Georgia - Ceramics
to
23
317
1,918
1,365
293
24
42
1
1
120
90
83
24
37
12
17
12
2
1
2
2
2
314
76
11
9
7
289
275
122
78
75
317
317
317
27
11
10
4
3
Item Ships From: Georgia
Korean white Porcelain Ritual Incense Burner with Bagua Pattern Joseon Dynasty
Located in Atlanta, GA
An antique Korean ritual incense burner circa 19th century, late Joseon dynasty. It was made in Bunwon Kiln in Gwangju, Gyeonggi Do, near Seoul. The ceramic container has a thickly b...
Category
19th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Fine Japanese Ceramic Satsuma Vase by Kinkozan
By Kinkozan
Located in Atlanta, GA
A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...
Category
Early 20th Century Japanese Meiji Georgia - Ceramics
Materials
Ceramic
Antique Southeast Asian Ceramic Fish Bowl Thailand Sukhothai Period
Located in Atlanta, GA
A shallow ceramic bowl from Sukhothai period of Thailand circa 14th-15th century. The dish was hand molded with a coarse pinkish clay and it has a...
Category
15th Century and Earlier Thai Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Blue-Glazed Porcelain Box from Hatcher Collection
Located in Atlanta, GA
17th century Chinese porcelain blue-glazed circular pill box from the Hatcher Collection, painted in different tones of blue with a central prunus flower on a wave pattern ground tha...
Category
17th Century Chinese Antique Georgia - Ceramics
Materials
Porcelain
Japanese Mino Ware Oribe Type Chawan Tea Bowl
Located in Atlanta, GA
A Japanese Kutsu-gata (clog-shaped) chawan (tea bowl) circa 19th century possibly older. The stoneware bowl potted from buff clay has a slight irregular shape and an unusual depth for a tea bowl. Of Mino ware...
Category
19th Century Japanese Meiji Antique Georgia - Ceramics
Materials
Ceramic
Japanese Ceramic Vase by Ito Tozan I Meiji Period
By Ito Tozan I
Located in Atlanta, GA
This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base.
Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792.
A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York
Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...
Category
1890s Japanese Japonisme Antique Georgia - Ceramics
Materials
Ceramic
Japanese Celadon Lidded Vessel Mizusashi by Uichi Shimizu
Located in Atlanta, GA
A ceramic lidded celadon vessel made by Japanese potter Uichi Shimizu (1926-2004) circa post 1980s. The vessel was known as Mizusashi in Japanese and used as a freshwater container t...
Category
Late 20th Century Japanese Modern Georgia - Ceramics
Materials
Ceramic
18th Century Cafe au Lait Porcelain Cup with Blue and White Interior
Located in Atlanta, GA
18th century porcelain cup, Qianlong period (1735-1796) of the Qing Dynasty.
This elegant cup has a nearly iridescent cafe au lait (light brown) exterior glaze and blue and white in...
Category
18th Century Chinese Antique Georgia - Ceramics
Materials
Porcelain
Fine Trumpet Satsuma Vase by Taizan Yohei
Located in Atlanta, GA
A tall ceramic satsuma ware vase in a rare slender trumpet form with very fine surface decoration by Japanese potter Taizan Yohei IX (1864-1922). The vase was dated to late Meiji period circa 1890-1900s.
The main motif and the focal point of the vase is the continuous panel that circumvents the entire mid-body, apparently a rendition of the Boy's Festival, known as "Tango no Sekku" in Japanese. The traditional festival is celebrated on May 5th of each year. Originated in Nara Period...
Category
1880s Japanese Meiji Antique Georgia - Ceramics
Materials
Ceramic
Large Antique White Glazed Bottle Vase Korean Ceramic Joseon Dynasty
Located in Atlanta, GA
On offer is a Korean ceramic bottle vase circa 19th century made in the late Joseon dynasty (1392-1910). The vase is of a classic bottle form with a bulbous body and a long neck with...
Category
19th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Korean Glazed Ceramic Vase Buncheong Ware Joseon Dynasty
Located in Atlanta, GA
A small antique Korean Buncheong stoneware vase from early Joseon Dynasty circa 16th century. The vase is of a classic pear form with a waisted neck, a flared mouth and a ringed base...
