Italy - Dining Room Tables

Travertino Silver Refined Contemporary Marble Oval Table 210/75 Dimensions: 210 x 135 x 75 cm Materials: Trave...

Sabbia Nero Solid Wood And Colored Mineral Lime Plaster Console by Dennis Kaiser Dimensions: D 30 x W 200 x H 85 cm. Materials: Solid wood and plaster. Handcrafted in Tuscany, Italy...

1950s/60s table by Nils Jonsson for Troeds, with two side extensions and original stamp. Signed by Nils Jonsson for Swedish manufacturer Troeds, this teak dining table dates from th...

Grey Saint Laurent refined contemporary marble dining table 130/75 Dimensions: 130 x 75 cm Materials: Grey Saint Laurent Angelo is the essence of a round table in natural stone,...

Travertino Silver Refined Contemporary Marble Oval Table 130/27 Dimensions: 130 x 27 cm Materials: Travertino ...

A tall lounge table with a marble top and a metal base. The marble top features smooth, polished surfaces with natural veining, providing an elegant and sophisticated look. The metal...

Squared dining marble table by Gianfranco Frattini, 1985 Absolute masterpiece by Gianfranco Frattini coming from his private house in Italy. This sculptural table is composed by a s...

This stunning dining table is defined by clean forms and an elegant aesthetic. The rectangular metal structure, in stainless steel with polished ...

Perseo Glass Dining Table by Barberini & Gunnell Limited Edition of 30 Dimensions: D 160 x H 75 cm. Materials: Tempered extra-clear crystal glass, mirror-polished stainless steel. T...

This medium table with an ‘X’ shaped metal base, comes in lacquered white/black or copper-coated bases by galvanic treatment. The Èmile dining table here is available in 3 base colors, and is offered in size- Medium. Born in 1980 in Verona, Designer Paolo Cappello graduated in Industrial Design at Politecnico di Milano. Aftera three year collaboration with Ludovica+Roberto Palomba in Milan, in 2007 he setup his own studio in Verona where he collaborates with other professionals in architecture, communication and graphics. Cappello has received many international prizes for his works, most recent ones have been, 2009 - Antoniolupi Design Competition, Progetto Deco Design Competition, and Ossigeno Italiano Prize by Abitare Magazine. Paolo Cappello also collaborates with Rolling Stone magazine writing the design column for the online edition. Paolo's works have been featured by main international magazines and newspapers as NY Times, Herald Tribune, Abitare, Interni, Ottagono, Residence, Icon, Elle Decor, Rolling Stone Additional information: Dimensions: table top height: 3cm, overall table height 74 cm, length of table 200...

Made in Italy, 1950s. This table is made in ebonized beech and features a taupe back-painted glass top. It is a vintage item, therefore it might show slight traces of use, but it ca...

This elegant table is inspired by the architecture of the historic European cities, particularly the rounded arc, typical of Renaissance buildings and cathedrals. The legs are in sol...

This table, features an elegant top with rounded edges, resembling the colours and shape of the famous lake which came from a volcanic crater. From the central part to the outside edges the design reflects the connection between land and volcanic rock. The curved legs resemble the waves of the sea as the stools Sibà are inspired by the island's mountain community. The table-top is crafted with coloured marble...

The table has a circular top in black-stained brushed ash, that can have a matt or glossy finish. It is composed of two semi-circles the form a central slit: the edge is rounded and ...

GEM Dining - coffee tables Combining contemporary modern style with details inspired by our glass tradition, Sabrina Landini GEM tables reinterpret our legendary links into head-tu...

Marble "Milos" dining table - Giorgio Bonaguro Dimensions: H 74 x D 120 x W 240 cm Materials: Calacatta oro marble, satin brass Available in other marbles and metal finishes. Collection of tables characterized by curved metal legs with a solid marble base and a marble top in the same finish. Its simple and elegant shapes are oriented to a refined luxury. Giorgio Bonaguro studied mechanical engineering in Modena and then graduated at Scuola Politecnica di Design in Milan, in the double Master of Industrial and Interior Design. He has worked in several design studios in Milan, first at Lorenzo Palmeri...

