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Item Ships From: New Orleans
"Portrait of a Lady" - 19th-Century French Framed Antique Woman Oil Painting
Located in New Orleans, LA
A lovely portrait of a turn-of-the-century elegant woman, perhaps commissioned by a devoted husband (she has a ring on her right hand, which is more common as a wedding ring in north...
Category
Late 19th Century Victorian New Orleans - Portrait Paintings
Materials
Oil
German Miniature of Young Lady in a Fancy Hat
Located in New Orleans, LA
This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...
Category
19th Century Old Masters New Orleans - Portrait Paintings
Materials
Copper
Portrait of Emilienne Le Roy by Giovanni Boldini
By Giovanni Boldini
Located in New Orleans, LA
Giovanni Boldini
1842-1931 Italian
Portrait of Emilienne Le Roy
Oil on canvas
A dazzling display of Giovanni Boldini’s signature style, Portrait of Emilienne Le Roy captures the ...
Category
20th Century Modern New Orleans - Portrait Paintings
Materials
Canvas, Oil
ezeigbo Igbo King
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Ink, Acrylic
La Carmencita by John Singer Sargent
By John Singer Sargent
Located in New Orleans, LA
John Singer Sargent
1856-1925 American
Stamped by artist's estate (en verso)
Oil on canvas
John Singer Sargent, widely regarded as one of history's most distinguished portraitists...
Category
19th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
La Fille Du Pêcheur By William Bouguereau
By William-Adolphe Bouguereau
Located in New Orleans, LA
William-Adolphe Bouguereau
1825-1905 French
La fille du pêcheur
(The Fisherman’s Daughter)
Signed and dated “W-Bouguereau-1882” (middle right)
Oil on canvas
William Bouguereau's...
Category
19th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
Le Turban Orange by Tamara de Lempicka
By Tamara de Lempicka
Located in New Orleans, LA
Tamara De Lempicka
1898-1980 Polish
Le turban orange
(The Orange Turban)
Oil on canvas
Wrapped in a spectacular orange headdress, the alluring woman ...
Category
20th Century Post-Impressionist New Orleans - Portrait Paintings
Materials
Oil
Napoléon before the Battle of Moscow
Located in New Orleans, LA
Emperor Napoléon I was and remains one of the most legendary military and political figures in history, having held, for a brief period, the fate of the Western world in his hands. Composed by the French painter Joseph Franque...
Category
Early 19th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
Virgin and Child with the Infant Saint John
By Domenico Puligo
Located in New Orleans, LA
A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others.
Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...
Category
16th Century Mannerist New Orleans - Portrait Paintings
Materials
Oil, Panel
Blackstone Cigars
By Norman Rockwell
Located in New Orleans, LA
A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...
Category
Early 20th Century Other Art Style New Orleans - Portrait Paintings
Materials
Canvas, Oil
Pair of Royal Portraits of the Duke and Duchess of Burgundy
By Pierre Gobert
Located in New Orleans, LA
Follower of Pierre Gobert
18th century French
The Duke and Duchess of Burgundy
Oil on canvas
Refinement and intricacy characterize these royal portra...
Category
18th Century New Orleans - Portrait Paintings
Materials
Canvas, Oil
A Pompeian Lady
By John William Godward
Located in New Orleans, LA
John William Godward
1861-1922 British
A Pompeian Lady
Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame)
Oil on canvas
One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style.
Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility.
Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...
Category
Early 20th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
At the Mirror
By Frederick Carl Frieseke
Located in New Orleans, LA
the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. At the Mirror...
Category
Early 20th Century Impressionist New Orleans - Portrait Paintings
Materials
Oil, Canvas
Football by Fedor Ivanovich Zakharov
By Fedor Zakharov (b.1882)
Located in New Orleans, LA
Signed in Cyrillic "F. Zakharov" (lower right) and signed again and inscribed "Fedor Zakharov/Football" (on reverse)
Oil on card laid down on panel
Undoubtedly, football, or socc...
Category
1910s New Orleans - Portrait Paintings
Materials
Oil, Panel, Cardboard
Solitude
By Guillaume Seignac
Located in New Orleans, LA
Signed “G-Seignac” (lower right)
Oil on canvas
French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...