Category
16th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Chinese Terracotta Tomb Figure East Han Dynasty
Located in Atlanta, GA
A small Chinese terracotta tomb figure (Ni Yong) from East Han dynasty (25-220 AD), likely from the area of nowadays Sichuan. It depicts a sitting male wit...
Category
15th Century and Earlier Chinese Han Antique Georgia - Ceramics
Materials
Terracotta
Round Porcelain Box from the Hatcher Collection Decorated with Phoenix
Located in Atlanta, GA
17th century Chinese porcelain blue and white cosmetics box from the Hatcher Collection decorated with a phoenix. The phoenix is painted with its wings outstretched, its tail flutter...
Category
17th Century Chinese Antique Georgia - Ceramics
Materials
Porcelain
Korean Ceramic Celadon Turtle Form Water Dropper Goryeo Period
Located in Atlanta, GA
A Korean ceramic water dropper in the form of a turtle or tortoise from Goryeo Period circ 12-13th century. The realistically molded piece is covered in a mellow celadon glaze with s...
Category
15th Century and Earlier Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Antique Chinese Ceramic Tea Leaf Storage Jar Song-Yuan Dynasty
Located in Atlanta, GA
A stoneware pottery jar used for storage, made in southern China Fujian or Guangdong province since Song Dynasty for domestic use as well as export. They were widely exported to Japa...
Category
15th Century and Earlier Chinese Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Antique Korean Ceramic Buncheong Bowl Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic bowl supported on a short ring foot in the classic Buncheong (or Punch'ong) style from early Joseon Dynasty circa 15th century. The bow...
Category
15th Century and Earlier Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Antique Large Korean Ceramic White Bowl Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic porcelain bowl covered in a white glaze with a hint of bluish green circa 18th century, possibly earlier, of the Joseon Dynasty. The deep bowl is relatively large in...
Category
18th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Small Korean Stoneware Bungcheong Bowl Joseon Dynasty
Located in Atlanta, GA
A small Korean ceramic shallow bowl on ringed foot in the classic Buncheong (or Punch'ong) style from Joseon Dynasty circa 15-16th century. Originally intended for wine-drinking like...
Category
16th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Korean Gohon Chawan Tea Bowl for Japanese Market Joseon Dynasty
Located in Atlanta, GA
A ceramic chawan (tea bowl) circa 17-18th century fired in the Busan kiln in Korean specifically for the Japanese market. The kilns were run by the So c...
Category
17th Century Japanese Edo Antique Georgia - Ceramics
Materials
Ceramic
Antique Korean Ceramic White Bowl Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic rice bowl covered in a white glaze with a hint of bluish green color circa 19th century toward the end of Joseon Dynasty. The deep bowl...
Category
19th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Korean Ceramic Faceted Blue and White Bottle Vase Joseon Dynasty
Located in Atlanta, GA
A Korean blue and white long neck vase in bottle form with octagonal faceted surface from Joseon Dynasty (19th century). The elegant vase is cove...
Category
19th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Rare Blue and White Bird Feeder from the Hatcher Cargo
Located in Atlanta, GA
A small blue and white bird-feeder of circular form with short neck, one side set with two small loup handles, the base slightly pointed, painted with lotus heads growing from scroll...
Category
1640s Chinese Antique Georgia - Ceramics
Materials
Porcelain
Large Japanese Satsuma Ceramic Vase Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost.
The neck of the vase is also slightly unusual with two rolled rings...
Category
Early 20th Century Japanese Meiji Georgia - Ceramics
Materials
Ceramic
Japanese Contemporary Celadon Ceramic Bowl by Ono Kotaro
By Ono Kotaro
Located in Atlanta, GA
A ceramic bowl with celadon glaze by Japanese potter Ono Kotaro (Japanese, b. 1953). Named "Circular Reef", the fine porcelain bowl features an irregular ed...
