contemporary elements, Kuksi's pieces evoke a sense of wonder, prompting contemplation on the complexities of the human condition, society, and the passage of time. Within this signed hardcover edition, readers will discover: A comprehensive compilation of Kuksi's masterpieces, carefully curated to offer a glimpse into the artist's prolific and diverse body of work. Detailed imagery capturing the mesmerizing intricacies of Kuksi's sculptures, inviting readers to immerse themselves in the minute details and symbolism within each piece. Exclusive insights into Kuksi's creative process and the inspirations behind his unparalleled artworks, providing a deeper understanding of the artist's vision and craftsmanship. "Conquest" is more than a mere art...

Rising, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT. Similar in feel and style to Joel Meyerowitz. Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

Men, Women, and Drag, draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Men, Women, and Drag, draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

“Who would not sing for Lycidas” -John Milton A combination of analogue and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own...

“One afternoon at four o’clock we separated for a week only…And then—that week became forever.” -C.P. Cavafy, The Afternoon Sun A combination of analogue and digital compositions b...

A combination of analogue and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own narrative. MJO, 2021 Michael James O’Brien draws i...

A combination of analogue and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own narrative. MJO, 2021 Michael James O’Brien draws i...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Diptych: The Broken Mind Planet and The Racist Planet by Zoltan Gerliczki From the series "The Broken Planet" Archival Pigment Print Individual size:...

Deep Fog, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and photo collage artist. She played a very important role in balloon development a...

A rare unsigned proof print from Muse X. this is the original Cibachrome print on heavy metallic photography paper. this is an original vintage color print c print. Lyle Ashton Harris (born 1965) is an American artist who has cultivated a diverse artistic practice ranging from photographic media, collage, photo montage, installation art and performance art. Born in the Bronx, Harris was raised between New York City and Dar Es Salaam, Tanzania. He graduated with a BA from Wesleyan University and received his MFA from the California Institute of the Arts. His work explores intersections between the personal and the political, examining the impact of ethnicity, gender and desire on the contemporary social and cultural dynamic. Known for his self-portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), His work has been exhibited internationally, including at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum and the 52nd Venice Biennale. His work has been acquired by major international museums, most recently by the Museum of Modern Art in New York. His commissioned work has been featured in a wide range of publications, including The New York Times Magazine and the New Yorker. In 2014 Harris joined the board of trustees at the American Academy in Rome and was named the 10th recipient of the David C. Driskell Prize by the High Museum of Art in Atlanta. Born in the Bronx New York City, He currently lives and works in New York City and is an Associate Professor at New York University. Education Whitney Museum Independent Study Program, 1992 National Graduate Photography Seminar, Tisch School of the Arts, New York University, 1991 Master of Fine Arts, California Institute of the Arts, 1990 Bachelor of Arts (with Honors), Wesleyan University, 1988 Works in Public Collections Los Angeles County Museum of Art Miami Art Museum Museo de Arte Contemporáneo de Castilla y León, Spain Museum of Contemporary Art, Los Angeles Museum of Contemporary Art, San Diego Museum of Fine Arts, Boston Museum of Modern Art, New York Princeton University Art Museum The Solomon R. Guggenheim Museum, New York The Studio Museum in Harlem The Walker Art Center, Minneapolis The Whitney Museum of American Art, New York Selected Solo Exhibitions 2010Untitled (Black Power), Cokkie Snoei Gallery, Amsterdam Netherlands Ghana, CRG Gallery, NY 2008Sketches from the Shore, The Neil L. and Angelica Zander Rudenstine Gallery, Harvard University,Cambridge, MA 2004Lyle Ashton Harris, Galerie Nathalie Obadia, Paris, France Blow Up, Rhona Hoffman Gallery, Chicago, IL Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue) Traveled to The Andy Warhol Museum, Pittsburgh, PA Bang! The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL 1998Distillation, Galerie Analix Forever, Geneva, Switzerland Alchemy, in collaboration with Thomas Allen Harris, New Langston Arts, San Francisco, CA. Traveled to Corcoran Gallery of Art, Washington, DC (catalogue) 1994The Good Life, Jack Tilton Gallery, New York, NY Face, Broadway Window, New Museum of Contemporary Art, New York, NY Selected Group Exhibitions 2014Radical Presence: Black Performance in Contemporary Art, The Studio Museum in Harlem, New York “The Progress of Love”, The Menil Collection, Houston, TX “The Romare Bearden Project”, The Studio Museum in Harlem, New York, NY 2011 “Hide/Seek: Difference and Desire in American Portraiture”, Brooklyn Museum of Art, Brooklyn, NY (catalogue) Kreyol Factory, Grande Hale de la Villete, Paris, France (catalogue) S&M: Shines and Masquerades in Cosmopolitan Times, [Co-Curator], 80 Washington Square East Galleries, New York University, New York, NY 2007 Think with the Senses, Feel with the Mind, 52nd Venice Biennale, Venice, Italy (catalogue) (NOT) GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY 2005 Male Desire Two, Mary Ryan Gallery, NY African Queen, The Studio Museum in Harlem, New York, NY The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN 2002 Typical Men: Recent Photography of the Male Body by Men, Gallery of Modern Art, Glasgow Goddess, Galerie Lelong, New York, NY Welcome, Curated by Renato Bianchini, Citta Sant’Angelo, Pescara, Italy 1998 Diana.98, Museum fur Gegenwartskunst, Zurich, Switzerland Millenovecento, Galerie Analix B Polla & C Cargnel, Paris, France Black Nudes: New Identities, Gay Games Amsterdam 1998, Amsterdam, Netherlands Portraits, James Graham and Sons, New York, NY The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA Published Photographs Stanley, Alessandra, “Berlusconi, The Return,” The New York Times Magazine, April 15, p. 40, (photographed Silvio Berlusconi) Hyland, John, “Hot Chicks, Cool Rooms,” The New York Times Magazine’s Fashions of the Times, Spring Issue, p.185 2000Portraits of Cuban Link, Fat Joe, Jermaine Dupri, Jill Scott...

Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...

Rare Vintage Silver Gelatin and Polaroid Photograph Prints in Polaroid Photo Album. These measure 10 x 8 4.25 x 3.25. it is a folder titled on it Custom Print by Polaroid the album i...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...