Montreal - Decorative Art

Great image of an owl. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. brown with original hand color. Publishe...

Unique sculptural ceramic wall relief by Carlo Zauli (Faenza 1926–2002), Italy, 1960s. Exceptional and expressive amorphous-shaped relief in the beautiful signature "Bianco Zauli" co...

Sculpture by Alicia Penalba, bas relief in metal alloy, signed Alicia Penalba, dedicated from the back, dim: 60 x 60 cm. Penalba arrived in Paris in 1948, with a scholarship from t...

Large and remarkable painting with watercolor, charcoal, pastel crayon and gold leaf techniques. The custom hand made frame is gilt wood with lacquer. The piece is in very good condi...

This very large and well executed painting on a woven fabric is unsigned and likely done by a European artist in the late 19th century or early 20th century. The painting is done in ...

A beautiful oil on canvas painting titled "Montmartre rue de l'Abreuvoir" signed by G. Denis. This very decorative work of art is painted in the manner of Edouard Cortes that delig...

Ceramic wall relief signed Muresa, trademark created by Spanish ceramists Andrés Galdeano and Angel Grávalos in 1960's. Glazed ceramic with a lacquered wooden frame. Only the ceramic...

Antique print titled 'Strix Flammea'. The barn owl (Tyto alba) is the most widely distributed species of owl and one of the most widespread of all birds. It is also referred to as th...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Antique framed impressionist oil painting on board. Lovely artist signed antique framed impressionist oil painting on board. This beauty d...

A terrific wall piece by ceramic artist Clyde Burt (1922-1981). This work was inspired by Jeanne-Paule Marie, better known as Sœur Sourire, "The Singing Nun" who was internationally famous in the mid 1960s. Some of Burt's signature styles are evident in this piece including the stylized faces, and geometric abstracted space around the figures. Clyde Burt (1922-1981) is recognized as an important figure in the American studio ceramics movement. He studied at Fort Wayne Art School, the Cape Cod School...