Category
Late 20th Century Japanese Modern Georgia - Ceramics
Materials
Ceramic
Korean Ceramic White Porcelain Water Dropper Joseon Dynasty
Located in Atlanta, GA
A small Korean water dropper in rectangular form with beveled edges, circa early 19th century of the Joseon Dynasty. The milky white porcelain pie...
Category
19th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Korean Ceramic Celadon Bowl with Slip Inlay Goryeo Dynasty
Located in Atlanta, GA
The celadon bowl on offer here was likely dated to the 14th century toward the end of Goryeo Dynasty, after the production quality reached its zenith during 11-12th century. The bowl...
Category
15th Century and Earlier Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Fine Korean Pottery Footed Jar with Long Neck Silla Period
Located in Atlanta, GA
A stoneware jar of bulbous form with a long neck supported by open-work foot dated from Silla, Three Kingdoms period (57 BCE-668 AD). The grey color ves...
Category
15th Century and Earlier Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Japanese Ceramic Bowl Makuzu Kozan Utusushi Kenzan
By Makuzu Kozan
Located in Atlanta, GA
A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor.
The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months.
Under the base, Kozan was signed in black on a white porcelain plaque inlay.
For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...
Category
Early 1900s Japanese Japonisme Antique Georgia - Ceramics
Materials
Ceramic
Large Korean Blue and White Vase with Phoenix Design
Located in Atlanta, GA
A large and heavy Korean ceramic vase in a Classic Chinese form with open mouth with a wide flared rim, a neck with three concentric grooves and a sloped broad shoulder. The blue and white design features two underglazed phoenix...
Category
Early 20th Century Korean Archaistic Georgia - Ceramics
Materials
Ceramic
Stoneware Storage Jar China East Zhou Dynasty
Located in Atlanta, GA
A pinkish stoneware jar with broad shoulder and slightly tapered body from Chinese East Zhou Dynasty (771-256BC). The surface of the jar was nearly thorou...
Category
15th Century and Earlier Chinese Archaistic Antique Georgia - Ceramics
Materials
Stoneware
Korean Celadon Ritual Incense Burner Joseon Dynasty
Located in Atlanta, GA
An antique Korean ritual incense burner circa 19th century (late Joseon dynasty). This type of porcelain incense burner was made in Bunwon Kiln in Gwangju, Gyeonggi Do, near Seoul. U...
Category
19th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Rare Published Japanese Ceramic Bowl Makuzu Kozan with Original Inscribed Box
By Makuzu Kozan
Located in Atlanta, GA
A rare published glazed ceramic bowl with surface paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916) with its original inscribed tomobako storage wood box. Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and specifically, the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor.
The bowl was made to hold sweet cakes during the tea ceremony. It has a very distinguished form with a circular swelled lower body morphing into a square upper portion that further opening with flared rim. The surface has a distinct glaze pattern partitioned diagonally in black and brown. On top, snow-covered branches of prunus flowers were painted overglaze in a poetic near-abstract fashion. Blooming in winter, prunus flower is the symbol of the season and cherished for its resistance to cold. The bowl was likely reserved for the tea ceremony during the winter months.
A white porcelain plaque with Kozan in black inlay was placed on the black glaze toward the bottom. Under the base, the bowl was further branded with two incised characters "Makuzu" as shown. The original tomobako bears ink inscription and paper slip label "Sweet Bowl...
Category
Early 1900s Japanese Meiji Antique Georgia - Ceramics
Materials
Ceramic
Japanese Glazed Ceramic and Silver Koro Incense Burner Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age.
Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...
Category
Early 1900s Japanese Japonisme Antique Georgia - Ceramics
Materials
Silver
Rare Porcelain Bowl with Plique-a-Jour Design by Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
An extremely fine and delicate porcelain bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected cer...
