Los Angeles - Cabinets

Stunning light oak sideboard by Charles Dudouyt from France, 1940's. Carved circular detail on two doors with one interior shelf. Two center drawers for storage. Rests on two carved ...

A stunning and unusual French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet. The serpentine front door vitrine wi...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

French Provincial style mahogany display cabinet with four interior shelves and chicken wire door front. Decorative wood apron in front and bronze har...

Louis XV Style Bibliotheque or Book Case - a large and substantial piece and a compliment to any large room which needs sophisticated stora...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Primitive Tree Trunk Cabinet, Belgium Circa 1930's Wood with floral paper design on inside door.

This Renaissance style vitrine cabinet is a stunningly beautiful masterpiece in white oak with superb carvings and detail. Note the fourteen carved figures, lion's heads and other su...

A very fine French 19th century Louis XVI Style mahogany and ormolu mounted two-door vitrine, after a model by Adam Weisweiler (French, 1744-1820) with two-doors below a finely chase...

Terrific illuminated bar with marble mosaic doors. The design was inspired by St.Marks Basilica Floor. Interior Led Lighting : 120 Volt

A very fine French Louis XV style Palissandre, Tulipwood, mahogany and Marquetry Meuble D' Appui with one door and veined black marble top, Stamped: M. Descotte & Fils, circa 1880-18...

A very fine French 19th century Louis XVI style burr-walnut and mahogany marquetry and ormolu-mounted Military armorial Meuble D'Appui with a Veined Brèche Violette marble top, attri...

Italian 1960s rosewood cabinet by Stildomus for your dining room, living or bedroom. Great vintage piece that will wow your friends! Can't you hear'em now?.

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bo...

Flower Cabinet by Elisabeth Garouste and Mattia Bonetti in Zebrano wood and Aluminum. Edited by BGH. Made in France circa 1999.

The Noor nightstand is a one-of-a-kind piece designed specifically for modern and contemporary bedrooms. What sets it apart is the unique wave design on the nightstand, which adds a ...

A stunning tall oak dresser designed by Paul Lazlo for Brown Saltman c.1950s, USA as part of the "Basket Weave" collection. This classic California Modern design features two cabinet...

The sis the bottom piece of an early 20th c. bamboo and hinoki wood Japanese shop cabinet. Sliding doors. All original including interior shelf. Would be i...

Beautiful 1940s Egyptian inlaid cabinet in two parts, with 5 drawers and a large one at the top. The writing at the top translates to "We Love Our Reli...

Handsome pair of Dunbar nightstands. Original medium walnut finish with leather wrapped bases. Green Dunbar tag on inside drawer of each unit. One ni...

18th c. French Walnut Monumental Armoire with single drawer. This over-sized Armoire has it's original Hardware and finely carved panels.

Super rare escande cabinet. Designed for University D' Antony. Escande was a student of Prouve. This design bares a striking resemblance to some of Pro...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bo...

Antique French Red & Ivory Paint Decorated Wire Front Display Cabinet

A very nice and elegant 19 th century French renaissance cabinet ALL SALES ARE FINAL, STORE CREDIT OR EXCHANGE ONLY

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

Fantastic 1940's French Oak cabinet with 3 ribbed front door panels Wonderful warm patina and clean simple lines. Original keys open cabinet doors.

Our artisan-made Lake Credenza is an extra-wide storage piece with a lower overall height, making it ideally suited for use as a credenza or media cabinet. Designs are inspired by iconic mid-century French pieces, with a distinctly California interpretation of materials & finishes. Bench made, in Los Angeles, of white oak with exposed joinery details, this piece celebrates the natural beauty of the materials. Dimensions: 103" W x D 19.5" D x 27.5” H Shown here in our Natural White Oak finish, this piece is also available in Summer Aged Oak, SunKissed Oak, Riviera Oak, Canyon Oak, Dark Walnut & Heirloom Walnut. Five raised-panel doors conceal four individual storage compartments, each fitted with an adjustable internal shelf. Inquire about customizations. Please note: This listing does NOT include interior drawers. All of our pieces are bench-made in Los Angeles by local artisans. About August Abode...

Beautiful, late 19th century French Bombay chest in the Louis XV style. The chest features superbly hand painted depictions and bronze ormolu de...

A beautiful French late 19 th century buffet, the patina is so much nicer in person ALL SALES ARE FINAL, STORE CREDIT OR EXCHANGE ONLY

Custom midcentury style nightstands made in American walnut with three drawers. Made in Los Angeles by Adesso Imports. Can be done in different sizes and wood.

