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Item Ships From: Florida
Verduras con nabo y cebollas colgante I. From The Bodegones still life series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Color, Archival Pigment
Manzanas I. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Color, Archival Pigment
Manzanas II. From The Bodegones still life color photography series
By Dora Franco
Located in Miami Beach, FL
The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Color, Archival Pigment
#1 La Piedra Sustituta Series. Limited Edition Color photograph
By Jose Sierra
Located in Miami Beach, FL
Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...
Category
2010s Conceptual Florida - Still-life Photography
Materials
Color, Archival Pigment
Man. Limited Edition Black and White Photograph
By Ricky Cohete
Located in Miami Beach, FL
For this black-and-white photography series, he used elements such as water (emotions) to narrate a story. He worked with the color white in the fabrics to communicate clarity and re...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Black and White, Archival Pigment
Pop Art Color Photograph Dye Transfer Print Audrey Flack Rolls Royce Lady Photo
By Audrey Flack
Located in Surfside, FL
Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...
Category
1980s Photorealist Florida - Still-life Photography
Materials
Photographic Paper, C Print, Dye Transfer
Large Cibachrome Color Photograph LA Woman Artist Dress, Feminist, Photo C Print
Located in Surfside, FL
A large scale Cibachrome photograph.
An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was created through by placing diaphanous fashion garments onto photo-sensitive paper, embellishing them with objects, paper bits, and flora, and layering in painterly surfaces with scratches, completely covering the image. The series won a prize in the BCibachrome competition (1985), sponsored by BC Space Gallery (Laguna Beach, CA), and was exhibited at "Robin Valle: From Darkroom to Digital, Works from 1974-2009," posthumously presented August 2009 at El Camino College Gallery (Torrance, CA). Work presented under plexiglass in a custom wood frame.
Work Size: 39.5 x 29.5 in.
Framed Dimensions: 43.5 X 33.5 X 2 in.
Valle, Robin Joy (1953-2009)
After receiving her BA from SMU and an MFA in Photo/Cinematography from the University of Illinois in 1977, she moved to Los Angeles. Valle exhibited her one-of-a-kind Cibachrome photographs at galleries and museums locally and nationally. In 1982, she was selected for the NEA funded, "Life in LA" project, sponsored by the Los Angeles Women's Building. Valle taught photography at many Southland colleges as well as the LA County High School for the Arts. She was one of the first LA based photographers to explore digital media, receiving an Innovative Instruction Grant from Chaffee College in 1989 to create their first photography class in digital media. In 1998 she became a member of the full-time faculty at El Camino College, where she was instrumental in developing the Digital Arts program. Her work ranged from Black and white photographs to colorful, intricately layered patterns that command the gallery walls.
It isn’t surprising that she, along with fellow art instructor, Joyce Dalal, contributed largely to the ECC art department’s merge towards digital art. As one of the first local photographers to explore digital media, she was crucial to the development of the Digital Arts Program.
Before computers became commonplace, Valle’s techniques show a digital influence. “Her work was always inventive”, said ECC art curator, Susanna Meiers. An effect that can easily be done now with a few mouse clicks on Adobe Photoshop, required a long process of rubbing dye into the actual photograph in the ’70s. Her methods of illustrating were just as unique as the topics themselves. Photographs of the violent Chinese protest at Tiananmen Square in 1989 where military response murdered protestors in large numbers included photographing images from her television screen. “Crime Stats/ Hollywood” was a theme she dedicated to the gang violence around her neighborhood in the early ’90s. With washed out gang members as the focal point,
and graffiti as well as mapped out grids of Los Angeles as the backdrop, Valle’s layering, collage-like technique is continued on and more developed. “There is a fanciful, imaginary quality of her work,” said Meiers. From her quirky pieces of birds, zebras, and even dinosaurs enveloped in patterned, colorful, designs to her more serious themed feminist pieces, her eclectic, colorful style breaks through. Her feminism is on display in “Expectations” which illustrates women’s ability to “look good and produce children.” A bright human embryo steals your attention dead center, with a “June Cleaver” type 1950’s woman smirking at you from either side of it. A mustard yellow backdrop, brings the entire piece together illustrating society’s views of women as well as her playfulness as an artist. “Robin was terribly funny and had a laugh that would just set people off,” Meiers said. The art curator designed a section of the gallery similar to Valle’s apartment. A bright pink shelf...
