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Manhattan - Prints and Multiples

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Item Ships From: Manhattan
Interior #2 (from Rubber Stamp Portfolio), 1976 with original envelope 917/1000
By ARTSCHWAGER, RICHARD
Located in New York, NY
Held in the original hand numbered envelope, which is uncommon as the envelope is usually lacking or removed. Door, window, table, basket, mirror, rug. These six simple elements—foun...
Category

1970s Conceptual Manhattan - Prints and Multiples

Materials

Lithograph

Raymond Pettibon Black Flag punk flyer (Raymond Pettibon Punk)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...
Category

1980s Pop Art Manhattan - Prints and Multiples

Materials

Offset

Paysage au Buttes-Chaumont (2nd Planche), 1920-21
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
Category

1920s Cubist Manhattan - Prints and Multiples

Materials

Engraving, Etching

Gran Bodega Espanola Urania, Zurich
By Anton Trieb
Located in New York, NY
Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen. Anton Trieb was a watercolor painter , draftsman , illustrat...
Category

1910s Art Deco Manhattan - Prints and Multiples

Materials

Lithograph

Estel
By Joan Brossa
Located in New York, NY
Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...
Category

1980s Pop Art Manhattan - Prints and Multiples

Materials

Lithograph

Poema visual
By Joan Brossa
Located in New York, NY
Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...
Category

1980s Post-Minimalist Manhattan - Prints and Multiples

Materials

Lithograph

'Kynance Cove' Giclée Print, 2023
By Damien Hirst
Located in New York, NY
Kynance Cove which is part of the ’Coast Paintings’ series. Created in 2019, ’Coast Paintings’ are colourful action paintings which convey the energy, excitement and change experienc...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Giclée

Signed 1963 ROBERT INDIANA print (Robert Indiana prints)
By Robert Indiana
Located in NEW YORK, NY
Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...
Category

1960s Surrealist Manhattan - Prints and Multiples

Materials

Black and White, Engraving, Etching, Photogravure, Lithograph, Screen

Scintilla_01
By Aziz + Cucher
Located in New York, NY
C-print on metallic Fuji Crystal Archive paper (Edition of 5 + 1 AP) Signed and numbered, verso $5000.00 + framing This artwork is offered by ClampArt, located in New York City. A...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

C Print

Tswana at Dawn
By Zack Seckler
Located in New York, NY
Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under...
Category

Early 2000s Contemporary Manhattan - Prints and Multiples

Materials

Archival Pigment

Volg, Traubensaft Zuverlässigkeit
By Josef Müller-Brockmann
Located in New York, NY
Josef Muller-Brockmann, Volg, Traubensaft Naturrein, Zuverlässigkeit. 1957 Offset. Rare. Josef Müller-Brockmann was one of the leading pioneers of the ...
Category

1950s Modern Manhattan - Prints and Multiples

Materials

Offset

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
By Pablo Picasso
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Manhattan - Prints and Multiples

Materials

Drypoint, Aquatint

Minne Playing with a Cat (Minne Jouant avec un Chat)
By Jacques Villon
Located in New York, NY
Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...
Category

Early 1900s Impressionist Manhattan - Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Signed Peter Saul print 1971 (Peter Saul Shicago Justus)
Located in NEW YORK, NY
Peter Saul Shicago Justus lithograph 1971 (from Conspiracy: The Artist as Witness): Bold, bright hand-signed Peter Saul lithograph from 1971 pict...
Category

1960s Pop Art Manhattan - Prints and Multiples

Materials

Lithograph

Self-portrait, lithograph on wove paper, pencil signed 7/250, unframed realism
By Raphael Soyer
Located in New York, NY
Raphael Soyer Self-portrait, 1980 Lithograph on wove paper Hand-signed by artist, Pencil signed and numbered 7/250 on the front Titled "Self portrait" on the verso Bears publisher's ...
Category

1980s Realist Manhattan - Prints and Multiples

Materials

Lithograph

Giclée Print: 'PURPLE RAIN'
Located in New York, NY
GRAPHICTHERAPY is David Calderley: an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the esteemed St. Martin’s School of Art ...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Archival Paper, Giclée

“Gion Festival” 1961 woodcut RIKIO TAKAHASHI Japanese sōsaku hanga artist
By Rikio Takahashi
Located in Rancho Santa Fe, CA
Woodcut in colors Image size: H 33 x W 22 in. Sight size: H 33.5 x W 22 in. Numbered, titled, signed, and dated lower edge This work can be viewed at our New York City showroom by a...
Category