Category
19th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
chinonso God is Ever Near
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Ink, Acrylic
Portrait of a Beauty by William Clarke Wontner
By William Clarke Wontner
Located in New Orleans, LA
William Clarke Wontner
1857-1930 British
Portrait of a Beauty
Signed and dated "W. Wontner 1918" (lower left)
Oil on canvas
Classical beauty a...
Category
20th Century New Orleans - Portrait Paintings
Materials
Canvas, Oil
Josianna, Jeune Femme au Ruban by Jean Gabriel Domergue
By Jean-Gabriel Domergue
Located in New Orleans, LA
Jean-Gabriel Domergue
1889-1962 French
Josianna, jeune femme au ruban
(Josianna, Young Woman With Ribbon)
Signed "Jean Gabriel Domergue" (lower left)
Oil on panel
A young French beauty known as Josianna is the subject of this work by Jean-Gabriel Domergue, and the oil on panel is a perfect example of the portraits for which the artist is renowned. His model embodies the concept of the la belle Parisienne: slender, swan-like women bearing an unmistakable grace and style. Domergue includes a delicate pink ribbon around her neck, suggesting a fashionable garment, set against a soft pastel-colored backdrop. The artist's oeuvre encompasses women from all facets of society, from aristocratic figures such as Liane de Pougy and Nadine, Baroness de Rothschild...
Category
20th Century Post-Impressionist New Orleans - Portrait Paintings
Materials
Oil, Panel
Mother and Child (Framed Early 20th Century Figurative Portrait Painting)
By Arthur Royce Bradbury
Located in New Orleans, LA
A gentle, quiet, lovely portrait of motherhood painted by British artist Arthur Bradbury in 1927, a distinguished painter who over the years exhibited 14 works at the Royal Academy. ...
Category
1920s New Orleans - Portrait Paintings
Materials
Oil
Henry Bowles Howard, 12th Earl Of Suffolk And 5th Earl Of Berkshire
Located in New Orleans, LA
Sir Joshua Reynolds
1723-1792 British
Sir Henry Bowles Howard, 12th Earl of Suffolk and 5th Earl of Berkshire
Oil on canvas
Sir Joshua Reynolds is unequivocally considered the most important English portraitist of the 18th century who was instrumental in adapting the Grand Manner style in the portrait genre. In fact, when the Royal Academy was founded in 1768, Reynolds was elected its first President, setting the precedent of quality for which all other portraitists would strive.
Reynolds's portrait of Henry Bowles Howard, 12th Earl of Suffolk, showcases his genius in the genre and mastery over the medium. Reynolds’s portrait of the Earl expertly invokes classical values with strong lighting, rich colors and expert attention to detail to help underscore the prominence and revered echelon of the sitter. Howard was an esteemed British politician and Knight of the Garter. He served as Secretary of State for the Northern Department from 1771 to 1779, and he played a key role in utilizing mercenaries during the American Revolution and safeguarding Sweden's independence.
The portrait employs Reynolds's signature style to render Howard rightfully as a gentleman of distinction. Captured seated in a stately library, the Earl appears learned and austere as he places one hand upon a stack of important documents and looks wistfully into the distance. Reynolds makes these compositional choices decisively, as the seated position gives Howard a weighty appearance of importance and the semi-profile turn captures his countenance at an attractive angle that highlights his strong, masculine features. The work draws on the classical conventions of Greek and Roman art and the Italian Renaissance masters, anchoring the nobleman in a history of refinement. Everything from his strong yet welcoming expression to his pale face enlivened by a rush of blood to the cheeks presents the picture of a strong, vital and powerful leader.
As the first president of the Royal Academy in London, Reynolds’s commissions raised the status of an artist in Britain during the Romantic period and also established the portrait as an esteemed high art genre that garnered equal import to the history paintings that reigned supreme in decades prior. Today, Reynolds’s works grace the walls of the most important museums in the world, including the Louvre, the Metropolitan Museum of Art, and the National Gallery in London, among others.
