Mexico - Paintings

Entre Claros is a piece inspired by María Zambrano’s book Claros del Bosque. It unfolds like an expandable landscape, drawn on ceramic mosaics, where female bodies walk through the t...

I am a colorist, an abstractionist and a storyteller. My works from landscapes to abstracts all revolve around nature, the world around me, my home of San Miguel de Allende and my ga...

I am a colorist, an abstractionist and a storyteller. My works from landscapes to abstracts all revolve around nature, the world around me, my home of San Miguel de Allende and my ga...

Pensativo Ricardo Ramírez Rodríguez Mixed Media on Canvas 80 x 100 cm 2007, MX Unframed

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

One Night in Tlaxcala 40.0 x 60.0 x 2.0, 15.0 lbs Oil Paint Hand signed by artist Artist's Commentary: "On a recent road trip I had the opportunity to spend an evening at an ecological retreat in the forest of Tlaxcala to see the mating of the fireflies. They gather here each summer for 3 weeks in vast numbers. The forest was deep and lush, full of fragrance and mystery. It was spectacular. This painting is a memory of that magical night. I paint colorful and whimsical portrayals of nature and the world around me. I love my home in México and the amazing natural beauty of this country. I have used oil paint, oil stick and oil pastel to create this painting. Layers create the image of my work. Stories are told and memories captured in time. Edges painted black and ready to hang." About the Artist: Jeff is a colorist, an abstractionist and most of all a storyteller. Over the years, since early childhood, he has created art. In his youth in the Bronx drawing was his thing. In his early years at NYU Jeff was a print maker and created vibrant serigraph prints and etchings. He also was enamored with the tactile arts - ceramics and sculpture. He was lucky starting off to get representation at a Greenwich Village gallery – the 8th Street Gallery when he was 19. Then as a young adult Jeff discovered Canada, moved to Toronto and found his stride as a painter. Still true to his colourist roots painting still life and landscapes of the Canadian countryside. Galleries liked the work and began to represent him. As Jeff grew as a painter he began to play with texture. He also began to explore abstractions. The abstractions were at first fluid geometrics which were a play of color, form & texture. At the same time he was continuing his landscape paintings to meet the demand of his gallery affiliates. Then he fell in love with Tucson and the Sonoran desert. Moving there in 2012 changed his life. After moving there the work changed. Jeff's love of the desert came out in his work. Vibrant sunsets of intense colour became the focus to satisfy those who followed his landscapes and his abstractions became stories of life in the desert. These deconstructed landscapes if you will are vibrant paintings rich in symbol and emotion. Then in 2019 he moved to Mexico - San Miguel de Allende. Like Tucson it is the high desert, but it is more temperate and offers a better quality of life and freedom for his family and work. Here he paints glorious colorful stories of life in this colonial city. Jeff also paints nature - his garden and the abundant flora and fauna of the area. Recently he joined up with a cooperative gallery in SMA called Galeria Izamal. Throughout his career he has participated in a variety of known shows like Red Dot Miami, Scope Hamptons, Art Expo, etc, and has had relationships with galleries here in the US and Canada. He also has been a supporter of the US State Dept Art in Embassy program and has had more work exhibited globally including alongside Jasper Johns, Robert Rauschenberg, and Robert Indiana. In fact in the exhibition catalog his work "Fantasia" was singled out for being the "flagship piece of the exhibit." Jeff has also had the good fortune to have various publications cover his work calling his paintings “flamboyant,” “juicy,” and “full of life”. These days he can be found in his studio painting or doing a new mosaic...

Acrylic on wood

Guanajuato Pablo Almela Oil on Canvas 75 x 75 cm 1947, MX Framed He studied at the School of Arts and Crafts in Madrid, there he established a painting and ceramic workshop with his brothers, before leaving for exile in Mexico during the Spanish Civil War. In Mexico he began to paint and at the same time he worked as a ceramist and restorer. He cultivated friendship with Federico García Lorca...

Oxidizing agents and oil on canvas on wood

As a gallerist, few moments are as rewarding as introducing collectors to an artist whose work speaks so profoundly to our shared human experience. Maria José Chica’s paintings do ex...

