India - Paintings

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Amit Kalla - Untitled - 72 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Somnath Hore - Family Pen & Ink on Paper, 13.6 x 10 inches ; 1991 ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and s...

Jogen Chowdhury Face of a Young Man, Dry Pastel on Paper 7 x 9.25 inches , 2022 (unframed size ) The framed size of the work is 17 x 20 ( approx. ) The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron art...

Sunil Das - Untitled - 31 x 20 inches (unframed size) Wood, Iron, Oil & Mixed Media on Board Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern I...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Shyamal Mukherjee - Bawa Biwi - 12 x 12 inches (unframed size) Oil Reverse on Acrylic on Acrylic Sheet , 2019 ( Set of 2 ) ( FRAMED AND READY TO HANG DOOR DELIVERED ) About t...

Sunil Das - Collage Series VI - 23 x 16 inches (unframed size) Collage Series, Mixed Media, Paper, Foil, Acrylic. Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) ...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Sekhar Kar - Untitled, Mixed Media on Paper, 2020 19 x 27 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Fawad Tamakanat - Cityscape - 40 x 40 inches (unframed size) Acrylic on Canvas. Fawad Tamkanat, from Hyderabad participated with his slightly older works. One in which he is exploring the raging intrusion of technology in today's times. How digital images are influencing images, imagery and the traditional medium of painting. Portraying everyday activities like the work titled ‘Cafe House’ or exploring more serious concerns in his painting ‘Soldier’. Style : To say that Fawad Tamkanat`s work is narrative is a gross understatement. Throughout his career as an artist, he has strived to develop and then perfect a visual vocabulary that he can use to communicate with his viewers. And this language, that he uses to take on peoples` minds, has nothing to do with society, religion or politics, but, quite blatantly, is all about his own personal fixations. Fixations that include those with time, and one`s place in the general scheme of things. Fawad was born in Hyderabad in 1962, to a family that already had artistic inclinations running through its veins. His father was the famous Urdu poet, Shaz Tamkanat. Early in his career, Fawad was invited to participate in an installation workshop in Denmark where he also worked for a few months in the printmaking studios with renowned printmakers. He became very taken up with printmaking, and launched his professional exhibitions showing only monochromatic prints. Now Tamkanat experiments with several different media and surfaces, diversifying to include those like watercolours, acrylic, etching drypoint and tarpaulin in his oeuvre. Fawad has held twelve solo shows in India and abroad to his credit, and has participated in state, national and international exhibitions and group shows at major art centres. About the Artist & his work : Born : 1962 Education : Master of Fine Arts(Painting), S.N.S. Central University of Hyderabad Bachelor of Fine Arts (Painting), Jawaharlal Nehru Technological University(JNTU) College of Fine Arts, Hyderabad B.Com, Osmania University. Selected Solo Exhibitions : 2012-13 : Jamaat, Mumbai 2003 : Gallery Dengule Guard, Denmark 2001 : Kirsten Kjaer Museum, Denmark ; Lalit Kala Academy, New Delhi & Jehangir Art Gallery, Mumbai. 2000 : Gallery Pialeh Copenhagen, Denmark ; Tao Art Gallery, Mumbai & Shridharani Art Gallery, New Delhi 1999 : Bredsten, Denmark ; Copenhagen, Denmark ; Vingsted Centre Gallery, Denmark ; Cobra Gallery, Copenhagen, Denmark ; Graphic prints, New Delhi & Minaz Art gallery, Hyderabad 1996 : Vingsted Centre Gallery, Denmark ; Minaz Art gallery, Hyderabad & Hyderabad ICRISET Club 1995 : ABC Art Gallery, Varanasi 1993 : Gallery Escape, New Delhi Selected Group Exhibitions : 2009 : 'Entity', in association with Asian Academy of Film & Television at M.E.C. Art Gallery, New Delhi & Gallery Space, Hyderabad, Andhra Pradesh 2008 : 'Stellar Configuration', presented by Vinnyasa Premier Art Gallery, Chennai at Jehangir Art Gallery, Mumbai & 'Urban Landscapes', Galleria, New Delhi 2007 : 'First Person Narrative', Hasta Gallery, Hyderabad & 'Rising Of The Phoneix: A Tribute To Livelihood', Hasta Gallery, Hyderabad 2005 : ‘Collective Spaces 05 ‘,M.E.C. Art Gallery New Delhi. 2004 : Hvidovre Radhus, Hvidovre, Copenhagen, Denmark & Aaskov Kommune's Kunstforening, Aaskov, Jutland. 2003 : ‘Homage To Bhupen Khakhar’, M.E.C. Art Gallery New Delhi ; DHL World Wide Express Gallery, Denmark ; Kunstforening Detny Kastet Thisted, Denmark ; Teko Centre Gallery, Denmark ; Pakhuset Gallery, Denmark ; Esbjerg Museum (Musikhuset), Denmark ; Kunstbrenderiet, Vejle, Denmark & 'Crosscurrent' (Indian Danish Painters Meet), New Delhi, Hyderabad and Chennai 2002 : 'Moods' (Indian Danish painters), Denmark & 'Tradition to Modernity Fulda', Germany 2000 : 'Rooprekha’, Drawing Show, Hyderabad & 'Edge of the Century', New Delhi 1999, 2000 & 01 : Harmony Show, Mumbai 1999 : 'Four Indian Artists...

