Missouri - Photography

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with historical dialogue and tactile intrigue through both technique and concept. Rimel prints her original photography on repurposed flour-sack cloths using a wide-format inkjet printer. Detailed sections of the image are created and layered, collaged and hand stitched onto the cloth, referencing earlier domestic practices of mending and repair, reuse and repurposing. The delicate, repetitive hand quilting across the surface creates shadows and textures and alludes to the marking of time. Her photographic imagery and textile work has been exhibited both nationally and internationally, including Japan, China and Korea, and is in many private and corporate collections. Her work is traveling in Quilt National 2013 and was in QN 2011. She has exhibited in the 2012, 2013 and 2014 Smithsonian Craft Shows. Her work will also be included in the new book, Art Quilts of the Midwest, published by the University of Iowa Press. Other exhibitions include a solo exhibit at the Missouri Botanical Gardens, St. Louis, MO, Art Quilt Elements, Wayne, PA, and the Chicago Cultural Center, Chicago IL. Luanne received an MFA in Fibers from Southern Illinois University and has taught numerous workshops and classes around the country. Public Collections Museum of Women in the Arts, Washington, DC Museum of Arts and Design, New York, NY Royal Caribbean International Corporate Collection, Silhouette Cruise Ship Sara and David Lieberman Collection of Contemporary Baskets, MADMuseum, New York, NY Gloria and Sonny Kamm Foundation, Fuller Craft Museum, Brocktom, MA "Protected" Photograph Printed on...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histor...

Daniel Poensgen Title: In Memory of Santa Croce Medium: 2-Part Photograph on Agfa Paper Year: 1986-1987 Digned, dated and inscribed Size: 7.6 × 5.1 on 8.2 ...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histor...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with historical dialogue and tactile intrigue through both technique and concept. Rimel prints her original photography on repurposed flour-sack cloths using a wide-format inkjet printer. Detailed sections of the image are created and layered, collaged and hand stitched onto the cloth, referencing earlier domestic practices of mending and repair, reuse and repurposing. The delicate, repetitive hand quilting across the surface creates shadows and textures and alludes to the marking of time. Her photographic imagery and textile work has been exhibited both nationally and internationally, including Japan, China and Korea, and is in many private and corporate collections. Her work is traveling in Quilt National 2013 and was in QN 2011. She has exhibited in the 2012, 2013 and 2014 Smithsonian Craft Shows. Her work will also be included in the new book, Art Quilts of the Midwest, published by the University of Iowa Press. Other exhibitions include a solo exhibit at the Missouri Botanical Gardens, St. Louis, MO, Art Quilt Elements, Wayne, PA, and the Chicago Cultural Center, Chicago IL. Luanne received an MFA in Fibers from Southern Illinois University and has taught numerous workshops and classes around the country. Public Collections Museum of Women in the Arts, Washington, DC Museum of Arts and Design, New York, NY Royal Caribbean International Corporate Collection, Silhouette Cruise Ship Sara and David Lieberman Collection of Contemporary Baskets, MADMuseum, New York, NY Gloria and Sonny Kamm Foundation, Fuller Craft Museum, Brocktom, MA "Slow Burn" Photograph Printed on...

Gwuf Shuffle Shuffle Squeak Taka Whir Zoom Photographed in a hutong neighborhood, Beijing, China Archival Pigment Print Year: 2010 Size: 8" x 60" Signed by the artist

Wolff Buchholz Title: Untitled Medium: Photograph Year: 1980s Size: 11.9 × 17.9 inches Wolff Buchholz was born in 1935 in Hamburg, Germany. From 1955 to 1957 he studied at the "Hoc...

Hot Night in Shanghai Photographed from a fourth floor flat, Shanghai, China Archival Pigment Print Year: 2010 Size: 8" x 84" Signed by the artist

Wabaunsee County, KS (2014) Giclee Print on Coated Fiber Paper Edition of 25 + AP Image Size: 18 1/4" x h 8 1/4

Wolff Buchholz Title: Manhattan - Parking Lot Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Madison Ave Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Albrecht Fuchs Title: Factory Workshop Medium: Color Photograph mounted on Di-bond Year: 2006/2007 Signed and dated by hand Size: 14.8 × 18.5 on 17.2 × 20.9 inches Albrecht Fuchs wa...