Table with black lacquered wood structure and walnut frame with brass details and glass top with tortoiseshell effect produced by Dassi in the 60s. Vittorio Dassi was an Italian Pos...

SEM Gold collection, square table with glass top: extra light transparent glass or smoke grey transparent glass (12 mm thick). Plated aluminium legs finished in 24-karat polished or ...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Rectangular table of Piedmontese manufacture, made of solid walnut and datable to the first half of the 19th century. The top has an elegant sloping wire frame with well-connected si...

Table in crystal and brass. The designer imagines a turning point in the use of such a precious finishes such as polished brass: from the idea of almost a unique object in its perfect craftsmanship, to the system to be built starting from the base. A column made of brass whose different diameters define base and capital, just as the columns of classic architecture. The column multiplies to infinity, is interrupted and then resumed to hold glass tops, wood or marble and configure even angular shelves, tables, small tables, displays and consoles. A landscape of almost infinite possibilities that designers and end users can chose from to organize the space both in domestic and contract situations, maintaining aesthetic uniformity in the name of a more refined elegance. Structure: Solid brass legs lacquered diameter 35mm. Top finishes: 12mm glass, 20mm marble. Additional Information: Material: Brass, emperador dark marble...

Isotopo table design by Elena Salmistraro, product by Scapin Collezioni Limited Edition A vibrant round top is combined with a sculptural base made of three rounded conical suppo...

SEM Gold collection, rectangular table with glass top: extra light transparent glass or smoke grey transparent glass (12 mm thick). Plated aluminium legs finished in 24-karat polishe...

Stefano Giovannoni designs Frame for Ghidini1961, a new collection composed of sofas, armchairs, dining and coffee tables, bookshelves and cabinets. Everything starts from a simple e...

We like to think that Ovo comes from some Warner Bros cartoon, both due to its curiosity and to its irresistible humour. This young, cute table plays with shapes and materials, forming a sweet semicircle where the leg meets the top. Ovo can take its likeable nature anywhere, from the home to the office, making spaces more creative and stimulating. Table with top in black ash, flamed oak...

Table in crystal and brass. The designer imagines a turning point in the use of such a precious finishes such as polished brass: from the idea of almost a unique object in its perfec...

Family of tables characterized by the elegant sophisticated metal structure supporting the glass tabletop. Inspiration from turn of century outdoor furniture...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2) Century, dining table in glass or ceramic top. The top can be rectangle or tonneau shape...

Our Crystal Side Tables are attention-grabbing examples of art blending with furniture design. The angular side tables exude an art gallery or public installation feel. They appear a...

Indoor-outdoor oval table, elongated and curved cylindrical legs, available with steel top or with other tops of the DAA collection.

The leftover is a design firm well-know for her geometrical approach. The lines of the drawing sculpt the wood make it light but with the right proportion in the space.

"The Coast Table draws on the same refined joinery as the Coast Chair. With a silhouette that is both architectural and organic, the tables refined brass frame and sculptural joinery support a tabletop that has had all sharp corners softened. The result is an elegant, inviting surface that provides the perfect landing spot for parties both large and small.” Branch Creative Coast Table is completed with the homonymous Coast Chair project presented in 2018, which found inspiration in the northern California coast...

Fixed table available with glass top in tapered shape. Veneered structure available in: Sycomoro dark frisè wood (TA68B), Pama wood (TA68) or Ebony (TA43). Details of base in metal.

Family of tables characterized by the elegant sophisticated metal structure supporting the glass tabletop. Inspiration from turn of century outdoor furniture meets modern high-quality metal crafting. Intricate weaving of steel rods creates a beautiful visually light three-dimensional ornament. Structure: Gilded metal rod with diameter 18mm supporting the structure, with 4 supporting elements for the table top. Satin gold finish. Top Finishes: 12mm glass, 30mm wood. Additional Information: Materials: Brass, wood Top Finish: Striped Oak...

Beautiful dining table made in Italy in the 1950s. Octagonal top in teak wood with geometric design and fluted edge. Black iron legs with shaped brass feet. The table top has been re...

