Florida - Photography

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography. It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions". Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa. She had a major exhibit of her work in Paris. ORIGINAL PHOTO ART one of a kind - experimental & hand painted...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unifying the relationship of the huma...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unifying the relationship of the huma...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Mirages. The idea of the monumental, utopian and modern city is constantly debated due to its own fragility. The idealization of the city is weak and vulnerable, threatened by the ru...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

TERRY EVANS (American b. 1944) "Between Kearny and Salina," June 13, 1990 Color photograph (chromogenic print, C Print) on photo paper, dated and hand sig...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the not...

Photography helps Kevin Krag to freeze in time his one-of-a-kind sculptures capturing the spiritual dimension, vulnerability, and mortality of his ephemeral pieces. Using ethically s...

Assembled guitars bodies & necks from rescued guitars (built by the artist) Creating the Ícara I was like an initiation. the work contains about 800 feathers and it has a very rock and roll feel as it reminds us of Lenny Kravitz’s love for feathers and boas. It also explores a rite of passage: leaving Buenos Aires, its music, its flavors and ultimately a remembrance, an homage to a dear Argentine singer-songwriter Gustavo Cerati...

For this body of works, Krag incorporates live and dry flowers, vines, moss, air plants and ocean driftwood creating botanical instruments that seem to touch on contrasting themes of vitality and decay. He creates breathing and dying objects deeply connected to the passing of time, stilled lives contemplating mortality and the brevity of beauty and life. Photography helps Kevin Krag...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Sylvia Miles and Larry Rivers

This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/Am...

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Mid summer memory, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand. In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections. A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal. Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine. Group Exhibitions: Hot Fun in the Summertime (Benrubi Gallery) Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...

"In a few photographers like Mauricio Velez does aesthetic become ethic. Every portrait scene is seamless. Every composition is an impeccable piece: the light, gesture, even the pref...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Rare vintage signed and dated silver gelatin black & white framed photograph. This photo is signed but I cannot make out the signature. It is from the aftermath of the six day war. Leonard Freed, Micha Bar Am, Henri Cartier-Bresson, David Rubinger...