Germany - Paintings

Here’s the third of the Summer Phenomenon series which is a joy of colors in a summer sky beach setting. This one, like its sister painting Summer Phenomenon IV, comes in a square ...

Pastel painting, 1890-1900 by Lesser Ury. Signed lower left: L. Ury. Framed. Very good condition. Dimensions: 19.09 x 13.78 in ( 48,5 x 35 cm ), Framed: 31.3 x 24.8 in ( 79,5 x 63 c...

A hyperrealistic doughnut dominates Vicious Circle, its glossy chocolate glaze reflecting light with mouthwatering precision. Seated atop it, a young woman in a vintage swimsuit appe...

Watermelon, 2013 Acrylic on canvas (Signed on reverse) 41 3/10 H × 28 1/2 W in 105 H × 72.5 W cm The artwork "Watermelon" was part of the solo show “Epic”. This exhibition, as the a...

"Abstract Nr. 5" is a new 2024 unique acrylic on canvas painting by German mid-career artist Michael Pröpper. It debicts square or rectangular layers painted in an abstract expressio...

At first glance, simple, banal things are visible but something is clearly strange here, what is going on here? And where did a piece of cake disappear? keywords; surrealism, food, ...

Untitled 02, 2015 - 2016 Mixed technique: black silicone, oil, whir on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Zsolt Berszán’s work speaks of repulsion and fa...

Portrait of Johann Theodor of Bavaria (1703-1763) by Joseph Vivien Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...

Sulphur, 2005 Acrylic on canvas (Signed) 39.37 H x 39.37 W in. 100 H × 100 W cm Signed The painting "Sulphur" is part of a larger series of works entitled " Minotaur" and inspired ...

Untitled 01, 2015 - 2016 Mixed technique: black silicone, oil painting, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Signed on reverse Zsolt Ber...

SOUND AND VISION – Budgies is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39.4 in). Every piece is 30 cm in dia...

Painting, 19th Century, Portrait of an African Boy, signed, oil on canvas. Dimensions with frame 65cm x 73cm

Daffodil No.7 from 9 paintings of my series of Daffodils. The oil paint, I have applied in bold and thick paint, giving the flowers a very good sense of light and shadow. This Seri...

"Fjord Idyll by Carl Bergfeld" fjord landscape: This painting, masterfully created by Carl Bergfeld and signed in the bottom right corner, celebrates the majestic beauty of a fjordl...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

In my work, oil colors merge into a lively picture of rural harmony. Impressionistic brushstrokes combined with realistic elements depict the interplay between humans and animals. A ...

Green Escape offers a serene retreat into nature, painted from life in 2024. This plein air landscape, created in the expressive alla prima technique, reflects the freshness and vita...

Oil on hardboard, 1953 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lover right: Wellenstein 53. Framed. Height: 41.34 in ( 105 cm ), Width: 33.46 in ( 85 c...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

Acrylic on linen canvas, 50x50x2 cm / 19,7x19,7x0,8 in. This painting features a serene composition of red and pink roses, capturing the essence of tranquility and self-contentment....

"Walk in the autumn forest by A. or O. Hamel". Düsseldorf, Germany. Dimension without frame: 106 cm x 82 cm). Frame slightly damaged in places. Major damage to the upper left corner...

Step just beyond the daily hum and find yourself Outside the Noise. This intimate landscape, created in a single breath of brushwork under open skies, captures the quiet rhythm of n...

The column is the most important meaningful symbol that links the past, present and future. This is a symbol of strength, stability, support, constancy, ascent, aspiration, victory, strength, earthly and cosmic energy. In mythology, the column often appears in the meaning of the World Tree or the supreme deity. This is how I present the image of the column in my work. For me, this is the synthesis and triumph of human thought and the beauty and power of the natural world and the diversity of its forms. And it is in the columns of the Corinthian order...

Dietz Edzard ( German/French 1893-1963 ). Oil on canvas, 1935. With the artist's signature stamp at lower left. Framed. Property of the Estate of Dr. Max Stern sold for the benefit o...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

"Tippy Toes" is an expressive abstract diptychon on paper. The all in all size is 65 cm / 25,6 inches W x 100 cm / 39,4 inches H. Both paintings themselves have the size 50 cm / 19,7...

HK1906YP (Abstract work on paper) Ink, enamel, collage on paper - Unframed. This work is part of one of 4 on-going series of large works on paper...

Untitled 03, 2017 Black adhesive and black oil on canvas (Signed on reverse) 31 1/2 H x 23 5/8 W in. 80 H x 60 W cm Zsolt Berszán treats the first layer of the drawing as a substrat...

Oil on canvas, circa 1950, by Suzanne Eisendieck ( 1906-1998 ) Signed lower left: SUZANNE EISENDIECK Dimensions: 22.04 x 17.51 in ( 56 x 44,5 cm ). Framed: 26.37 x 21.45 in ( 67 cm x...

Superbe original painting on canvas depicting the portrait of a partially eaten donut in mid-air and a woman from a different sera in a fur coat observing the strange phenomena. keywords; fut coat...

FPE Edition No. 12 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed and...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

Feeling light and free (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant ...

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk in the park, cycling, playing f...

Anja Becker is a German artist living and working from Hamburg. She paints vibrant paintings using resin. Poured layer by layer her paintings have a distinctive high gloss finish and...