An extraordinary piece totally customizable made by MA+39 Shop Los Angeles. Ma+39 Cabinet Console Table . Custom item: Materials and Colors Italy Current Production

A VERY FINE ANTIQUE EBONIZED WOOD & ORMOLU MOUNTED PIETRA-DURA CABINET France, Late 19th Century Height: 53" (134.6 cm) Width: 42" (106.6 cm) Depth: 18" (45.7 cm)

Tall Kuai Cabinet White Bronze Doors Kuai Design Hand Repoussé Elm Wood Contemporary Limited Edition Each piece is individually crafted and is unique. Repoussé is the traditional ...

This 19thc grain painted cabinet with a original wavy glass front door and shelf's in the interior. The cabinet door is in fine condition. This i...

Early 20th Century Chinese Bombe Elm Kitchen Cabinet featuring a rounded rectangular crown, bamboo-mounted upper cupboard doors, larger lower cupboard doors above a shelf with slidin...

A French Ormolu Mounted Tulip-Wood Vitrine by Francois Linke Circa 1890 Origin: Paris Height: 66.5" (168cm) Width: 34.5" (87cm) Depth: 17" (43cm) Good condition Ind...

19th Century. French. Original marble tops. Bronze-mounted. Original hand painted scenes on doors. Mint condition.

Custom console or cabinet, with three doors and interiors shelves. Can be made in any configuration, size and finish and in a variety of woods. Shown here in Walnut with a medium dis...

Narrow Cabinet with Gobi Design Single Door with 4 shelves Antique Copper Hand Repousse Elmwood Lacquered Limited Edition Repousse´ is the traditional art of hand-hammerin...

This marquetry cabinet is hand-made in the United States and features all-hardwood construction. Characterized by a thick solid wood top, inlaid cabinet doors and slab legs, this decorative cabinet with...

Brighten up your workspace with this bold and functional vintage two-drawer file cabinet by Akro-Mils, manufactured in Akron, Ohio. Made of durable molded plastic in a vivid sunflowe...

A rare and elegant Victorian cylindrical cabinet crafted in solid mahogany, dating to the late 19th century. This distinctive piece features a rounded body with molded top and base, ...

This tall Italian cabinet features an architectural silhouette, crafted from warm honey-toned wood with a gently curved top reminiscent of a vault...

Ice Crackle 3 Doors Cabinet on Stand Antique Copper Hand Repoussé Elmwood Hand Made Limited Edition Contemporary Each piece is individually crafted and is unique. Repoussé...

Bookcase by Borge Mogensen for Karl Andersson and Soner. Bookcase is in good restored condition - has a two inch scratch to the top but otherwise presents well & is structurally sound. Holds quite a lot of books...

Japanese style media console with slatted panels, interior shelf and custom-made hand, forged iron hardware and base. Can be made in any size or finish. As shown in medium walnut wit...

Stunning Lucite and chrome étagère designed and manufactured by Charles Hollis Jones. This cabinet was designed and manufactured in 1966 during his time with Hudson Rissman and it...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

This is our custom Japanese style cabinet with iron base and hardware. Can be made in any size, in a variety of finishes. As shown in Walnut #2 ...

A very fine French 19th century Napoleon III Ormolu Mounted Ebonized wood and Pietra Dura Meuble d'Appui à Hauteur with a grey marble top. The single front-door black-lacquered cabin...

This one-of-a-kind petite cabinet (or dresser) is crafted with a solid bleached oak base and drawers in dark stained oak. Unlacquered brass ring pulls adorn the drawer fronts. Our ...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

Very unique display cabinet. Features 3 lighted display sections across the top & 2 cupboard doors on the base. Tessellated Horn, Tessellated Mother-of-Pearl, & Brass Inlay over Woo...

This marquetry cabinet is hand made in the United States and features all-hardwood construction. Characterized by a thick solid wood top, inlaid cabinet doors and slab legs, this decorative cabinet with marquetry is distinguished by its exquisite marquetry pattern. This modern marquetry cabinet would suite a more transitional design as well as a contemporary design. Ikat cabinet by Lynnea Jean Creativity expands through exploration and iteration. The Ikat Cabinet first began as a photograph. From there, Lynnea was inspired to paint the photograph, design it into a rug, and then play around with a motif as wood marquetry. The pattern that developed is a modernized take on Ikat, which was introduced into European textile...