El Bosque en Tlaxcala 10.0 x 10.0 x 1.5, 5.0 lbs Oil Paint Hand signed by artist Artist's Commentary: "Ferst is a flamboyant and whimsical painter. He captures the essence of traditional landscape painting and turns it on its ear, creating vibrant and bold paintings of nature and the rural and urban images of Mexico. He is best known for his vibrant landscapes of the southwest and his storied abstractions and colorful landscapes. Recently Jeff travelled to Oaxaca and Puebla and is now transforming his memories and images from that trip into his studio creations. This is the first painting from that trip. It is a study for a larger piece currently being worked. The image is of the cool and amazingly magical forest of Tlaxcala, a state near Mexico City. The forest is at 9200 ft and is where the fireflies in summer go to mate. The painting edges are painted black and it is wired to hang." About the Artist: Jeff is a colorist, an abstractionist and most of all a storyteller. Over the years, since early childhood, he has created art. In his youth in the Bronx drawing was his thing. In his early years at NYU Jeff was a print maker and created vibrant serigraph prints and etchings. He also was enamored with the tactile arts - ceramics and sculpture. He was lucky starting off to get representation at a Greenwich Village gallery – the 8th Street Gallery when he was 19. Then as a young adult Jeff discovered Canada, moved to Toronto and found his stride as a painter. Still true to his colourist roots painting still life and landscapes of the Canadian countryside. Galleries liked the work and began to represent him. As Jeff grew as a painter he began to play with texture. He also began to explore abstractions. The abstractions were at first fluid geometrics which were a play of color, form & texture. At the same time he was continuing his landscape paintings to meet the demand of his gallery affiliates. Then he fell in love with Tucson and the Sonoran desert. Moving there in 2012 changed his life. After moving there the work changed. Jeff's love of the desert came out in his work. Vibrant sunsets of intense colour became the focus to satisfy those who followed his landscapes and his abstractions became stories of life in the desert. These deconstructed landscapes if you will are vibrant paintings rich in symbol and emotion. Then in 2019 he moved to Mexico - San Miguel de Allende. Like Tucson it is the high desert, but it is more temperate and offers a better quality of life and freedom for his family and work. Here he paints glorious colorful stories of life in this colonial city. Jeff also paints nature - his garden and the abundant flora and fauna of the area. Recently he joined up with a cooperative gallery in SMA called Galeria Izamal. Throughout his career he has participated in a variety of known shows like Red Dot Miami, Scope Hamptons, Art Expo, etc, and has had relationships with galleries here in the US and Canada. He also has been a supporter of the US State Dept Art in Embassy program and has had more work exhibited globally including alongside Jasper Johns, Robert Rauschenberg, and Robert Indiana. In fact in the exhibition catalog his work "Fantasia" was singled out for being the "flagship piece of the exhibit." Jeff has also had the good fortune to have various publications cover his work calling his paintings “flamboyant,” “juicy,” and “full of life”. These days he can be found in his studio painting or doing a new mosaic...

This artwork is intentionally untitled to avoid influencing the viewer. The artist invites each person to interpret it freely, assigning their meaning based on how they feel in the m...

Entre Claros is a piece inspired by María Zambrano’s book Claros del Bosque. It unfolds like an expandable landscape, drawn on ceramic mosaics, where female bodies walk through the t...

Entre Claros is a piece inspired by María Zambrano’s book Claros del Bosque. It unfolds like an expandable landscape, drawn on ceramic mosaics, where female bodies walk through the t...

“Through painting, I am interested in reflecting on how time has been—and can be—represented through images and the connections between individuals. The concept of time has been expl...

Gouche on hand made paper

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

Acrylic on wood

These series of paintings are the result of Javier Hinojosa's ongoing research around Modern Architecture in Mexico. Specifically the Tacubaya series are sketches drawn from memory o...

Pintura

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

According to the artist, this can be displayed either horizontally or vertically. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘧𝘢𝘤𝘵𝘰𝘳𝘴 𝘵𝘰 𝘮𝘺 𝘢𝘱�...

Nico Munuera’s pictorial practice relates to the tradition of abstraction that pierces through the whole avant-garde and neo-avant-garde. He understands painting as an autonomous obj...