Wabaunsee County, KS (2014) Print on Coated Fiber Paper Edition 12 of 25 Image Size: 24 1/2" x h 16 1/4" As an observer of the world, Aaron Henry has found a humbling awe across l...

Wolff Buchholz Title: Manhattan - Fifth Avenue Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches COA provided

Wolff Buchholz Title: Manhattan - Flower Shop Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan Skyline Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - 20s Architecture Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan in the evening Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan - Parking Lot Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: New York - World Trade Center Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 16.2 × 10.8 inches

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg Size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Materials : Multimedia Date : 2016 Dimensions : 8″ x 6″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these issu...

Flint Hills, KS (2014) Giclee Print on Coated Fiber Paper Image Size: 16 1/2" x h 16 1/4" COA provided Aaron Henry's eye captures beauty in Wabaunsee's ...

Kelly Ludwig began designing professionally since graduating from the University of Kansas with a B.F.A. in Visual Communications. Before joining DEG Digital as Associate Creative Di...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: In mint condition Size: 8.6 × 11.5 on 12.5 × 15.4 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Year: 2003, signed by hand Publisher: Griffelkunst-Vereinigung, Hamburg Size: 9.3 × 11.7 on 10.9 × 13.9 inches COA Provided *Black Frame has minor scratches. Piece can also be sold (...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Kelly Ludwig began designing professionally since graduating from the University of Kansas with a B.F.A. in Visual Communications. Before joining DEG Digital as Associate Creative Di...

Kelly Ludwig began designing professionally since graduating from the University of Kansas with a B.F.A. in Visual Communications. Before joining DEG Digital as Associate Creative Di...

Dario Calmese no. 126., 2014 Archival pigment print Framed Dimensions: 41 1/2 x 41 1/2 inches (105.4 x 105.4 cm) Image Dimensions: 36 x 36 inches (91.4 x 91.4 cm) Edition 1/3, 2

Ginny Ganong Nichols Waiting Black and white photograph Image Dimensions: 7 1/4 x 10 1/4 inches (18.4 x 26 cm) Mounted Dimensions 12 x 16 inches (30.5 x 40.6 cm) Edition 3/250

Ginny Ganong Nichols Rainy Day Black and white photograph Image Dimensions: 6 3/4 x 9 1/2 inches (17.1 x 24.1 cm) Mounted Dimensions: 12 x 16 inches (30.5 x 40.6 cm) Edition 15/250

Horace Bristol Woman Vendor, 1940s Black & White Photograph Image Dimensions: 9 3/4 x 9 3/4 inches (24.8 x 24.8 cm) Mounted Dimensions: 20 x 16 inches (50.8 x 40.6 cm) 14 x 11 inch...

Horace Bristol Untitled , c. 1940s Black & White Photograph Image Dimensions: 10 x 9 3/4 inches (25.4 x 24.8 cm) Paper Dimensions: 14 x 11 inches Mounted Dimensions: 20 x 16 inches ...

Nick Decker Lily #1 (Platinotype), 1980, printed 2006 Black and white photograph Image Dimensions: 12 x 9 .75 inches (30.5 x 24.8 cm) Mounted Dimensions: 20 x 16 inches (50.8 x 40....

Mick Rock Syd Barrett, 1969 Archival inkjet print 16 x 20 inches (40.6 x 50.8 cm) Edition 24/90

Jarmo Pikkujamsa Deep IX - Babacar, 2019 Photograph on Hahnemuhle Gloss Baryta archival paper 35.04 x 19.69 inches (89 x 50 cm) Edition 1/10

Jarmo Pikkujamsa Deep I - Isalee, 2018 Photograph on Hahnemuhle Gloss Baryta archival paper 19.69 x 19.69 inches (50 x 50 cm) Edition 1/10

Jarmo Pikkujamsa Deep III - Meissa, 2018 Photograph on Hahnemuhle Gloss Baryta archival paper 19.69 x 19.69 inches (50 x 50 cm) Edition 1/10

Anthony Pearson Untitled (Solarization Diptych), 2010 Solarized silver gelatin photographs Framed Dimensions: 17 1/2 x 13 1/4 x 3/4 inches (44.5 x 33...

Ruth Ossai Akatakpa and Ozor masquerade. Ovoko-Nsukka, Nigeria, 2019 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5, 2