Los Angeles - Floor Lamps

Model 201 telescopic floor/table lamp by Angelo Ostuni and Renato Forti for O-Luce. Designed and manufactured in Italy, circa 1950's. Painted metal, brass, cast steel base and a rare...

French Art deco Torchiere Floor lamp. The base is Brass, with a silver plate fluted Column, and fluted Torchiere Holder which corresponds with the torchiere shade in white glass. A...

Parliament floor lamp by Le Corbusier. Current production manufactured in France by Nemo Lighting. Painted aluminum. Wired for U.S. standards. Sh...

Charles Dudouyt thick corkscrew floor lamp, France, 1940's. Solid oak - stained ebony. Solid and thick wood with great patina. Newly rewired / new shade.

The iconic Daphine floor lamp was born from Tommaso Cimini’s design philosophy, “Lots of light, not much lamp”. Its 2-segment arm and freely adjusta...

'Mikado' Floor Lamp by Michel Senne for Arlumiere. Designed and manufactured in France, circa the 1970s. A dual armed floor lamp with two traingular shade...

Handsome cantilever floor lamp completely wrapped in a deep green leather by French designer Jacques Adnet. Great sculptural lamp from all angles. Signature Adnet contrast stitching ...

The Americana series was designed by Miguel Milá in the mid-1960s to pay tribute to George Hansen’s 1950s lamp collection. The Hansen lamps are built around a rotating arm with a swi...

Rare solid wood "Cactus" floor lamp by Modeline of California. Includes the original 3 amber globe shades. In good vintage condition with some marks on wood present.

Heavy duty industrial task floor lamp. Great for a loft. Measure: 13 in. diameter reflector.

Pair of tall 'Pyramide' patinated brass console or floor lamps by Design Frères. The light source is concealed inside the pyramid base, illuminating the surface behind. Unique design...

'Corona' Floor Lamp V.L. Porcelli and C. Basile for Porcelli Associates. Designed and manufactured in the US around the 1980s. A heavily weighted base cylinder and two paralleled st...

Tobia floor lamp designed by Ferruccio Laviani in 2019 for Italian manufacturer Foscarini. In the floor version, Tobia is a portable luminator that projects powerful light upward. Sl...

'Wagneriana' marble floor lamp by Lella and Massimo Vignelli. Designed and manufactured in Italy, 1986. A monolithic black marble floor lamp adorned with a brass bowl-shaped shade. T...

Model LT8 floor lamp by Osvaldo Borsani. Designed and manufactured in Italy, circa 1950s. Enameled metal, brass. Original European cord We recommend two Neon Fluorescent tubes. Bulbs...

French wicker floor lamp France, mid century Intricately woven wicker encompasses the lamp frame Shade has a lovely scalloped edge detail an...

Bow Floor Lamp draws inspiration from artistic interpretations of Georgian letterforms. These forms, though arbitrary, offer a study of light's interplay...

Handsome floor lamp completely wrapped in a black leather by French designer Jacques Adnet. Made in France in the 1950s. Just under 5.5 feet tall. Leather covers stem with brass ring...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Beautiful American made floor lamp made with what it appears to be acrylic and metal with a lacquer finish. The base is weighted with cement which makes ...

A rare and wonderful pair of Brass and Chrome Floor lamps. The star of the show is the polished brass tortoise / Turtle Shell Shade. The pair are definitely in the style of Tomma...

Model 397 Floor Lamp by Angelo Ostuni for Oluce. Designed and manufactured in Italy in 1960. A three paneled parchment shade construction with black enameled detailing and an adjusta...

The El Monte lamp is made from turned solid American walnut or white oak with a brass knuckle. The drum shade is linen and includes a diffuser. The Lawson-...

Unique vintage rattan floor lamp from France, 1960s. Rattan three leg base with large rattan orb shade and new interior silk diffuser. Newly re-wired. Takes one E12 base bulb, 25 W o...

Model 167.A82 Floor Lamp by Rispal. Designed and manufactured in France, circa 1950s. Rare floor lamp featuring a soft wooden frame, parchment shade, and a three legged base and end ...

Conceived by André Ricard in 1970. Its name is a nod to the artist Lucio Fontana, who challenged the history of art by slashing his neat oil paintings. His was an art for the Space Age that sought to turn pieces into experiments in a new three-dimensionality. Santa & Cole presents Fontana together with a new floor version, both in white painted steel finish. The pendant version, being the first, maintains its futuristic look thanks to the good dimension of its more than half sphere and the unmistakable tear that illuminates peripherally allowing a soft indirect lighting. Its interior now houses an efficient light plate...

Rare Pierre Guariche "Cerf Volant" floor lamp model G30. France, 1951. Black lacquered metal feet, brass stem, black and white re-lacquered small metal shade, brass fixings. Bibliography - Patrick Favardin, "The decorators of the 50s", Éditions Norma, Paris, 2002, similar model reproduced on p.213 - C. & D. Krzentowski, "The Complete Designer's Lights II, 35 years of collections", Éditions JRP Ringier, Zürich, 2012, similar model reproduced on p.106 - Delphine Jacob, Lionel Blaisse, Aurélien Jeauneau, Pierre Guariche, Luminaires- Furniture-Interior Architecture, Éditions Norma, 2020, model reproduced pp...

