Los Angeles - Lighting

Pair of Mid-Century Modern mercury glass table lamps in a sphere shape. Gorgeous detail work. Just add your favorite shade style.

Lantern Lamp Black Copper Hand Repoussé Linen Panel Limited Edition Each piece is individually crafted and is unique. Repoussé is the traditional art of hand-hammering decorative...

Antique 19th century Empire brass column table lamp Additional information: Materials: Brass Color: Gold Period: early 19th century Styles: Empire Lamp Shade: Not Included ...

A sculptural and elegant Italian floor lamp from the 1970s, defined by its clean vertical lines and refined material palette. The lamp features a domed shade in thick, textured Muran...

A pair of Italian modern curved glass with circular cutouts and chrome fittings. Each sconces is composed of a inner white milk glass shade and an outer smoked glass shade. When lit ...

Rare black enameled metal Wim Rietveld Panama wall light "Model 4050" designed for Gispen, 1955. Position adjustment is made using the red key...

Custom brass pendant chandelier with white glass pieces. Can be done in other metals and sizes.

Long cylinder brass swivel floor lamp by Casella, 1980s manufactured in San Francisco. The fixture is in excellent vintage condition.

The Lanterne is constructed with bronze or black powder-coated aluminum and a solid brass reflector backplate. The fixture is suitable for wet locations and has a waterproof plexigla...

Pair of Mid Century Modern White Majolica Table Lamps

French floral carved marble sconces France, circa 1920s - Art Deco Handcrafted artisanal piece Each demilune sconce is sculpted from a single slab of marble and is unique in its comp...

Pair of custom lamps made with a pair of 19th century hand carved Italian candlesticks wired into lamps and crowned with hand painted parchment shades. Newly wired for electricity an...

Mid-Century Dutch orange glazed ceramic table lamp with round cut-outs. This lamp has a regular medium sized based bulb that serves as its main light source and an EU candelabra bulb...

Multi-Directional Chrome Floor Lamp by Casella Lighting Crafted entirely out of metal. With adjustable height and dimmable light. Raises from 42” to 46” high. Metal honeycomb gri...

Iconic enameled wall lights by Charlotte Perriand with adjustable reflectors in rare yellow finish, optional horizontal or vertical mount, manufactured and distributed by Steph Simon...

Hand crafted six light iron & wood beaded chandelier. This chandelier has a distressed vintage-inspired design with an ornate metal fame coatd in a weathered white finish. The fram...

Glowing buds of natural alabaster nestle in a Brutalist-inspired solid cast bronze frame. Models in the collection are individually hand-crafted by the skilled artisans in our studi...

Pair of Extended Model V75 Sconces by Bergboms. Designed and manufactured in Sweden, circa the 1960s. Polished brass armatures with half dome shades. A pull-thread to operate the lig...

Pair of Hollywood Regency Candelabra Lamps w Trumpet Playing Putti - Paris Foundry. Superb quality painted metal finish, each featuring a Paris...

Mid-Century wall mounted fishing pole lamp with hanging milk glass shade pendant. Black metal wire frame with curved milk glass on a white power cord...

Hagoort double barreled pendant light with black enameled exterior, bone white interior and milk glass inner shade. Modern two-tiered design with European candelabra sockets on top a...

Model 10 'Lilly' Sconces by Gino Sarfatti for Arteluce (IT, c. 1940s) Mint green pastel shades with a bottom curved detail. Brass accents. Each sconce holds a single E14 socket-type...

The “Cobra” table lamp designed by Greta M. Grossman for Ralph O. Smith in the United States in 1948. A true icon of Mid-Century modern lighting design and winner of the MoMA Good De...

Mid-Century, 1970's white enameled wall or ceiling mount spot lights by Philips, attributed to Louis Kalff. Kalff was the main designer for Philips for the majority of the post-war e...

Condition: Newly Rewired, New Shade Dimensions: 36.50”H x 9.50”W x 9.50”D Shade: 13.25"H x 16.50"W x 16.50"D

1950's milk glass hanging globe by Vilhlem Wohlert for Louis Poulsen. Suspended on white wire with opening at bottom. Some with longer neck at top. Shorts (4 available) have 1" neck,...

Large Murano glass pendant with chrome chain and canopy. Hand-blown milky Murano aerated glass cone (small bubbles). Chic and understated. Dimensions listed (10 1/2 in. diameter x 17...

The Alice collection is inspired by Brutalist modular architecture. The textured hand blown glass cubes are sandblasted to create a soft glow and stacked together to diffuse light in...

The XL 6-Globe chandelier features six arms that are centered on a brass rod. Three of the globes are angled down with brass shades. The other three have powdercoated shades. The ...

Elegant LUfold pendant inspired by classical mid century Italian design. Made in solid aged brass. Featuring a graceful contoured curved design, this pendant is wired with 1-E26 medi...

