Geneva

Ring Yellow Gold 14 K Diamond 117-RND-1,43-G/VS1A Weight 8,02 grams Size 16.8 With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a Geneva based jewellery brand...

These Leather Stools, crafted in the 1950s, exemplify a blend of functional design and luxurious materials. The stools feature saddle-stitched leather, known for its durability and s...

Emerald and Diamond White Gold Necklace Total Emerald weight: estimated to be 14.14 carats Total Diamond weight: estimated to be 7.80 carats

Ring White Gold 14 K (Matching Earrings Available) Diamond 18-RND 57-0,09-4/6- Emerald 16-RND-0,18 4/(4)З Blue Sapphire 1-2,02 Т(5)/4 Size 7 USA Weight 2.82 grams With a heritage ...

Work on wood Frame measures 103x71 cm

Gold 14K Earrings Yellow (Matching Ring Available) Emerald 2- 0,49 ct Emerald 4-0,54 ct Weight 4,69 grams It is our honour to create fine jewelry, and it’s for that reason that...

Beveled crystal glass top and carved mahogany legs side table by Max Ingrand produced by Fontana Arte, Italy ca. 1952 Good vintage condition. L 54.5 x D 41.5 x H 41.5 cm Literature ...

Gold 14K Ring White Blue Sapphire 1-0,6 ct Weight 1,92 grams Size 6.5 US It is our honour to create fine jewelry, and it’s for that reason that we choose to only work with high-...

This set of six Bora glasses, designed by Carlo Moretti, is a fine example of Italian craftsmanship from the 1990s. Known for their bold color contrasts, these glasses are created us...

Ring White 18K Gold With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a Geneva-based jewelry brand that creates modern jewelry masterpieces suitable for everyday ...

Set of 6 burl wood and chrome coasters made in Italy ca. 1970s

Earrings White 18K Gold (Available Also with Topaz) Diamond 20- RND -0.21 - G/SI1A Mother of pearl 2-2,88 ct Pink Sapphire 68-0,86 ct Ruby 60-0,84 ct Ruby 2-10,65 ct Weight 10.09 gr NATKINA embraces the principles of modern Feminism — meaning, we believe a woman’s virtue is more than her external beauty. We believe that women deserve to feel proud of their achievements and should commemorate those achievements accordingly, be they a CEO, an Economist, a Designer or a new Mother. We believe that every single day of life is worth celebrating, in the most beautiful way possible! Established in Switzerland, NATKINA has its roots deep in diversity and heritage — words which are seldom seen together. We come from an international background, traversing multiple cultures, an internalising the art of living...

BRACELET 14K White Gold Diamond 193-2,72 ct Weight 9,3 grams Size 19 With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a Geneva based jewellery brand, which ...

Earrings Gold 18K by Pasquale Bruni. Number: 15980R Carat: D. 0.67 / Sm. 21.19 Total weight: 14.00 grams. Total Length: approximately 7.50 centimeters. Total Width: approximately 0...

The exquisite 1960's French diamond ruby yellow gold 18K Elephant brooch clip. This stunning piece is not only a timeless fashion accessory, but ...

Salvador Dali - Nude Couple - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lops...

BRACELET 18K White Gold Diamond 3.83 Cts/65 Pcs

French Minaudière Vanity case Ruby and Yellow Gold 18K. Calibrated Ruby. Engraved: Lacloche Paris. Gross weight: 201.10 grams.

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Ring White Gold 14 K (Matching Earrings Available) Diamond 107-RND57-0,42-4/4A Blue Sapphire95-1,19 ct Size 7 USA Weight 4,77 grams With a heritage of ancient fine Swiss jewelry ...

Earrings White Gold 14 K Mathich Ring Avaliable Diamond 16-RND57-0,45 ct Blue Sapphire 2-0,6 ct Weight 3,79 grams With a heritage of ancient fine Swiss jewelry traditions, NATKIN...

Stars pendant in 18kt yellow and white gold set with 167 diamonds 6.23 cts and 25 stars diamonds 3.45 cts            

1.51 carat Fancy Light Brownish Yellow Cushion No Fluorescence GIA report on 18K white and yellow gold ring. 20 Natural Yellow Diamonds round cut 0.10 carat VS clarity. 39 White Diam...

0.91 carat Fancy Grayish Yellowish Green Chameleon Diamond Marquise cut on Diamond White Gold 18K Ring. Size upon request.

Plexiglass and glass desk

Bangle in 18kt white gold set with 301 diamonds 4.92 cts, 26 pink sapphires 0.53 cts, 343 green sapphires 7.12 cts and 36 sapphires 0.61 cts and 53 yellow sapphires 1.25 cts. Inner ...

Neo Classic wooden coffee table with central cube in eggshell-colored lacquered metal

Earrings White Gold 14 K (Matching Ring Available) Diamond 76-RND 57-0,47-4/6 Blue Sapphire Weight 5.02 grams With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a...

