Italy - Paintings

Italian painting from the first half of the 20th century. Framework oil on canvas, first canvas, depicting still life with fruit and vegetables of good pictorial quality. Painting of...

Great German painting from the early 20th century. Artwork oil on canvas, first canvas, depicting a wooded landscape, view of the river, of good pictorial quality. Painting adorned...

Flowers artwork, antique oil painting, floral vase painting which represents Dahlias and Chrysanthemums with grapes. A copper vase with flowers, placed on a white tablecloth...

O/8219 - The classic landscape with grazing sheep: a subject much loved by painters because it's a usually enriched by tree foliage against the backdrop of a beautiful blue sky. If Y...

Beautiful Flemish painting painted in oil on panel depicting a gentleman in elegant clothes. Within a molded and gilded wooden frame. MEASUREMENTS: overall 78x63 cm, work 63x49 cm

Painting by artist BomberBax from 2021 with mixed media on canvas with barbed wire insert. His vibrant colors are characterized by a sensual use of color and canvas work. The artist with this painting wants to depict two fates...

Stunning French pastel painting executed in 1899,signed,the author demonstrates great skill in capturing the tenderness of the maiden's gaze,her eyes speak.Of a sure academic school,...

18th century, French School Gallant Scenes (2) Oil on panel, 24 x 19 cm Framed, 44 x 36 cm This pair of works attributable to the artistic context of the French eighteenth centu...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Conte...

Stunning watercolor "Bouquet of Peonies" executed by Madeleine Renaud in the 1950s,the author demonstrates great skill in the use of colors, the various shades of blue purple and gre...

Beautiful oil painting on canvas portraying the marquise Elisabetta Corsini Ginori, wife of Carlo Ginori, well-known founder of the house of the same name and of the famous porcelain...

Italian painting of the late 19th century. Work oil on canvas, on the first canvas, depicting a wooded view with river in impressionist style. Pleasantly furnished and bright framewo...

18th Century, Russian School Icon depicting the relics of St. Spiridon of Trimiton preserved in the temple of Kerkyra Tempera on panel, 26.5 x 19 cm Applied on gilt wood panel, c...

Italian drawing from the second half of the 20th century. Framework mixed media on paper depicting an abstract subject without title. Signed Tarantino lower right (see picture) referable to the artist Giuseppe Tarantino (1916-1999) lacking authentication. Gilded wooden frame with canvas passe-partout (see picture) of beautiful decoration. Framework of beautiful size and pleasant decor, for antique dealers, interior decorators and collectors of modern Italian painting...

Painting by Pietro Domenico Ollivero. "Manio Annio Curio Dentato receives the ambassadors of the Samnites", around 1740 The work in question depicts the scene of and was made by the famous italian painter Pietro Domenico Ollivero. The oval canvas shows on the back the card of the Galleria Caretto in Turin (Italy) with the authentic 1965 Giorgio Caretto. The work was also published in "I Piaceri e le grazie" by Arabella Cifani and Franco Monetti in 1993. The subject refers to the history of Rome and an episode narrated by the historian Valerio Massimo. Manius Curius Dentatus (330 BC - 270 BC), one of the great Romans of the 3rd century B.C. was a consul in ancient Rome, known for ending the Samnite Wars. Elected consul in 290 BC. along with Publio Cornelio Rufino, in the same year he fought and won the Third War against the Samnites and their allies, thus ending a conflict that had lasted for 49 years. He definitively subdued the Sabines and the Greek army of Pyrrhus in the battle of Benevento. He represented the ideal prototype of ancient Roman for the generations that followed in that he avoided public honours; Cato the censor, who collected his sayings, placed him among the great figures of universal history. For centuries after his death (in 270 B.C. while overseeing the construction of the second aqueduct in Rome) his military exploits were recounted and his moral rectitude was praised as an example for all the Romans. Ollivero, in the cultured choice of the episode, illustrates the moment when Manio Curio Dentato is found in his home, characterized by Roman walls, sitting by the fire, on a rustic bench while eating his meal in a "ligneo catillo" (wooden basin...