Rana Roy Acrylic on Canvas 20 x 20 inches (each) (without frame) Inclusive of shipment in roll form. Sekhar Kar Mixed Media on Paper 30 x 22 inches (without frame) Inclusive of ship...

Samir Sarkar - The Sound - 120 x 42 inches (unframed size) Acrylic on Canvas (Diptych) Style : He says, “All my paintings have people wearing some headgear that has a face painted...

Rahim Mirza - Untitled Acrylic on Canvas, 21 x 21 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Gurucharan Singh - The Community of Abundance-I, 22 x 30 inches ( Unframed Size ) Acrylic on Fabriano Paper Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Lalu Prasad Shaw - Babu - 21 x 15 inches Charcoal and Conte on Paper, 2011 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples...

Buwa Shete - Untitled - 36 x 36 inches (unframed size) Acrylic on Canvas, 2007 ( ROLLED AND DOOR DELIVERED ) Buwa Shete, born in 1960 in Maharashtra, India...

Rajib Bhattacharjee - Untitled Acrylic & Charcoal on Archival Paper, 24 x 30 inches (unframed) Rajib Bhattacharjee passed preparatory painting in ...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

Sekhar Kar - Owl, Mixed Media on Paper 24 x 15 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling masses of co...

Anil Kumar Yadav - Bells, 16 x 12 inches (unframed size) Acrylic on Canvas , 2021 STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in ...

Suhas Roy - Christ Mixed Media on Paper , 12 x 16.5 inches , 2011 ( Framed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a series of work where he sees an ethereal mystic godlike and innocent spirit in every woman he meets. Style : He is one of the biggest and the most enduring names in the genre of Indian modern art. Often dubbed the father of female figurative forms. Radha Series and the Christ Series in soft pastel on paper and intense Oil on canvas paintings .Consequently, his recent body of works, "Drops of Silence", executed in oil, pastels and pen-and-ink etchings on backdrops in watercolours, are all studies of "mysterious slightly surreal nude women floating in a void". Roy's forte is Radhika - dark, enigmatic, beautiful Indian women with the slightest smile and ethereal in its quality . About the Artist & his work : Born : 1936, Bangladesh. Education : 1953-58 : Diploma in Painting, Indian College of Art and Draughtsmanship, Calcutta. 1956-66 : Studied graphic art under the guidance of S.W. Hayter, Atelier 17 and mural art at cole Superior Des Beaux Art, Paris. Exhibitions : His works have been exhibited all over the world through exhibitions like the Asian Graphic Prints Traveling Exhibition, USA, the Tokyo Print Biennale, Japan, Contemporary Indian Art...

Sekhar Kar - Maa Kali, Mixed Media on Paper 18 x 12 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and w...

In this piece, I channeled a symphony of emotions through my brushstrokes, exploring the harmony between serenity and the dynamic ebbs and flows of life. The acrylic layers, in their...

Sunil Das - Making Love Series II - 9 x 7 inches (unframed size) Pen and Ink on Paper Pasted on Board Inclusive of shipment in ready to hang form. Sunil D...

Gurunathan Govindhan - Untitled Pigment on Canvas, 84 x 60 inches

Gurucharan Singh - Untitled Oil on Canvas, 14.5 x 10 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Gurucharan Singh - Untitled Oil on Canvas, 14.5 x 10 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Prakash Karmakar - Beach Series - 16 x 23 inches (unframed size) Mixed Media on Paper , 2004 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible ...

Naman Mahipal - Untitled Mixed Media Ink & Acrylic on Canvas, 30 x 36 inches, 2020 Inclusive of shipment in roll form. Naman expresses his subjects and ...

