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Item Ships From: Hudson
Italian Woods (Contemporary Archival Pigment Print, Sepia Tone Wooded Landscape)
By David Halliday
Located in Hudson, NY
sepia toned archival pigment print, edition 4 of 25
Item size: 24 x 20 inches, 100% cotton rag paper
Image size: 22 x 17 inches
This modern, sepia toned landscape print was made by ...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Curved Break Wall (Archival Aerial Landscape Photograph of Turquoise Water)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of turquoise blue water and curved break wall
Archival digital print, Edition of 25 (#094)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs turquoise blue water above Lake Michigan near Chicago, IL. When seen from above, the break wall that spirals into the blue water resembles an abstract line on a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Warm Waters #20 (Nautical Style Photograph of Blue Ocean Waves in White Frame)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary nautical seascape photograph of blue ocean waves in white frame
36 x 33 inches unframed, 41 x 38 inches framed
Japanese Kozo paper infused with encaustic on 3 panels, ea...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Mulberry Paper, Wax
Five Green Ponds, Batavia, NY (Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of green ponds with a white barrier
Archival digital print, Edition of 25 (#072)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs five green ponds above Batavia, New York. When seen from above, the stark white barrier that divides the green bodies of water resembles an abstract line on a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Iron Ore Piles, Gary, IN (Modern Industrial Aerial Shot of Orange & Brown Ore)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25
23.5 x 29 inch image with 2 inch border, unframed
*additional sizes available are listed in the detail section
John Griebsch learned how to fly...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Digital
Songs of the Sky No. 1 (3 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 34 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photo...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
High Line: Column (Sepia Toned Architectural Photograph in Manhattan)
By James Bleecker
Located in Hudson, NY
Contemporary sepia toned photograph of New York City's High Line, the iconic raised walkway in Manhattan's west side neighborhood
'High Line: Column' by James Bleecker
archival pigme...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Songs of the Sky No. 13 (4 Panel Sky Photograph Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 45.5 inches unframed
Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four blue and white panels...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Double Bay Ferry (Tilt Shift Landscape Photograph of Ferry with City Skyline)
Located in Hudson, NY
Color landscape photograph of urban skyline and ferry in Double Bay in Sydney, Australia
"Double Bay Ferry", by Keith Loutit, printed in 2008 in part of the artist's 'Small Worlds P...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Archival Pigment
Warm Waters No. 33 (Nautical Style Photograph of Blue Ocean Waves on 3 Panels)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print of blue ocean waves in white frame
36 x 33 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
Je...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Mulberry Paper
Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)
By Betsy Weis
Located in Hudson, NY
2015 black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches.
This photograph is available unframed. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Songs of the Sky 10 (Abstract Landscape Color Photograph of Clouds & Blue Sky)
By Jeri Eisenberg
Located in Hudson, NY
Abstracted landscape photograph of clouds and blue sky on three panels
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 i...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Warm Waters No. 19 (Nautical Style Photograph of Blue Ocean Waves on 3 Panels)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary nautical seascape photograph of blue ocean waves
36 x 33 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
Je...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Mulberry Paper
Offloading Gantry for Paper Mill Near Martinsville, VA (Industrial Aerial Print)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25 (#200)
Image size 23.5 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs the offloading gantry for a paper mill...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Field Corner Tree - Near Frytown, PA (Framed Aerial Photograph of Green Field)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25 (#274)
26 x 39 inches unframed
36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass
John Griebsch learned how to fly an ai...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Digital
Songs of the Sky No. 1 (3 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 34 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photo...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Apple Orchard & Shadows (Framed Archival Digital Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Framed minimalist aerial landscape photograph
of apple trees and shadows against bright white snow
'Apple Orchard and Shadows Near Sodus, NY', 2011
Archival digital print, Edition of 25 (#153)
Image size 19.3 x 29 inches with 2 inch border
27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass
Also available in the following sizes (unframed):
Image 19.3 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
Image size 40 x 60 inches with 2 inch border $6800
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Washington Square Arch II (New York City Sepia Toned Print on Watercolor Paper)
By James Bleecker
Located in Hudson, NY
Washington Square Arch
pigment print on watercolor paper
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
40x50, edition of 15, $6,500
...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Quimby Farm, Marlborough, NY (Sepia Toned Pigment Print of a Barn and Goats)
By James Bleecker
Located in Hudson, NY
Quimby Farm, Marlborough, NY, 2018
pigment print on watercolor paper, signed dated and numbered on face
13 X 16 1/4 edition of 25 $1,500.00
24 x 20, edition of 25 $2500
This Black...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Kline Kill Road (Tranquil Landscape Photo of a Rustic Barn in Sepia tone)
By James Bleecker
Located in Hudson, NY
Kline Kill Road
archival pigment print on watercolor paper
16 x 13, edition of 25 $1500
24 x 20, edition of 25 $2500
50x40, edition of 25, $6,500
This Black and White Sepia-toned print of a barn in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a pond reflecting the nearby willow tree and barn. The sunlight breaks through the clouds, casting a heavenly glow to the idyllic country setting.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Stump (Contemporary Archival Pigment Print, Sepia Tone Landscape of Forest)
By David Halliday
Located in Hudson, NY
sepia toned archival pigment print, edition 1 of 10
50 x 40 inches, 53 x 43 inches framed
This modern, sepia toned landscape print was made by artist, David Halliday in 2000. The se...
