Maryland - Abstract Prints

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, brown, and purple ink. The...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, taupe, and grey ink. The f...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

This Is What Happens When You Are Not Careful Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She us...

Red and Black Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...

Robert Kelly (American, 1956-) Abstract Monoprint 1985 Pencil titled Donja XI and dated 1985 lower left Hand signed lower right Provenance: from the collection of a prominent US corporation. Dimensions: Sheet: 33.5" X 28" Image: 26" X 22" Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine...

Space Balls Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including a...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

Reign Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acrylic...

In the center of a royal blue field of color, Ricard has scrawled “Jasper Johns over 34,000,000 sold”.  Ricard’s work brims with cultural references: with this statement he positions...

Wyona Diskin, American (1915 - 1991) Blue Man with Fish Monoprint, Signed on the back lower left. Unframed. Signs of color remain from printing on the white ...