Category
Early 1900s Japanese Japonisme Antique Georgia - Ceramics
Materials
Porcelain
A Massive Antique Japanese Arita Porcelain Plate by Kajiwara Kiln
Located in Atlanta, GA
On offer is a truly impressive blue and white porcelain plate of Hizen ware, from Arita in Japan, circa mid to late-19th century. The plate was made by Kajiwara Kikujiro (菊次郎, the second Kiku son) and/or Kajiwara Kikusaburo (菊三郎, the third Kiku son who died in 1883) of the Kajiware Family Kiln of in Arita. It was decorated in a superb design with blue under-glaze, clearly out of a hand of a master. In a Classic Japanese composition that was popular in the Meiji Period, the plate displays a riot of auspicious elements, arranged still in a surprisingly harmonious manner. Anchoring the center of the design is an eagle perched on the branch of a blooming cherry tree, its talons clenching the bark and its wings about to open. The motion of the its immediate taking off is palpable. The trunk and the branches of the old cherry tree provide a spacial frame for the arrangement of large peonies with foliage, bundles of chrysanthemums, Chinese bell...
Category
19th Century Japanese Japonisme Antique Georgia - Ceramics
Materials
Ceramic
Korean Buncheong Ceramic Tea Bowl with White Slip Glaze Joseon Dynasty
Located in Atlanta, GA
An early ceramic tea bowl (chawan) from Korean dated to 16th century of the Joseon Dynasty. The gracefully potted and glazed bowl was made in the shape of Katade (Strong Hand) which ...
Category
16th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Antique Korean Buncheong Ceramic Vase with Incised Designs
Located in Atlanta, GA
A Korean ceramic bottle form jar of Buncheong ware circa 15-16th century Joseon Dynasty. The surface of the jar features a celadon glaze and an elaborate incised design of large flor...
Category
16th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Korean Reticulated Celadon Brush Holder Joseon Dynasty
Located in Atlanta, GA
A Korean porcelain brush holder in hexagon form from the end of Joseon dynasty circa late 19th century. Cherished by the scholars, brushpot like this would grace the desk in the man'...
Category
Late 19th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Japanese Porcelain Dragon Glazed Vase Mazuku Kozan
By Makuzu Kozan
Located in Atlanta, GA
A porcelain vase with dragon motif by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic elongated baluster form, the surface of the vase was decorated in an unusual pink mist on a white and aubergine background (called Morotai, the Hazy style), on which a flying dragon is showcased on the center. The dragon was outlined in iron red and filled with the aubergine color and was artistically emphasized on its bulging eyes, claws, scales and a long tail. It was the sole focus of the design circumventing the entire body of the vase. The imagery calls in mind the dragon decoration found in Korean...
Category
Early 1900s Japanese Japonisme Antique Georgia - Ceramics
Materials
Porcelain
Early 20th Century Meiji Period Japanese Samurai Enamel Decorated Charger
Located in Atlanta, GA
This platter is absolutely massive and stunning. The enamel decoration depicts a pair of samurais and birds. Verso is signed and had extra strength plate hanger...
Category
19th Century Antique Georgia - Ceramics
Materials
Enamel
19th Century Chinese Export Rose Mandarin Wash Bowl
Located in Savannah, GA
Very colorful and intricately patterned Rose Mandarin wash bowl featuring five storied vignettes with incredible detail. The border includes birds, roses and...
Category
1850s Chinese Qing Antique Georgia - Ceramics
Materials
Ceramic
Korean Ceramic Celadon Bowl with Slip Inlay Goryeo Dynasty
Located in Atlanta, GA
Despite inspired originally by the celadons from Song Dynasty in China, the development of celadon in Korean peninsula took its own course and reached the Zenith in the 11-12th century during Goryeo dynasty...
Category
15th Century and Earlier Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Glazed Ceramic Chawan Tea Bowl by Toshiko Takaezu
By Toshiko Takaezu
Located in Atlanta, GA
A small elegant glazed ceramic tea bowl (chawan) by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The well-balanced form is hand built and shows just a slight irr...
Category
Late 20th Century American Modern Georgia - Ceramics
Materials
Ceramic
Large Japanese Contemporary Ceramic Jar from Onda Yaki Kiln
By Onda Yaki
Located in Atlanta, GA
A large Japanese lidded ceramic jar from the kiln of Onda Yaki, circa 2010. The stoneware jar impresses the viewer with a robust bulbous form. Its black body is nearly unglazed but exuberantly splashed with strokes of slip glazes of white, yellow and blue. The visual effect is wonderful that it appears traditional and contemporary at the same time. The tri-color glaze calls to mind the San-Cai from Chinese Tang dynasty, yet the application is akin to abstract painting on canvas.