Italian painting dated 1929. Oil on canvas framework depicting Madonna of excellent pictorial quality. First canvas painting, signed and dated lower right (see photo), signature in t...

Beautiful oil painting on canvas. A splendid marina at dawn with boats and fishermen. Excellent pictorial quality. No certain date of execution of the painting is written. Signed on ...

Stunning oil painting "Ballerina" executed by Fried Pal in the 1940s,this painting is exemplary of the pictorial style of the author,whose portraiture combines a soft naturakistic re...

A framed petit-stitch embroidery, depicting an English Bulldog dog, with collar, standing posture three-quarter portrait. The frame is made of painted and gilded wood. Austria circa ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges", on the back of the painting we find a “Certificate of Authenticity”, a photo of the author with signature and his biography, since the latter is written in Italian, we proceeded to translate it here below. Still, on the back of the picture, we can see two small repairs done by the author himself. Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984 – 2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

Description Holy Family with St. Anne Oil on canvas cm 75,5x57 In the center is clearly distinguished the Virgin Mary, seated with a halo, looking at the Child Jesus, who is held by...

Italian painting dated 1970. Oil painting on board depicting study on the source of Giacomo Soffiantino (missing authentic). Measurement contained framework, for antique dealers and ...

1977 Landscape Oil Painting by Francis Torry - Timeless Natural Beauty This captivating 1977 landscape oil painting by Francis Torry is a masterful representation of nature's serene...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Nineteenth century Marine view Oil on canvas, 74.5 x 100.5 cm Frame 100 x 126 cm The arrival of the storm is announced on the left side of the canvas by the presence of r...

Important watercolor painting representing a beautiful view of Rome with the Tiber, Castel Sant'Angelo and the dome of St. Peter's in the background. A typical work in the vein of th...

Raffinato dipinto a pastello francese " Ritratto di Donna" firmato, eseguito nel 1915,l'autore dimostra grande abilita' nel ritrarre lo sguardo femminile ,nel delicato incarnato fatt...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th...

Meraviglioso ritratto ad olio su tela, epoca primi del 900', realizzato dalla pittrice Ernestina Mak Orlandini.  Il ritratto raffigura una dama vestita di bianco con in mano un bouqu...

Set of 2 Venice Landscape Paintings on Canvas - 1960s A beautiful set of two framed canvas paintings from the 1960s, depicting classic Veni...

17th century, The condemnation and martyrdom of the four crowned saints by Giuliano Dinarelli Mid-17th century, Italy, Bologna Oil on canvas, frame ...

This brigthing Fortunato Depero wonderful print on paper is a multiple of 250 printed by the authorization of Museum of Depero in Rovereto. This is number XI (eleven). Fortunato Dep...

Beautiful oil painting on canvas not signed. Excellent pictorial quality. A lake landscape with some boats and people. There are some defects caused by the passing of the centuries. ...

Canvas art created by conceptual art artist under the pseudonym BomberBax from 2020. The artist always elaborates in his paintings the strong concept of the artistic evolution of Cry...

Great Italian painting dated 1988. Oil on canvas artwork depicting an expressionist subject with a surrealist character of good pictorial quality. Painting of large size and strong v...

Refined pastel painting "portrait of a woman" executed by A.Dagnaux in 1920,delicate in the strokes and use of color the author demonstrates remarkable skill in execution,the feather boa covering the female figure is sublimely executed ,it almost feels as if you can touch it as the female figure's own hand. Beautiful original frame of the 'era,overall good condition. Albert Marie Adolphe Dagnaux (Paris, July 10, 1861 - Mantes-la-Jolie, November 22, 1933) was a French landscape, tableaux and figure painter. Biography His father owned a small restaurant, "Le Dagnaux," in the 6th arrondissement of Paris. He began his studies in 1878 at the École nationale supérieure des beaux-arts under Professor Ernest Victor Hareux. His first exhibition was in 1883, at the Salon. In 1890 he left the Salon to join the Société Nationale des Beaux-Arts, founded by Jean-Louis-Ernest Meissonier.It was at that time that he began to receive positive critical attention. His first great success came with his tableau Avenue du Bois de Boulogne...