Circa 1770
Canvas: 50 1/2" high x 40 1/4" wide
Framed: 61" high x 52 1/2" wide x 3 1/2" deep
Provenance:
Sir Henry Howard, 12th Earl of Suffolk and 5th Earl of Berkshire, 1739-1779
His mother, Lady Mary Howard, née Finch, Lady Andover, d. 1803
Acquired by descent to her daughter, Frances, and her husband Richard Bagot (later Howard)
Acquired by descent to their daughter, Mary (1784-1877), and her husband Col. Fulke Greville Upton (later Howard), d. 1846
Acquired by descent to Lieutenant Colonel H.R.G. Howard
Sale, Christie's, London, March 24, 1961, no. 29
Julius Weitzner, London and New York
Sale, Paris, Musée Galliéra, December 7, 1965, no. 165
Newhouse Galleries, New York, NY
Mr. and Mrs. F. Howard Walsh, Fort Worth, Texas, 1966
Walsh Family Art Trust
Private collection, Oregon
M.S. Rau, New Orleans
Exhibited:
British Institution, London, 1844, no. 130, loaned by the Hon. Fulke Greville Howard.
South Kensington, "Second special exhibition of National Portraits," 1867, no. 478, lent by the Hon. Mrs. Greville.
Agnew's, London, 1903, no. 17.
Literature:
Algernon Graves and W. V. Cronin, A History of the Works of Sir Joshua Reynolds, P.R.A., vol. 3 (London, 1899), p. 945.
David Mannings...
Category
18th Century Other Art Style New Orleans - Portrait Paintings
Materials
Canvas, Oil
L'Hortensia by Jean Pierre Cassigneul
By Jean-Pierre Cassigneul
Located in New Orleans, LA
Jean-Pierre Cassigneul
b.1935 French
L'Hortensia
(The Hortensia)
Signed “Cassigneul” (lower right)
Oil on canvas
Jean Pierre Cassigneul’s L'Hortensia captures an elegant woman se...
Category
21st Century and Contemporary Modern New Orleans - Portrait Paintings
Materials
Canvas, Oil
Solitude
By Guillaume Seignac
Located in New Orleans, LA
French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subjects based on Greco-Roman prototypes were and rem...
Category
19th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
Portrait of a Lady (by leader of "Southern Art Renaissance") - 20th Century
By Ellsworth Woodward
Located in New Orleans, LA
Many of you clicking on this watercolor are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparke...
Category
Early 1900s Romantic New Orleans - Portrait Paintings
Materials
Watercolor
La femme aux fleurs (Portrait de Mathilde See)
By Paul César Helleu
Located in New Orleans, LA
Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris.
Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat.
The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import.
Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...
Category
20th Century Modern New Orleans - Portrait Paintings
Materials
Linen, Pastel
"The Red Umbrella" - Contemporary Impressionist Woman Portrait
Located in New Orleans, LA
A delightful portrait of a young lady in motion, umbrella in hand, with sure brushstrokes and wonderful mastery of color.
Proudly presented by Guy Lyman Fine Art...
Category
2010s Realist New Orleans - Portrait Paintings
Materials
Oil
Femme aux Souliers Noir (Woman in Black Shoes)
By Jules Pascin
Located in New Orleans, LA
This intimate portrait was composed by the Bulgarian-born French Expressionist painter Jules Pascin. Known as the "Prince of Montparnasse," Pascin made a name for himself throughout ...
Category
Early 20th Century Modern New Orleans - Portrait Paintings
Materials
Canvas, Oil
Portrait of Noble Lady
By Nicolaes Maes
Located in New Orleans, LA
Signed and dated "N MAE / 1691" (lower right)
Oil on canvas
A masterful example of 17th-century Dutch portraiture, this magnificent oil on canvas comes alive with luminous color, dramatic contrast and extraordinary detail. The work was composed by Nicolaes Maes, an artist widely regarded as the most prominent portrait painter of his era in Amsterdam. Fashionably styled, Portrait of a Noble Lady exemplifies the mature style of Maes, executed with the same artistry and attention to detail he imparted on his most important private commissions.