Condition: Newly Rewired, Chrome Shows Patina

The stunning LUte LP AS Sconce by Lumfardo Luminaires is a taller and wider perforated version of the LUte Sconce. An up and down fixed cylindrical wall sconce in a perforated aged s...

Hand crafted wood beaded and iron painted chandelier. The chandelier has a distressed appearance with an iron frame featuring the same aged appearance, a mix of oxidized green and rusted brown tones. It is adorned with decorative elements such as beads and teardrop shape ornaments in shades of blue, white, and gold. The chandelier features six curved arms extending outward, each holding a candle-style light fixture with white candle sleeves. The overall design is ornate, with elegant scrolling details and a classic, vintage aesthetic reminiscent of French or Italian antique chandeliers...

Mid-Century suspended light with burgundy metallic glazed glass domed shade by RAAK. In original condition with original bead-chain suspension hardware and some visible scratching to...

Superbly crafted linear wall sconce designed by Lumfardo Luminaires in a lightly patinated lacquered (gold) brass finish. Sconce is designed to feature artwork and/or objets d’art. E...

Model LT 338 floor lamp by Carlo Nason. Originally designed in 1967. Current production by Mazzega designed and manufactured in Italy. Brushed copper, polished ...

Pair of rare Shogun sconces by Mario Botta. Designed and manufactured in Italy, 1985. White powder-coated metal and plastic fitments. Both exterior and interior shades may pivot up o...

Luxo BZ18 "Stringa" floor lamp in black by Hans Ansems with curved perforated shade and dimmer switch. The neck of the lamp adjusts in three places for a range of dynamic forms. In o...

Mexican Artist, Pepe Mendoza, designs a wonderfully unique biomorphic Brass lamp with Turquoise Inlay. The hand Crafted lamp is a complement to any desk or side table, bringing a mo...

A custom-crafted wall sconce by Steven Handelman Studios, dated June 2001, combining classic form with durable materials. This handcrafted fixture features a hexagonal body made of b...

Dimensions: 30”H x 6.50” W x 6.50” D Shade 10”H x 15” W x 15” D

Pair of Gino Sarfatti Pendants Model 2095/1 by Arteluce, Italy, 1958. Blown glass pendant lights with clear glass globe shades, aluminum hardware and long cords. These pendants do no...

Spectacular alabaster obelisk lamp. Very tall. Heavy.

At 4.29 p.m. on 9th February, 1927 Eduard-Wilfrid Buquet feild his patent for parts of this table lamp, particularly the flexible joints, at the Ministère du Commerce et l'Industrie ...

Newly made ceramic lamp in a wavy column-form handmade from terracotta and white glaze. New natural raffia shade, brass stem neck, and new white cloth cord wiring with switch. Modern...

As part of the Emmet family of fixtures, this flush mount showcases minimal lines, great proportions and celebrates the warmth and beauty of glazed terracotta. Suitable for ceiling i...

A rare set of three Italian 1950s wall/ceiling Directional lights. The lights are of aged brass painted enamel. The light head pivots vertically. Rewired.

Italian Mid-Century, 1950's, Anzolo Fuga style blown glass ceiling pendant with striped milk glass shade. Handsomely decorated with painterly red blotches. In original condition with...

Pair of large 'Bloc' parchment lamps by Design Frères. Attractive European style shade mounts with no apparent harps / finals. The pair comes with the matching custom parchment pape...

articulating black enameled metal scissor wall lamp by Hala, extends from 19" to 50" hood with original aluminum colored interior, wired for US standards or European standards (110v/...

The Tera Lamp - Lime Plaster by Ceramicah is made of a wheel thrown ceramic shade and ceramic base. Once the ceramic pieces go through the kiln, the lime pla...

Superbly crafted linear wall sconce designed by Lumfardo Luminaires in a longer 24" diameter. This beautiful sconce is excellent to feature artwork ...

Large Pipistrello table lamp by Gae Aulenti for Martinelli Luce. Originally designed in 1965, this current production comes with a white opal methacr...

Nicely chased 1900s bronze-mounted Chinese porcelain parrots with French hand painted porcelain accents. Base is stamped "France".

The G21 reading lamp is the perfect source of precise, intimate accent lighting. Available with a black/white or white/white lampshade and in a slightly perforated version, this mode...

Bauhaus floor lamp DSL 23. Originally designed in 1923 by Richard Döcker. Current production manufactured in Germany by Tecnolumen. Nickel, opaline glass. Rewir...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A very fine and Palatial French 19th century Louis XV Style gilt bronze, crystal and cut-glass Twenty-Four-light chandelier, probably by Baccarat. The central molded cut-glass stem s...

White standing floor lamp with white lacquered carved wood post similar to bobbin style furniture, and sporting a funky domed shade made with red and orange 70's FABric.-get it? FAB?...

The BC1, BC2 and BC3 wall lamps are the epitome of sturdy construction, aesthetic sobriety and functional quality. Their various shade options, including linen, stitched parchment or...