Florida - Nude Photography

Man Curve Two by Ricky Cohete From Motion series Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ...

Folding man Two by Ricky Cohete From Motion series Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern an...

Folding man One by Ricky Cohete From Motion series Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern an...

Man Curve Two by Ricky Cohete From Motion series Black and White Photograph Archival pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the b...

Man Curve One by Ricky Cohete From Motion series Black and White Photograph Archival pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the b...

Phillip, Nine by Ricky Cohete Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ballet dancers, as ...

Phillip, Six by Ricky Cohete Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ballet dancers, as w...

Phillip, Three by Ricky Cohete Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ballet dancers, as...

Phillip, Seven by Ricky Cohete Sepia Archival Pigment print Medium 36"x24" Ed of 10 + 1AP Throughout his exploration of the movement of the body, with modern and ballet dancers, as...

Palmera Color Archival Pigment print Large 60"x40" Ed of 6 + 2AP Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his n...

Rios Color Archival Pigment print Large 40"x60" Ed of 6 + 2AP Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his nati...

#4, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 24 in. H x 14.69 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

Untitled VIII, from the Sin Título Series by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 28.98 in. W Edition of 10 + 2AP Unframed 2016 Other sizes are av...

Deseo Insular XIII by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 24.8 in. W Edition of 10 + 2AP 2016 Unframed Other sizes are available. All Prices are q...

Untitled IX, from the Sin Título Series by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 30.81 in. W Edition of 10 + 2AP Unframed 2016 Other sizes are avai...

Invacuo Project #22, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Luna Color Archival Pigment print Large 40"x60" Ed of 6 + 2AP Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his nati...

Paraiso Color Archival Pigment print Large 60"x40" Ed of 6 + 2AP Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his n...

Flora Color Archival Pigment print Large 60"x40" Ed of 6 + 2AP Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his nat...

In this photograph " Classical and Art Deco Bronze and Marble Statues in Monochromatic Light" the traditional elegance of classical and art deco forms expressed in bronze and marble...

RED! #3 by David Jay 60" x 40" Archival Pigment Print Edition of 5 + 2AP 2016 Although a great deal of David jay body of work focuses on often hidden aspects of the human condition....

Invacuo Project #25, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Paper Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humor characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of our jazz-like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high-quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people, and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls, and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounds like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact, be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in the late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter the arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitization. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, the spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

RED! #2 by David Jay 60" x 40" Archival Pigment Print Edition of 5 + 2AP 2016 Although a great deal of David jay body of work focuses on often hidden aspects of the human condition....

The Discovery of two Color Archival Pigment print Medium 40"x60" Ed of 6 + 2AP The artist uses a vivid contrast of color to add an extra dimension in the movement and shadows of eac...

Despertar Color Archival Pigment print Large 40"x60" Ed of 6 + 2AP Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his...

Half Angels Half Demons #45, 2010 by Mauricio Velez Color Photography Archival Pigment Print Image size: 80 in. H x 60 in. W Edition of 6 + 2AP "In a few photographers like Mauricio...

Untitled, 2007 by Mauricio Velez From 'Belleza y Fantasia' series Archival Pigment Print Image size: 40 in. H x 60 in. W Edition of 9 + 2AP All Prices are quoted as "initial price"....

Invacuo Project #23, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humor characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of our jazz-like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high-quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people, and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls, and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounds like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact, be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in the late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter the arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitization. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, the spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Beloved Color Archival Pigment print Large 40"x60" Ed of 6 + 2AP The artist uses a vivid contrast of color to add an extra dimension in the movement and shadows of each piece. Almos...

Invacuo Project #20, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

BRUNO BISANG Exposure, Carmen, Formentera, Spain, 1995 40 x 30 inches - Edition of 15 Archival Pigment Print Price for FRAMED artwork. Ask us for framing options. Also available in: 20 x 16 inches - Edition of 25 55 x 43 inches - Edition of 10 Swiss photographer Bruno Bisang has been on a life-long artistic quest to document the unending, multi-faceted varieties of the feminine mystique. His photographs are more than mere idealizations of the female form. They are expressions of Bisang's desire to record the independent spirit of his subjects - international models and celebrities such as Claudia Schiffer, Tyra Banks...

Faiber by Celso Castro-Daza From the Identidad series Color photography collage Sheet size: 28 in. H x 20 in. W 1999 Unique Unframed The root of these unique photographic works by t...

On the Bowery #1 60" x 40" Archival Pigment Print Edition of 5 + 2AP 2014 On the Bowery was shot for S Magazine. All sizes signed, titled, dated, and numbered on artist label vers...

Invacuo Project #24, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 10 ...

#9, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 40 in. H x 24.63 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

#6, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 24 in. H x 14.54 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

#2, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 24 in. H x 13.71 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

#3, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 24 in. H x 13.42 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

#5, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 24 in. H x 15.03 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

Archival Color Pigment Print Edition of 13 + 2AP From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on ...

Sepia Color Archival Pigment print Medium Ed of 10 Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic lens. The bosom of the sh...

#18, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that p...

#17, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that p...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

#16, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that p...

#15, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that p...

#14, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that ...

#13, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that p...

#8, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 40 in. H x 23.02 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "...

#12, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 24.42 in. H x 40 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as ...

Untitled from Buscando Papa series by Celso José Castro Daza One of a kind photo collage Sheet Size: 28 in. H x 20 in. W 2001 Unframed The root ...

Untitled by Mauricio Velez Archival Pigment Print Image size: 40 in. H x 60 in. W Edition of 9 + 2AP "In a few photographers like Mauricio Velez does aesthetic become ethic. Every p...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Color Archival Pigment print Small Ed of 10 The artist uses vivid contrast of color to add an extra dimension in the movement and shadows of each piece. Almost giving a glimpse, o...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story....

Black and White Archival Pigment print Medium Ed of 10. Throughout his exploration of the movement of the body, with modern and ballet dancers, as well as a focal point on the male...

Archival Pigment print Small Ed of 10. Throughout his exploration of the movement of the body, with modern and ballet dancers, as well as a focal point on the male physique; he has c...

Untitled by Mauricio Velez Archival Pigment Print Image size: 40 in. H x 60 in. W Edition of 9 + 2AP "In a few photographers like Mauricio Velez does aesthetic become ethic. Every p...