Category
Early 2000s Modern Hudson - Landscape Photography
Materials
Archival Pigment
Iceland 244 - Suderland, Iceland (Digital Aerial Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial photograph of Iceland landscape
archival digital print, edition of 25
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Woven Woods near Zurich, NY (Archival Digital Aerial Photograph)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25 (#161)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch border $3200
Image size 32 x 48 inches wi...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Navajo Sand, black and white photograph of desert
By Heather Boose Weiss
Located in New York, NY
Archival pigment print.
19.5 x 19.5 inches unframed
30.5 x 30.5 inches framed
Please allow at least 2 weeks for the photograph to be printed and shipped.
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
"Tortoise", Joshua Tree, California, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Red Pushups, 1985 Huntington Beach, CA
Located in Hudson, NY
This listing is for the unframed photograph.
The Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers...
Category
1980s Contemporary Hudson - Landscape Photography
Materials
Digital Pigment
Bed / Dream, 2018
By Robert Stivers
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Digital Pigment
Newgale Surfers
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a d...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Encaustic
Gotham City , New York
By Dinesh Boaz
Located in Hudson, NY
Dinesh Boaz, New York, NY . Photographed from a helicoptor.
Category
21st Century and Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Brian with Eyes Closed with Kim. Miramer Beach, Montecito, CA
By Robin Rice
Located in Hudson, NY
Price for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Layers in Life, Dead Sea, Israel, 2019
By Dinesh Boaz
Located in Hudson, NY
This is the unframed price. The print is made on metal called a dye sublimation print. Please inquire about framing in all three sizes available.
The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper, Dye
Source
By Heather Boose Weiss
Located in New York, NY
30.5 x 30.5 inches framed
15" x 15" edition of 10, unframed, $1,800
30" x 30" edition of 10, unframed $3,450
Please allow at least 2 weeks for the photograph to be printed and shi...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Polo Field, Cheshire, UK
By Pete Kelly
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category
21st Century and Contemporary Hudson - Landscape Photography
Materials
Varnish, Wood
Prayer 2001, Los Angeles
By Ron Hamad
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Digital Pigment
"Waterfall", Yosemite, California, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Drifting Apart, Aegean Sea
By Haik Kocharian
Located in Hudson, NY
These photographs are Dye Sublimation Prints. Framing options available.
"Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes th...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Curtain, 2010
By Keith Sharp
Located in Hudson, NY
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon.
The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Digital
Breach III
By Dalton Portella
Located in Hudson, NY
Price for UNFRAMED print
This image is currently on display at the Robin Rice Gallery in the Summertime Salon 2018. It depicts the strength and beauty of nature with a whale jumping...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Nine Five, First Beach, Newport, RI 2016
By Michael McLaughlin
Located in Hudson, NY
April 10th through June 12th, 2016. Any framed photographs purchased during the show will be available after June 12th. If the exhibition piece is sold or the customer orders a diffe...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Film, Archival Paper
Cloud. Carrizozo, NM
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category
2010s Modern Hudson - Landscape Photography
Materials
Archival Pigment
Old Bus Terminal, Mountainair, NM
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category
2010s Modern Hudson - Landscape Photography
Materials
Archival Pigment
Hanging Valley, black and white landscape photograph
By Heather Boose Weiss
Located in New York, NY
30.5 x 30.5 inches
Archival pigment print.