Anil Kumar Yadav - Mahalaxmi - 36 x 48 inches (unframed size) Acrylic on Canvas , 2014 ( UNFRAMED ALL IN DOOR DELIVERED ) STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in 1984 a village in Uttar Pradesh. He grew up among villagers with modest lives and the village culture. The Rangolis at the village festival and the local potters’ fine works of art inspired him greatly towards art as a hobby and potential career from early childhood. His father was then posted to Kolkata so their family relocated to the city. Once the capital of India, with its rich cultural heritage and character immediately caught my attention. He started painting for the first time in the city. Since the central theme to his paintings is related to present day society, his works appear photographic or naturalistic. The religious ghats of Varanasi, Haridwar and other antique places attracted him for their cultural heritage characterised by the holy saints, antique architectures, old idol sculptures and mysticism, spirituality. So he portrayed the simplicity of the architectural doors, temples, sculptures and the beautiful narrow streets and ‘galis’ which holds beauty that can not be described in words. He always prefers a highly realistic approach in his paintings for whatever he sees in his surroundings. He started to represent paintings in a form whose expression manifests a step ahead of photography. He has always tried to reach to a horizon where photography cannot reach and make a statement what is called hyperrealism. EDUCATIONAL QUALIFICATIONS 2001-2006, 5 years Diploma in Painting (First Class) SwarSangam,Birla Academy of Art and Culture Kolkata. SOLO EXHIBITIONS 2015 TajBengal,Kolkata. 2013 TajBengal,Kolkata. 2012 Lalit Kala Akademi, New Delhi 2010 Triveni Kala Sangam, New Delhi 2009 TajBengal,Kolkata. GROUP EXHIBITIONS 2020 “BENARAS”, Art Villa art gallery, Kolkata 2019 “Tryst With Colour IV”, Indian habitat center visual art gallery- by Nirvana (New Delhi) 2019 “1 SQUARE FEET”, Gallery Space, Hyderabad 2017 "Artist Echoes", Indian habitat center visual art gallery- by Nirvana (New Delhi) 2015 “GREENATHON”,presents Gallery Sree Arts at GalerieRomain Rolland, Alliance Francaise, New Delhi. 2015 “SRIJAN SAJAN”, Academy Of Fine Arts, Kolkata. 2014 “STROKE”, Lalit Kala Academy, New Delhi. 2013 “PERSPECTIVE”Academy Of Fine Arts,Kolkata 2012 “PERSPECTIVE”Gallery Gold, kolkata 2011 Artchutney present an exhibition Goa 2011 Artchutney present an exhibition Bangalore 2011 India Habitat Center, Palm Court...

Paramesh Paul - Varanasi - 14 x 14 inches (unframed size) Acrylic on Canvas Style : Paramesh Paul is a freelance artist from Mumbai. Looking...

Gurucharan Singh - Untitled Oil on Canvas, 18 x 14 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Ga...

Amitabha Banerjee - Day Dream - 6 x 10 inches (unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Barisal, Ba...

Tapas Ghosal - Face - 12 x 12 inches ( unframed size) ) Acrylic on Canvas *** Framed ( packing :complimentary; shipping cost would need to be extra) Style : In Hindu philosophy, ...

Subrata Das - Untitled - 12 x 12 inches (unframed size) Acrylic on canvas. Style : Subrata Das's works are a poetic representation on Indian Mythological forms, skillfully rendered....

Sunil Das - Untitled - 8 x 8.25 inches (unframed size) Pen and Ink on Paper Inclusive of shipment in ready to hang form. Figures, female torsos in frontal nudity, a crouching cow an...

Rabin Mondal - Face ; Watercolour on Paper 9.6 x 12.8 inches (unframed) ; 2008 ( Shipment will be in a ready to hang ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, survi...

Somnath Bothe - Rhythmic Monsoon Ride - 72 x 48 inches (unframed size) Charcoal & Acrylic on Canvas Inclusive of shipment in roll form. Somnath Bothe's creations represent a beauti...

Kartick Chandra Pyne - Singing - 42 x 36 inches (unframed size) Oil & Acrylic on Canvas Inclusive of shipment in a roll form. Style : After graduating from the Government College...

Amit Kalla - Pratyabhigyan - 36 x 72 inches (unframed size) Acrylic on Canvas, 2021 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Shyamal Mukherjee - Bawa Biwi - 36 x 36 inches (unframed size) Oil on Reverse Acrylic Sheet About the Artist : Mukherjee was born in 1961, and spent all of his college years ...

Puspen Roy - Daily News XII Watercolour & Ink on Paper, 30 x 60 inches, 2017 Born : 2nd January, 1979 Educational Qualification : B.V.A. (1st Class) in Painting From Indian...

Rajib Bhattacharjee - Untitled Acrylic on Canvas, 24 x 24 inches Rajib Bhattacharjee passed preparatory painting in 1991 from Govt. College of Art...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Amitava Das - Untitled - 47 X 71 inches (Unframed Size) Acrylic on Canvas , 1992 ( ROLLED AND DOOR DELIVERED ) Amitava Das’s painting his canvas has a striking quality, the stress o...

