Los Angeles - Cabinets

A Dutch Indonesian cabinet from the Mid-19th century. This piece is signed by Van Vuong Hien. It's made of special Rosewood with a Mother of Pearl Abalone inlay. The textures and col...

This Renaissance style vitrine cabinet is a stunningly beautiful masterpiece in white oak with superb carvings and detail. Note the fourteen carved figures, lion's heads and other su...

Elegant Louis XVI cherrywood secrétaire cabinet.

Stunning Lucite and metal e´tage`re designed and manufactured by Charles Hollis Jones. This cabinet was designed and manufactured in 1966 during his time wi...

Elegant Louis XVI cherrywood secrétaire cabinet.

Large radius ends on the top and bottom barely peek over the sides to add some shape and dimension to an otherwise very box-like box. Plinth style base with scallops all around! Subt...

Italian 1960s rosewood cabinet by Stildomus for your dining room, living or bedroom. Great vintage piece that will wow your friends! Can't you hear'em now?.

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

18th c. French Walnut Monumental Armoire with single drawer. This over-sized Armoire has it's original Hardware and finely carved panels.

A very fine French 19th century Louis XVI style burr-walnut and mahogany marquetry and ormolu-mounted Military armorial Meuble D'Appui with a Veined Brèche Violette marble top, attri...

Rustic modern bleached pine cabinet with turn-lock handle and metal bracket strap hinge details, France circa 1960's.

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

This is a variation of our Dos Gallos custom trastero cabinet. Inspired by the traditional trastero cabinet of Guatemala. This cabinet can be made in any size, wood and finish. Ad sh...

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

Early minimalist nightstands designed by Edward Wormley for Dunbar. Beautiful bleached mahogany cases with inset matching hardware and leather wrapped bases. Very functional set and ...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

A stunning tall oak dresser designed by Paul Lazlo for Brown Saltman c.1950s, USA as part of the "Basket Weave" collection. This classic California Modern design features two cabinet...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bo...

This rustic painted cabinet is made from reclaimed heart pine with adjustable shelves and planked doors. Seen here in 18" x 60" x 90", however i...

A fine and unusual English 19th century Edwardian style painted satinwood and silver-mounted two-door side cabinet with a twin-front-doors and a single apron drawer. The doors, sides...

French medicine cabinet with glass shelving in the display area, drawer, and cabinet storage. Perfect for displaying anything your heart desire...

Flower Cabinet by Elisabeth Garouste and Mattia Bonetti in Zebrano wood and Aluminum. Edited by BGH. Made in France circa 1999.

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

This fine pine 19thc wall spice cabinet can hang on the wall or sit on the counter.The condition is very good.

The Noor nightstand is a one-of-a-kind piece designed specifically for modern and contemporary bedrooms. What sets it apart is the unique wave design on the nightstand, which adds a ...

Ma+39 cabinet console table. Custom item: Materials and colors Italy current production.  

Handsome pair of Dunbar nightstands. Original medium walnut finish with leather wrapped bases. Green Dunbar tag on inside drawer of each unit. One ni...

An extraordinary piece totally customizable made by MA+39 Shop Los Angeles. Ma+39 Cabinet Console Table . Custom item: Materials and Colors Italy Current Production

Custom midcentury style nightstands made in American walnut with three drawers. Made in Los Angeles by Adesso Imports. Can be done in different sizes and wood.

A cabinet from George Nelson’s Thin Edge collection for Herman Miller modified by architect Craig Ellwood for one of his homes. The design features a slender rosewood case with four ...

Intricately carved custom console with drawers and door. Carvings on three sides. Can be made in walnut or alder, in a variety or colors and finishes in custom sizes. As shown in Ald...

Beautiful pair of Asian black lacquered side cabinets with hand painted butterflies.

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bo...

A very nice and elegant 19 th century French renaissance cabinet ALL SALES ARE FINAL, STORE CREDIT OR EXCHANGE ONLY

Beautiful, late 19th century French Bombay chest in the Louis XV style. The chest features superbly hand painted depictions and bronze ormolu de...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

A VERY FINE ANTIQUE EBONIZED WOOD & ORMOLU MOUNTED PIETRA-DURA CABINET France, Late 19th Century Height: 53" (134.6 cm) Width: 42" (106.6 cm) Depth: 18" (45.7 cm)

Japanese style media console with slatted panels, interior shelf and custom-made hand-forged iron hardware and base. Can be made in any size or finish. A...

This 19thc grain painted cabinet with a original wavy glass front door and shelf's in the interior. The cabinet door is in fine condition. This i...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A French antique ormolu-mounted two-piece marble-top cabinet in the Empire style. Crafted in solid mahogany with fabulous bronze mounts reminiscent of the Empire style using Egypt...

A midcentury Italian chest of drawers with a brass base and brass handles is a stylish and functional furniture piece that embodies the desig...

Finely inlaid cabinet. Excellent condition.

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

Aesthetic Movement faux-bamboo armoire in the "Asian" taste. Wonderful carving and mother-of-pearl inlay details. Mirror-front doors. Beautifully fitted and fully lined with upholste...

A Fine Late 19th Century Italian Mass Inlaid Walnut Commode/Credenza The shelved superstructure with pediment surmounted by finials, fitted with four small drawers, on lion head supports The lower section inset with a marble top above two frieze drawers with enclosed cupboards below, between turned columns, on block feet Decorated with geometric designs with foliate floral trailing borders and decorated with panels of stag hunting...

A spectacular large French Napoleon III ormolu mounted showcase by Charles-Guillaume Diehl, and Helene Bertaux. Each one of the three glazed doors mounted with a relief-cast oval plaque depicting flying putti and a lady in various positions, flanked by acanthus leaves and ribbons. The shoulders mounted with female espagnolettes, topped with a gilt bronze bust of a lady. Lock plate signed DIEHL/19. R. Michel-le-Comte/PARIS The plaques by Helene Bertaux (Madame Leon Bertaux...

A magnificent antique Victorian entry table with marble top manufactured by F. Danby's of Leeds dating from the mid-late 1800s. The piece is made in...

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

Custom carved cabinet shown here in walnut #3 with light distress. Can be made in any size and finish, in walnut. Carvings on three sides. Handmade in Los Angeles by Dos Gallos Studi...

Rocco Small Short Cabinet Cream Lacquer Elm wood Hand Carved Doors Limited Edition Lacquer is a laborious and time-consuming process. After it is tapped from the trees, lacquer need...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Tall Kuai Cabinet White Bronze Doors Kuai Design Hand Repoussé Elm Wood Contemporary Limited Edition Each piece is individually crafted and is unique. Repoussé is the traditional ...