15" x 15" edition of 10, unframed, $1,800
30" x 30" edition of 10, unframed $3,450
Please allow at least 2 weeks for the photograph to ...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Newgale Surfers II
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories.
Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Pigment
Family of Elephants, Kruger Park, South Africa, 2008
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Archival Ink
Plowed Fields, Hannibal, MO (Minimalist Aerial Landscape Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary minimalist aerial landscape
photograph of a plowed yellow field with dark blue shadow
Archival digital print, Edition of 25 (#013)
Image size 31 x 39 inches unframed, m...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Poplar Corner (Aerial Winter Landscape Photograph of Trees in a White Field)
By John Griebsch
Located in Hudson, NY
Minimalist aerial landscape photograph of trees in a snowy white field
Archival digital print, Edition of 25 (#121)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Songs of the Sky No. 8 (3 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 34 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, three blue and white panels...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Songs of the Sky No. 11 (4 Panel Sky Photograph Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 45.5 inches unframed
Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's pho...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Wax, Encaustic, Mulberry Paper
Ankony Farm ( Contemporary Rural Landscape Sepia toned Photograph with Barns)
By James Bleecker
Located in Hudson, NY
Ankony Farm
pigment print on watercolor paper
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
This Sepia-toned print of Ankony Farm was taken by photographer, James Bleecker. The photograph depicts the barns on a farm in Rhinebeck, New York. The light reflects beautifully over the landscape, shining through an overcast sky.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Washington Square Arch (New York City Sepia Toned Print on Watercolor Paper)
By James Bleecker
Located in Hudson, NY
Washington Square Arch
pigment print on watercolor paper
18 x 13, edition of 25 $1500
24 x 20, edition of 25 $2500
50x40, edition of 25, $6,500
...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Pigment
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)
By Betsy Weis
Located in Hudson, NY
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis
black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape.
This photograph is also available unframed for $950. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Trees and Moonlit Sky (Archival Inkjet Print on Watercolor Paper)
By Betsy Weis
Located in Hudson, NY
archival inkjet print on watercolor paper
16 x 16 inches unframed
2018
Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below.
This photograph is available unframed. The image measures 16 x 16 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Pigment
Quarry Squares - Near Auburn, NY (Aerail Archival Industrial Photograph)
By John Griebsch
Located in Hudson, NY
Contemporary aerial photograph of industrial quarry field
Archival digital print, Edition of 25 (#267)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Iceland Rivers 112 - Suderland, Iceand (Aerial Archival Digital Photograph)
By John Griebsch
Located in Hudson, NY
Archival digital print, Edition of 25 (#358)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch border $3200
Image size 32 x 48 inches with...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Plowed Fields - Near Hannibal, Missouri (Archival Digital Aerial Photograph)
By John Griebsch
Located in Hudson, NY
Archival digital print, Edition of 25 (#013)
Image size 23.5 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with ...
Category
Early 2000s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Field of Large Steel Plates and Large Loader (Aerial Industrial Photograph)
By John Griebsch
Located in Hudson, NY
Archival digital print, Edition of 25 (#259)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch border $3200
Image size 32 x 48 inches with...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Creekbed in Winter (Contemporary Digital Print of Abstract Winter Landscape)
By Lisa A. Frank
Located in Hudson, NY
Abstract landscape photography for a snow filled creek bed during winter
Archival digital print
36 x 32 inches, edition of 30
Additional sizes available
This contemporary, archival ...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Digital
Steel Mill & Water Truck, Gary, IN (Framed Modern Industrial Aerial Photograph)
By John Griebsch
Located in Hudson, NY
Archival digital print, edition of 25 (#256)
26 x 39 inches unframed
36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass
John Griebsch learned how to fly an ai...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Archival Paper, Digital
"Hoffman Island" a limited edition photograph from Hoffman Island, 2024
By Phillip Buehler
Located in New York, NY
18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a man-made island was built as a quarantine station to house immigrants arriving at Ellis Island wit...
Category
2010s Contemporary Hudson - Landscape Photography
Materials
Photographic Paper
Nowhere, Arizona, 2014
By Mindaugas Gabrenas
Located in Hudson, NY
Price for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...
Category
21st Century and Contemporary Contemporary Hudson - Landscape Photography
Materials
Photographic Film, Archival Pigment
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