Florida - Nude Photography

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics ...

Untitled, 2007 by Mauricio Velez From 'Belleza y Fantasia' series Archival Pigment Print Image size: 40 in. H x 60 in. W Edition of 9 + 2AP "In a few photographers like Mauricio Vel...

Untitled, 2007 by Mauricio Velez From 'Belleza y Fantasia' series Archival Pigment Print Image size: 60 in. H x 40 in. W Edition of 9 + 2AP "In a few photographers like Mauricio Vel...

Deseo Insular XII by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 21.95 in. W Edition of 10 + 2AP Unframed 2016 Other sizes are available. All Prices are quo...

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Archival Color Pigment Print Edition of 13 + 2AP Union: From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carry...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story....

Sepia Color Archival Pigment print Medium Ed of 10 Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic lens. The bosom of the sh...

Sepia Color Archival Pigment print Medium Ed of 10 Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic lens. The bosom of the sh...

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Sepia Color Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figur...

Black and White Archival Pigment print Medium Ed of 10. Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male f...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Shipping should be around $100. Signed, dated , numbered 3/15 lower right recto, unframed, other sizes available, printed later Funk did this for a magazine assignment during the ps...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Archival Color Pigment Print Edition of 13 + 2AP From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on ...

Diptych: Seed IX and Seed VIII from the Desert Flower series, Small Overall image size: 21 in H x 26 in W Individual image size: 21 in H x 13 in W Edition of 30 Desert Flower is ...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics ...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics ...

Archival Color Pigment Print Edition of 13 + 2AP From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on ...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story. ...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story. ...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story....

Beautiful abstract female nude photo by American artist, Richard T. Dooner. Archival print measures 3 x 3.75 inches. Small cream in lower left corne...

Untitled, 2007 by Mauricio Velez From 'Belleza y Fantasia' series Archival Pigment Print Image size: 40 in. H x 60 in. W Edition of 9 + 2AP Unframed "In a few photographers like Mau...

Archival Color Pigment Print Edition of 13 + 2AP From the series “ The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is continuing ...

Archival Color Pigment Print Edition of 13 + 2AP From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on ...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used eleme...

Invacuo Project #18, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 24 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics ...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics...

Sepia Photograph Archival Pigment print Medium Ed of 10 For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics...

Greg Lotus Paper Do, 2011 Fashion Photography Greg Lotus is an American fashion photographer based between Miami and New York. His work can be found regularly in the pages of Italia...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used eleme...

Untitled, 2001 from Buscando Mama series by Celso José Castro Daza One of a kind photo collage Sheet Size: 39.4 in. H x 27.2 in. W 2001 Unframed...

Self Touches #01, 2013 by Koray Erkaya From the series of Self Touches Hahnemühle Fine Art Baryta Paper Image size: 16 in. H x 24 in. W (40 cm H x 60 cm W) Edition of 7 All about na...

Untitled VI, from the Sin Título Series by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 29.01 in. W Edition of 10 + 2AP Unframed 2016 Other sizes are avai...

TooLess 7225, 2018 by Koray Erkaya From the series of TooLess C-Print & Museum plexiglass Image size: 61 in. H x 44 in. W (155 cm H x 111 cm W) Edition of 3 All sizes signed, titl...

Greg Lotus Wagon Wheel, 2005 Fashion Photography Greg Lotus is an American fashion photographer based between Miami and New York. His work can be found re...

Self Touches #40, 2015 by Koray Erkaya From the series of Self Touches Hahnemühle FineArt Baryta Paper Image size: 24 in. H x 16 in. W (60 cm H x 40 cm W) Edition of 7 All about nar...

Self Touches #39, 2015 by Koray Erkaya From the series of Self Touches Hahnemühle FineArt Baryta Paper Image size: 24 in. H x 16 in. W (60 cm H x 40 cm W) Edition of 7 All about nar...

Half Angels Half Demons #88, by Mauricio Velez Black and White Photography Archival Pigment Print Image size: 36 in. H x 72 in. W Edition of 9 + 2AP 2004 "In a few photographers ...

TooLess 4692, 2018 by Koray Erkaya From the series of TooLess C-Print & Museum plexiglass Image size: 52 in. H x 47 in. W (131 cm H x 120 cm W) Edition of 3 All sizes signed, titl...

Self Touches #02, 2013 by Koray Erkaya From the series of Self Touches Hahnemühle FineArt Baryta Paper Image size: 16 in. H x 24 in. W (40 cm H x 54 cm W) Edition of 7 All about nar...

TooLess 5680, 2018 by Koray Erkaya From the series of TooLess Printed flex material on plexiglass 2 different layers and a 3rd layer is the backlight with a special wooden frame Ligh...

TooLess 5700, 2018 by Koray Erkaya From the series of TooLess C-Print & Museum Plexiglass Image size: 59 in. H x 39 in. W (150 cm H x 100 cm W) Edition of 3 All sizes signed, titl...

Self Touches #05, 2013 by Koray Erkaya From the series of Self Touches Hahnemühle FineArt Baryta Paper Image size: 24 in. H x 16 in. W (60 cm H x 40 cm W) Edition of 7 All about nar...

TooLess 5700, 2018 by Koray Erkaya From the series of TooLess Printed flex material on plexiglass 2 different layers and a 3rd layer is the backlight with a special wooden frame Ligh...

Deseo Insular IV by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 24.59 in. W Edition of 10 + 2AP Unframed 2016 Other sizes are available. All Prices are qu...