1960s Abstract Manhattan - Prints and Multiples

Materials

Woodcut, Paper

Exposed, early (1999) softcover monograph published in France, edition of 2000
By KAWS
Located in New York, NY
KAWS Exposed, 1999 Early Illustrated softcover book with French folded flaps, published in Paris 8 4/5 × 6 1/5 inches Limited Edition of 2000 Published by Colette and printed by La P...
Category

1990s Street Art Manhattan - Prints and Multiples

Materials

Offset

Alba Gem II, Minimalist Linocut in Blue and Green Earth Tones
By Ann Aspinwall
Located in New York, NY
"Alba Gem II" is a striking abstract linocut by Ann Aspinwall, known for her meditative, minimalist approach to printmaking. This work explores the quiet power of repetition, color, ...
Category

2010s Abstract Manhattan - Prints and Multiples

Materials

Archival Paper, Linocut

HYBRID RABBIT - Contemporary / Photorealism / Animal print
By Patricia Traub
Located in New York, NY
Original Giclee Print (Edition of 30) by Patricia Traub. Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of t...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Canvas, Giclée

Keyboard Variations
By Pat Lipsky
Located in New York, NY
b. 1941, New York, NY Pat Lipsky is known for her large scale paintings of repeating stripes of bold, rich colors. The geometric forms of color shift and bounce against each other i...
Category

Early 2000s Abstract Manhattan - Prints and Multiples

Materials

Screen

Mother and Daughter
By Paula Rego
Located in New York, NY
Mother and Daughter 1997 Signed and numbered, recto 8 color screenprint on paper (Edition of 100) 12 x 9 inches
Category

1990s Contemporary Manhattan - Prints and Multiples

Materials

Screen

Vintage Robert Rauschenberg poster (Rauschenberg prints)
By Robert Rauschenberg
Located in NEW YORK, NY
Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...
Category

1970s Pop Art Manhattan - Prints and Multiples

Materials

Lithograph, Offset

Untitled
Located in New York, NY
Unknown/ Unidentified Artist, "Untitled", Abstract Lithograph, 25.75 x 19.75, Late 20th Century Color: Green
Category

Late 20th Century Abstract Manhattan - Prints and Multiples

Materials

Lithograph

Mid Century Mercedes Benz SL, Midnight Modern Series Contemporary Photography
By Tom Blachford
Located in Brooklyn, NY
TOM BLACHFORD PHOTOGRAPHY Large Edition of 3 Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series. Archival Inkjet Print on ...
Category

2010s American Modern Manhattan - Prints and Multiples

Materials

Cotton, Archival Ink, Photographic Paper

Couple Under a Tree
By Elyse Ashe Lord
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches. A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category

1930s Art Nouveau Manhattan - Prints and Multiples

Materials

Drypoint, Etching

St. Germain-Des-Pres, Paris
By John Marin
Located in New York, NY
John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...
Category

Early 1900s American Impressionist Manhattan - Prints and Multiples

Materials

Etching

Peacemaker
Located in New York, NY
Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Archival Pigment

Six Inches Four Ways in the original colophon envelope, pencil numbered 917/1000
By Sylvia Plimack Mangold
Located in New York, NY
Sylvia Plimack Mangold Six Inches Four Ways 1976 Rubber stamp print on Kilmurray paper Stamp made by Unity Engraving Company, Inc. Printed by A. Colish Press Paper size: 8 x 8 inches...
Category

1970s Abstract Manhattan - Prints and Multiples

Materials

Lithograph

Silver Flowers, March 3, 2011
By Donald Sultan
Located in New York, NY
Silver Flowers, March 3, 2011 Silkscreen with hand applied black Silica on Sauders Waterford paper, 410gm hot press 38 x 38 inches edition of 75 Prin...
Category

21st Century and Contemporary Contemporary Manhattan - Prints and Multiples

Materials

Screen

Le Fondeur Paris [Steel Worker]
By Eugène Carrière
Located in New York, NY
Carriere, Eugene. Le Fondeur, Paris 1900 [Steel Worker], Color lithograph. Ref: Das Fruhe Plakat 134. 51 x 34 3/4 inches. Eugène Anatole Ca...
Category