This work by Maes comes from the second half of his career and follows in the rich tradition of the great Flemish Baroque painters Peter Paul Rubens and Anthony van Dyck. Like these artists, Maes excels at not only capturing his subjects with a technical perfection but also their inherent elegance and grace. The sitter is draped in luxurious white and red silks and pearls, underscoring the importance and prosperity of his wealthy clientele. She is placed against a dark backdrop, enabling a striking chiaroscuro effect characteristic of the artist’s portraits.
Maes’s immense talent for detail and composition is clearly evident. In both palette and proportion, it embodies the somewhat austere style preferred by the artist, which emphasized a painstaking study of the costumes, hairstyles and accessories of his subjects. Such elaborate and highly detailed costuming in portraiture was a fashionable way to show one's wealth in the 17th century, particularly among the emerging class of wealthy merchants. Similar works by the painter can be found in the Rijksmuseum (Amsterdam), National Gallery (London), National Gallery of Art (Washington, D.C.), Metropolitan Museum of Art (New York) and Philadelphia Museum of Art, among others.
Nicolaes Maes was born in Dordrecht in 1634 to a prosperous cloth merchant. Around 1848, he moved to Amsterdam to study under Rembrandt for several years before returning to his native Dordrecht, where he established himself as a painter of genre scenes and portraits. In the 1650s, Maes traveled to Antwerp where he studied the work of Flemish artists such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens...
Category
17th Century Baroque New Orleans - Portrait Paintings
Materials
Canvas, Oil
Portrait Of Prime Minister William Ewart Gladstone By George Frederic Watts
By George Frederic Watts
Located in New Orleans, LA
George Frederic Watts
1817-1904 British
Portrait of Prime Minister William Ewart Gladstone
Oil on canvas
This exceptional portrait captures the stately likeness of the famed “Gra...
Category
19th Century New Orleans - Portrait Paintings
Materials
Canvas, Oil
Tri-Directional Portrait Commemorating the Russo-Turkish War
Located in New Orleans, LA
Austrian School
18th Century
Tri-Directional Portrait Commemorating the Russo-Turkish War
Oil on wooden strips
This extraordinary tri-directional portrait exemplifies the rare innovation known as a triscenorama, capturing a pivotal diplomatic moment through ingenious artistic technique. Employing triangularly cut wooden strips, this remarkable work simultaneously depicts three imperial figures central to the Russo-Turkish War of 1735-1739: Empress Anna Ivanovna Romanova of Russia when viewed directly, Holy Roman Emperor Charles VI from the left and Ottoman Sultan Mahmud I from the right, commemorating the Treaty of Nissa that concluded this significant European conflict.
The portrait utilizes an exceptionally rare optical technique that predates modern movable imaging technology. When observed from different angles, the painted triangular wooden strips create a transformative effect, revealing entirely different imperial portraits as the viewer shifts position. The precision required to execute such a work demonstrates remarkable technical mastery, as the artist had to conceptualize three distinct portraits as well as the meticulous arrangement of the panels. This sophisticated manipulation of perspective creates an interactive viewing experience considered revolutionary for its time.
Almost certainly created by an Austrian artist, this diplomatic artwork likely served as a commemorative piece marking the Treaty of Nissa, signed in September 1739. The treaty concluded Russia's ambitious campaign to secure access to the Black Sea while countering Ottoman raids in Ukraine and the Caucasus regions. Given its exceptional quality and historical significance, this portrait was possibly commissioned by Emperor Charles VI himself, potentially serving as a diplomatic gift to either Empress Anna or Sultan Mahmud I during the treaty negotiations.
Under Empress Anna's leadership, Russia sought to counter devastating raids from Ottoman allies, particularly the Crimean Tatars...
Category
18th Century Old Masters New Orleans - Portrait Paintings
Materials
Wood, Oil, Wood Panel
Saint Cosmas And Saint Damian Attributed To Bonifacio Bembo
By Bonifacio Bembo
Located in New Orleans, LA
Attributed to Bonifacio Bembo
c.1444-1477 Italy
Saint Cosmas and Saint Damian
Tempera on panel
These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity.
The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George.
While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece.
According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats.
The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...