Category
1980s Contemporary Florida - Still-life Photography
Materials
C Print
Pop Art Vintage Color Photograph "Course in Miracles" Print Audrey Flack Photo
By Audrey Flack
Located in Surfside, FL
Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "A course in miracles"" The title, taken from the 1976 book on New Age spiritual guidance encourages speculation about each element in this still life. The amount of roses--three--is a significant number in many religions and mythologies. Besides Jesus and Albert Einstein, Flack included the silent mystic Hindu philanthropist Shree Krishnaji, also known as Baba. Flack used the detail of his face with the roses, hovering above the ocean, in her monumental painting, Baba. Following an illness, she turned to mysticism, framing Christian and Hindu images with Jewish ones in A Course of Miracles of 1983: On the “west” side, a photograph of Albert Einstein and a European Jewish candlestick...
Category
1980s Photorealist Florida - Still-life Photography
Materials
Photographic Paper, C Print, Dye Transfer
Platanos Asados, 1995, From the Vendedores series. Photomontage
By Celso José Castro Daza
Located in Miami Beach, FL
From the Vendedores series
One of a kind Photomontage on archival paper
Unframed
The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987.
Castro wanted to produce from the photographs he took with his camera larger versions of those pieces, but having only registered his models with a single photograph it was impossible to achieve, given this need he adopts the language of fractionation completing the message he wants to transmit through his work.
Castro perfected his technique throughout the years, now on he takes numbers of photographs of his subject, which are then assembled to conform a unique photo collage...
Category
1990s Contemporary Florida - Still-life Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
Radio Woman, The Castelloland Series. Digital Collage Color Photograph
By Paloma Castello
Located in Miami Beach, FL
Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Archival Pigment, Black and White
White Cosmo, Cocktail, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
White Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Great Dahlias, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Great Dahlias, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Florida - Still-life Photography
Materials
C Print
Rising, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Rising, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24)
Moody photos of a summer vacation house at the beach.
Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.
In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections.
A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT. Similar in feel and style to Joel Meyerowitz. Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal.
Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine.
Group Exhibitions:
Hot Fun in the Summertime (Benrubi Gallery)
Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Conundrum, Floral Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Conundrum, Flowers, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Checkered Alliums, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Checkered Alliums, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15
Moody photos of a summer vacation house at the beach.
Peter C...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Last Light Nasturtiums, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Vintage Silver Gelatin Photograph Surrealist Fake Limb Prosthetic Factory Photo
By Shimon Attie
Located in Surfside, FL
These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...
Category
1980s Conceptual Florida - Still-life Photography
Materials
Silver Gelatin
Red Dahlia Flower Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Red Dahlia, Flower, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Vintage Silver Gelatin Signed Photograph Pinhole Photo
By Jo Ann Callis
Located in Surfside, FL
Jo Ann Callis (American, b. 1940); Gelatin silver print; Signed, dated and numbered 3/10
Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California.
Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...
Category
20th Century Surrealist Florida - Still-life Photography
Materials
Silver Gelatin
Dragonfly, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Dragon Fly , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Pink Cosmo, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Pink Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pape...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Floating Lily, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Floating Lily, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Deep Fog, Misty, Moody Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Deep Fog, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24)
Moody photos of a summer vacation house at the beach.
Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.
In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections.
A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal.
Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine.
Group Exhibitions:
Hot Fun in the Summertime (Benrubi Gallery)
Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Wild Roses, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Wild Roses , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Sweet Williams, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Sweet Williams, Flower Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Relics 2 Elaborately Constructed Vintage Color Photograph Surrealist Image
By Jane Calvin
Located in Surfside, FL
Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10.
Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois.
Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China.
Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity."
She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography."
