Robert Funk

Serene Art Deco Balcony with Nude Maiden in Manhattan's Upper East Side

2023

Blond girls, Nude and scantily clad feminine figures, and ballerina dancers, with delicate, refined fingers and toes, are captured in idealized poses with soft pastel colors. In the most graceful pose, a beautiful blue-eyed blonde girl is captured on her tiptoes with outstretched arms. Signed, dated and numbered 3/15 recto, unframed, another size available- printed later - Printed on Hahnemühle Fine Art paper - There is an intentional light grain to the film. Robert Funk is a pioneer of toy photography, doll photography...

This is a photograph. A perfect balanced art deco sculpture of nude and doe is deftly composed against an ornate gilt frame. The image was taken with available light in keeping wi...

Paul Manship Prometheus Sculpture frames the famous Ring at Rockefeller Center in a perfect caught winter moment . Signed, Dated, number Lower le...

This is a self-portrait with a 1950s girly cut-out set against a dramatic tropical sky. It's is a straight shot. The camera is on a tripod while the photographer slides over to bec...

Besides being a pioneering staged photograph, the composition is unique as well. A five-inch cutout appears to be monumental. The subject fills the pictorial space from the bottom to the top. It dominates the vast beachscape and dwarfs the life-size figures to the lower right. By photographing a reproduction of a person on paper, Funk pushes the boundaries of portraiture in 1977. Robert Funk is a pioneer of Staged Photography. The work is signed, numbered 3/15, dated, and titled lr. printed later, unframed, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy, doll, miniature, plastic thingies and staged photography. He also photographs his own paintings. Most of his work is done on location. He does not use photoshop to strip in images. He doesn’t take photographs he creates photographs and has works dating from 1973. He was widely published in the 1970's and early 1980's. As an undergrad in painting, he studied with first-generation abstract expressionist Robert Richenburg...

Taken at the Folsom Street Fair. BDSM Leather LGBTQ FETISH in Gay San Francisco. Can a street photograph be a grab shot and precisely designed at th...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is ...

Series : Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is...

Series: Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields is ...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

'Kansas and Parker Bowling' Edition 1/10, 20x30cm, 2018, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate....

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on an original Polaroid. Signature label and Certificate. Not mounted. Artist Inventory No 311.01. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is the color of her Polaroid film but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' ''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work'', explained Schneider. Barnebys, May 3rd, 2017 Stefanie Schneider is a contemporary German photographer and film artist. Her work is characterized by its uniform formal aesthetic and its faded imagery, which she produces through the chemical deterioration of expired film. Schneider’s focus is on the exclusive depiction of young women living in California, clothed in retro dress and evoking nostalgic home photography or vintage film stills...