Germany - Landscape Paintings

The column is the most important meaningful symbol that links the past, present and future. This is a symbol of strength, stability, support, constancy, ascent, aspiration, victory, strength, earthly and cosmic energy. In mythology, the column often appears in the meaning of the World Tree or the supreme deity. This is how I present the image of the column in my work. For me, this is the synthesis and triumph of human thought and the beauty and power of the natural world and the diversity of its forms. And it is in the columns of the Corinthian order...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

Untitled 03, 2017 Black adhesive and black oil on canvas (Signed on reverse) 31 1/2 H x 23 5/8 W in. 80 H x 60 W cm Zsolt Berszán treats the first layer of the drawing as a substrat...

Superbe original painting on canvas depicting the portrait of a partially eaten donut in mid-air and a woman from a different sera in a fur coat observing the strange phenomena. keywords; fut coat...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old techniques and in this way,...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

Body in the Field #8, 2023 oil on canvas 55 1/8 H x 39 3/8 W in. 140 H x 100 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

Antique oil painting, mountain landscape. 20th century, signed. Dimensions with frame.

Oil painting, 19th century, river and mountain landscape. Oil on canvas. Illegibly signed. Frame damaged. Free shipping only without frame. 76 cm x 94.5 cm without frame.

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Decorative antique oil painting. Dutch harbor view in winter. Dimensions with frame in cm 69 x 98

Katharina Husslein’s latest series marries vivid seascape painting with sumptuous textile art. Each work opens onto a breezy coastal vista—turquoise waters lapping beneath distant, p...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

OTTO PIPPEL, Painting, Oil on canvas, Winter Morning in the Wetterstein Mountains, Zugspitze (Alps) Beautiful, large painting by the internationally known artist Otto Pippel. Snow...

Oil on cardboard, 1960 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ), Signed and dated lower left: Wellenstein 60. Framed. Height: 27.56 in ( 70 cm ), Width: 39.37 in ( 100 cm...

Eugen Felix Prosper Bracht, 1917, Harvesting with a hay wagon and team of oxen. Large and decorative painting by the world-renowned artist Eugen Bracht. Fro...

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

Decorative antique painting, oil on canvas, 19th century. Walking the dog, castle view. Dimensions with frame: 65.5 cm x 74 cm

In "Dizzy“, something inexplicable has happened in the middle of a sleepy city; a traffic accident where the fire brigade is trying to rectify and underst...

Body in the Field #3, 2021 oil on canvas 31 1/2 H x 23 5/8 W in. 80 H x 60 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the fragme...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Heinz Roder (1895-1965), Low Mountain Landscape with Rocks, oil on painting cardboard, 30 x 40 cm (visual size), 40 x 50 cm (frame), signed and dated "[19]34" at lower right. In a de...

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

Riding On Change, 2021 Oil on canvas 23 5/8 H x 19 11716 W in. 60 h x 50 w cm The painting imagines a city in a continuous present in which elements of the past intertwine with elem...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Thomas Willeboirts Bosschaert Pan plays to the dance of the putti Thomas Willeboirts Bosschaert (1614 Bergen op Zoom - 1654 Antwerp) Pan plays to the dance of the putti Oil sketch Oil on canvas, 35 x 51 cm Provenance: Belgian private collection, ca. 1980 to 2020. The oil sketch shows a flute-playing man with dark curls sitting at the left edge of the picture in a recess draped with cloth. In the lower left corner, a fallen bowl with leaking water can be seen. The right half of the picture shows a circle of five dancing putti, whereby the left putti can be recognized as a satyr due to the goat legs. The background is dominated by a dark mountain landscape. In the sky a rising or setting sun can be guessed. It is possible that the flute player represents Bacchus, the god of wine and ecstasy. This fits with the flute as a symbol of celebration, as well as the bowl of water, which could refer to Bacchus' mother, Lethe. Lethe is a river in the underworld, which at the same time symbolizes "oblivion". Thus, the spilling water bowl is not only a reference to this river, but it also symbolizes "oblivion". Moreover, Bacchus is usually depicted with satyrs in his retinue, which would explain the putto with goat legs. However, the interpretation of the flute player as the god Pan would be possible. He is usually shown with his flute and associated with dance. Moreover, he is native to the mountainous landscape of Arcadia. The present work is an oil sketch, i.e. a preparatory study. This is suggested by the partly unfinished parts, as well as the structure of the picture. Some parts are already almost completely laid out, such as the flute player, while others, for example the horizon and also the figures of the putti, are only sketched in outline. The painting can be attributed to the Baroque painter Thomas Willeboirts Bosschaert. This attribution was also confirmed by Prof. Hans Vlieghe. Bosschaert lived and worked in Antwerp with Peter Paul Rubens and Anthonis van Dyck, among others. He studied with Gerard Seghers...