Sekhar Kar - Untitled, Mixed Media on Paper, 2020 22 x 28 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Bijan Choudhury - Untitled - 7 x 8 inches (unframed size) Ink on Paper , 2003 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientation d...

Oinam Dilip - Audrey Hepburn VI Acrylic on Canvas, 36 inches (Diameter) , 2021 FRAMED DOOR DELIVERED WITHIN INDIA ROLLED AND DOOR DELIVERED INTERNATIONALLY Dilip is one of the most promising young artists with his works very nominally Priced. Oinam Dilip was born in 1982 in Bishenpur, Dileep received his Bachelor’s Degree in Fine Arts from Delhi College of Art. In the early years, Oinam experimented with abstract and realist forms of art, which were inspired by the metro cities...

Feroz Khan - Untitled Oil & Acrylic on Canvas 55 × 42 × 1 in ( unframed size) We suggest to collect the painting unframed and rolled for the sake of Conven...

Venkat Bothsa - Untitled Paint on Fibre, 18 x 18 inches Born in 1961, Venkat Bothsa did his B.F.A from Andhra University followed by M.F.A from Banaras Hindu University. His brightl...

Jogen Chowdhury Woman Face with Braid, Dry Pastel on Paper 10 x 6.3 inches , 2022 ( this is the unframed size ) The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Acloke Sardar - Untitled - 58 x 30 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. About the Artist and his work : Born : Aloke Sardar is a self taught full time painter. He was born in Kolkata, 1959. Two Men Show : 2003 - JEHANGIR ART GALLERY (6th – 12th Oct), Mumbai. 1997 - NEHRU CENTRE, (Sep 24th – 30th ), Mumbai 1997 - NEHRU CENTRE, (Jan 24th – 30th ), Mumbai Solo Shows : 1997 - ACADEMY OF FINE ARTS (APRIL 18 th – 24 th),Kolkata. 1994 - EXHIBITION IN PARIS ( MAY) 1987 - ACADEMY OF FINE ARTS (11 th - 20 th OCT), Kolkata Group Shows : 2013 - EMAMI CHISEL ART GALLERY Kolkata (19th August- 13th September) EMAMI CHISEL ART GALLERY Kolkata 2012 - ACADEMY OF FINE ARTS Kolkata. 2008 - KANVAS ART GALLERY (31st Jan –16th Feb), Kolkata 2007 - SAMOKAL ART GALLEY,(6th – 20th Dec.), Kolkata ; GALLERY KOLKATA-A brush with Durga (18th – 31st Oct) Kolkata ; GANDHARA ART GALLERY (3rd -10th Sep), Kolkata ; ASHUTOSH BIRT CENETARY HALL-Journey Begins(25th Aug-1st Sep) Kol ; CHITRAKOOT ART GALLERY(3rd – 12th Sep) ; ARTLINE (23rd Sep-7th Oct),Kolkata ; GALLERY WITH DIFFERENCE(23rd – 30th Oct)Kolkata. 2006 - CYMROZA ART GALLERY (31st may-10th June), Mumbai ; ANNUAL EXHIBITION OF BIRLA ACADEMY, Kolkata. 2003 - Painter’s 80 LALIT KALA AKADEMY (Jan 5th – 11th ), New Delhi. 2002 - Painter’s 80 ACADEMY OF FINE ARTS , (Sep 11th – 18th ). 2001 - Painter’s 80- BIRLA ACADEMY , (Sep 25th – 7th Oct). 2000 - Biswa Banga , ACADEMY OF FINE ARTS,(Dec 29th – 9th Jan) 1999 - MAGIX INDIA ART GALLERY, (Sep), Kolkata 1998 - APARNA KAUR ART GALLERY, New Delhi. 1996 - RABINDRA BHAWAN, New Delhi. 1994 - 3 aces, ACADEMY OF FINE ARTS,(April 5th – 11th ), Kolkata. 1993 - YOUNG FACES, ORGANISED BY BIRLA ACADEMY. 1992 - Invitee Artist by FRENCHISE DE CALCUTTA . 1990 - Calcutta Through The Eyes Of Painters’ by BIRLA ACADEMY. 1989 - “CONTEMPORARY IMAGES” by ROTARY CLUB OF CALCUTTA. 1987 - BIRLA ACADEMY OF ART AND CULTURE ,Kolkata 1985 - KALA MELA ORGANISED BY TRITYO PROVA, Kolkata 1981 - BIRLA ACADEMY OF ART AND CULTURE (JULY 7 th -19 th ), Kolkata. Award : From the “ Royal Photography...