Henri Fehr

Nude sketch by Henri Fehr - Pastel on paper

Oil on panel, laminated, with frame, excellent state

Work on paper Frame in wood moldings and gilded plaster with glass pane 64,5 x 85 x 3 cm

Work on canvas Gilded wood frame with glass pane 62 x 47 x 3 cm

Work on canvas Gilded wood frame 85 x 50 x 2 cm

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Work on paper Gilded wood frame with glass pane 78 x 59 x 3 cm

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

"Dandelion Wine" by Rebecca N. Johnson Watercolor and pastel on Arches paper Peach, yellow, pink, rust orange color palette Seated female figure with flowers Hand signed by artist F...

Female figure, basking in the sun; Ink, marker, watercolor, and pastel on paper; custom framing available. Pink, blue, yellow and black. Figurative and folk art style. Prominent line...

Female figure, Oaxacan dog vase, teardop, flower; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom wooden frame, shallow shadow box frame. Terracotta, sienna, pi...

Female figure, seated, floral pattern; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom frame, shallow shadow box frame. Mustard yellow flower with pastel colors...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...