Coming Forward, 2023 Oil on canvas 77 H x 54 W cm 30 5/16 H x 21 17/64 W cm Carmen Belean’s "Coming Forward" captures a serene, sunlit moment in a tropical setting, inviting viewer...

Circle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light. Decorative Painting

1922-2004 Honored Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State price.

Skadi Engeln, a Berlin- and France-based artist, studied sculpture at FH Ottersberg with Robert van de Laar and painting with Michael Kohr and Hermanus Westendorp. Her work has been exhibited in numerous solo and group shows in cities like Berlin, Düsseldorf, Paris, New York, and more, and is part of international collections. Engeln explores landscape as a dynamic, ever-changing entity dissolving into light, water, and weather, only to reassemble itself. Like painting, landscapes blur the line between the visible and the hidden, revealing deeper truths in their transitions. The horizon plays a central role in her work, both separating and connecting what lies above and below, the seen and the concealed. Rather than decoding these layers, she preserves their mystery and beauty. Since 2001, she has focused on abstract landscape painting. Her recent works depict landscapes veiled by lines, stripes, and distortions, creating a sense of distance, like reflections in a train window...

Winter landscape with wild boars. Similar to a hunting scene. Signed lower left "W. Heydendahl" Dimensions with frame: 92 cm x 112 cm Dimensions without frame: 71 cm x 90.5 cm "For...

Antique oil painting by Louis LeJeune. North German landscape. Oil on canvas. Dimensions without frame. Including certificate of authenticity. Louis Ignaz Paul Lejeune (born Februa...

The painting is created with acrylic paints on canvas in the style of abstract expressionism, filled with energy and dynamism through the rich interplay of blue and green shades with...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

Maritime oil painting 19th century, by Prof. Alfred Jensen. Ship and boat at sea. Around 1900. Signed lower left. Unframed Age-related condition. Alfre...

Rudolf Höckner, Village view in the forest. Dimensions WITH frame in cm 40.5 x 55

Antique Oil Painting by Egon von Kameke, "Boat Dock" Dimensions measured with frame. Including certificate of authenticity.

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

Skadi Engeln, a Berlin- and France-based artist, studied sculpture at FH Ottersberg with Robert van de Laar and painting with Michael Kohr and Hermanus Westendorp. Her work has been exhibited in numerous solo and group shows in cities like Berlin, Düsseldorf, Paris, New York, and more, and is part of international collections. Engeln explores landscape as a dynamic, ever-changing entity dissolving into light, water, and weather, only to reassemble itself. Like painting, landscapes blur the line between the visible and the hidden, revealing deeper truths in their transitions. The horizon plays a central role in her work, both separating and connecting what lies above and below, the seen and the concealed. Rather than decoding these layers, she preserves their mystery and beauty. Since 2001, she has focused on abstract landscape painting. Her recent works depict landscapes veiled by lines, stripes, and distortions, creating a sense of distance, like reflections in a train window...

Gottfried Seelos, antique oil painting, home of Walther von der Vogelweide. Signed and dated. According to an antique note on the back, the painting come...

Antique painting, 19th century, oil on canvas, harvest by the river. Signed lower right. Dimensions without frame. Paintings by Alexandre Kircher have already raised more than $ 20...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way,...

Decorative, antique painting, oil on canvas. Sailboats at the lake. Signed lower right. Dimensions without frame 50cm x 60cm. With frame 62.5cm x 72.5cm.

Oil painting, 19th century, idyllic farmhouse with water wheel. Illegibly signed and dated lower left. The frame has various damages in places. Dimensio...

Going Forward, 2023 Oil on canvas 88 H x 70 W cm 34 41/64 H x 27 9/16 W inches This oil painting, "Going Forward" by Carmen Belean, captures the essence of serenity and natural beau...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

keywords; surrealism, humour, uncanny, yellow dress, little girl, car wreck, car incident, earth tones, oil painting, figurative painting, strangeness, conte...

German or Danish School, 19th Century Coastal Scene with boat and fishermen very decorative cabinet piece in a golden frame The painting is very fine and goes with a very nice and so...