Early 1900s Symbolist Manhattan - Prints and Multiples

Materials

Lithograph

A Muse by Dieter Roth set of ten abstract black and white lithographs
By Dieter Roth
Located in New York, NY
This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52. Dieter Roth, A Muse 1971-1972 series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm edition of 30 each, numbered and signed, 6 artists copies this series 1/30 printed by Karl Schulz, Braunschweig and published by Petersburg Press, London weekly variant printed from the same stone, began October 1971 (52 prints were planned, but only 12 were executed) Condition: excellent with some dimples and wear commensurate with age Catalogue Reference: Roth 185-196 Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Category

1970s Abstract Manhattan - Prints and Multiples

Materials

Lithograph

Carriage engraving from the Encyclopedie ( Sellier Carossier )
By Denis Diderot
Located in New York, NY
Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited by Denis Diderot and Jean le Rond ...
Category

Late 18th Century French School Manhattan - Prints and Multiples

Materials

Engraving, Etching, Intaglio

BBC 4 textile (HAND SIGNED and dated by Tracey Emin) screenprinted fabric Framed
By Tracey Emin
Located in New York, NY
Tracey Emin BBC 4 textile (HAND SIGNED and dated by Tracey Emin), 2002 Limited edition screenprint on linen (uniquely signed and dated 2017 in pencil) Pencil signed and dated 2017 on...
Category

Early 2000s Contemporary Manhattan - Prints and Multiples

Materials

Linen, Screen, Mixed Media

Rosh Hashanah 5741 (flower vase for the Jewish New Year) Signed/N Lithograph
By Mary Frank
Located in New York, NY
Mary Frank Rosh Hashanah 5741, 1980 Lithograph on arches paper with deckled edges Hand signed and numbered 9 from the limited edition of 71 by the artist on the front 15 × 18 inches ...
Category

1980s Contemporary Manhattan - Prints and Multiples

Materials

Lithograph

Banana Grove
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover). A fine fresh rich impression in pristine condition. After Groton, Harvard College...
Category

1920s Realist Manhattan - Prints and Multiples

Materials

Lithograph

East Tenth Street Jungle
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), East Tenth Street Jungle, 1934, etching, signed and annotated “Second Proof, First State”, in pencil [also initialed and dated in the plate]. Reference: S...
Category

1930s American Realist Manhattan - Prints and Multiples

Materials

Etching

Elegant Flower etching, signed/n Artists Proof, from Estate of renowned curator
By Lowell Nesbitt
Located in New York, NY
Lowell Nesbitt Untitled Flower, 1975 Etching on wove paper Hand signed, numbered AP and dated on the front 24 × 19 inches Unframed Poignant and exquisitely rendered etching of a flow...
Category

1970s Modern Manhattan - Prints and Multiples

Materials

Etching

Blom & van der AA.
By Louis Raemaekers
Located in New York, NY
Raemakers, Louis. Blom & van der AA. Ca 1920s. Color lithograph Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...
Category

1920s Art Deco Manhattan - Prints and Multiples

Materials

Lithograph

Switch Engines, Erie Yards, Jersey City, Stone No. 3
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Switch Engines, Erie Yards, Jersey City, Stone No. 3, lithograph, 1948, signed in pencil lower right. Reference: Sasowsky 30, o...
Category

1940s American Impressionist Manhattan - Prints and Multiples

Materials

Lithograph

Bordeaux
Located in New York, NY
Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With ...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Archival Pigment

Night Sail
By Gigi Mills
Located in New York, NY
Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Archival Paper, Archival Ink, Giclée

All the Cheese in NYC, fantastic illustration by Guillaume Cornet white framed
By Guillaume Cornet
Located in Dallas, TX
This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...
Category

2010s Pop Art Manhattan - Prints and Multiples

Materials

Watercolor, Pen, Permanent Marker

Nevis Letter
By Brice Marden
Located in New York, NY
Brice Marden Nevis Letter 2009 Etching 30 x 22 1/2 inches; 76 x 57 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...
Category

Early 2000s Contemporary Manhattan - Prints and Multiples

Materials

Etching

Pop Art Archival Print, 'Pink Trash', 2022
By Gavin Turk
Located in New York, NY
'Pink Trash' is a vibrant pop print by contemporary master Gavin Turk. The pink, yellow, green, and blue hues give this work a playful energy. ‘Pink Trash’ is edition 6 of 30 and is ...
Category

2010s Contemporary Manhattan - Prints and Multiples

Materials

Archival Pigment

Takashi Homma Tokyo monograph, hand signed, inscribed and dated by Takashi Homma
Located in New York, NY
Takashi Homma Tokyo (hand signed, inscribed in Japanese and dated by Takashi Homma), 2008 Softback monograph with dust jacket, roughcut and deckled edges...
Category