A totem of carved natural alabaster atop solid cast oil rubbed bronze torchiere. Models in the collection are individually hand-crafted by the skilled artisans in our studio. Custo...

Various similar models of this “Lamp de Travail” were made in 1930, proving especially popular as office lighting. A similar lamp forms part of the permanent exhibition of forms at t...

Illuminate your space with sophistication and style with these Aged Brass & Glass Cylinder Floor Lamps by Restoration Hardware. Made in 2015, these timeless pieces feature a sleek ag...

Pair of bronze floor lamps with a white gesso finish in the Style Giacometti - The pair are in wonderful overall condition, the bronze has been repaired and the original finish upgra...

Elegant 1950s faceted glass floor lamp with Carrara marble base. Newly rewired. Custom shade available for $100. Excellent vintage condition. One small chip in corner of one of the g...

Incredible iron cantilever floor lamp in a deep green paint by French designer Jacques Adnet. Great sculptural lamp from all angles. The middle quarter of the lamp features a beautif...

The G21 reading lamp is the perfect source of precise, intimate accent lighting. Available with a black/white or white/white lampshade and in a slightly perforated version, this mode...

A Rare Tall Pompeiian Style 19th-20th century gilt patinated bronze tripod torchere Floor Lamp fitted with a molded glass shade. The tall fluted center column, topped with decorated ...

An archetype of industrial craftsmanship. Inspired by the traditional lanterns that light up homes along the coast, rural estates and open terraces, Cestita is the little sister of o...

Floor lamp with marble base, design and manufacturing by Stilnovo, Italy, 1950s. The lamp has an opaline glass egg shape, as well as lacque...

Genius, intuition, balance. Giraffa is an adjustable and extendable aluminum floor lamp with chromed brass details. A system of counterweights makes it possible for the lamp to be pl...

A column of Lapis Lazuli and Bianco Lasa marble with natural brass detailing and an illuminated organic hand blown opale glass vessel.

Floor lamp with adjustable linen or silk shade provides direct light. Double socket, one in top and one in bottom of shade. Each socket takes one E26 ...

LTE 5 floor lamp by Luigi Caccia Dominioni for Azucena. Designed and manufactured in Italy, 1953. Slender enameled brass floor lamp with sharp conical shade and ...

Absolutely stunning in person. They would make any outdoor space spectacular.

Floor lamp in steel and hand blown glass. Dimension 4.5” W x 39” L x 73” H Materials Blackened Steel, Brass, Opal frosted hand blown glass Customizations available. ELECTR...

The Space Age Italian Organ Floor Lamp by Goffredo Reggiani, crafted in the 1970s, is a rare and highly collectible lighting masterpiece. Designed by the renowned Italian designer Go...

Pair of tall 'Pyramide' patinated brass console or floor lamps by Design Frères. The light source is concealed inside the pyramid base, illuminating the surface behind. Unique design...

Genius, intuition, balance. Giraffa is an adjustable and extendable aluminum floor lamp with chromed brass details. A system of counterweights makes it possible for the lamp to be pl...

This 1970s Italian floor lamp is a striking example of modernist design paired with thoughtful functionality. The elegant twin-post brass frame rises from a sculptural white marble b...

Fantastic sculptural grasshopper floor lamp in the style of Svend Aage Holm Sorensen. Black steel frame with yellow perforated metal shade and yellow detailing throughout. Excellent ...

Rare PH 3/2 Floor Lamp by Poul Henningsen. Designed and manufactured in Denmark, 1931. Amber glass shade with original stamp, metal base and stem, original cord. We recommend one E27...

Twentieth Exhibitions is proud to present the début of Hydrochrom, a family of glass sculptures by LA-based artist and designer Sébastien Léon. Hydrochr...

Floor lamp by Oscar Torlasco for Lumi. Designed and manufactured in Italy, circa 1955. Brass, enameled metal adjustable shade. Original EU cord. We r...

Handsome brass and leather floor lamp in the style of French designer Jacques Adnet. Circa 1950s. Beige leather wrapping the full length of lamp. Height adjustable brass rod runs ins...

Modern sculptural floor lamp model Chicago Tribune designed by Matteo Thun 1985 for Bieffeplast Padua, Italy. The floor lamp consists of grey and silve...

Large G1 floor lamp by Pierre Guariche. Designed and manufactured in France. Enameled aluminum, metal, brass. Wired for U.S. standards. This is a current production of the magisteria...

Stunning 1960s Turkish operating room light. Massive ambient light fixture that rotates 360 degrees and is supported by a sturdy steel tube tripod base. Over 8 feet tall. Base is on ...

The N10527 floor lamp designed in 1972 by Michel Mortier was published at the time by Verre Lumière. Disderot reissues this very contemporary model, with its aluminum base and opal g...

The Italian Mid-Century Space Age Floor Lamp from the 1970s is a sleek and futuristic lighting fixture that embodies the artistic and technological spirit of the era. Characterized b...

Handsome brass and metal floor lamp in the style of French designer Jacques Adnet. Circa 1950s. Circular metal base and stem are one solid piece. Height adjustable curved brass rod. ...

Floor Lamp by Stilnovo. Manufactured in Italy, circa 1950s. Brushed satin glass diffuser, enameled metal, brass. Original European cord. We reco...

Stunning copper lamp with great patina.