Necklace in 18kt yellow gold set with 161 diamonds 22.23 cts

Rare 4-seat white capitoned faux leather "Montenapo" sofa by Mario Scheinchenbauer, produced by Zanotta, Italy, 1965. Fair original vintage condition. One scratch on the back (pictu...

Yellow Earrings Gold 14 K (Available Necklace Earrings) Blue Sapphire 2-1,3 Т(3)/3 Weight 2.14 grams With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a Geneva...

Necklace in 18kt white gold set with 160 diamonds 23.49 cts  G VS1

Dive into luxury with our "Dolphin Dream" 🐬 18K Yellow Gold Ring, adorned with stunning Pink Sapphires and Diamonds. Expertly crafted, this exclusive piece weighs 15.5 grams, promis...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Ring White Gold 14 K (Matching Earrings Available) Diamond 12-RND17-0,16-4/6A Blue Sapphire 1-RND-0,08ct Blue Sapphire 4-Oval-1,47ct Blue Sapphire 1-Oval-0,37ct Blue Sapphire 10-RND-...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Diamond 42-RND 0,43ct-5 / 5A Amethyst 9 - Oval-2.75ct 1 / 1A Tourmaline 10 - RND-0.9ct 2 / 3A Rozh.topaz 13 - RND-1.01ct T (1) / 1A Purple Topaz 11 - RND-0.95ct T (1) / 1A GOLD 18K ...

18K yellow gold necklace set by cabochon-cut turquoise (not tested). Length: 42.80 centimeters. Gross weight 27.68 grams.

Earrings Yellow Gold 14 K Diamond 12-RND-0,045-G/VS2A Topaz 4-0,88ct Topaz 2-1,513ct Topaz 4-4,313ct Weight 5.09 grams With a heritage of ancient fine Swiss jewelry traditions, N...

Ring White Gold 14K (Matching Earrings Available) Diamond 46-0,62 ct Diamond 18-1,47 ct Emerald 1-1,68 ct US size 7 Weight 7,09 grams With a heritage of ancient fine Swiss jewelry t...

Earrings 18K White Gold Diamond 26-RD-0,13 ct Blue Sapphire 2-0,36 ct Blue Sapphire 6-2,29 ct Weight 3,24 grams With a heritage of ancient fine Swiss jewelry traditions, NATK...

Earrings White Gold 18 K Diamond 38-RND 57-0,59-4/5A Blue Sapphire 84-0,98 Т(5)/4 Blue Sapphire 16-0,22 Т(5)/4 Moon Stone 2-32,47ct Tourmaline 142-RND-2,93c Weight 29.78 grams Wit...

Salvador Dali - Original Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field 68-6 (p. 40-41).

Ring Rose Gold 18K (Matching Bracelet Available) With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a Geneva-based jewelry brand that creates modern jewelry master...

Rare vintage chocolate brown leather and anodised aluminum sofa by Sigurd Ressel produced by Vatne Mobler, Norway ca. 1968 Very good condition, high qu...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

BRACELET 18K White Gold Diamond 1.54 Cts/170 Pcs Emerald 1.02 Cts/6 Pcs

Henri Michaux - Beach - Original Lithograph 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

Ring Yellow Gold 14 K (Matching Earrings Available) Diamond 42-RND-0,13-H/VS1A Quartz 4-0,34ct Yellow Sapphire 12-0,12ct Topaz 3-0,49ct Topaz 49-0,55ct Topaz 68-0,61ct Weight 5.86 ...

Handmade Excellence in 18K Gold with Diamonds The Capsule Soft Diamond Collection by Natkina showcases unique, custom-made jewellery crafted to embody elegance and sophistication. E...

Earrigs White Gold 18K Matching Earrings Available Weight 6,14 grams Diam. 34-0,63 ct PEARL d10,0-10,5 2-16,21 ct With a heritage of ancient fine Swiss jewelry traditions, NATKI...

BANGLE BRACELET 18K White Gold Diamond 0.11 Cts/26 Pcs Emerald 0.86 Cts/7 Pcs

Rare sofa / daybed model FD 451 designed by Peter Hvidt & Orla Mølgaard-Nielsen. Produced by France & Son in Denmark ca. 1950s. Teak frame, with woven cane details. Orange wool origi...

BRACELET 18K White Gold Black Diamond 2.03 Cts/70 Pcs

Earrings 18K Gold Matching Ring Available and Cufflinks Available With a heritage of ancient fine Swiss jewelry traditions, NATKINA is a Geneva-based jewelry brand that creates m...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

These Armchairs Tartan are a stunning example of mid-century Italian design from the 1950s, featuring a steel frame and upholstered in distinctive checked wool fabric. The chairs' cl...

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

Unleash sophistication with our "Marvellous Giraffe" 💍🦒 18K Yellow Gold Exclusive Ring, adorned with exquisite brown, white, and yellow diamonds, and a captivating onyx centerpiece...

Work on canvas cardboard Black wooden frame 31 x 41 x 3.5 cm The work represented here is a painting that stands out in the naive movement. It is refined and evocative, depicting ...