Los Angeles - Lighting

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

The BC1, BC2 and BC3 wall lamps are the epitome of sturdy construction, aesthetic sobriety and functional quality. Their various shade options, including linen, stitched parchment or...

This is a horizontal mobile chandelier with 7 glowing cast porcelain polyhedrons. Also available with bamboo polyhedrons. The Cassiopeia series was designed for spaces with lower c...

Italian style gilt metal ceiling fixture that depicts a gold sunburst. We can make this in both silver & gold and we can make as many as you need.

Handsome LU Louis sconce AS Outdoor is a large outdoor version of the all brass wall sconce in an aged silver finish with patterned perforations by Lumfardo Luminaires. Made contempo...

Elegant geometric sconces composed of opaque glass cylinders with a teak veneer wrap, wired for US standards, dimmable, one E27 socket per fixture, max. wattage 75w or LED equivalent...

70's MOD ceiling spot light with 3 adjustable orange shades on chrome stems with black accents and black enameled hardware. In original condition with some chrome ware and consistent...

Paul Ferrante celestial 6 arm giltwood chandelier.

A very nice and great quality 1920's cast iron sconce,

Pillow floor lamp Black lacquer Hand repousse Silk shade (26" diameter) Limited edition Each piece is individually crafted and is unique. Lacquer is a technique that dates ba...

Designer: Lighthouse Light & Shade Co. Manufacturer: Lighthouse Light & Shade Co. Dimensions 28in H x 9in W x 9in D Lamp Shade: 12in H x 17in W. __________________________________...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

Mid-Century Tony Duquette venetian light sconces. Each features metal palm leaf forms with custom shades and murano crystal prisms. Priced each. ...

Condition: Newly Rewired

Glowing buds of natural alabaster nestle in a Brutalist-inspired solid cast bronze frame. Models in the collection are individually hand-crafted by the skilled artisans in our studi...

wonderful pair of French 1950s wall lights by Jean Rene Caillette for Parscot, with white metal bodies, detachable diffusers and brass ball joints, wired for US standards, one E12 so...

Pair of Monumental size beautifully carved Italian Neoclassical style silvered lamps. The lamps have custom hand painted parchment shades. The lamps are newly wired with drip wax candle covers...

Part of Lumfardo Luminaires contemporary collection, the MoLUno chandelier fixture is an elegant 8 light chandelier made from painted aluminum and br...

Great sculptural articulating wall sconce with two arms that swivel 180 degrees. Oval shaped diffusors rotate 360 degrees for directional light. One arm extends straight out while th...

19Thc Decorated stoneware handmade crock from Pennsylvania in fine condition with double handles.This lamp has been newly wired & custom made linen shade.

Model DMB 26 Bauhaus pendant light by Marianne Brandt for Tecnolumen. Originally designed in 1926. Current production designed and manufactured in Germany. Nickel and opaque glass gl...

This brilliant Mid-Century Modern flush mount chandelier was realized by the esteemed Italian glass blower Gaetano Sciolari for Lightolier, circa 1970. It features four thick translu...

Elevate your living space with this exquisite pair of Brass & Glass Sconces, inspired by the iconic designs of Jean Perzel from 1960's France. Crafted with precision and attention to...

The arc sconce is made of a solid black body and backplate with a white Lucite shade and black screws. Small: W 5.25in (13.5cm) x D 5.25in (13.5cm) x H 12i...

Custom hand carved wood cherub face lamp newly wired with drip wax candle. The lamp is crowned with a rectangular shaped hand painted parchment shade. Worn p...

Incredible and unique French Art Nouveau iron table lamp. Forged iron body with floating leaves on a tripod iron base. Newly re-wired with new tapered creamy paper shade with black t...

Iconic enameled wall lights by Charlotte Perriand with adjustable reflectors in rare grey finish, optional horizontal or vertical mount, manufactured and distributed by Steph Simon, ...

Striking 1930s task lamp No.802PL by Marianne Brandt for Kandem (1934-1939), enameled black with a white shade interior, with custom solid steel bases, can be used as wall or table l...

Pair of Mid-Century Modern mercury glass table lamps in a sphere shape. Gorgeous detail work. Just add your favorite shade style.

Mid-Century Mazzega attributed Italian MOD teak grid framed wall lights with organic slump molded glass plate shades. Unique design that is a truly illuminating conversation starter....

Italian drafting table lamp by Tecnolampada with original manufacturer tag. Swivel and tilting head on adjustable stem with weighted base. In or...