For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White.
This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...
Category
1980s Surrealist Florida - Still-life Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Florida - Still-life Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category
1990s Conceptual Florida - Still-life Photography
Materials
C Print
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. Stamped with the Muse X stamp and marked NFS.
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category
1990s Conceptual Florida - Still-life Photography
Materials
C Print
Elysium Garden
By Shawn Ehlers
Located in Brooklyn, NY
The image for this work was taken at Landcraft, a property on the North Fork of Long Island with mesmerizing gardens.
"Elysium Garden" is inspired by the Swiss artist Piplioliti Ris...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Wood, Wax, Polaroid
Vase with Foliage, Hand Tinted Photograph. Vintage Photo Print
By Russell Drisch
Located in Surfside, FL
Russell Drisch is a photographer and painter who resided in Buffalo NY during the 1970s and 80s. Originally an actor, Drisch moved to Buffalo to play two seasons at Studio Arena Theater. During this time, his interest in photography overcame his love for theater. He left acting and opened Drisch Photography studio and Gallery West. His works has been exhibited in many different cities Such as New York and Toronto. They have been published in Time Magazine
Aperture, 1977. Some of the photographers in this issue: Walter Chappell, Jerome Liebling, Russell Drisch, Brewster Ghiselin. Also there is an excerpt Eikoh Hosoe's seminal book Ordeal by Roses" with some text by Yukio Mishima...
Category
20th Century American Realist Florida - Still-life Photography
Materials
Silver Gelatin
Untitled, Red Rose #1
By Elisabeth Montagnier
Located in Surfside, FL
Still life photograph, red rose series, mounted on aluminum.
Élisabeth Montagnier was born in Algeria. She is a little lost when she arrives in Marseille in 62, does not understand ...
Category
Late 20th Century Modern Florida - Still-life Photography
Materials
Aluminum
STILL LIFE by Hans Withoos
By Hans Withoos
Located in New York City, NY
HANS WITHOOS (Rotterdam, The Netherlands)
STILL LIFE
40 x 60 inches - Edition of 9
Fine art inkjet print on special paper rag, on Dibond
Mounted and Framed
Hans Withoos career s...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Archival Pigment
"Eddie Van Halen Frankenstrat Guitar" photograph by Lisa S. Johnson
Located in Boca Raton, FL
"Eddie Van Halen Frankenstrat Guitar" framed photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." "Photo by Lisa S. Johnson" print...
Category
21st Century and Contemporary Contemporary Florida - Still-life Photography
Materials
Photographic Paper
Tulip Fountain by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Still life with parrots by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Archival Pigment, Plexiglass, Color, Digital Pigment
Burned Out Series I
By William Finlayson Jr.
Located in West Palm Beach, FL
1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglas with a wood frame on back to hang floated on wall.
Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York.
Gallery Representation
DTR Modern Galleries 440 S. County, Palm Beach FL 33480
DTR Modern Galleries Boston, MA
NoSo Fine Art, 3716 S. Dixie Hwy West Palm Beach, FL 33405
Gary Rubinstein...
Category
2010s Street Art Florida - Still-life Photography
Materials
Plexiglass, Photographic Paper
THE MUSES OF KLIMT by Hans Withoos
By Hans Withoos
Located in New York City, NY
HANS WITHOOS (Rotterdam, The Netherlands)
THE MUSES OF KLIMT, 2018
40 x 60 inches - Edition of 9
Fine art inkjet print on special paper rag, on Dibond
Mounted and Framed
Hans Wit...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Archival Pigment
Pink love by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Caught Fish by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Embroidered Flower by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Fight for humanity by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Mental Positivity by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Black Madonna by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Dutch Still Life by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Rembrandt Still Lives 10
By Ron van Dongen
Located in New York City, NY
20" x 16" on a 24" x 20" paper
Edition of 30
40" x 32" on a 48" x 40" paper
Edition of 5
Signed and editioned in pencil on recto. Titled and dated in pencil on verso
Framed.