Early 2000s Contemporary Manhattan - Prints and Multiples

Materials

Ink, Mixed Media, Lithograph, Offset

CANGREJO MANO LARGA
By Francisco Toledo
Located in New York, NY
paper: 22 x 15 in. printed image: 4 3/4 x 6 in. english translation: Long Hand Crab Latin
Category

Late 20th Century Post-Modern Manhattan - Prints and Multiples

Materials

Archival Paper, Drypoint, Etching, Aquatint

Der Polster
By Max Kurzweil
Located in New York, NY
Kurzweil, Maximilian. Der Polster, 1903. Color woodcut on japon. Included as an insert in Pan. Unsigned. Framed.11 1/4 x 10 1/4. 1 Ref: Hofstatter, p. 241; Pabst, p. 154. Maximillian Kurzweil was the co-founder of the Vienna Secession in 1897 and editor and illustrator of the influential Secessionist magazine Ver Sacrum...
Category

Early 1900s Vienna Secession Manhattan - Prints and Multiples

Materials

Lithograph

Robert Rauschenberg at Leo Castelli poster (postmarked to artist Ludwig Sander)
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg Robert Rauschenberg at Leo Castelli (postmarked to artist Ludwig Sander), 1960 Offset lithograph poster 19 × 26 inches Unframe...
Category

1960s Pop Art Manhattan - Prints and Multiples

Materials

Offset

Irving Place Burlesk
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesk, etching, 1929, signed in pencil lower right and numbered (18) lower left. Reference: Sasowsky 75, third state (of 3). In very good c...
Category

1920s American Realist Manhattan - Prints and Multiples

Materials

Etching

Bibliotheque Sainte Genevieve
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces with the Reading Room of the Bibliotheque Sainte Genevieve...
Category

2010s Manhattan - Prints and Multiples

Materials

Photographic Paper

Abstract Picture (Limited edition print; authorized promotional reproduction)
By Gerhard Richter
Located in New York, NY
Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category

Early 2000s Abstract Expressionist Manhattan - Prints and Multiples

Materials

Lithograph, Offset

PKZ [Man in Blue Suit].
By Ernst A Kretchmamm
Located in New York, NY
PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed. PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...
Category

1920s Art Deco Manhattan - Prints and Multiples

Materials

Lithograph

Digging up glass by David Hockney (Six Fairy Tales from the Brothers Grimm)
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category

1960s Modern Manhattan - Prints and Multiples

Materials

Etching, Aquatint

Kamasutra I - erotic art, collage, floral tapestry, nude, sensuality in art
Located in New York, NY
Giuseppe Ragazzini's Kamasutra I captivates with its bold exploration of intimacy and sensuality, presented through a fragmented digital collage. The composition features intertwined...
Category

Early 2000s Expressionist Manhattan - Prints and Multiples

Materials

Archival Paper, Archival Pigment

Biblioteca St. Emmeram II (Library), Regensburg, Germany
By Massimo Listri
Located in New York City, NY
Massimo Listri Libraries Biblioteca St. Emmeram II (Library), Regensburg, Germany, 2016 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5...
Category

2010s Post-Modern Manhattan - Prints and Multiples

Materials

Photographic Paper, C Print

Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens
By Wenceslaus Hollar
Located in New York, NY
Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text and signatures as described below. Ref...
Category

1640s Old Masters Manhattan - Prints and Multiples

Materials

Etching

Bicentennial Dawn Lithograph and gold foil, Louise Nevelson sculpture signed/N
By Louise Nevelson
Located in New York, NY
Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...
Category

1970s Abstract Manhattan - Prints and Multiples

Materials

Foil

Turkey Dracula mixed media watercolor, California Pop star Signed AP 6/10 Framed
By Billy Al Bengston
Located in New York, NY
Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, ...
Category

1970s Pop Art Manhattan - Prints and Multiples

Materials

Mixed Media, Watercolor, Lithograph

Besancon La Mouillere PLM
By Lucien Pillot
Located in New York, NY
Besancon La Mouillere PLM. Ca 1930. printed by Gerin Paris Color lithograph. On Linen Lucien Pillot registered as a member of the Société des Artistes Français. He had previo...
Category

1930s Art Deco Manhattan - Prints and Multiples

Materials

Lithograph

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