A large 2 and a half-meter dining table with wood veneered top and brass base. A family of tables inspired by the Modern Movement, in particular the formal rigour of Mies van der Rohe and the free compositions of Gerrit T. Rietveld, in the layout of the right-angled thin metal blades which make up the monumental base. The tabletop, characterized by its chamfered edge detail which lightens even the largest sizes, is available at this price in three wood veneers (eucaliptus frisé, walnut and mahogany). The base is available in two bronze tones, which reflect and glow because of the recessed underside panel finished in our signature Casa Casati orange. The Berlino table...

Davide table designed by Studio Simon and produced by Simon. Partially foldable chromed steel structure, transparent glass top. Bibliography: Fondazione Scientifica Querini Stampal...

Original antique table, octagonal in shape, very rare in design and color. It has four drawers with Florentine type paper inside. Very comfortable for eight people. They will be d...

"The Coast Table draws on the same refined joinery as the Coast Chair. With a silhouette that is both architectural and organic, the tables refined brass frame and sculptural joinery...

Stefano Giovannoni designs Frame for Ghidini1961, a new collection composed of sofas, armchairs, dining and coffee tables, bookshelves and cabinets. Everything starts from a simple e...

Stefano Giovannoni designs Frame for Ghidini1961, a new collection composed of sofas, armchairs, dining and coffee tables, bookshelves and cabinets. Everything starts from a simple e...

Stefano Giovannoni designs Frame for Ghidini1961, a new collection composed of sofas, armchairs, dining and coffee tables, bookshelves and cabinets. Everything starts from a simple e...

Stefano Giovannoni designs Frame for Ghidini1961, a new collection composed of sofas, armchairs, dining and coffee tables, bookshelves and cabinets. Everything starts from a simple e...

Stylish Italian Mid-Century Modern dining table designed by Vittorio Dassi and produced by Dassi Mobili Moderni in 1950-1960. The table is extendable, adding one or two leaves and su...

Ottanta Dining Table

Made in Italy, 1970s. It features a chrome-plated metal pedestal and a round tempered glass top. This 8- seat table is vintage, therefore it might show slight traces of use, but it ...

Organic 150 Round Dining Table by spHaus Designed by Filippo Dell'Orto Dimensions: D 150 x H 73 cm. Materials: MDF, aluminum, steel, lapis lazuli. Organic is a family of indoor dini...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2.2) Menhir, dining table with two bases in glass or ceramic top. The base is available in ...

Travertino silver refined contemporary marble dining table 130/75 Angelo is the essence of a round table ...

Elegant vintage dining table in rosewood laminate, circa early 1960s production. Particular measurements that make it ideal and placeable with any type of furniture, great even in n...

Dining Table 280x120x76,5 in solid wood

Elegant dining table designed by Pier Luigi Colli with finely carved and painted legs decorated with acanthus leaves. Dark red glass top. The same set ...

Travertino Rosso Refined Contemporary Marble Dining Table 180/75 Dimensions: 180 x 75 cm Materials: Travertino Rosso. Angelo is the essence of a round table in natural stone, a scul...

Here you are shown the Otto table in the natural ash base finish and size large. This Large table is also customizable with a black ash or Canaletto walnut base. The irregular shaped...

🖤 A Sculptural Statement in Stone and Wood by dAM Atelier This striking piece from DAM Atelier is more than furniture—it’s an architectural composition rendered in stone and wood. W...

A Tuscany walnut table with rectangular top and sophisticated lyre legs, joined by wrought iron stretcher.

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) The brushed steel structure with its Allen screws showing creates a sort of frame, a housing for the natural element, the wooden tabletop made from irregularly shaped boards and the chair seats made with the hollow facing upwards.    About the designer: Carlo Colombo is considered to be one of the most important Italian architects and designers on the international scene. Since the beginning he has collaborated with the most important “made in Italy” design brands like Flexform, Poliform, Giorgetti, Cappellini, Antoniolupi, FLOU, Penta Light, Amini, Elie Saab, Cartier, Bentley Home...

Forged iron dining room table with marble top designed and produced by Pierluigi Colli in circa 1940, Italy.

Made in Italy, 1970s. This dining table features a brass and steel pedestal and a round 1.5 cm thick glass top. It may show slight traces of use since it's vintage, but it can be con...

Table in crystal and brass. The designer imagines a turning point in the use of such a precious finishes such as polished brass: from the idea of almost a unique object in its perfec...