This original and fun custom canvas was made by Italian artist E. Art from the collective CB Art. Both the collective and the artist have made custom canvas for the most influential ...

Italian painting dated 1948. Framework oil on panel depicting a view of the famous Sacra di San Michele (seen from Avigliana) of good pictorial quality. Small framework with frame in...

Italian painting dated 1945. Work oil on masonite depicting a particular view with characters Celebration of Spring of excellent pictorial quality. Nice size framework of pleasant de...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). K. Collings, watercolor, portrait ...

19th century, Lombard school Portrait of a Gentleman Oil on canvas, 92 x 71 cm With frame 107 x 87 cm The elegant portrait in question depicts a carefully dressed gentle...

18th Century, Italian painting with Saint Nicholas and the miracle of the brick Oil on canvas; Frame cm H 136 x W 109 x D 10. Canvas cm H 100 x W 74 The oil on canvas painting, with...

Carlo Piacenza (Italy -Turin, December 3, 1814 - Castiglione Torinese, 1887) Market at the Giaveno Tower Italy, Piedmont, 1850-1860 Oil on canvas The oil on canvas pain...

Hiroshi Yasukawa was born in Nagano Prefecture in Japan in 1931. After studying art in Osaka, he began a career as a painter and art teacher. At that time, Yasukawa mainly created fi...

This stunning abstract artwork was made in 1966, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Italian painting from the mid-20th century. Artwork oil on board depicting a girl with a calf of good pictorial quality. Impressionist style painting of good brightness adorned with ...

Giovanni Battista Innocenzo Colomba (1713 – 1793) Landscape with figures Oil on canvas, Frame H 102 x L 112 x P 8; canvas H 77 x L 87 The valuable painting, attributable to the pai...

Italian painting from the mid-20th century. Oil painting on board depicting impressionist landscape signed at the bottom left Carlo Musso (1907-1968), without authentic. Framework fo...

Oil on canvas painting depicting a group of wild stags in a mountain landscape od romantic taste. Golden gilt fruitwood frame. Signed: Johann Frankenberger (Hadamar 1807 - Wien 1874), renowned painter of intense portraits...

A pastel painting depicting the head of a cocker spaniel dog with a wild duck in his mouth. Solid cherry wood frame, polished and beeswaxed. England circa 1930.

Italian school early 20th century (year about 1910) Oil on canvas depicting gentleman with wooden frame finished in gold leaf.

COD-2588 Orazio Orazi (1906-1979) T empera on canvas Untitled (The Cat) 1949 signature and date on the front Italian painter very active abroad, recognized by the name of Orazì ...

The antique paintings category, Landscape Paintings proposes a Glimpse of Venice with gondola and gondolier in a Venetian canal.  The work depicts a moment of daily life in Venice, ...

La categoria natura morta verdura e frutta propone una pittura ad olio su tela della seconda metà dell’Ottocento. L'opera è una Pittura antica su tela,...

This is a Antique Portrait Artwork,  Antique Portraits proposes a Young Girl who sews, Oil Painting on Canvas, of the 19th century. French ancient painting. XIXcentury. Antique Paintings.  Portraits of a Lady, a young woman painted in a blue dress and intent on sewing a red knitted sweater. The antique painting is enclosed in a beautiful gilded frame restored in pure gold leaf and is coeval with the painting. The antique painting is signed at the top left A. Legrand (XIX-XX), a french painter active in the nineteenth century. The antique frame and the painting are restored. French antiquity. Painting and Frame Restored Nineteenth Century French Antiques  Antiques...

1930s Lina Rossi Floral Composition - A Delicate Masterpiece of Early 20th Century Art This 1930s floral composition by Italian artist Lina Rossi is a timeless piece of art that bea...

Carella Lithograph mixed media multiple 36/70. Measures: Height 53 cm Width 38 cm Tecnica mista su carta In good conservative condition, present signs of time due to use and ...