Onda Yaki also spelled as Onta Yaki also spelled Onta, is a type of Japanese pottery produced in and around the village of Onta in Oita Prefecture in Kyushu Island. It was founded in 1705. Closely associated with Mingei folk art, Onda ware was inscribed by the national government in 1995 as an Intangible Cultural Property
Background from Pucker Gallery where the jar was exibited and purchased.
"In his search for true folk pottery, the Japanese philosopher Soetsu Yanagi...
Category
2010s Japanese Organic Modern Georgia - Ceramics
Materials
Ceramic
Modern Studio Vase Bizen Ware by Jun Isezaki
Located in Atlanta, GA
A bottle form vase by Japanese studio ceramic artist Jun Isezaki (Born in 1936). A modern Bizen yaki stoneware piece that is strongly rooted in history and ...
Category
20th Century Japanese Organic Modern Georgia - Ceramics
Materials
Ceramic, Wood
Japanese Ceramic Sake Bottle Chosen Karatsu Ware
Located in Atlanta, GA
The long neck bottle of classic form was heavily potted with coarse clay with high iron content. The flask, circa 18th century Edo period, was purposed for sake storage but also substituted as a flower vase during tea ceremony. The surface is covered in glossy black glaze and contrasts strikingly with white ash glaze around the shoulder. The white, fired with straw, displays a splashing feather effect and fine crackles, blending in with the black artistically. This type of Karatsu ware...
Category
18th Century Japanese Japonisme Antique Georgia - Ceramics
Materials
Ceramic
Modern Japanese Studio Pottery Oribe Tea Pot by Ken Matsuzaki
By Ken Matsuzaki
Located in Atlanta, GA
A contemporary studio ceramic tea pot with metal handle made by Japanese potter Ken Matsuzaki (1950-). The stoneware tea pot showcases a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern of ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery...
Category
Early 2000s Japanese Modern Georgia - Ceramics
Materials
Ceramic
Ceramic Sculpture by South Korean Artist Jongiin Park
By Jongjin Park
Located in Atlanta, GA
A highly unique ceramic sculpture by South Korean artist Jongjin Park (1982-). The square-form piece is boundary-pushing and defies both the traditional ...
Category
2010s South Korean Organic Modern Georgia - Ceramics
Materials
Ceramic, Paper
Faceted Korean Ceramic Celadon Jar Joseon Dynasty
Located in Atlanta, GA
A small ceramic celadon storage jar circa 18th century of Korean Joseon Dynasty. The melon shape jar with a mouth and base of the same size display a beautiful harmony in its form. T...
Category
18th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Japanese Contemporary Ceramic Sculpture Kiyoharu Ichino
By Kiyoharu Ichino
Located in Atlanta, GA
"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this sculptural piece with its slab like minimal shape draws the viewer into its mysterious shape that is reminiscent of a monument. Its surface, with the typical Tanba clay fired at very high temperature and completely free of glaze, radiates a subtle metallic sheen that is nearly in a shade of purple. This piece was purchased from Touching Stone, Santa Fe, New Mexico in 2003.
Artist's bio from the gallery and the exhibition:
"Kiyoharu Ichino was born in 1957 in Tachikui into an extended family steeped in pottery-making tradition. He learned all aspects of Tanba pottery since childhood. When he was twenty, he moved to Seto to study pottery under a master of Akatsu-yaki. Upon returning to Tachikui, he launched his career with the Tanba Group Kiln. In 1983, he established his own kiln and began showing in galleries all over Japan. His works have been selected repeatedly for the prestigious juried Japan Traditional Crafts Exhibition sponsored by the Japan Crafts Association. In 1995, he was nominated to be a permanent member of The Japan Crafts Association, an honor bestowed to the most experienced and talented artists.
Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks like swirling mists left by the wood fire. His pieces appear to be integral parts of the clay rather than separate objects made from it. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition. Ichino should be no stranger to many Santa Fe residents. His work has been exhibited both in Touching Stone Gallery and as part of a major exhibition in the New Mexico Museum of International Folk Art in 2006.
