Germany - Landscape Paintings

Wind & Dust, 2023 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' about the mi...

Body in the Field #9, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

The painting was painted from life on a hot summer sunny day. It depicts an old street of a typical European town. The main "face" of the painting is a two-story house with a red til...

“Fading Winter” Oil on canvas, 28 × 35 cm A fleeting moment between seasons, “Fading Winter” captures the quiet transition from winter to spring in the Swiss Alps. The painting depi...

"Sweet Vibes" encapsulates a distinctive quality that distinguishes it within the realm of art. This piece, measuring 100x40x4 cm (39.4 x 15.7 x 1.7 inches), is not only a standalone...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Katharina Husslein's textural and abstract paintings vividly encapsulate the vibrancy and movement found in a bouquet of flowers. This series differs from Husslein’s more controlled...

1922-2004 Honored Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State price.

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Movement –...

Gold Edition - with real gold leaf, 23,75 carat Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting ...

The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...

Painted in 2024, "Field Notes" captures a warm summer moment beyond the city’s edge. Created in the alla prima technique, directly from life, the work conveys a sense of lightness an...

Art measures 11.81 x 11.81 inches Frame measures 19.68 x 19.68 x 2.76 inches Framed in a high-quality contemporary wooden moulding. Color: antique white Artist: Roger König b. D...

Chroma sky (Blue key) 10, 2007 Acrylic and oil on canvas (Signed on reverse) 23.62 H x 31.49 W in 60 H x 80 W cm The artist wrote about how he conceives this work: "The transformat...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Untitled (Decomposition), 2014 Oil on canvas (signed on reverse) 19.68 H x 15.74 W in. 50 H x 40 W cm The notion of “abjection”, which at the beginning referred to the idea of spiri...

Nimius is a unique oil on canvas painting by contemporary artist Emanuel Schulze, dimensions are 110 × 137 cm (43.3 × 53.9 in). The artwork is signed, sold unframed and comes with a ...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

This painting is made with acrylic on canvas using a special technique. The acrylics are thickly applied to give a three-dimensional effect. The colour scheme is chosen in such a way...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Untitled 08, 2015-16 Oil on canvas (signed on reverse) 13.77 H x 9.84 W in. 35 H x 25 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

Original watercolor LILIES IN SUMMER GARDEN painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day somethin...

Immerse yourself in the fascinating world of art with Roger König Art - a brand that embodies luxury and exclusivity. The artworks created by Roger König are true masterpieces that c...

This artwork depicts a cozy corner of the ancient German city of Aschaffenburg. A winter day with such a rare phenomenon for Europe as snow. Snow falls and covers the old paving ston...

Antique painting, Stormy Coastal View, 19th Century, by H. Schnabel. Oil on canvas. Signed and dated lower right. Unframed. Including certificate of authenticity.

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Art Awards Winner 2019 - Art Fair Leipzig König combines modern painting with acr...

Roses from my garden Original watercolor painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day something u...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Morning Se...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

Artist: Roger Koenig b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Koenig combines modern painting with acrylic with old techniques and in this way,...

Signed and dated. Dimensions are without frame. Including certificate of authenticity. Frame has slight damage in places.

Original watercolor painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day something unusual happens there,...

The painting was painted from life on a sunny summer day. In the middle is the monastery of the Assumption of Mary in Würzburg, located on the banks of the Main. We see its wall with...

Superbe original painting on canvas depicting the portrait of a partially eaten donut in mid-air and a woman from a different sera in a fur coat observing the strange phenomena. keywords; fut coat...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

The painting was painted from life. It depicts an evening motif, a view from the artist's window. We see a warm summer evening. In the sky, the last pinkish and bright orange rays of...

Friedrich Wilhelm Karl Kuhnert, around 1900, Majestically striding lion Decorative painting by the well-known artist Wilhelm Kuhnert. Representation of a striding lion in the African savannah...

In "Dizzy“, something inexplicable has happened in the middle of a sleepy city; a traffic accident where the fire brigade is trying to rectify and underst...

Tropical river landscape in sunset glow, signed, dated, Joseph Firmenich 1868, oil on canvas. Very decorative and large painting. Canvas has been res...

The painting depicts a bird's eye view of an old European city and its surroundings. In the foreground are trees, old houses with tiled roofs, dormer windows, chimneys, spires. In th...

This is a beautiful oil painting of an array of flowers in a vase in front of a colour gradient in the background. Reminding us of old master paintings, this is a brand new painting ...

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

Rudolf Schacht, oil painting, lively old town scene with carriage and horses. Age-related condition. The painting is damaged in places and in need of restoration. On request, we are...

Antique Rococo Oil Painting, around 1800, Royal Dance in the Garden Oil on canvas. Canvas relined. Stretcher renewed. Dimensions are without fra...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

The painting was painted from life on a summer day. It conveys the changing state of cloudy weather. The sun illuminates the foliage of the birch tree standing in the middle. The fol...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle In Branche...

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

Oil painting, 19th century, river and mountain landscape. Oil on canvas. Illegibly signed. Frame damaged. Free shipping only without frame. 76 cm x 94.5 cm without frame.