Category
15th Century and Earlier Renaissance New Orleans - Portrait Paintings
Materials
Tempera, Panel
"Rapture" - Contemporary Woman Portrait
By Louis Braquet
Located in New Orleans, LA
Finally got my hands on something by Louis Braquet. He has multiple commissions this year and I've been unable to get anything new. He had held on to thi...
Category
2010s New Orleans - Portrait Paintings
Materials
Acrylic
Entangled
By Ruth Owens
Located in New Orleans, LA
RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Oil
La lecture au jardin (Lesson in the Garden)
By Georges d'Espagnat
Located in New Orleans, LA
French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work.
Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York).
The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants.
By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...
Category
Late 19th Century Post-Impressionist New Orleans - Portrait Paintings
Materials
Canvas, Oil
The Letter
By Andrea Landini
Located in New Orleans, LA
A red-robed cardinal chuckles at the letter in his hand in this oil on canvas by the Italian painter Andrea Landini. The vibrantly hued piece illustrates the artist’s genius at rendering charming narratives in remarkable detail. Entitled The Letter, the work is a superb example of Landini's technical virtuosity — from the finely carved and upholstered chair to the neoclassical painting in the background, every detail is meticulously depicted.
Such works satirizing the clergy would have been severely censured just a generation earlier. Yet, by the time Landini picked up the brush, the European public had grown discontent with the hypocrisy of the clergy, many of whom enjoyed lavish lifestyles. Cardinal paintings such as this became highly popular during the period, and Landini emerged alongside Georges Croegaert, Marcel Brunery and Jehan Georges Vibert as the leading painters of the genre.
Born in Florence in 1847, Andrea Landini trained at the Academy of Fine Arts in Florence, first under the animal painter Riccardo Pasquini and later with religious painter Antonio Ciseri...
Category
Late 19th Century Other Art Style New Orleans - Portrait Paintings
Materials
Canvas, Oil
Strangelove - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Discover the warmth and depth of "Strangelove," an oil painting on linen by Alessandro Tomassetti...
Category
2010s Contemporary New Orleans - Portrait Paintings
Materials
Linen, Oil
A Seduction
By Adam Mysock
Located in New Orleans, LA
From John William Waterhouse’s A Mermaid, 1900
We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Varnish, Acrylic, Wood Panel
Portrait Of Dr. Frederick A. Cook By Albert Operti
Located in New Orleans, LA
Albert Ludwig Operti
1852-1927 Italian-American
Portrait of Dr. Frederick Albert Cook
Oil on canvas
This highly rare portrait of the important Polar explorer, Dr. Frederick Albert Cook, is the work of American artist Albert Ludwig Operti. Renowned in the late 19th and early 20th centuries for his paintings of exploration, namely Arctic scenes, Operti was the only artist to accompany Robert Peary...
Category
20th Century Realist New Orleans - Portrait Paintings
Materials
Canvas, Oil
Taken Aback By My Own Beauty #2
By Adrienne Brown-David
Located in New Orleans, LA
These paintings are images taken directly from life with my daughters. They each represent a fragment of their childhood that is rapidly disappearing. I have chosen to create visual ...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Oil
Adieu Gaugin
By Ruth Owens
Located in New Orleans, LA
RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by the Jonathan Ferrara Gallery, and belongs to the artist collective, “The Front,” both in New Orleans. Owens’ work is concerned with contributing to and preserving the black archive, and she uses personal super-8 film references in her painting and video art. Artist residencies include the Joan Mitchell Center, the Addison Gallery of American Art, the Vermont Studio Center, and the Studios at MASS MoCA. She is slotted to attend the International Studio and Curatorial Program in NY in 2023. Her work is in the permanent collections of the Ackland Art Museum at UNC-Chapel Hill, the Addison Gallery of American Art, the Ogden Museum of Southern Art, the Dale Center for the Study of War and Society, and 21c Museum.
The artist says of her work…
In the sixties, my father was stationed at a military base in the deep South...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Oil
Portrait of Napoléon II
Located in New Orleans, LA
The son of the legendary Napoléon Bonaparte, Napoléon François Charles Joseph, takes a spirited stance in this remarkable oil painting attributed to the Austrian portraitist Johann Peter Krafft. Believed to have been exhibited at the Exposition Universelle of 1900 in Paris, this work stands as a testament to both Austrian artistry and the legacy of one of the most powerful men in history.