About Tanba ware...
Category
Early 2000s Japanese Modern Georgia - Ceramics
Materials
Ceramic
Korean Ceramic Irabo Tea Bowl Chawan Joseon Dynasty
Located in Atlanta, GA
A ceramic chawan tea bowl made in Korea for Japanese market circa 17th century. The chawan is identified as Irabo type. Irabo bowls were essentially con...
Category
17th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Korean Porcelain Water Dropper Joseon Dynasty
Located in Atlanta, GA
A small Korean ceramic water dropper in square form circa 19th century late Joseon Dynasty. It features an underglaze blue painting of a full cluster of ...
Category
19th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Japanese Porcelain Vase Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category
Early 1900s Japanese Japonisme Antique Georgia - Ceramics
Materials
Ceramic
Fine Japanese Satsuma Ceramic Jar with Gilt Decoration by Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is of a moon jar shape and finely decorated with kinran-de (gold paint) on a cream white background with even fine crackles. What sets this particular vase apart from many lower quality and mass-produced pieces is the meticulously renditioned surface decoration. Lavishly gilded with a continuous design, the carefully composed imagery depicts an elaborately decorated float cart in a festival parade. A group of people are seated within the float with a woman and a child standing in the front. Surrounding the float are streams of marchers dressed...
Category
Early 20th Century Japanese Meiji Georgia - Ceramics
Materials
Ceramic
Set of Six Blue and White Plates from the Nanking Cargo Shipwreck
Located in Atlanta, GA
Set of six blue and white Qing dynasty porcelain plates from the Nanking Cargo shipwreck.
A large cache of porcelain and other merchandise was discovered on the wreck of a Dutch East India Company ship, the Geldermalsen, which sank in the South China Seas in 1752 and was discovered in 1985.
The ship had been bound for Amsterdam from Canton when it crashed into a reef and sank along with its cargo of tea, raw silk, porcelain and gold ingots. Some 235 years after it set out on its journey, the cargo was recovered by Captain Michael Hatcher and sold at Christie's in Amsterdam in 1986.
These delicate porcelain plates are decorated in the charming "Boatman and six-flower border" pattern, which shows a fisherman punting his boat within a broad river landscape, with a two-story pavilion beside a pine tree, a Chinese parasol...
Category
1750s Chinese Antique Georgia - Ceramics
Materials
Porcelain
Ceramic Bowl Buncheong Ware Joseon Dynasty
Located in Atlanta, GA
A Buncheong (also spelled as Punch'ong) stoneware tea bowl from Korea Joseon Dynasty circa 15-16th century. The conical shape bowl in the classical styl...
Category
16th Century Korean Archaistic Antique Georgia - Ceramics
Materials
Ceramic
Korean Ceramic Ki-Irabo Tea Bowl Chawan Joseon Dynasty
Located in Atlanta, GA
A ceramic chawan tea bowl made in Korea for Japanese market circa 17th century. The chawan is identified as Ki- Irabo type (Yellow Irabo). Irabo bowls w...
Category
17th Century Korean Other Antique Georgia - Ceramics
Materials
Ceramic
Japanese Modern Studio Ceramic Oribe Jar by Ryoji Koie
By Ryoji Koie
Located in Atlanta, GA
A glazed ceramic vessel by Japanese potter Ryoji Koie (1938-2020). Hand-built with intention to be seen as such, the tsubo has a primordial irregular form with a small opening and a swelled body resembling a beehive. The upper body was covered in a glassy green oribe glaze with fine crackles, highlighted with three incised geometrical symbols. The lower body is unglazed and exposed the white clay with marks of the hand-making pinches and kneading along the base. The base also shows highly irregular surface due to the seashell spur marks and clay pitting in the kiln during the firing process. All these occurrences honestly preserved and presented as part of the character of this wonderful modern piece. The jar comes with a plain wooden tomobako box.
"One of Japan’s most versatile and forward-thinking contemporary artists, KOIE RYOJI...
Category
21st Century and Contemporary Japanese Modern Georgia - Ceramics
Materials
Ceramic