Artist: Kuno Vollet Hyperrealistic painting of a series of books

Francisco Jose Jimenez paints abstracted nude paintings using a range of materials, such as fabric, concrete, pieces of plastic etc. His portraits tell stories of individual beauty,...

Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina in the dressing room, 1924. Pastel on painting cardboard, 65 x 45 cm, 77,5 x 59,5 (frame), signed lower left "Stohner" and dated "[19]24". Behind glass in gold stucco frame of the time. - Painting cardboard slightly warped, in the lower area minimally stained, frame with age patina and traces of abrasion. - The Naturalness of Artificiality - We see a ballerina putting on her right ballet shoe while the left one is still lying on the floor in front of her. It is precisely the casualness of the scene that gives it its intimacy: the blonde young woman is completely absorbed in the activity of getting ready for the dance, oblivious to us, while we are positioned right in front of her in the dressing room, inaccessible to the audience, watching her dress. Even though she does not yet perform a dance step, there is a graceful elegance in the action shown that seems quite natural in contrast to the rehearsed art form of dance. The young woman is not presenting herself to an audience in a perfectly formed movement, but is performing an everyday action, unaware that she is being watched. Concentrated, almost devotional, she pulls the ballet slipper over the verses, not noticing that one of the straps of the tutu has slipped off her shoulder, reinforcing the erotic moment of the scene. Inspired by Edgar Degas, Karl Stohner has painted the scene in strong pastel tones. The dominant blues and turquoises give the scene a magical, mysterious quality and, like the pink of the stockings and ballet slippers, are borrowed from Degas's dancers. Degas's colors, however, are cooler tempered, which is particularly evident in the light impasto applied incarnate. This is where the vividness of Auguste Renoir comes into play, making the dancer seem entirely flesh and blood. Karl Stohner, who has studied the pastels of Degas and Renoir intensively, combines the two artists here to create his own pictorial language. He has laid out the background in broad layers of strokes, ranging in color from white to turquoise to dark blue. The result is a dynamic, pattern-like structure that contrasts with the woman's calm, inward-looking posture. The fund anticipates the dynamics of the choreography of the dance for which the ballerina is preparing. At the same time, the broad pastel line in the background is an adequate means of painting to depict the soft, flowing elegance of the dancer. About the artist Against the wishes of his wealthy parents, Karl Stohner decided to become a painter. His talent was discovered by the director of the Mannheim Art Gallery, Fritz Wichert, who supported him from then on, including financing study trips to Paris. There he discovered the art of Degas, Cézanne and Renoir, which inspired his work. GERMAN VERSION Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina im Ankleideraum, 1924. Pastell auf Malkarton, 65 x 45 cm, 77,5 x 59,5 (Rahmen), unten links mit „Stohner“ signiert und auf „[19]24“ datiert. Hinter Glas im Goldstuckrahmen der Zeit. - Malkarton leicht verzogen, im unteren Bereich minimal fleckig, Rahmen mit Alterspatina und Abriebspuren - Die Natürlichkeit der Kunstform - Wir sehen eine Ballerina, die sich den rechten Ballettschuh anzieht, während der linke noch vor ihr auf dem Boden liegt. Gerade aus der Beiläufigkeit der Szenerie speist sich ihre Intimität: Die blonde...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old techniques and in this way,...

"Kleine Pflanze im großen Universum (Small plant in the big universe)" is a small, abstract and colorful artwork on paper. It is dynamic and powerful and integrates monotype style. ...

Very colorful and dynamic abstract piece in acrylics, in all colors that I connect with a summer vacation at the Mediterranian Sea. Are you ready for a piece of vacation in in your ...

Well worth the hype (Abstract painting) Mixed media collage with LED lights on canvas - Unframed Artwork exclusive to IdeelArt. Knaut builds her compositions slowly over time, ad...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

Peter Paul Rubens (After) - Helena (Helene) Fourment with her Son Francis (Frans) Very decorative Painting. Oil on canvas. Unsigned. Dimensions include the frame. The painting and...

A beach from the german baltic sea, around Prerow. Oil on linen. Painted with a lot of paint, applied with brush and palette knife. The edges of canvas are colored in a brownish oc...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Real Reasons for Ice and Lemon (Absract Painting) Acrylic, ink, oil on un-stretched canvas - Unframed. Shipped rolled in a tube This artwork is exclusive to IdeelArt. Knaut build...

This large pallet-knife painting in acrylics comes with multiple layers of paint. In this one I see coloful robes swirling through majestic ballroom halls, leaving a frenzy of colors...

Dietz Edzard (German/French 1893-1963) Oil on cardboard, 1938, stamped at lower right with the initials D.E. Framed. Property of the Estate of Dr. Max Stern sold for the benefit of ...

"Abstract Nr,. 4" is a 2022 unique oil on canvas painting by German mid-career artist Michael Pröpper. Comes with certificate on back. 190 x 120 cm (...

#1603 (Abstract painting) Oil on Canvas Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the...

Even if it doesn’t look like it (Abstract painting) Acrylic, oil, pastels, spraypaint on canvas - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions sl...

"Urquell (Source)", is a unique acrylic on canvas work by German artist Horst Güntheroth. It depicts in wonderful, gentle colors the source of creati...

Huge and very decorative castle painting. Antique oil painting. Probably 18th century. "Kings from all over the world in Bethlehem". Christian scene. Canvas relined. Big, heavy fr...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...