Category
Early 2000s Contemporary Florida - Still-life Photography
Materials
Archival Pigment
Ophelia by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Squid by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Florida - Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Rembrandt Still Lives 23
By Ron van Dongen
Located in New York City, NY
20" x 16" on a 24" x 20" paper
Edition of 30
40" x 32" on a 48" x 40" paper
Edition of 5
Signed and editioned in pencil on recto. Titled and dated in pencil on verso
Framed.
Category
Early 2000s Contemporary Florida - Still-life Photography
Materials
Archival Pigment
Floating, Flowers, Large Format Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Floating, Flowers, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak profession...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Basket of Lilies, Large Format Flowers Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Mid summer memory, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper not Polaroid 20X24)
Moody photos of a summer vacation house at the beach.
Peter C. Jones is a fine art photographer, documentary film director, publication consultant, producer, and author. He has organized more than one hundred exhibitions throughout the United States and Europe and produced more than sixty books. Born and raised in New York City, he graduated from the Rhode Island School of Design (RISD) where he studied privately with Harry Callahan. Jones is President of the Josef and Yaye Breitenbach Foundation originating twenty-eight one-person exhibitions and ten books. He has served as a member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.
In 2004, Nazraeli Press published Sweep Out Cottage, a compilation of photographs made in and around a house known as the Four Winds in Little Compton, Rhode Island. He has showed at KMR Arts Gallery and at Bonni Benrubi Gallery. His photos are in many private and public collections.
A Rising Tide of Silence was Jones’s first documentary production. The film explores the life and international influence of Father Thomas Keating who introduced Centering Prayer to a wide western audience. A Rising Tide of Silence premiered at the 2013 Aspen Film Festival and won the Audience Choice Award. Peter Jones has spoken at numerous screenings most recently at Harvard and at the Dalai Lama's Center For Ethics at MIT.Jones is the author of The Changing Face of America (Prentice Hall Press) and the co-author of three other books including Social Gardens (Stewart, Tabori & Chang). His photographs, articles, and op-ed pieces have been published by The New York Times Magazine, Connoisseur, Smart Money, Aperture, and The Providence Journal.
Peter C. Jones lives in Los Angeles with his wife, Charlotte M. Frieze, who is a Fellow of the American Society of Landscape Architects and the Garden Editor of House & Garden magazine.
Group Exhibitions:
Hot Fun in the Summertime (Benrubi Gallery)
Damion Berger, Heidi Bassett Blair, LeRoy Grannis, Peter C. Jones, David Leventi...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Gray Afternoon, Large Format Flower Photo 24X20 Color Photograph Beach House
By Peter C. Jones 1
Located in Surfside, FL
Grey Afternoon, rainy day at the beach house. Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professiona...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Fresh Dill Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Fresh Dill (Herb) Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24)
...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
A Bientot, Large Format Pink Flower Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
A Bientot, closeup of flower. The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak
Moody photos of a summer vacatio...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Swiss Chard, Kitchen, Large Format Photo 24X20 Color Photograph Beach House RI
By Peter C. Jones 1
Located in Surfside, FL
Swiss Chard, Charlotte, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15
Moody photos of a summer vacation house at the beach.
Pe...
Category
Early 2000s American Modern Florida - Still-life Photography
Materials
C Print
Crushed Coke Can Street Asphalt - Real Life Street Art
By Mitchell Funk
Located in Miami, FL
Mitchell Funk's color photograph of "Crushed Coke Can on Street Asphalt" documents street art created by a pedestrian. Funk transforms it into a graphic and ...
Category
2010s American Realist Florida - Still-life Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Terracotta 10
By Aaron Siskind
Located in Miami, FL
Signed and dated verso
1961
Matted with archival board. Not framed
The Art Institute of Chicago, Gift of Richard L. Menschel
Category
1960s Abstract Expressionist Florida - Still-life Photography
Materials
Silver Gelatin
$1,700 Sale Price
26% Off
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...
Category
1990s Conceptual Florida - Still-life Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...
Category
1990s Conceptual Florida - Still-life Photography
Materials
C Print