Pair of vintage floor lamps with adjustable mechanism designed and manufactured in the 1980's in Italy by Gammalux. The lamps have beautiful architectural lines, the top portion of ...

Chic solid (painted) copper American Arts & Crafts hanging lantern. Suitable for indoor and outdoor use. Dimensions listed (10 in. diameter x 19 in. tall) are the dimensions of the l...

At 4.29 p.m. on 9th February, 1927 Eduard-Wilfrid Buquet feild his patent for parts of this table lamp, particularly the flexible joints, at the Ministère du Commerce et l'Industrie ...

A sculptural and elegant Italian floor lamp from the 1970s, defined by its clean vertical lines and refined material palette. The lamp features a domed shade in thick, textured Muran...

Eight arm painted iron & wood Melissa Levinson chandelier. The iron is beautifully scrolled with wood painted bobeches. The paint is purposely weathered to perfection. The fixture...

Two-tier eight-light handwrought iron chandelier finished in an antique iron finish. The chandelier is newly wired with cream drip wax candle cover...

The cords are adjustable to your desired length and can extend another 6-12". For more than four decades, New York City-based Robert Sonneman has been at the forefront of modern lig...

Pair of Extended Model V75 Sconces by Bergboms. Designed and manufactured in Sweden, circa the 1960s. Polished brass armatures with half dome shades. A pull-thread to operate the lig...

Superbly crafted linear wall sconce designed by Lumfardo Luminaires in a lightly patinated lacquered (gold) brass finish. Sconce is designed to feature artwork and/or objets d’art. E...

Antique neoclassical figural marble lamp with tole Bouillotte shade. Additional information: Materials: Marble, Tole Color: Antique White Perio...

French floral carved marble sconces France, circa 1920s - Art Deco Handcrafted artisanal piece Each demilune sconce is sculpted from a single slab of marble and is unique in its comp...

Model LT 338 floor lamp by Carlo Nason. Originally designed in 1967. Current production by Mazzega designed and manufactured in Italy. Brushed copper, polished ...

Custom brass pendant chandelier with white glass pieces. Can be done in other metals and sizes.

Elegant LUfold pendant inspired by classical mid century Italian design. Made in solid aged brass. Featuring a graceful contoured curved design, this pendant is wired with 1-E26 medi...

Shade Size: 18 1/4"Dia x 12 1/8"H Dong Shan Table Lamp Antiqued Copper Copper Metal Hand Repoussé Tan Linen Shade Limited Edition Each piece is individually crafted and is unique. ...

Rare Fog and Morup teak and hemp pendant lamp with a unique pulley system built into the canopy that allows for easy height adjustment. Designed by Ib Fabiansen, Denmark, 1960's. Giv...

Mid-Century Philips 'NX20' wall sconce with decorative black wire frame and removable milk glass shade. A stylish pairing of glass and wire in original condition with visible wear co...

Iconic enameled wall lights by Charlotte Perriand with adjustable reflectors in rare yellow finish, optional horizontal or vertical mount, manufactured and distributed by Steph Simon...

Spectacular alabaster obelisk lamp. Very tall. Heavy.

A pair of Italian modern curved glass with circular cutouts and chrome fittings. Each sconces is composed of a inner white milk glass shade and an outer smoked glass shade. When lit ...

Lantern Lamp Black Copper Hand Repoussé Linen Panel Limited Edition Each piece is individually crafted and is unique. Repoussé is the traditional art of hand-hammering decorative...

Antique 19th century Empire brass column table lamp Additional information: Materials: Brass Color: Gold Period: early 19th century Styles: Empire Lamp Shade: Not Included ...

Jo Hammerborg designed Midi Bunker large ceiling pendant produced by Fog and Mørup. Rare model, adjustable height, ceiling flush mount with white canopy, chrome swing arm and green e...

The XL 6-Globe chandelier features six arms that are centered on a brass rod. Three of the globes are angled down with brass shades. The other three have powdercoated shades. The ...

Pair of custom lamps made with a pair of 19th century hand carved Italian candlesticks wired into lamps and crowned with hand painted parchment shades. Newly wired for electricity an...

The Lanterne is constructed with bronze or black powder-coated aluminum and a solid brass reflector backplate. The fixture is suitable for wet locations and has a waterproof plexigla...

Mexican Artist, Pepe Mendoza, designs a wonderfully unique biomorphic Brass lamp with Turquoise Inlay. The hand Crafted lamp is a complement to any desk or side table, bringing a mo...

Introducing the 'Sellier' French modernist-style stitched black leather table lamp by Design Frères. Crafted from premium black leather, the stitched detailing adds a touch of sophi...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...