After Napoléon's exile to the island of Elba in 1814, his son was seen by many of his supporters as the last hope of France. The child was named the ruler of half of Europe, holding the titles of Napoléon II...
Category
Early 19th Century Academic New Orleans - Portrait Paintings
Materials
Canvas, Oil
Tante Tilly
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Oil
How?
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Oil
A Repetition
By Adam Mysock
Located in New Orleans, LA
A red-and-green parrot.
For a lie to gain real power, it must continue its existence separate from its creator. If it can be repeated by others, retold in a variety of contexts, it ...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Varnish, Acrylic, Wood Panel
An Overreach
By Adam Mysock
Located in New Orleans, LA
From an illustration by Arthur Rackham for Alice in Wonderland – “They all crowded round it panting and asking, ‘But who has won?’” 1907
There’s a fear of inferiority that lies behi...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Varnish, Acrylic, Wood Panel
Santa
By Leslie Thrasher
Located in New Orleans, LA
A Salvation Army Santa looks on with a mixture of fatigue and disinterest as a group of children tell him their Christmas gift wish lists in this lighthearted composition by leading American illustrator Leslie Thrasher. This painting was created for the December 20, 1930 issue of Liberty Magazine, for which the artist illustrated covers on a weekly basis for six consecutive years. Thrasher is known for his scenes of everyday American life imbued with a sense of humor, qualities represented to great effect in this charming painting.
Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of everyday life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...
Category
Early 20th Century Other Art Style New Orleans - Portrait Paintings
Materials
Canvas, Oil
Portrait of a Young Woman by Emile Eisman-Semenowsky
By Émile Eisman-Semenowsky
Located in New Orleans, LA
Emile Eisman-Semenowsky
1857-1911 Polish
Portrait of a Young Woman
Oil on panel
Signed and dated “E. Eisman-Semenowsky, Paris 1882” (lower right)
A beautiful young woman exudes r...
Category
19th Century Academic New Orleans - Portrait Paintings
Materials
Oil, Panel
amaka Beauty
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Ink, Acrylic
"See Me, Countryside, study II" -- Painting on paper by Ruth Owens
By Ruth Owens
Located in New Orleans, LA
Framed dimensions: 15h in x 12.5w in
RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented ...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Paper, Casein, Pencil
"Tempestas" - Contemporary Nude Figurative Painting
By Louis Braquet
Located in New Orleans, LA
Louis Braquet is a top-selling artist in New Orleans, and as his paintings sell out quickly at the Royal Street gallery that represents him we are thrilled to have been chosen to sho...
Category
2010s Contemporary New Orleans - Portrait Paintings
Materials
Acrylic
"Demoiselle" - Framed Early 20th Century Pastel Woman Portrait
Located in New Orleans, LA
I apologize for the reflections on the glass of this exquisite Gaston Bouy pastel drawing. It's in a very nice frame in great condition, and I did not want...
Category
Early 1900s New Orleans - Portrait Paintings
Materials
Pastel
Anna Maria in White
Located in New Orleans, LA
An absolutely lovely portrait of a young woman relaxed on a couch that perfectly captures the slackness in her relaxed body, much harder to achieve than it looks. Portrait/figure pai...
Category
Late 20th Century Impressionist New Orleans - Portrait Paintings
Materials
Oil
Half Brothers
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Oil
Gravida 7, Para 3
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Oil
anwuli ⏐ Joy
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Acrylic, Archival Paper
"Date Night, RoCharlotte" -- Painting on canvas by Ruth Owens
By Ruth Owens
Located in New Orleans, LA
RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Oil
nwunye onye Freedom
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Ink, Acrylic
lebechi Look Unto God
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Ink, Acrylic
ezinne The Good Mother
By REWA
Located in New Orleans, LA
REWA says of her work…
Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...
Category
21st Century and Contemporary Contemporary New Orleans - Portrait Paintings
Materials
Canvas, Ink, Acrylic
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