Acrylic on wood

Introducing "Reflections of Life," a captivating series of abstract contemporary artworks designed to ignite profound introspection within the collector. At the heart of this new...

Introducing "Reflections of Life," a captivating series of abstract contemporary artworks designed to ignite profound introspection within the collector. At the heart of this new...

Introducing "Reflections of Life," a captivating series of abstract contemporary artworks designed to ignite profound introspection within the collector. At the heart of this new...

Jesús Trinidad Villalpando is originally from Guadalajara and studied Visual Arts at the University of Guadalajara; "Fortunately I did not graduate," he says. "I had to find a way a...

Introducing a captivating new series of artworks that seamlessly blend acrylics, spray paint, and chalk on canvas. This collection epitomizes a fusion of contemporary, modern, pop, a...

Artist statement: My work as a figurative painter examines my experience as a gay male living in Mexico today. My early paintings and drawings are explicitly erotic in that they f...

José Bedia (Havana, Cuba, 1959) Lives and works in Miami, FL José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

Step into a realm of thought-provoking contemporary art with EVera's latest series, where each canvas serves as a portal into the complexities of human decision-making. Utilizing a c...

Mauricio Sandoval is an abstract painter, one of the best ever in Mexico; he creates his own pictorial language that expresses a never-ending search and continuous, organic movement. His production is characteristically expansive, sometimes saturating spaces with texture or color, energetic, long, and fluid traces. Sandoval’s work has retained some determining constants throughout his trajectory, during which he has developed a complex relationship between poetic language and image. From an early age, the artist has had an ever-present intense relationship with poetry and literature, as can be observed in “Barroco”, a work based on “Wuthering Heights...

María Conejo’s proposal consists of a series of oil paintings and ink drawings that offer a profound and intimate exploration of the emotions within us. The artworks depict an anatom...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Encaustic and oil on canvas on wood

Lonely pines 2 - Impressionism OIL, ACR, CANVAS,, large size, 76cmx 61cm, 30" X 24" in. 2023 Vibrant colors, rich textures and color tones accurate original brushstroke are the ha...

80cm x 60cm (32" x 24") the painting captures a serene moment in the bay at sunset, with boats under the darkening sky. The work combines elements of a seascape with floral details,...

Painting: Oil on Canvas. The smell of herbs at sunset - acr, oil painting, landscape size: 39,2" x 27,5" (100cm x 70cm), 2022 oil, canvas - Signed and dated on the front and ba...

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

José Bedia (Havana, Cuba, 1959) Lives and works in Miami, FL José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...

"Strength in Color" is a captivating collection of contemporary abstract artworks that explores the dynamic interplay of positivity and adversity. Rendered in vibrant acrylics and ae...

"Strength in Color" is a captivating collection of contemporary abstract artworks that explores the dynamic interplay of positivity and adversity. Rendered in vibrant acrylics and ae...

"Strength in Color" is a captivating collection of contemporary abstract artworks that explores the dynamic interplay of positivity and adversity. Rendered in vibrant acrylics and ae...

Pintura

Pintura

"Strength in Color" is a captivating collection of contemporary abstract artworks that explores the dynamic interplay of positivity and adversity. Rendered in vibrant acrylics and ae...

AcrÃ

Flowers composition #14 94cm x 120cm, (37" x 47"), oil, acr. canvas In this vibrant abstract painting, flowers unfold in an explosion of color and shape that defies reality and plu...

Painting: Oil, on Canvas. Abstract painting "Crowned dove #2" is not an attempt to depict an accurate visual reality, instead it uses colors, shapes and gestures to achieve its effe...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

Introducing a captivating new series of artworks inspired by the iconic artist Kaws. These unique pieces are crafted from prints designed by Kaws himself and meticulously vectorized ...

Contemporary, Mexican, oil, figurative

High Tide Carlos Reyes Mixed Media on Canvas 150 x 120 cm 2009, MX Unframed

Jesús Trinidad Villalpando is originally from Guadalajara and studied Visual Arts at the University of Guadalajara; "Fortunately I did not graduate," he says. "I had to find a way an...

Oil pastel drawing on amate paper, unique,

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...